Audio recordings : "Saxony" edited solo tape
- 1998-038/028(07)
- File
Part of James Tenney fonds
Audio recordings : "Saxony" edited solo tape
Part of James Tenney fonds
Audio recordings : "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of "Saxony 2" by James Tenney.
Audio recordings : "Harmonium #3"
Part of James Tenney fonds
Consists of audio recording of Harmonium #3 by James Tenney. It is performed by Judy Saiki and Michael Rafferty at Gallery Naga in Boston on November 24, 1981. There is a note folded inside the reel case which reads: "Sorry so late. This is from 11/24/81 perf. at Gallery Naga in Boston. Other harpists are Judy Saiki + Michael Rafferty. Close, but I'd like to get it better. Love, Susie."
Audio recordings : "Chromatic Canon" : 1) 2 parts 2) 1st part only
Part of James Tenney fonds
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V
Part of James Tenney fonds
Part of James Tenney fonds
Ben Johnston, John Cage, Henry Brant, James Tenney. Part I
Part of James Tenney fonds
Consists of an audio recording of Ben Johnston's "Suite for Microtonal Piano" (1977) and "String Quartet No.4" (1973). As well as "Music for Wind Instruments" by John Cage. It continues on 1998-038 / 030 (03) (ASC17165).
Audio recordings : "Voices" mix without delay
Part of James Tenney fonds
Audio recordings : "Bridge" (not the best performance)
Part of James Tenney fonds
Audio recordings : "Deus ex Machina" 1st part
Part of James Tenney fonds
Item consists of a recording of James Tenney's piece 'deus ex machina, part I.'
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Part of James Tenney fonds
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Part of James Tenney fonds
Audio recordings : "In the Lydian Mode"
Part of James Tenney fonds
Item consists of an audio recording of "In the Lydian Mode" by James Tenney.
Part of James Tenney fonds
Consists of audio recording of music by James Tenney. Recorded at Aeolian Co. by Ms. J. Laurence Cook. Annotations on audio reel case include: 4 sections in the order RI-O-R-I or (letting RI=O., O-RI-I-R (<-symmetrical->).
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of "Replay" (1984) by James Tenney.
Ben Johnston, John Cage, Henry Brant, James Tenney. Part II
Part of James Tenney fonds
Consists of an audio recording of "Inside Track" by Henry Brant and "Band" by James Tenney. It begins on 1998-038 / 030 (03) (ASC17164).
Part of James Tenney fonds
Audio recordings : "Medea"-organized sound
Part of James Tenney fonds
Item consists of #1 Prelude 1st Act and Nurse's Monologue / James Tenney. -- #2a Medea`s voice Death... Destruction... Let me die.
/ James Tenney. -- #2b "Ai....Ai" / James Tenney. -- #2c "Hear me...die" / James Tenney. -- #2d - "I will not be mocked.... Death (pp. 15-16) / James Tenney. -- Trumpet for Creon / James Tenney. -- #5 Thunder / James Tenney. -- #6 End of Act 1 / James Tenney. -- #7 Prelude to 2nd Act and Medea's Monologue / James Tenney. -- #8 From "I have heard evil" (p. 62) to "someone will bring us news" (p. 64) / James Tenney. -- #9 - Trumpet (p. 68) / James Tenney. -- #10 - Trumpets (p. 73) / James Tenney. -- #11 - Children's screams / James Tenney. -- #12 Opening of the doors on the children's bodies (p. 79) / James Tenney. -- #13 From "no, they are mine", thru end of play / James Tenney. -- Medea Tail end / James Tenney.
Audio recordings : "Quiet Fan for Erik Satie"
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Part of James Tenney fonds
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Part of James Tenney fonds
Recording of James Tenney introducing his work "deus ex machina, part I" at the Music Gallery on 16 October 1982. The Music Gallery was located on St. Patrick Street in 1982.
