Made in Cape Breton : the Cottars with special guest John McDermott (compact disc)
- 2004-033/021(08)
- Item
- 2002
Part of Bruce Pittman fonds
Made in Cape Breton : the Cottars with special guest John McDermott (compact disc)
Part of Bruce Pittman fonds
Shattered City : music composed by Christopher Dedrick (compact disc)
Part of Bruce Pittman fonds
Part of Mary Young Leckie fonds
"Shattered City" Score Ideas / Graeme Campbell
Part of Mary Young Leckie fonds
"Shattered City" Score Ideas / Graeme Campbell
Part of Mary Young Leckie fonds
Part of Mary Young Leckie fonds
Part of Mary Young Leckie fonds
Part of Mary Young Leckie fonds
Part of Mary Young Leckie fonds
Part of Mary Young Leckie fonds
Part of Mary Young Leckie fonds
Children of My Heart - Music Sketches
Part of Mary Young Leckie fonds
Mederic Productions "Children of My Heart" Violin Music
Part of Mary Young Leckie fonds
Mederic Productions "Children of My Heart" Violin Music
Part of Mary Young Leckie fonds
Burn: The Robert Wraight Story - Heather's Compilation
Part of Mary Young Leckie fonds
Hunting for Robin Hood interviews (6 Compact Discs)
Part of Seth Feldman fonds
Gzowski in Conversation: "Comedy", Ch. 1 & 2 Stereo Mix, 47:02 (With 4 x 5 Sec. Blacks)
Part of Mary Young Leckie fonds
Gzowski in Conversation: 'Christopher Plummer', Ch. 1 & 2 Stereo Mix, 47:02 (With 4 x 5 Sec. Blacks)
Part of Mary Young Leckie fonds
Gzowski in Compilation, Various Artists (15 Total), Compact Disc
Part of Mary Young Leckie fonds
Gzowski in Compilation, Various Artists (15 Total), Compact Disc
Part of Mary Young Leckie fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Michael Posluns fonds
Item consists of an audio recording pertaining to Our Native Land : Folk music of Aboriginal Groups Across Canada.
[Maue Leves – G.?] 3/3/92, [M 5 a?]
Part of Michael Posluns fonds
Item consists of an audio recording pertaining to Susan Martin, conditions for Inuit during voyage, finding funds during voyage, difference in conditions between Inuit and Cree groups, CTV coverage, solidarity,resentment,youth and drinking, elders,coordinators and children, entering Albany, HydroQuebec, and Larry House.
Part of Michael Posluns fonds
Item consists of an interview with the deputy chief of [Chisasibi?], Sam Tapiatic. Recording starts mid-interview. Some topics covered include environmental projects re-working land, Cree working in co-operation with Environment Canada, working within the budgetary constraints imposed by Ministry of Natural Resources; using fertilizer from commercial fishing; caribou farming; recently finding moose carcasses with unknown cause of death; environmental degradation; dietary needs of Cree population living off food caught in the bush; mercury poisoning causing hunters to fish and hunt elsewhere. Tapiatic also discusses community issues, including: the disastrous environmental impacts of first phase of Le Grand Complex, mercury contamination and resulting social problems, working with Great Whale community environmental task force.
Del 92-02.18 Pete & [Joshi?] 2/24/92
Part of Michael Posluns fonds
Item consist of an audio recording consisting of interview(s) and a phone conversation pertaining to improper conduct on the part of HydroQC, behaviour of reporters, sailing with the clearwater ship in NY, Bob/Richard [Walsid?], possibilities of legal actions, news article about great whale, Richard [Dyshtavish??],difficulties journeying on river, and Doug Morgan.
Part of Michael Posluns fonds
Item pertains to Bilateral Agreement and constitutional amendment from 1980s.
Part of Michael Posluns fonds
Part of Michael Posluns fonds
Item consists of an oral history interview with D. Destreichen on May 26 1992for the purposes of Posluns book\, "Voices from the Odeyak".
Part of Michael Posluns fonds
Item consists of an oral history interview with Karen [Like?] for the purposes of Posluns book, "Voices from the Odeyak".
Wanda Big Canoe, Peter Bishop 20
Part of Michael Posluns fonds
Bourne Music Co., Selected Standards, "Unforgettable That's What We Are"
Part of John N. Smith fonds
Country Classics -- A Cool Dry Place
Part of John N. Smith fonds
IV Electronic Music Festival ; performers : Bartlett #1 and Teitelbaum #2 ; [1 concert]
Part of Music Gallery fonds
Item consists of a recording and may include performance(s) by Teitelbaum, Richard and Bartlett, Martin.
