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Music and entertainment business files

Series consists of copyright files kept by Paul and Brenda Hoffert related to their own work as well as to the work of artists that they produced. The files contain certificates of registration for the Canadian Copyright Office, Publishers Registrations forms and other legal documents related to the copyright of songs.

Books, articles and speaking engagement files

Series consists of copies of articles written by or about Hoffert as well as notes, drafts, contracts and other legal documents, correspondence with publishers, reviews, publicity material and other documents related to Hoffert's books "The Bagel Effect", "All Together Now" and "The New Client". It also contains drafts of Hoffert's unpublished autobiography and material related to speaking engagements including hard copies of Powerpoint presentations delivered by Hoffert at a number of conferences and symposia.

Financial Records

Consists of royalty statements, letters of permission, contracts, correspondence with agents and other material that documents financial transactions related to the sales and marketing of Mistry's work.

Literary manuscripts

The series consists of notes, drafts, proofs and cover art for his books Tales from Firozsha Baag, Such a Long Journey, A Fine Balance and Family Matters and the screenplay, production files, correspondence and promotional material related to the film adaptation of Such a Long Journey.

Correspondence

Series consists of correspondence to and from Margaret Laurence and is arranged in nine subseries:

S00006.01: Correspondence with friends and family
S00006.02: Business correspondence
S00006.03: Correspondence with other writers
S00006.04: Correspondence with artists
S00006.05: General correspondence
S00006.06: Subject files
S00006.07: Correspondence outward
S00006.08: Correspondence relating to the censorship controversy.
S00006.09: Correspondence regarding the death of Margaret Laurence

Sound recordings

Series consists of sound recordings of readings, speeches and convocations addresses by Margaret Laurence, interviews with Laurence (includes interview with Helen Trotter re: the Censorship Controversy), tributes to Laurence, recordings of Songs From The Diviners, and other recordings of interviews and presentations of interest to Laurence. Two filmstrips accompany two of the audio cassettes.

Moving image records

Series consists of an interview with Margaret Laurence on the TV news, Laurence receiving an honourary degree from Trent University in 1981, and tributes to Laurence.

Teaching records

Series consists of records pertaining to Gentles’ teaching duties as a professor of history at York University. Includes course syllabi, lecture notes, exam and essay questions, roll books, correspondence with students, reference letters, and other material.

Toronto Telegram photographic negatives

Series consists of approximately 833,500 photographic negatives, the majority of which are black and white 35mm.
The negatives are arranged by subject heading, although there are more subject headings here than in the print series, and tend to be local in nature. Negatives for photographs of personalities have been separated out of the main arrangement.

Toronto Telegram

Moving image records

Series consists of video tape productions of 'Women of Distinction' and 'Mary McEwan' and film reels of 'A and B in Ontario'.

Grant files

Series consists of grant program guides, applications, supporting documentation, and correspondence relating to grants received by Wieland from the Canada Council, Ontario Arts Council and Ontario Ministry of Citizenship and Culture.

Graphic material

Series consists of original art work by Joyce Wieland including sketches, three-dimensional pieces, drafts of visual ideas, notebooks, and prints of finished pieces. There are photocopies of sketches found in other series included here, as well as some photographs used by Wieland for her artwork.

Photographs

Series consists of portraits and snapshots of Joyce Wieland, personal photographs of family and friends (i.e. Wendy Michener), photos used in the creation of her art pieces, photos of her finished artwork, and stills from film shots (The Far Shore). Some sketches may be found with the photos.

Published material

Series consists of draft articles, correspondence and reference material related to Lorch's published mathematical research as well as his numerous letters-to-the-editor, speeches and published articles on such subjects as academic freedom; racism, sexism and discrimination in academia; the civil rights movement; the international mathematical community and anti-Soviet bias in the Western scientific community. Also includes some material reviewed and edited by Lorch.

Collected articles

Series consists of off-prints, photocopies and drafts of mathematical articles collected and preserved by Lorch for reference and research purposes. Some articles have correspondence and notes by Lorch attached.