Part of James Tenney fonds
Audio recordings : 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra"
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Harmonium, University of California at Santa Cruz
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Recording (b) : Layer "B" (lower staves)
Part of James Tenney fonds
Recording (d) : "C" = A + B (channel separation)
Part of James Tenney fonds
Recording (a) : Layer "A" (upper staves)
Part of James Tenney fonds
Recording (c) : "C" = A + B
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Part of James Tenney fonds
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Part of James Tenney fonds
Audio recordings : "Metal Meditations" three sections for Merce Cunningham dancers, aired on KUSP-FM
Part of James Tenney fonds
Part of James Tenney fonds
Recording (e) : "C" - A + B (B starts early)
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Stockhausen, "Kontakte", Tenney, Neuhaus
Part of James Tenney fonds
Audio recordings : "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction)
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Sonata #2" movements 1 and 2
Part of James Tenney fonds
Audio recordings : Charles Ives "Sonata #2" movements 3 and 4
Part of James Tenney fonds
Audio recordings : "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano
Part of James Tenney fonds
Audio recordings : "Kontakte" Stockhausen
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Lon Harrison "Canticle #3" California Institute of the Arts Percussion Concert
Part of James Tenney fonds
Part of James Tenney fonds
Recording consists of concert performances of James Tenney's compositions by members of the California Institute of the Arts during a spring concert in 1973. Includes: 1) Seeds 2) In the Phrygian Mode 3) 12 Ways For Looking at a Blackbird (annotated "quarter track master") 4)For 12 Strings (Rising) 5) Hey When I Sing... and 6) In the Sydian Mode (This track was recorded in reverse on the other side of the reel. Recorded at 7 1/2 ips.
Audio recordings : Piano concert
Part of James Tenney fonds
Audio recordings : Charles Ives, "Concord Sonata" with Linny Kammer
Part of James Tenney fonds
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Part of James Tenney fonds
Part of James Tenney fonds
Consists of "Lydian Mode" and "Phrygian Mode" James Tenney. Originally recorded at a concert on May 27, 1973 at the California Institute of the Arts.
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.
Audio recordings : "Chromatic Canon" (one voice only) "Glissade I, IV, V"
Part of James Tenney fonds
Part of James Tenney fonds
Consists of Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano / James Tenney. -- Collage #1 (Blue Suede) / James Tenney.
Part of James Tenney fonds
Consists of an audio recording of "Spectral Canon for Conlon Nancarrow, 1974 3 - Music for Player Piano" by James Tenney.
Concert May 27th California Institute of the Arts
Part of James Tenney fonds
Consists of a recording of a concert at the California Institute of the Arts on 27 May 1973 featuring two pieces by James Tenney: 1) In The Lydian Mode and 2) In The Phrygian Mode.
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Consists of audio recording of Electronic and Computer music composed by James Tenney. The tracks are "Noise Study," from 1961; "Stochastic Studies," from 1962; "Dialogue," from 1963; and "Phases," from 1963.
Part of James Tenney fonds
Consists of audio recording of computer music by James Tenney. The tracks consist of "Five Stochastic Studies," "Dialogue," and "Phases."
Part of James Tenney fonds
Consists of audio recording of electronic and computer music composed by James Tenney. The tracks are "Improvisations for 'Medea'" from 1961, "Collage #1 (Blue Suede)" from 1961, "Stochastic String Quartet" from 1963, "Music for Player Piano from 1964", and "Collage #2 -(Viet Flakes)" from 1966.
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : 1) "Collage #1 Blue Suede" 2) "Noise Study" 3) "Phases" (good dub)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "
Audio recordings : "Three Drum Pieces", "Crystal Canon"
Part of James Tenney fonds
Item consists of a recording of percussion performances: "Three Drum Pieces" and "Crystal Canon."
Part of James Tenney fonds
Part of James Tenney fonds
Consists of recordings by James Tenney. Annotations on case include: 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)"
Audio recordings : Two pieces :"QUINTEXT l-V" (String quartet and bass) "Clang" for orchestra
Part of James Tenney fonds
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.
Audio recordings : "Ergodos II," "Collage #2"
Part of James Tenney fonds
Part of James Tenney fonds
Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.
Audio recordings : 1) "Noise Study" 2) "Ergodos II" (for John Cage)(1964) 3) untitled (1969)
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963
Part of James Tenney fonds
Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"
Part of James Tenney fonds
Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).
Part of James Tenney fonds
Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.
Part of James Tenney fonds
Audio recordings : Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969)
Part of James Tenney fonds