Carolee Schneemann, correspondence
- 1998-038/049(04)
- File
- [1955-1976?]
Part of James Tenney fonds
Carolee Schneemann, correspondence
Part of James Tenney fonds
Part of James Tenney fonds
Music Scores by Tenney : Harmonium #1 for large orchestra
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
Audio recordings : Piano concert
Part of James Tenney fonds
Scores : "Harmonium #2" and "(Harmonium) #3"
Part of James Tenney fonds
Personal and professional correspondence : Letters from Annie [Ann Holloway], personal
Part of James Tenney fonds
About composers : Phil Corner - pictures, copies of business correspondence
Part of James Tenney fonds
About composers : Carl Ruggles
Part of James Tenney fonds
About composers : Analytical notes re: Carl Ruggles
Part of James Tenney fonds
Performances of James Tenney's music, fliers and announcements
Part of James Tenney fonds
About composers : Conlon Nancarrow, article originals
Part of James Tenney fonds
Part of James Tenney fonds
Analytical notes re: Carl Ruggles
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Part of James Tenney fonds
Item consists of an audio recording of the New Music concert in 1977. Performances include "Octandre" by Edgard Varese, "Juno" by Budd Schoenberg, "Blues" by James Tenney, "1st and 2nd Little Serious Pieces" by Revueltas Satie (Timar), and "Two Little Flowers" and "General William Booth...," by Ives.
Part of James Tenney fonds
Part of James Tenney fonds
Music Scores by Tenney : Blues : first York version
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
About composers : Conlon Nancarrow, article
Part of James Tenney fonds
About composers : Conlon Nancarrow, Arch St. liner notes original writing
Part of James Tenney fonds
Theory : National Science Foundation Grant Report, draft
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel
Part of James Tenney fonds
Theory : Notes for research reports and article : "Hierarchical Temporal Gestalt Perception"
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Alphabetical correspondence and subject files : Jacqueline Humbert
Part of James Tenney fonds
Oversize : "3 Songs (II)" : drawing by Alison Knowles, [ca. 3m x 1m]
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Theory : "Metric Space Model", original
Part of James Tenney fonds
Theory : "Temporal Gestalt Perception in Music" original
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
Performances of music by James Tenney
Part of James Tenney fonds
Part of James Tenney fonds
Theory : Computer printouts for "Model" paper
Part of James Tenney fonds
Notes for research reports and article: "Hierarchical Temporal Gestalt Perception"
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Audio recordings : "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois
Part of James Tenney fonds
Performances of music by James Tenney
Part of James Tenney fonds
Personal and professional correspondence : Phil Corner
Part of James Tenney fonds
Carolee Schneemann, writing, published material
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
Audio recordings : "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois
Part of James Tenney fonds
Music Scores by Tenney : Postal pieces : sketches, proof, negatives
Part of James Tenney fonds
Audio recordings : Happy New Year Jim and Ann, love David and Jackie and Willie
Part of James Tenney fonds
Personal and professional correspondence : Michael Byron
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part two
Part of James Tenney fonds
Music Scores by Tenney : Chromatic Canon, Band, 'Hey, When I Sing this Song...'
Part of James Tenney fonds
Performances of James Tenney's music
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'"
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part two, revision copy
Part of James Tenney fonds
Personal and professional correspondence : The List : Independent Curators Incorporated
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
Audio recordings : "Harmonium #3"
Part of James Tenney fonds
Consists of audio recording of Harmonium #3 by James Tenney. It is performed by Judy Saiki and Michael Rafferty at Gallery Naga in Boston on November 24, 1981. There is a note folded inside the reel case which reads: "Sorry so late. This is from 11/24/81 perf. at Gallery Naga in Boston. Other harpists are Judy Saiki + Michael Rafferty. Close, but I'd like to get it better. Love, Susie."
Performances of James Tenney's music
Part of James Tenney fonds
Alphabetical correspondence and subject files : Bell Labs
Part of James Tenney fonds
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Part of James Tenney fonds
Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery
Part of James Tenney fonds
Recording of James Tenney introducing his work "deus ex machina, part I" at the Music Gallery on 16 October 1982. The Music Gallery was located on St. Patrick Street in 1982.
Audio recordings : John Cage - Lecture in 014 Steacie, tape 2
Part of James Tenney fonds
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Part of James Tenney fonds
Performances of James Tenney's music
Part of James Tenney fonds
Part of James Tenney fonds
Performances of James Tenney's music
Part of James Tenney fonds
Peter Garland, correspondence and writings
Part of James Tenney fonds
Alphabetical correspondence and subject files : John R. Pierce
Part of James Tenney fonds
About composers : Harry Partch
Part of James Tenney fonds
Part of James Tenney fonds
Alphabetical correspondence and subject files : Cold Blue
Part of James Tenney fonds
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy
Part of James Tenney fonds
[Sound recordings, 1984 : ] Musicworks 27 -- The Music of James Tenney
Part of James Tenney fonds
Performances, '84 summer, New Music America Festival, Real Art Ways
Part of James Tenney fonds
Alphabetical correspondence and subject files : Gordon Monahan
Part of James Tenney fonds
Performances of James Tenney's music
Part of James Tenney fonds
Audio recordings : "Bridge" (not the best performance)
Part of James Tenney fonds
Scores, Sketches and Notes : Programs and output for "Bridge"
Part of James Tenney fonds
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording of "Replay" (1984) by James Tenney.
Part of James Tenney fonds
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes"
Part of James Tenney fonds
Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes"
Part of James Tenney fonds
Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes"
Part of James Tenney fonds
Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes"
Part of James Tenney fonds
Computer Outputs, "Changes", Studies #61 and #62
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Recording (b) : Layer "B" (lower staves)