Life files

Series consists of files comprised of correspondence, articles, photographs, ephemera and other materials created, accumulated and grouped together by Jeanne Randolph and organized by date. These files pertain to Randolph's personal and domestic life, her activities as a writer, lecturer and critic, as well as her work as a psychiatrist.

Subject files

Series consists of records including correspondence, curricula vitae and biographical materials, journal articles, brochures and notices, photographs and research files, created and/or accumulated by Jeanne Randolph pertaining to her personal life, applications for arts grants, subject-based research, travel, and her involvement with a variety of arts organizations, galleries and events.

Pending and unproduced project files

Series consists of files pertaining to incomplete, pending or cancelled projects. Includes research materials, notes, correspondence, proposals, agreements, synopses, scripts, financial records, insurance records, mutual releases, location material, audio and video recordings.

York PhD and general correspondence

Series consists of general correspondence created or compiled by Larry Weinstein between 1980 and 2014, as well as material pertaining to an honorary doctorate awarded to Rhombus Media principals Niv Fichman, Larry Weinstein, Barbara Willis Sweete, and Sheena MacDonald in 1998.

Osgoode Hall Law School files

Series consists of records pertaining to Mandel’s activities during his tenure as a professor at York University’s Osgoode Hall Law School from 1974 to 2013.

Memorabilia

Series consists of newspaper and magazine clippings, journal articles, certificates, transcripts, conference programmes, posters and notices, sheet music and flyers. These records pertain to Mandel’s academic and other career accomplishments, his teaching at Osgoode Hall Law School, his writing and the publication of his books, his political activism, as well as his personal life, including written tributes to his parents and his activities as a singer and performer of opera and Yiddish music.

Activism files

Series consists of files pertaining to Mandel’s work as a political activist. These records document the nature and breadth of Mandel’s involvement with issues including prison reform, abortion rights, the US invasion of Nicaragua, Israel and Palestine, the NATO bombing of Yugoslavia, and the wars in Afghanistan and Iraq. Mandel’s advocacy work as a lawyer and his involvement with legal cases and submissions to boards of inquiry and/or commissions are also documented in this series. Records in this series include correspondence, research materials, legal documents, newspaper clippings, press releases, speaking notes and petitions.

Day planners

Series consists of day planners maintained by Maguire pertaining to her personal and professional activities. Also part of this series is an address book.

Audiovisual materials

Series consists of video recordings of Maguire’s dancing and choreography, as well as audio recordings of the accompanying music used in rehearsal and performance.

Research index cards

Series consists of index cards created by Janice Newton while conducting graduate research at York University. These cards were likely repurposed and augmented as she later adapted her PhD dissertation into a monograph. They contain biographical information on individuals, primarily women, who were active on the political left circa 1892 to 1920, as well as miscellaneous research notes, bibliographical references, and correspondence.

Client files

This series consists of files created and accumulated by CSWS Ltd. about agency clients and prospective clients enquiring about the agency’s services. The types of records found in this series include correspondence, contracts, royalty statements, clippings, manuscripts (and manuscript samples), headshot photographs, curriculum vitae and biographical highlights sheets. The more well-known people represented in this series include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

Files 2012-066/001(05) to 2012-066/004(10) consists of research notes and drafts related to a research project by Matie Molinaro and Barbara Brescia about the painting Venus Disarming Cupid.

Files related to CSWS Ltd. client Marshall McLuhan and his estate can be found in Series S00667: Marshall McLuhan files.

Inde Festival files

Series pertains to the organization and development of the Inde Festival of New Music and Dance, which was created in 1985 by Maguire and ran until 1992. These records include correspondence, financial statements, photographs, press releases, programmes, grant applications, proposals, contracts, notes and promotional materials. Also included in this series are administrative files pertaining to Maguire’s subsequent organization, Inde Multidisciplinary Arts Projects.

