Showing 461 results

Item pertains to an exhibit held at the Gallery Black Swan in Chicago in 1976.

File pertains to Ellenwood’s friendship with artists Susana Wald and Ludwig Zeller. Included in the file are catalogs from their printing house Oasis Publications, pamphlets and other small print publications pertaining to Wald and Zeller’s individual works and joint exhibitions, as well as correspondence exchanged between Ellenwood, Wald and Zeller, letters of recommendation written by Ellenwood, a drawing in ink by Wald, a photograph of Wald and Zeller with daughter Beatriz Hausner, and a photograph of artist Václav Vaca.

File consists of a catalog, email correspondence, and speaking notes pertaining to Ellenwood’s participation in a student exhibition entitled “Refuse contraire”, held at l’Université du Quebec à Montreal, in celebration of the 70th anniversary of Refuse global.

File pertains to Ellenwood’s efforts to translate André Breton’s Les vases communication and get it published. Included is a note from Ellenwood about this work.

File pertains to Ellenwood’s contribution to this edited collection, entitled “Translating Big Bear in Film”. File includes related email, page proofs, a draft paper, and a partial copy of a script for the CBC mini-series “Big Bear” from the Rudy Wiebe archives.

File pertains to discussions between LTAC, ALTA and the Banff Centre for the Arts about the establishment of an international translation centre and a literary translators colloquium held at the Banff Centre for the Arts in 2001. Records include memoranda, reports, correspondence, notes, schedule, and research materials.

File consists of notes, research material, and correspondence exchanged between Ellenwood and the Théâtre du Nouveau Monde (TNM) and others regarding the participation of two TNM actors for the performances at the Make Way for Magic! Montreal Automatism, 1948 and Onwards conference.

File pertains to a lecture given by Ellenwood for Surrealism Day at Victoria College, University of Toronto, entitled “The politics of non-figuration: surrealism and after” and includes the text of the lecture, research notes and articles, and an agenda for the event, which was organized by Victoria College and the Cinema Studies Programme.

File consists of correspondence, reviews, a list of exhibit items, and a loan agreement pertaining to the travelling exhibition and the accompanying book co-written by Ellenwood.

File includes Ellenwood’s research notes, copies of articles, and a copy of a PhD dissertation by Susan W. Nessen entitled “Surrealism in exile: the early New York Years, 1940-1942”.

File includes this paper given by Ellenwood at the International Comparative Literature Association Convention in August 1973 as well as an offprint of the published version.

File pertains to Ellenwood’s contribution to the Françoise Sullivan retrospective held at Musée d’art contemporain de Montreal (20 Oct. 2018 to 20 Jan. 2019). Records include email correspondence and various drafts of Ellenwood’s essay, “Françoise Sullivan and the question of myth,” written for the exhibition catalog.

File includes a photograph of Drenovac and Ellenwood together in 1986.

Item pertains to an exhibit held at Centre d’Art Contemporain de Noyers sur Serein-Yonne from 20 June to 30 August 1992.

File pertains to Ellenwood’s unpublished paper entitled “Identité nationale et l’avant-garde mondiale: le case de Refus global et le mouvement auntomatiste de Montréal”, presented at “(Se)Voir et Savoir: Constructions identitaires dans les espaces littéraire et pictural de l’Acadie et du Québec”, held at Mount Allison University in Sackville, NB. Included in the file is an annotated copy of Ellenwood’s paper, the event program, and related correspondence.

File consists of research materials about the Rhinoceros Party and includes drafts of Ellenwood’s paper, “Notes on the Rhino in Toronto” from Jacques Ferron hors Québec, edited by Ellenwood and Betty Bednarski and published by Éditions du GREF in 2010.

Item pertains to an exhibit held at the Bibliothèque Nationale du Québec from 21 June to 10 September 1988.

File consists of newspaper and magazine articles about the 50th anniversary of Refus Global in 1998 and a review of Make Way for Magic! Montreal Automatism, 1948 and Onwards conference. Also included is a list of works by Refus Global signatroies (1941-1997) and a list of recent works by Pierre Gauvreau, Francoise Sullivan and Marcel Barbeau.

