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File includes Fusé’s student identification card and library card from Hokkaido Sapporo High School, dated Showa 24 (1949), tickets to Ninomiya (1949) and Fusé’s membership card from the Student Christian Association at Missouri Valley College (1951)

File includes a Japanese newspaper article featuring a teenaged Toyomasa Fusé and one other Japanese student as they are congratulated by General Douglas MacArthur as two of four selected winners of the Garisa (?) Scholarships to study in the United States. Fusé is quoted as saying that he will be attending a university in Missouri. Lois Fusé’s note on the context of the picture is written on the exterior of the original file folder.

File includes essays and course work completed by Fusé during his undergraduate studies in the Department of Sociology at Missouri Valley College.

File includes Fusé’s high school senior notebook, which includes notes from his teachers and classmates bidding him farewell in his graduating year.

Item consists of recording of “Soraab-Mirage” at the Premiere Dance Theatre, Toronto, by Sampradaya Dance. The recording is support material for Rudakoff’s academic promotion.

Item consists of recording of the production “Revealed by Fire,” Long Shot [possible theatre name], by Sampradaya Dance Creations. The recording is support material for Rudakoff’s academic promotion.

File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 5, no. 3-5 plus a special programme issue. Volume 6, no. 1 is the Stage Free Press.

File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 4, no. 2-4 and volume 5, no. 1-2. The Toronto Free Press became The Free Press for volume 4, no. 3.

File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 3, no. 2-3 and volume 4, no. 1 (two versions) plus three special programme issues.

File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 1, no. 1-4 and volume 2, no. 1-3.

File consists of one issue of Excalibur, York University’s community newspaper, volume 43, issue 06.

File consists of an edited copy and two draft copies of the script “Not Having” written by Rudakoff.

File consists of an edited copy and one draft copy of the script “Not Having” written by Rudakoff.

File consists of the script “Not Having” written by Rudakoff. Included is a program for “Not Having” from the Playwrights’ Workshop, Montreal.

File consists of three drafts of the script “Not Having” written by Rudakoff.

File consists of a copy of the script “Not Having” written by Rudakoff.

File consists of original and subsequent draft scripts for “The Straw Hat Music Show.”

File consists of a partial script and sheet music for “The Straw Hat Music Show.”

File consists of student evaluations and letters from colleagues regarding Rudakoff’s academic promotion.

Item is sound files of the narrator and background sounds and music in the production “Soraab-Mirage,” play text and developmental dramaturgy by Rudakoff. The recording is part of supporting material for her academic promotion.

File consists of programs, brochures, and an article about Rudakoff in support of her academic promotion.

File consists of programs, brochures, reviews and articles for productions involving Rudakoff in support of her academic promotion.

File consists of material related to Rudakoff’s published books, videos, photographic documentation, programs and brochures, reviews and articles, and examples of lomograms, in support of her academic promotion.

File consists of course outlines, copies of published articles written by Rudakoff, award nomination correspondence, and course polls and data from students in support of her academic promotion.

File consists of newspaper articles and ephemera pertaining to the production of “The River,” specifically its run at the Yukon Arts Centre Studio at Nakai Theatre in Whitehorse. File also consists of postcards and greeting cards from the Yukon. “The River” was written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of a script written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.

File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.. This script title changes in later drafts to “The River.”

File consists of an annotated script of “UBU Roi” or “UBU the King” by Alfred Jarry.

File consists of six letters from scholars and colleagues from around the world in support of Rudakoff’s nomination for the Elliott Hayes Award.

File consists of correspondence pertaining to research grants and merit awards given to Rudakoff.

File consists of edited drafts and final copies of conference papers presented by Rudakoff including “Longing and Belonging in the Urban Landscape: Who am I and Where is Here?” and “Challenging Assumptions: Designing and Applying Transcultural/transdisciplinary Dramaturgical Methodologies.”

File consists of edited drafts and final copies of conference papers presented by Rudakoff including “Exceeding Reach/Excluding Risk: The Ashley Plays (Cuba)” and “Canada’s fu-GEN Theatre: The Next Wave of Asian Canadian Performance.”

File consists of edited drafts and final copies of conference papers presented by Rudakoff including “I am a War, My Voice is a Weapon,” “Bridges and Boundaries: Locating Work and Process,” “Difficult Dialogues: Theatre and the Art of Engagement,” and “Provoking HyPerformances on the Web: Photobiography, Lomograss and Devising CyberSite Specific Work

File consists of typescript lecture Rudakoff delivered at York University called “Mythological Aspects of the Feminine in Canadian Plays: Voices from the Dark.”

File consists of scripts, playbills, clippings, and publicity material for the productions “Soraab-Mirage” and “Revealed by Fire.” Rudakoff is credited as dramaturg and playwright for both productions.