Writing and project files

Series consists of publications, presentation scripts, notes and other writings authored or co-authored by Eric Trist, bibiliographies of Trist's and others' works, and audio recordings of Trist and of conversations between Trist and Howard Perlmutter. Many of the publications in this series were used as source material for the book Social Engagement of Social Science: A Tavistock Anthology, edited by Trist (Tavistock, 1990). In such cases, this has been noted at the file level.

Religious Television Associates

Series consists of records created and accumulated by Flemington in his work with Religious Television Associates (RTA). RTA was founded as a production and consultation entity by the United, Anglican and Roman Catholic churches in 1964 and joined for a time – or on a per-project basis – by the Baptist, Presbyterian and Lutheran churches and other faith communities.

Records in this series include: correspondence; meeting minutes; files related to Flemington’s work as a producer on the CTV show Spectrum (1965-1968); research notes, correspondence and briefs related to RTA’s advocacy work on behalf of Interchurch Broadcasting/Interchurch Communication (ICC), including a study on cable television and community; production notes for a radio and television advertising campaign to raise funds for world development work on behalf of the Interchurch Campaign Committee; research and production files related to Flemington’s films on the topic of international development including three films about Southeast Asia for the CBC television show Man Alive: “How Long Does It Take a Tree to Grow Here? (Philippines), “No Way To Say No” (West Irian, Indonesia), and “They’ll Tell Me When the Tread’s Gone” (Malaysian territory in Borneo); research and production files for films about Japan: "Deep Currents Moving" (for the United Church of Canada) and "To Remember the Fallen" (for CBC’s Man Alive); correspondence, research notes, and draft scripts for two films about Brazil co-produced between RTA and Danchurchaid: “The Journey: From Faith to Action” and “People of No Interest”.

Also included are records related to the founding of Agency Film Seminar, an international group of filmmakers and producers for church agencies, brought together by RTA, Danchurchaid (Denmark), the World Council of Churches, and the World Association for Christian Communication. Flemington was the founding secretary/communicator.

Progressive Conservative Party of Ontario files

Records in this series document Larry Grossman’s work with the Ontario Progressive Conservative Party as a member of provincial parliament and party leader. Includes: campaign materials; opposition research; polling data; policy papers; debate briefing books and research; press releases; campaign schedules/itineraries; clippings; and party convention delegate reports.

The events covered include the 1977, 1981, 1985 and 1987 Ontario general elections; Grossman’s unsuccessful campaign for leader of the party in January 1985 and his successful campaign in November 1985.

Deviancy and peer groups in a mining enclave (Guyana) : research materials

Series consists of records created and accumulated by Silverman in Guyana in 1966 while working on her MA thesis, entitled “Deviance and conformity in a Caribbean mining town”, which explored male juvenile delinquency in the bauxite mining town of Mackenzie (now Linden). These records document Silverman’s research methods and the aggregation of data acquired. Records include police and probation records, field and interview notes, reports, completed questionnaires, card indices, crime and employment statistics, an aerial photograph of Mackenzie, a research proposal, copies of Silverman’s completed thesis, and audio recordings of interviews.

Faculty of Environmental Studies and York University files

Series pertains to Rahder’s role as a faculty member in the Faculty of Environmental Studies at York University, specifically her work on strategic planning, curriculum development and faculty interest clusters. Also included are records documenting her involvement with York University sustainability initiatives. Files in this series consist of correspondence, memoranda, e-mail, research materials, notes, reports, strategic plans, meeting agendas and minutes, workshop materials, newsletters, papers, and presentation slides (printouts).

Tomasita project files and audiovisual material

Series consists of records pertaining to research, writing and editing for two book projects by Barndt, Women Working the NAFTA Food Chain (1999) and Tangled Routes: Women, Work and Globalization on the Tomato Trail (2002). The records in this series document Barndt’s primary research including interviews with Mexican agriculture workers and managers, academics, and workers and managers in the grocery and fast food industries. Records in this series include audio cassettes of interviews, video recordings, annotated interview transcripts, book manuscripts and reader feedback, correspondence and memoranda, as well as secondary research materials including articles, reports and papers.