Electronic Music Festival : David Rosenboom and Martin Bartlett
Part of Music Gallery fonds
Item consists of a recording and may include performance(s) by Rosenboom, David and Bartlett, Martin.
MGCD [Music Gallery compact disk?]
Part of Music Gallery fonds
Audio recordings : "Ann Rising", I, #1
Part of James Tenney fonds
Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"
Part of James Tenney fonds
Audio recordings : Toy Specialist, Jim; Ridino, Ballet One
Part of James Tenney fonds
Audio recordings : #12 Denver, July 24
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : 11, July 22 to 24, Taos to Denver
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 10, July 20, Phoenix to Taos?; Steve and Carol, July 22
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip. Includes Tenney explaining his recording activities to Steve and Carol.
Audio recordings : 9-E, Phoenix, July 19, fifth tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-D, Phoenix, July 19, fourth tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney while on a road trip.
Audio recordings : 9-C, Phoenix, July 19, third tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-B, Phoenix, July 19, second tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-A, Phoenix, July 19, first tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : Phoenix party at Dad's July 17th
Part of James Tenney fonds
Consists of recording of a house party attended by James Tenney in Phoenix, Arizona. Annotations on reel case include: "H. Julia etc."
Audio recordings : Phoenix Party July 17
Part of James Tenney fonds
Consists of recording of a house party attended by James Tenney in Phoenix, Arizona.
Audio recordings : Phoenix Party July 17
Part of James Tenney fonds
Consists of recording of a house party attended by James Tenney in Phoenix, Arizona.
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, including recordings done in Phoenix Arizona with his father Carl Tenney. At the 16 minute mark, recording begins of Tenney interviewing his mother in Denver, Colorado, who is reluctant to speak about Tenney's birth and childhood on tape.
Audio recordings : Talking with Carl and Helen, Tuesday
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, in conversation with his father Carl Tenney and a woman named Helen (Carl Tenney's wife?).
Audio recordings : Carl and me talking about the drone, etc.
Part of James Tenney fonds
Consists of audio recording of James Tenney interviewing his father Carl Tenney in Phoenix, Arizona during a road trip, discussing specifically the impact of Carl's divorce from his mother.
Audio recordings : #7 Carl Tenney Mon July 15
Part of James Tenney fonds
Consists of audio recording of James Tenney interviewing Carl Tenney in Phoenix, Arizona during a road trip.
Audio recordings : #6B- Thatcher to Phoenix
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, the day after visiting with Walt and Millie Chandler, travelling through Thatcher and Phoenix Arizona. Annotations on case include: ""re memory / W+M's love for me/ about J Robinson/ Coolidge dam / cactus / Globe".
Audio recordings : #6-Walt and Willie Chandler in Thatcher, Arizona
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, while visiting Walt and Millie Chandler. In it Walt talks about his early childhood in Texas, New Mexico, 'Old Mexico', the history of the extended Chandler families, related to freighting, railroad contracting, lumber mills, and other industrial projects in Texas in the early 1900s, Mormonism, Morman colonies in Texas and Mexico. Millie Chandler joins the conversation at about 00:15:00. The couple describe how they met and their marriage together. Walt also discusses the First World War (he served in the navy) and his travels in the North Sea and Scotland.
Audio recordings : #5-Saturday and Sunday Albuquerque to Salford
Part of James Tenney fonds
Audio recordings : #4B Friday night in Albuquerque with Steve and Carol
Part of James Tenney fonds
Audio recordings : #4A Thurs. before Little Rock - Albuquerque
Part of James Tenney fonds
Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".
Audio recordings : Third- Knoxville to Little Rock
Part of James Tenney fonds
Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.
Audio recordings : Second and beginning of Third day
Part of James Tenney fonds
Item consists of a recording made by James Tenney while on a road trip across the United States, through Winchester, Virginia towards Tennessee in which he comments on various topics throughout the day while driving or in his motel room. Annotations on cover include: Notes on case: 2nd (+ beg 3rd) day Notes on inside of case: #2 July 9 Winchester Va to (Tennessee) I.D. / music / re. landscape in Va. / section at bad [scratched out] can be skipped at bad speed (comprehendible at 7 1/2) beginning of 3rd day, Robersville, Tennesee re beard begins again at 3 3/4 - repeats approx. then more on landscape, bear (mask, image) on the music (singing).