File consists of the application form from the York University Senate Committee on Teaching and Learning (SCOTL) for the University-Wide Teaching Award for 1996. Included are nomination letters and letters of support for Rudakoff to receive the award.

File consists of the application form from the York University Senate Committee on Teaching and Learning (SCOTL) for the University-Wide Teaching Award for 1998. Included is a copy of Rudakoff’s curriculum vitae, nomination letters and letters of support for her receiving the award.

File consists of a letter from the School of Graduate Studies at the University of Toronto with notice of thesis acceptance, and copy of the program of the final oral examination for the degree of doctor of philosophy.

File consists of the Canadian Association for Theatre Research conference program and copy of the paper “Canada’s fu-GEN Theatre: The Next Wave of Asian Canadian Performance,” delivered by Rudakoff at the conference. Included is an abstract for a panel presentation called “Home/less/ness: Stories of Longing and Belonging” from an unknown conference.

File consists of a workshop and reading agreement with the Papermill Theatre, Toronto.

File consists of photographs of Rudakoff including York University Convocation, 2003, at the Questionable Activities book launch, 1977, acting in a Gord Pengilly play in Edmonton, Alberta, 1976, and at the Dora Mavor Moore Awards where ‘UBU’ won.

File consists of publicity material, playbills and theatre season programs that include performances by Nina Arsenault, dramaturgy by Rudakoff, “I was Barbie” and “The Silicone Diaries.” Included is publishing information for the book “Trans(per)forming Nina Arsenault: Body of Work, Body of Art,” edited by Rudakoff.

File consists of conference programs, donation letters and receipts, a theatre production program, awards ceremony program, and publishing information for “Fair Play: 12 Women Speak,” by Judith Rudakoff and Rita Much.

File consists of a postcard and short note from Linda Griffiths, and postcard from “Rod” travelling in Egypt. Also includes a postcard from Buddies in Bad Times Theatre with text by Rudakoff, and note with images of birch trees that includes a piece of real birch tree bark.

File consists of edited typescript lectures and conference proposals. The papers are “Faux Arts or Beaux Arts: Nina Arsenault and the Possibilities of the New,” “Longing and Belonging in the Urban Landscape: Who am I and Where is Here?,” “Faux Arts, Beax Arts and the Myopia of Knowledgeability: Dramaturging in CyberSite Specific Work,” “Common Plants: Cross-pollinations in Hybrid Realities Iqaluit and the Ashley Plays” and “Chekhov’s Cherry Orchard: The Breaking Point.”

File consists of edited typescript lectures and conference programs. The papers are “Home Is Not A Place: Dramaturging Transcultural Physical Theatre,” “Faux Arts or Beaux Arts: Nina Arsenault and the Artist as Art [and Nina Arsenault and the Possibilities of the New]” and “Longing and Belonging in the Urban Landscape: Who am I and Where is Here?”

File consists of edited typescript lectures and conference programs. The papers are “Home/Less/Ness Panel: Ghosts, Aliens and Murdered Girls: Shadows in Whitehorse,” and “[New] GENeration Playwrights [sic]: Silence, Secrets and the Lack of Knowledge.”

File consists of two versions of the paper “Common plants: cross-pollination in hybrid realities.” One version was for a conference in Saskatoon, Saskatchewan, and the second, Helsinki, Finland.

File consists of a course syllabus with updates and proposals for special projects.

File consists of a letter from the University of Cape Town (UCT), South Africa, inviting Rudakoff to attend a 2-week residency as visiting-scholar/artist in the drama department.

File consists of playbills and pamphlets for performances by or written by Rudakoff. Included are articles written about her.

File consists of photocopies of journal articles, newspaper articles and one issue of TV Guide that contain articles about Rudakoff or are written by her.

File consists of four volumes of one-person performances created by Rudakoff’s students in playwriting and new play dramaturgy classes at York University.

File consists of three volumes of compilations of interviews with professional theatre artists conducted by theatre students, edited by Judith Rudakoff and published by the Playwrights Union of Canada, Toronto.

Accession consists of: booklets containing student projects edited by Judith Rudakoff, “Questionable Activities: Canadian Theatre Artists Interviewed by Canadian Theatre Students,” 3 vols., 1997-1998, and “Telling Tales out of School,” a series of one-person performances created by students of Judith Rudakoff’s Playwriting and New Play Dramaturge classes, 2006-2009; articles about Judith Rudakoff, 1990-2001; correspondence regarding the University of Cape Town, 2016; syllabus for a dramaturgy course, 1988; conference papers, 2006-2011; conference booklets and related documents; correspondence regarding acceptance of Judith Rudakoff’s PhD dissertation by the University of Toronto, 1983; teaching award nominations; playwriting files; issues of Toronto Free Press, 1984-1989; award notices and nominations, 1984-2015; scripts for “Not Having,” “The Straw Hat – The Musical,” “The River,” and “Home is not a place” (the last two plays written with Judith Skelton and Joseph Tisga); and files supporting Judith Rudakoff’s academic promotion, 2003.