Student papers and notes

Series consists of Gilbert’s papers and notes from undergraduate courses taken at the City University of New York (Hunter College) and from his graduate studies at the State University of New York (SUNY) at Buffalo and the University of Waterloo. Also included in the series are personal ephemera from this period and copies of letters pertaining to the formation of the journal “Telos” at SUNY Buffalo.

Contracts

Series consists primarily of contracts created throughout the duration of Galloway's career as a performing artist, booking agent and festival administrator. Series also includes some correspondence pertaining to contracts, as well as miscellaneous notes, tax records, and other material. Some overlap exists between this series and the Working Life series.

Sheet music and other material

Series consists of sheet music, scores, musical instruction books, and other related material created or compiled by Galloway over the course of his career.

Prisoner spouses documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about the spouses of prisoners, "The devil you know" (Feb. 2011). These records document research about the subjects of the documentary, the organization of interviews, and the construction of a final program script. The records in this series include correspondence, notes, draft scripts, interview transcripts, legal and court documents, photographs, and newspaper and journal articles.

Shaken baby syndrome documentary

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about shaken baby syndrome, "Diagnosis murder" (Jan. 2012). These records primarily document the legal case of Jeffrey Smith and the death of his infant daughter, as well as research about controversy concerning the diagnosis of shaken baby syndrome. The records in this series include court transcripts and legal documents, medical records, draft scripts, correspondence, interview notes, and newspaper and journal articles.

Photographs

Series consists of photographs of or by Alison Pick, taken in the 1990s and 2000s. These photographs pertain to canoe trips taken by Pick; her attendance at literary workshops, writing retreats and readings; publicity photographs; research for her book "The Sweet Edge"; and social gatherings with Canadian writers including Michael Crummey, Michael Winter, Christine Pountney, Steven Heighton, David Seymour, Karen Solie, and many others.

Helena and Sandy Munroe documentary

Series consists of records created and accumulated by Theresa Burke in her role as a producer for the CBC's The Fifth Estate. These records pertain specifically to a 2007 program titled "The lady vanishes," which examines the relationship and separation of Nova Scotia couple Helena and Sandy Munroe, and document Burke's research work, interviews conducted, and travel plans made for the production of this program. Also included are viewer complaint letters sent to the CBC after the program aired. Records in this series include interview transcripts, newspaper articles, production materials, scripts, correspondence, copies of legal documents, travel itineraries, police records and audiovisual materials.

Wayne Carlson documentary

Series consists of records created and accumulated by Theresa Burke as producer for a Fifth Estate program titled "You be the judge" (2006) about Wayne Carlson, a convicted bank robber and thief, his rehabilitation and re-arrest, and his appearance before the National Parole Board. These records, which include correspondence, scripts, interview transcripts, production materials, and video cassettes, pertain to Burke's research and interview work for this project and the production of the program.

Witness protection research materials

Series consists of records created and accumulated by Theresa Burke on the subject of witness protection, specifically the case of Canadian police informant Tami Morrisroe. These records, including correspondence, interview transcripts and audio cassettes, document Burke's preliminary research and interview work on this subject for an unidentified project.

Photographs

Series predominantly consists of personal photographs of Jeanne Randolph, her family and friends, as well as travel and landscape photographs taken by Randolph. Also included are photographs accumulated by Randolph of the work of artists including Joanne Tod, Spring Hurlbut, Susan Kealey, Fastwurms, Andy Fabo, Sue Coe, and Steve Higgins.

Audiovisual materials

Items in this series include video recordings of Jeanne Randolph's performances/lectures at the Banff Centre for the Arts, the Mendel Art Gallery and the Dunlop Art Gallery, as well as audio recordings of lectures by Thomas Pepper and Richard Purdy and art videos by Fastwurmz.