Item pertains to this exhibit of manuscripts and books by Jacques Ferron from 7 February to 14 May 2006.

File pertains to a guerrilla performance by William Davidon and Sherri Lyn Higgins of The Lovers, inspired by René Magritte’s painting, outside the Art Gallery of Ontario in Sept. 2002. Included are a newspaper review of the event, an email announcement of the event, and a printout of a webpage entitled Recordist Scrapbook.

File consists of letters exchanged between Ellenwood and Roger Shattuck, Herbert S. Gershman, Edouard Morot-Sir, Anna Balakian, Meyer Schapiro, Manuel L. Grossman, Serge Sobolevitch, Ralph Freedman, and Marjorie Sherwood.

Fonds consists of records documenting Ray Ellenwood's career as a professor, academic, writer and translator. Records include teaching files and course materials, manuscripts, correspondence, subject files, research files, photographs, video recordings, posters, notes, catalogues and pamphlets.

File consists of minutes of Executive Committee meetings (16 Feb. 1987 and 17 Mar. 1987) and minutes of the full commission meeting (17 Feb 1987).

Item pertains to a group exhibition of art and poetry held at the Centre Culturel and Maison Gaugiran in Cordes sur Ciel from 14 July to 6 August 1979.

File consists of correspondence and notes pertaining to Ellenwood’s interview with Mabille’s daughter, Claude, as well as research resources about Mabille.

File pertains to Ellenwood’s research about Gauvreau and includes transcriptions of Gauvreau’s letters (and those of others) from the 1940s and a CD of scanned 1940s newspaper articles about automatism and Gauvreau reproduced by the Bibliothéque Nationale du Québec.

File includes Ellenwood’s correspondence with collaborators, notes, and photocopies of newspaper articles written by Gauvreau.

File pertains to Ellenwood’s article entitled “Pierre Gauvreau, provocateur” in journal Etudes Francaises. Included are drafts, edit notes and correspondence.

File consists of correspondence, manuscript text, exhibit postcards and photographs of Gauvreau’s art pertaining to Ellenwood’s work on catalog text for an exhibition at the Musée du Bas-Saint-Laurent in Rivière du Loup, “Pierre Gauvreau et son monde”.

File consists primarily of a draft manuscript featuring an introduction and notes by Ellenwood and transcriptions of letters and other writing by Gauvreau from 1945-1955.

Item pertains to this exhibit at the Musée de la Civilisation held from 16 October 2013 to 28 September 2014.

Item pertains to an exhibit of Gauvreau’s work held at the Galerie Bernard in Montreal from 15 September to 16 October 1999.

File consists of correspondence and manuscript drafts pertaining to Ellenwood’s work on text for an Pierre Gauvreau exhibition, “Pierre Gauvreau, Passeur de modernité”, at the Musée de la civilisation du Quebec.

File consists of correspondence and manuscript drafts pertaining to Ellenwood’s work on text for an Pierre Gauvreau exhibition, “Pierre Gauvreau, Passeur de modernité”, at the Musée de la civilisation du Quebec.

File includes a typescript of Dubé’s monograph about painter Marcel Baril.

File consists of Ellenwood’s research notes about different Surrealist periodicals.

File consists of Ellenwood’s research notes about different Surrealist periodicals.

File consists of correspondence, research materials, and draft manuscripts pertaining to the writing and editing of Ellenwood’s articles for this journal, “Some activities and publications around the fiftieth anniversary of Refus Global” and a review of Jean Paul Riopelle’s Catalogue Raisonné, tome 1.

File consists of Ellenwood’s correspondence, notes and related photocopies of articles about Gauvreau, Refus Global and the Automatists in Quebec from the late 1940s and copies of writing by Gauvreau. Also included is a copy of a manuscript of “L’automatisme surrationnel et la nostalgie du Jardin d’Eden” by P. Hyacinthe-Marie Robillard (28 Sept. 1948).