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Fonds consists of a scrapbook containing letters and autographs from men and women such as W.L. Courtney, J.M. Wilson, F. Max Muller, Sir John Burke, W.J. Courhope, E. Curtius, John Cam Hobhouse, Admiral J. Jervis, B. Jowett, A.H. Sayce, and W.A. Wright; poems by Federico Garcia Lorca, Cecil Day-Lewis, and Wilson Pugsley MacDonald; press clippings for the Mid-Canada Development Conference; a bound manuscript by E.B. Sorge; letters written by Robert White Creeley, Dennis T. Patrick Sears, Edith Sitwell, Arthur S. Hamilton, Eugene A. Moxley, Arthur Chute Dent, Esther and Abraham Rattner, Francis Turner Palgrave, Robert Taylor, and Clement King Shorter; the will of William Crysall; the journal of Florence Alice Sitwell; sketches by Arthur S. Hamilton; a scrapbook of photographs and letters by Frederick H. Evans; a short essay on Roy Campbell by John Gawsworth; a Kingston Preparative Meeting of Men Friends minute book; a L'Académie française medal; a silk screen poster for The Escstasy of Rita Joe ; a manuscript of “Apollo Tree” by Miriam Waddington; and a list of Livingston and similar names from 1871 Census of Ontario.

Fonds consists of material that documents Kulyk Keefer's career as a writer and academic. These records include personal and professional correspondence with fellow writers, files related to her work with the Eden Mills Writers' Festival and House of Anansi, drafts of poems and short stories, and draft manuscripts of her published works of fiction and non-fiction. Also included are research and subject files and promotional materials pertaining to her writing projects, copies of published writing by and about Kulyk Keefer, personal notebooks, speeches and photographs.

Collection consists of small groups of documents and items acquired from a variety of sources that have enduring research value.

Fonds consists of photographs documenting the journalistic activities of Excalibur at York University.

The fonds consists primarily of colour slides and black and white negatives that chronicle Lawson's activities over 25 years as a CBC production designer, particularly with colleague and friend, producer Norman Campbell, and their collaborations for CBC artistic television productions such as The Gondoliers (1962), Romeo and Juliet with Celia Franca (1965), Hansel and Gretel with Maureen Forrester (1970), Giselle (1975), Cinderella with Veronica Tennant, Jeremy Blanton and Lois Smith (1968), Swan Lake with Erik Bruhn and Lois Smith (1961 and 1967), the Nutcracker with the Royal Winnipeg Ballet (1974), la Rondine with Teresa Stratas (1971), The Wonder of It All (1972), and the Karen Kain Super Special (1978). Other programs documented include More Joy in Heaven (1964), Hatch's Mill, The Masseys, Stephen Leacock, Wayne and Shuster television specials, A Case for the Court, Troubled Heart, Wojeck, and The Road among other programmes. There are also previously unseen photographs of pianist Glenn Gould with violinist Yehudi Menuhin in 1965, and in conversation with Bruno Monsaingeon in 1980. The photographs include many candid shots of iconic Canadian stage and television personalities including Gordon Pinsent, Celia Franca, Karen Kain, Veronica Tennant, Nadia Potts, Erik Bruhn, Norman Campbell, Wayne and Shuster, Christopher Plummer, Maureen Forrester, Margot Kidder, Robert Farnon, and others. Records also include some storyboards, drawings, slides and notes related to the Chroma-Key technique developed by Lawson and Campbell, program reviews, clippings, complimentary and congratulatory letters to and from Lawson, and about Lawson's work.

Fonds consists of videotaped performances of a wide variety of folk musicians at the Mariposa Folk Festival and other venues for broadcast on Rogers' "Highway 10" cable television show, as well as some videocassettes provided by the Mariposa Folk Festival for promotional purposes

Fonds consists of records acquired by Selma Odom over the course of her career as a dance scholar and educator. Includes dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Odom between 1972 and 2008.

Fonds consists of textual records about the life of George E.A. Reid, including birth, baptismal, and death certificates, high school yearbooks, personal correspondence, and personal papers from throughout adolescence and adult life, as well as material relevant to his professional working life. The records also include information about his family, including the diary writings of his mother, Bessie Ellis Reid, and his wife, Olive Reid. Fonds also consists of correspondence sent between family members and received by family members. Also included are 12 large scrapbooks containing cards, photographs, newspaper clippings, and other material created by, collected and arranged by George E.A. Reid and family. Also included in the fonds are Reid's personal and family photographs and various forms of Reid's artwork and music, including drawings, sketches, paintings, graphic print artwork, and some original musical compositions. The fonds also contains 35mm and large-format colour transparencies taken by George E.A. Reid of the family and flower gardens, as well as a binder containing original animation cells from "Life with Cecil" (1960), a short film animated by Reid, and other artwork including hand-painted cartoon movie title stills, sketches on tracing paper, and other hand-drawn cartoons. Also, there are 18 8mm film reels of home movies and family trips, as well as 2 audio cassettes that include Dianne Reid's interview with George's older brother Ted, and a recorded musical collaboration between George E.A. Reid and his youngest daughter, Stephanie.