John D. Harbron's correspondence

This series consists of John D. Harbron's personal correspondence from during his professional career as a journalist, author, and academic. This series also contains correspondence received from family and friends. Included are letters on naval and defence affairs, Latin American affairs, letters-to-the-editor, as well as photographs and newspaper clippings.

Academic and teaching files

The series consists of course/lecture notes, research materials, correspondence, course syllabi, teaching proposals, course evaluations, official York University publications and other material related to Powe's instruction of courses at York University and Humber College, his position as Academic Advisor at Winter's College, the completion of his PhD, his applications for tenure and promotion, and his work as coordinator of the Creative Writing Program at York University. Also documented in this series are Powe's activities while a visiting scholar at IN3, University of Catalunya, Barcelona.

Personal files

The series consists of material which documents Powe's personal life and his relationship with his family. It includes correspondence, photographs, legal and medical records and other collected ephemera.

Correspondence

File consists of correspondence sent and received by Callaghan, including a great deal of printed e-mail correspondence, exchanged with fellow writers, friends and colleagues.

Journalism files

Series consists of records pertaining to Callaghan's work as a print and television journalist in the 1960s and 1970s, particularly his writing for the "Toronto Telegram" as the paper's literary editor. Files in this series include annotated copies of published articles, draft manuscripts, notes, annotated typescripts and research materials pertaining to his writing about authors including Margaret Laurence, Edmund Wilson, Irving Layton, Yehuda Amichai, Saul Bellow and many others. Also included in this series are examples of Callaghan's travel writing from the 1980s, interview transcripts from his work on CBC Television's "Show on Shows", and scripts pertaining to his work for CBC Radio. Most of the records in this series have been annotated and edited by Callaghan for re-publication in his three books of collected non-fiction writing, Raise You Five (2006), Raise You Ten (2007) and Raise You Twenty (2011) .

Manuscripts

Series consists of manuscripts and page proofs pertaining to Callaghan's published monographs Beside Still Waters (a re-write of his first novel, The Way the Angel Spreads her Wings), Between Trains, Raise You Ten, and Raise You Twenty. Files pertaining to a writing collaboration with Joe Rosenblatt are also part of this series, as well as scripts for a CBC Television drama, "The man in the tin canoe".

Subject files

Series consists of records created and maintained by Rita Greer Allen pertaining to a wide range of subjects concerning her personal and professional interests, including research materials, newspaper clippings, correspondence, notes, notebooks, income tax returns, scripts, photographs, catalogues and brochures.

Personal files and memorabilia

Series consists of a variety of records pertaining to Scheier's childhood, her family, her education, her personal life, and her career. These records include newspaper clippings, correspondence and forms, resumes, photographs, diaries and notebooks, books written by family members, high school and university lecture notes and essays, and objects including baby shoes, Scheier's smoking pipe, and a collection of political pins.

Artwork and related files

Series consists of pieces of art created by Rita Greer Allen, including illustrations and drawings from the 1940s as well as sketches, drawings and paintings from the 1970s and 1980s. Also included in this series are files maintained by Rita pertaining to her art practice, art research, exhibitions, art and pottery workshops and classes. The items in this series include sketches in charcoal, pastel, ink and pencil, watercolour paintings, mixed media collages, sketchbooks, notebooks and notes, art show booklets, pamphlets, newspaper and magazine articles, and postcards. Many sketches in this series were likely used in the creation of Greer Allen's figurative raku pottery and sculpture.

Marshall McLuhan files

This series consists of correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera created and accumulated by CSWS Ltd. as agents of Marshall McLuhan and his estate. CSWS Ltd. began representing Marshall McLuhan around 1970.

The records in this series document the close working relationship and friendship between Matie Molinaro and the McLuhan family (especially her friendship with his spouse Corinne McLuhan) in managing Marshall McLuhan’s legacy, “brand”, and the rights to his work subsequent to his death in December 1980.