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private)
Part of James Tenney fonds
Recording consists of James Tenney as he sets out for a cross-country road trip. He travels from New Paltz to Winchester, Virginia, discussing variou topics (anticipation, delayed satisfaction, the purpose of life, astrology, music and other topics. Later he records thoughts a a motel, including the purpose of art, he records some music he has been thinking of and finally he discusses his past relationships with women. Annotations on case include: #1 - July 8, New Paltz to Winchester Va. "it begins" re present time - anticipation + delay some music re purpose of life (Hubbard, etc.) (organization) re Gemini - Leo: a) integration, b) expansion (Jupiter) in motel = re purpose in art singing "you might as well know what it's like" private from here (not for A., M., or S. to hear!)
Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)
Part of James Tenney fonds
Consists of an audio recording of "Woodwind Quintet Symphony" by James Tenney.
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2
Part of James Tenney fonds
Consists of audio recording of samples for "Fabric" a work by James Tenney. Annotations on case include: "1. work-tape #34 (#3 + #4 normal speed - repeated 20 min. at 7 1/2 ips 2. work-tape L0-2 (2nd half of 12 + 34 +68 at normal (slow) speed) 10 min. at 7 1/2 ips."
Part of James Tenney fonds
Recording of sample recordings by James Tenney. Annotation on case include: "Fabric work tapes 1. work-tape #12 (#1 + #2 repeated) 20 min at 7 1/2 ips 2. work-tape L0-1 (first half of 12 + 34 +68 at normal (slow) speed) 10 min at 7 1/2 ips"
Part of James Tenney fonds
Consists of five tracks by James Tenney of samples for his work "Fabric". Annotations on case include: "Fabric #3 +4 (half speed) repeated ~ 20 min at 7 1/2 ips work tape #68 1. work-tape #68 (#3 + #4 (half-speed) repeated) 20 min at 7 1/2 ips 2. work tape HI (all of 12 + 24 + 68 at the higher speed 10 min. at 7 1/2 ips)".
Part of James Tenney fonds
Consists of audio recording of computer music for work "Fabric". Associated material includes reel 1998-038 / 044 (01) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."
Part of James Tenney fonds
Consists of audio recording. Associated material includes reel 1998-038 / 044 (02) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Information on case: Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."
Part of James Tenney fonds
Consists of an audio recording labelled "C-copy" by James Tenney.
Audio recordings : Tenney - "Chorales for Percussion"
Part of James Tenney fonds
Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."
Part of James Tenney fonds
Consists of recordings of three performances of compositions by James Tenney.
Part of James Tenney fonds
Consists of eight musical performances of works composed by James Tenney, including the First Tone Roads Concert.
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Part of James Tenney fonds
Consists of voice recording of a lecture by John Cage.
Part of James Tenney fonds
Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.
Part of James Tenney fonds
Recording consists of eight recordings of computer music by James Tenney made between 1961 and 1963. Annotations on audio reel case include: 1) Timbre tests (1962) 2) Bell-clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7, 63) 5) Entrance/Exit Music (Brecht - Tenney) (8/62) 6) Improvisation from Medea (2/61) 7) Collage #1 "Blue Suede" (4/61) 8. Analog #1 - Noise Study (12/61)
Part of James Tenney fonds
Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).
Part of James Tenney fonds
Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"
Part of James Tenney fonds
Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963
Part of James Tenney fonds
Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.
Part of James Tenney fonds
Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.
Part of James Tenney fonds
Consists of recordings by James Tenney. Annotations on case include: 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)"
Audio recordings : "Three Drum Pieces", "Crystal Canon"
Part of James Tenney fonds
Item consists of a recording of percussion performances: "Three Drum Pieces" and "Crystal Canon."
Part of James Tenney fonds
Consists of an audio recording of "Voice(s)", performed by Joan La Barbara at Symphony Space in New York on May 15, 1985; and "Koan for Solo Violin", performed by Anne Lindsay at The Music Gallery. Both songs are composed by James Tenney.
Part of James Tenney fonds
Part of James Tenney fonds
Consists of audio recording of computer music by James Tenney. The tracks consist of "Five Stochastic Studies," "Dialogue," and "Phases."
Part of James Tenney fonds
Consists of audio recording of electronic and computer music composed by James Tenney. The tracks are "Improvisations for 'Medea'" from 1961, "Collage #1 (Blue Suede)" from 1961, "Stochastic String Quartet" from 1963, "Music for Player Piano from 1964", and "Collage #2 -(Viet Flakes)" from 1966.
Part of James Tenney fonds
Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "
Part of James Tenney fonds
Consists of audio recording of Electronic and Computer music composed by James Tenney. The tracks are "Noise Study," from 1961; "Stochastic Studies," from 1962; "Dialogue," from 1963; and "Phases," from 1963.
Part of James Tenney fonds
Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.