A book and pamphlet collected by George E. A. Reid through his schooling and work and donated with the fonds have been added to Special Collections, and are accessible through York University Libraries' catalogue.

Fonds consists of research notes, newspaper clippings, reports, publications, correspondence, and photographs pertaining to Portuguese emigration and the Portuguese experience in Canada compiled by Professor Higgs in connection with his scholarly work and teaching on Portuguese history and his collaborative work with Grace Anderson.

Fonds consists of textual records created or accumulated by Robert Fothergill, including manuscripts, drafts and promotional material relating to his work as a theatre professor and playwright.

Fonds consists of: an early sketchbook; an exhibit book from the Agnes Etherington Art Centre entitled Notes on dark ground; a magazine with an article about Ingeborg; an invitation to Ingeborg’s 1986 studio show on Howe Island; a collection of magazine articles and clippings of upcoming gallery exhibits, architecture, and art; newspaper clippings on movies, art and entertainment; correspondence from friends, family and colleagues including artist Nina Whiting, writer Daniel Manfredi, painter Peter Bieselt, Thomas Ring-Stiftung, Joan Mackenzie, and gallery owners; a letter from Timothy Findley; artist profiles of Ingeborg Mohr; her curriculum vitae; articles, stories and poems written by friends; and a collection of articles on art, architecture and philosophy.

Collection consists of conference material, documentary film footage, and textual material related to the scholarship, legacy and cultural impact of Barbara Godard, donated to the archives by former students, colleagues, family members and friends.

Fonds consists of registers of British vessels employed in the coasting trade on Canada's Atlantic coast. One volume records vessels that arrived at Bridgetown, Nova Scotia, between 1876 and 1906, and the other volume lists vessels that departed from this port between 1876 and 1910. The registers include date of entry, rig and name of vessel, the master's name, port of departure or destination, whether the vessel was carrying cargo or ballast, and the number of tons and crew permitted under transire or coasting license.

Fonds consists of records created by Marc Stein in the course of his activities as a teacher and administrator, including a draft history of gay, lesbian, bisexual, transgender and queer activities at York University from the 1960s to 1979, articles clipped from the student newspaper, Excalibur, concerning police harassment, women’s liberation and homophiles, student and media attitudes toward gays, and campus housing, and newsletters of the York University Homophile Association, 1970-1971, that were given to Stein when he was appointed Sexuality Studies Coordinator; records of the Sexuality Studies Committee pertaining to support for the program proposal, governance of the program, status of courses, proposal for certificate and minor programs, course enrolment, course instruction and designations, special events such as lectures and film nights, development of a course rubric, supplemental calendars for 2006-2010, minutes of Council meetings, a bibliography of faculty publications and productions, printed email correspondence, course proposal forms, award proposal forms for student academic performance, student lists, statements of revenue and expenses, the proposal to develop an option to major in Sexuality Studies; and course syllabi.

Fonds consists of nine handwritten notebooks containing the sermons written by William Clark for services held in several locations throughout Canada West (later Ontario), including Blenheim, Burford, Plattsville, Port Dover, and Toronto. The sermons created during the 1870s were written in Baldwinsville and Greenpoint, which were likely communities on Long Island, New York. Each sermon begins with a title and the underlying biblical text, and often include the numbers of the hymns sung during the service.

Accession consists of newspaper clippings, periodicals and travel documents and ephemera related to Perkins' travel, research and study of political, agricultural and environmental issues in Mozambique.

Fonds consists of records documenting Barbara Rahder’s graduate studies at the University of Toronto’s Department of Urban and Regional Planning, her work as a professor and member of the Faculty of Environmental Studies at York University, her planning consultancy projects in the 1980s and 1990s, her scholarly writing and participation in conferences and workshops, and her involvement with the activities and conferences of Planners Network and the International Network for Urban Research and Action. Records in this fonds include papers, reports, proposals, notes, notebooks, photographs and photographic slides, research materials, conference materials, technical drawings, correspondence, e-mail, lecture notes, and course materials.

Fonds consists of records pertaining to the work and activities of Michael A. Gilbert. These records document Gilbert’s work as a professor of philosophy and administrator at York University, as a writer and lecturer in the areas of argumentation theory and transgender theory, and as a writer of literary fiction. Records in this fonds include correspondence and day planners, academic papers and articles, draft manuscripts and screenplays, notes, course materials and lecture notes, photographs, and conference materials.

Fonds consists of research material created and collected by Wenona Giles as part of her anthropological studies of Portuguese migrant women in London, United Kingdom, and Toronto, Canada. Fonds includes, field notes, interview transcripts, questionnaires, reports and other collected research material.

Fonds consists of records pertaining to Michael Davey's work as an artist and professor at York University. Included are course descriptions; exhibition catalogues and invitations; donation agreements; portfolios of drawings, photographs, and paintings; and sculptures of 9 hockey blades and a granite puck sandblasted with the image of Maurice Richard's and Gordie Howe's eye and elbow.