Files from accession 1990-018 include: correspondence of Marshall McLuhan, which was utilized in a published correspondence volume, edited by his wife Corinne and Matie Molinaro, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); galleys of McLuhan works ('Laws of the media,'); correspondence and reports of the Centre for Culture and Technology at the University of Toronto; lecture invitations; various television and film proposals, scripts, and related correspondence, as well as material about McLuhan (books, articles, newspaper clippings, etc), and the 'Management game,' which includes a sample deck of cards used in the game as well as orders for the game.

Files from accessions 2010-040 and 2012-066 include: public appearance requests; requests for permission to cite and republish the work of McLuhan; research material and drafts for the book, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); correspondence and reports related to the preparation, negotiations and acquisition of the McLuhan Papers by the Public Archives of Canada in 1984; correspondence with communication scholars and co-authors of works with Marshall McLuhan, including Bruce R. Powers, Barrington Nevitt, and W. Terrence Gordon; reprint agreement in 2001 and related correspondence with Mo Cohen of Gingko Press of Berkeley, California which led to renewed interest in Marshall McLuhan’s work; correspondence related to the planning of the Toronto International McLuhan Festival of the Future in 2004.

Also included are files about several members of the McLuhan family, including Elsie McLuhan (mother), Corinne McLuhan, and children Eric, Michael, Teri, and Mary.

Audiovisual material

Series consists of media coverage of Jean Augustine's professional activities as a member of Parliament, cabinet minister and community advocate, including video recordings of her public appearances, as well as recordings of her appearance on radio and television. Also includes music recordings and documentaries submitted to Augustine by members of the community and some lobby groups.

Editorial files

Series consists of material that documents Coles work as a literary editor and critic and includes contracts, correspondence, course timetables, critiques of students' work and other material that documents his tenure as poetry editor of "The May Studio" at the Banff Centre for the Fine Arts. It also includes drafts of works by other writers sent to Coles for his comments and criticism including manuscripts of work by Michael Redhill, Stephanie Bolster, Richard Sanger, Mark Sinnett and John Bemrose, among others, as well as material that demonstrates Coles' work as poetry judge of the Canadian Literary Awards and the CBC Literary Awards. This material consists of submissions bearing notes and comments by Coles.

Filmmaking and project files

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Personal files

Series contains textual records and photographs pertaining to Sternberg's personal life, including medical information and personal correspondence. Included in the series is a file of Sternberg's correspondence with Canadian experimental artist and art educator Michael Fernandes.

Remembrance files

Series consists of correspondence relating to Hans Mohr’s death, photographs of his personal library, a collection of poems entitled Memento mori: paintings and poetry published after Mohr’s death, and a book of friends and family’s notes from the funerals of Hans and Ingeborg Mohr.

Correspondence

Series consists of Crosbie’s incoming personal and professional correspondence as well as copies of some of her outgoing correspondence. Correspondents include Al Purdy, Michael Holmes, Tony Burgess, Steven Heighton, Bruce McDonald, Jeffery Conway, David Trinidad, David McGimpsey, Michael Turner and others. Photographs included with correspondence are also part of this series.

Personal files

The series consists of correspondence, certificates, articles, contracts and other financial documents, clippings, newsletters, diaries, note books and photographs created and/or accumulated by John Smith and relating to his personal life and interests.

Scripts

Series consists of scripts written by others and sent to John Smith in the course of his film making career presumably for his consideration as a director or producer.

Teaching files

Series consists of records pertaining to Crosbie’s work as a university professor and writing instructor. The records in this series are notebooks, lecture notes, correspondence, course descriptions and syllabi, assignments, student evaluations, and samples of her students’ projects.

Correspondence and subject files

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Correspondence

Series consists of correspondence created and maintained by Pat Fleisher between 1965 and the late 2000s. The correspondence in this series pertains to Fleisher's personal and professional life, including issues regarding her magazine publishing work, art shows, letters of recommendation, her family, and a wide variety of other topics. Files in this series also include photographs, newspaper clippings, press releases, and financial statements.

