Typescripts, 1954-1975 : Metabolic Music
- 1978-018/005(04)
- File
- 1965
Part of James Tenney fonds
Typescripts, 1954-1975 : Metabolic Music
Part of James Tenney fonds
Typescripts, 1954-1975 : Choregram
Part of James Tenney fonds
About composers : Conlon Nancarrow, correspondence
Part of James Tenney fonds
About composers : Conlon Nancarrow, article
Part of James Tenney fonds
About composers : Conlon Nancarrow, interview
Part of James Tenney fonds
About composers : Conlon Nancarrow, Arch St. liner notes original writing
Part of James Tenney fonds
About composers : Analytical notes, Cage works
Part of James Tenney fonds
About composers : Phil Corner - pictures, copies of business correspondence
Part of James Tenney fonds
About composers : Conlon Nancarrow, general notes, charts, etc.
Part of James Tenney fonds
About composers : Analytical notes on Debussy, "Syrinx"
Part of James Tenney fonds
About composers : Conlon Nancarrow, liner notes
Part of James Tenney fonds
About composers : Conlon Nancarrow, notes
Part of James Tenney fonds
Part of James Tenney fonds
About composers : Lou Harrison
Part of James Tenney fonds
Part of James Tenney fonds
About composers : Charles Ives
Part of James Tenney fonds
About composers : Carl Ruggles
Part of James Tenney fonds
About composers : Analytical notes re: Carl Ruggles
Part of James Tenney fonds
About composers : Schoenberg, "Suite Op. 25"
Part of James Tenney fonds
Theory : Bell clang materials-Bell timbres
Part of James Tenney fonds
Part of James Tenney fonds
About composers : Harry Partch
Part of James Tenney fonds
About composers : Egard Varese-"Density 21.5"
Part of James Tenney fonds
About composers : Webern-"Concerto" Op.24
Part of James Tenney fonds
Part of James Tenney fonds
About composers : New Music Concerts
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Theory : Computer study of violin tones
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Theory : Illustrations for Yale article (Journal of Music Theory)
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Theory : Timbre project-sound analysis programs
Part of James Tenney fonds
Theory : National Science Foundation Grant Report, draft
Part of James Tenney fonds
Theory : Experimental investigation of timbre
Part of James Tenney fonds
Theory : Notes for research reports and article : "Hierarchical Temporal Gestalt Perception"
Part of James Tenney fonds
Part of James Tenney fonds
Theory : "Metric Space Model", original
Part of James Tenney fonds
Theory : "Temporal Gestalt Perception in Music" original
Part of James Tenney fonds
Theory : Materials planned as examples for "META Meta + Hodos", but not used
Part of James Tenney fonds
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting
Part of James Tenney fonds
Theory : Computer printouts for "Model" paper
Part of James Tenney fonds
Theory : Originals for short versions of "Temporal Gestalt Model" paper
Part of James Tenney fonds
Theory : Clifton review original
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Research : Word notes-poetry and ideas
Part of James Tenney fonds
Part of James Tenney fonds
Research : Miscellaneous notes
Part of James Tenney fonds
Research : Perception-communication
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Garland-Revueltas article (Silvestre Revueltas)
Part of James Tenney fonds
Research : Biology, Reich-Negentropy
Part of James Tenney fonds
Part of James Tenney fonds
Research : 6x6 to 1" graph paper, timbre instruments materials
Part of James Tenney fonds
Research : Tone Roads West - Proposals etc. including mailing list
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
York University : Class materials
Part of James Tenney fonds
Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble
Part of James Tenney fonds
York University : Music Writing Skills Workshop course proposal
Part of James Tenney fonds
York University : Grad Program
Part of James Tenney fonds
York University : Library : reserves, music program, new recordings
Part of James Tenney fonds
York University : memos re. music studies
Part of James Tenney fonds
York University : 4110 (fourth year composition course)
Part of James Tenney fonds
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", loose papers
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part two
Part of James Tenney fonds
Electronic Music : Copies of journal articles related to electronic music
Part of James Tenney fonds
Electronic Music : Electronic music instrument schematics
Part of James Tenney fonds
Electronic Music : Papers on electronic music
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'"
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", revision pages
Part of James Tenney fonds
Electronic Music : Electronic music studio, Tulane University
Part of James Tenney fonds
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
Part of James Tenney fonds
Nancarrow, general notes, charts, etc.
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
"A History of 'Consonance' and 'Dissonance'", Part two, revision copy
Part of James Tenney fonds
Analytical notes on Debussy, "Syrinx"
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Analytical notes re: Carl Ruggles
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Part of James Tenney fonds
Notes for research reports and article: "Hierarchical Temporal Gestalt Perception"
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Part of James Tenney fonds
Item consists of an audio recording of the New Music concert in 1977. Performances include "Octandre" by Edgard Varese, "Juno" by Budd Schoenberg, "Blues" by James Tenney, "1st and 2nd Little Serious Pieces" by Revueltas Satie (Timar), and "Two Little Flowers" and "General William Booth...," by Ives.
Part of James Tenney fonds
Consists of an audio recording of "Voice(s)", performed by Joan La Barbara at Symphony Space in New York on May 15, 1985; and "Koan for Solo Violin", performed by Anne Lindsay at The Music Gallery. Both songs are composed by James Tenney.
Fonds consists of material that documents Tenney's career as an composer, musician and academic and contains personal and professional correspondence with friends and colleagues including copies of letters received from such people as Carolee Schneeman, Steve Reich, Stan Brakhage and Lionel Nowak, among others, as well as correspondence with Bell Telephone Laboratories that documents his efforts in developing programs for computer sound-generation. It also contains records in the form of musical scores, computer outputs, programmes, clippings and sound recordings that document his musical output and material that documents Tenney's ongoing academic and professional interest in the fields of composition, music theory and electronic music, among others. There is also correspondence, photographs and other material that documents his relationship with his family and, in particular, his father.
Tenney, James