Professorial files

Series primarily consists of selected monologues and other pieces of theatre used by Christie while teaching acting at Ryerson Polytechnic Institute. It also consists of programmes, posters and other material related to theatre productions by Christie's students and lecture notes, course outlines and resource material related to Christie's teaching subjects.

Financial records

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Publication files

Series consists of records created and maintained by Pat Fleisher pertaining to her four art publications: Art Magazine (1969-1982), Artpost (1983-1992), Artfocus (1992-2004), and City Art (2004-2005), as well as her website, Artfocus Online (1996-2009). These records document Fleisher's work in the production of these publications, including magazine printing, article research and creation, procurement of advertisements and subscriptions, and magazine finances. Files in this series consist of correspondence, article drafts, photographs, artist bios and CVs, grant applications, invoices and financial statements, notes, art show notices, and audio cassettes. Also included in this series are copies of Society of Canadian Artists (SCA) newsletters from 1965 to 1968, edited by Fleisher.

Musical performance files

Series of consists of programmes, clippings, promotional material and/or audio recordings of Tenney performing his own compositions or performing work by others. It also includes material related to performances of Tenney's compositions by other ensembles with, in many cases, James Tenney conducting.

Administrative records

Series consists of the administrative records created and accumulated by Jean Augustine in the course of her activities as a community advocate, activist and volunteer; in her role as an administrator and chair of various local, municipal, provincial, federal and international organizations, associations, boards, committees and conferences; and as a federal politician representing the constituency of Etobicoke-Lakeshore in Ontario. Series is organized into several functional categories used by Augustine herself, including Community Action files ; Parliamentarian files ; Correspondence and subject files ; Trips and conferences; Canadian Association of Parliamentarians on Population and Development; Canada Africa Parliamentary Group; Special Advisor for Grenada; Secretary of State (Multiculturalism); Women's Issues; and Status of Women Canada. Series also includes groups of records related to her election campaign strategies; Black History Month celebrations and promotions; the Sugar Caucus; Anti-racism efforts; her work as a school principal and teacher; her official correspondence, business contacts and the contents of several briefcases.

ICCSASW Seminars

Series consists of material pertaining to International Sugar Workers seminars, including organizational files, correspondence, budgets, proceedings and reports. One of ICCSASW’s main program areas was the organization of regional and national seminars in collaboration with the relevant sugar workers’ unions. About 20 of these were held over a 10-year period. The two largest seminars were held in Bacolod City, Negros Occidental, Philippines, hosted by the National Federation of Sugar Workers – Foods & General Trades (NFSW-FGT) and focused on the Asia-Pacific region. From 1995 to 1997 three international seminars were held in Toronto, with an emphasis on providing unions with the latest economic information about their industry, as well as affording an opportunity for networking and building solidarity.

Solidarity campaigns

Series consists of material created and gathered by ICCSASW in the course of their solidarity work. Dozens of solidarity campaigns were organized by ICCSASW in response to requests from different countries, pertaining to salary campaigns, political repression, job loss, natural disaster, etc. Brazil, Dominican Republic, Guatemala and Philippines were among the principal sources of solidarity appeals. Series contains appeals, responses and other correspondence (including letter-writing campaigns denouncing various actions) and organizational materials.

ICCSASW publications

Series consists of publications by ICCSASW. ICCSASW published regular newsletters in English (“Sugar World”) and Spanish (“Mundo Azucarero”) throughout the years of its existence. For three or for years it also published newsletters in French (“Le Monde du Sucre”) and in Portuguese (“Mundo Açucareiro”). These publications carried news of unions, solidarity campaigns, changes in the industry, etc. There were also occasional research papers in English and Spanish, dealing in depth with different issues such as high fructose corn syrup (HFCS), violence, wage comparisons, diversification, women in the industry, Tate & Lyle, etc. Some files include correspondence related to ICCSASW's publications, as well as mailing lists and subscriber information.

International Sugar Workers Conferences

Series consists of material created and gathered by GATT-Fly and ICCSASW, in relation to four International Sugar Workers Conferences. Files contain correspondence, reports and notes regarding travel arrangements, participants, expenses, and other elements of conference organization, as well as photographs taken at conferences. The First International Sugar Workers Conference was held in Trinidad in 1977. The Second International Sugar Workers Conference was originally scheduled to be held in Santo Domingo, Dominican Republic in November 1982, but had to be postponed due to complications with travel visas for delegates. It was rescheduled for February 1983 in Toronto, Canada. The second conference established the ICCSASW. The Third International Sugar Workers Conference was held in Santo Domingo in 1987. It was the largest event organized by ICCSASW, with delegates from five continents. The last in the series of four conferences was held in Sao Paulo, Brazil in 1993.

Sugar Workers & Industry Education Resource Library [SWIERL]

Series contains correspondence, financial information and other records of the Sugar Workers and Industry Education Resource Library (SWIERL), including bibliographies, acquisitions, records of incorporation, and other administrative information such as storage space rentals and plans for eventual disposition of materials to the archives. Series also contains some videocassettes from the SWIERL collection.

In an effort to broaden its base of potential support, in 1992 ICCSASW officially incorporated its documentation centre as SWIERL. The SWIERL corporate embossing seal can be found in box 2006-060/061 - item 2006-060/061(01). ICCSASW itself was never incorporated, but operated under the umbrella of the Anglican Church of Canada. When ICCSASW ceased to function in 1998, SWIERL continued to maintain the documentation left over from the project, until 2006 when it was transferred to the Centre for Research on Latin America and the Caribbean (CERLAC) at York University.

Works by others

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

Research and writing files

Series consists of material that documents Tenney's ongoing academic and professional interest in the field of music including material that documents his years as a professor of music at York University. It includes research material consisting of clippings, notes, drafts of articles and other material related to the the work of fellow composers such as John Cage, Edgard Varese, Harry Partch as well as Conlon Noncarrow. It also contains material that documents his interest in musical theory including drafts of articles written by Tenney as well as material related to his books "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form" and "A history of 'consonance' and 'dissonance.'"

Journals, notebooks and address books

The series consists of journals kept by the author as well as loose material found in journals such as correspondence, notes, fragments of stories and other items. It contains notebooks, bound or unbound, in which Wiseman kept ideas for stories and works as well as drafts of her work, drawings and other thoughts from her daily life. It also includes address books kept by Wiseman over several years.

Loons files

The series consists of clippings, correspondence, minutes and other material regarding Wiseman's participation in the artist's group Loons. Formed in November 1982, Loons was an initial group of nineteen poets, novelists, composers, painters and sculptors who met informally for a period of about three years to discuss how their respective arts could act as an influence on each other. In addition to Wiseman, it counted Murray Adaskin, Elizabeth Smart, Phyllis Webb, Earle Birney, Timothy Findley, Vera Frenkel, George Johnston, Gwendolyn McEwen, Anne Michaels, P.K. Page and others among its memberhship.

Graduate and undergraduate Studies

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

MA Thesis files

The series includes notes, drafts and resource material related to Norquay's M.A. Thesis, "A Study of a Community Recreation Council as an Agent of Social Change" as well as the completed thesis, original correspondence, photographs and clippings created and/or accumulated while Norquay was recreation director of the Dunville Recreational Council. Series also includes minutes of that council. Norquay's thesis was successfully submitted to the University of Toronto in partial fulfillment of her Master's degree but at the direction of her thesis supervisor was not deposited in the University of Toronto library on the grounds that it would be considered libelous.

Project and writing files

Series consists of project and writing files that are not specifically Open College files, or other named projects. These files are primarily related to Norquay's interests in adult education, cross-cultural interaction and communication, communication styles, diversity training and management styles, and include workshop notes and course handouts, correspondence, guides, exercises and quizzes, assessment tools, reference materials, readings, and reports either written by or accumulated by Norquay.

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