File consists of a bound curriculum vitae (CV) created by Thaniel.

Item is a detailed curriculum vitae (CV) created by Thaniel documenting his qualifications, as well as activities undertaken from 1970 to 1990, including lectures and teaching, poetry readings, and conferences and seminars, to name a few. This CV also includes a number of illustrations by Thaniel, as well as photographs of Thaniel from his travels to Greece, Italy, and Spain. There is also a photograph of Ed S. Phinney. The final page of text includes the poem “O Poitis as myn Fovatai” (Let not the Poet Fear) by Thaniel, as well as a translation of the same by Phinney.

Item is a journal outlining courses from the Modern Greek Studies program at the University of Toronto, a survey of recently published works, as well as a list of events and news items related to Modern Greek studies that occurred between May and December 1981.

Item is a journal consisting of course lists from the modern Greek Studies program at the University of Toronto, a section titled “The Garden” which is a collection of Greek poetry translated into English and English poetry translated into Greek, and a section dedicated to documenting news and activities related to Modern Greek studies from January to April 1984. Journal further includes a collection of reviews written by John E. Rexine from Colgate University in Hamilton, NY. This edition of the Amaranth also includes a tribute to Kostis Palamas on the 40th anniversary of his death.

Item is a journal consisting of a survey of Greek-American poets based in and around New York City, NY, a section dedicated to poetry translated from English to Greek, and another section of poetry translated from English to Greek, together with the originals in English, as well as a section surveying books in Greek. Journal also includes a section titled “Activities and News” that outlines events related to Modern Greek Studies from December 1984 to April 1985, together with some photos from these events. There is also a section dedicated to books received by Thaniel. Journal also includes art by Nicolette Atheniou Koletsis, and Thaniel further takes care to note the use of Woodlands style bird illustrations by Benjamin Chee Chee throughout the journal in the table of contents.

Item is a journal outlining the Modern Greek Studies program at the University of Toronto, events and conferences that had taken place prior to publication, and a book review of Ethelyn G. Orso, “Modern Greek Humour: A Collection of Jokes and Ribald Tales” (Indiana University Press, 1979). Journal also includes various illustrations by Thaniel.

Item is a journal consisting of essays by Thaniel, a section titled “The Garden” which is a collection of poetry, and book reviews. Journal further consists of events and news items related to Modern Greek studies that occurred between May and December 1982, most notably a description of the collection “Their Work and Their Voice: The University of Toronto Modern Greek Collection of Tape Recordings of Greek Writers”, which makes up the bulk of audio material in this fonds.

Item is a journal consisting of course lists courses from the Modern Greek Studies program at the University of Toronto, a section titled “The Garden” which is a collection of Greek poetry translated into English by Thaniel and Phinney, as well as a translation of Gwendolyn MacEwen’s poetry into Greek by Thaniel. Journal further includes an essay by Nikou Gabriel Pentziki titled “Mytera Thessaloniki” (Mother Thessaloniki) written in Greek, as well as book reviews and a section dedicated to documenting news and activities related to Modern Greek studies from the Spring and Summer of 1983.

Item is a journal consisting of an editorial on the end of the first series of The Amaranth Bulletin, a section dedicated to listing the activities Thaniel participated in since 1971, including lectures and papers presented by Thaniel, as well as events sponsored by the program of Modern Greek Studies at the University of Toronto, and events held at the University College of the University of Toronto. There is also a list of lectures at the Department of Classics at the University of Toronto. Journal further includes a section of poetry translated from English to Greek and from Greek to English, a reproduction of a letter to George Seferis from Frank Macaskie with commentary from Thaniel, and the artwork of Mary Karamidopoulos-Nastis. There is an additional article by Edward Phinney titled “Prospects and Promenades: Pausanias, Lacarriere and Levi as Travellers”, as well as original poems by various artists accompanied by photographs from a poetry reading that took place on December 10, 1987. The journal concludes with a book review by Thaniel on “Tales from a Greek Island” by Alexandros Papadiamantis (translated by Elizabeth Constantinides).

File consists of the complete first series (11 issues) of “The Amaranth: Bulletin of the Modern Greek Studies Program, University of Toronto” produced and published by Thaniel during his tenure as Chair of Modern Greek Studies at the University of Toronto.

Item is a journal outlining courses from the Modern Greek Studies program at the University of Toronto, as well as a commemoration to the Greek poet Angelos Sikelianos on the thirtieth anniversary of his death. Journal also includes a translation by Thaniel and Elly Mamarma of the essay “Life and Deeds of Alexis Zorbas: A Novel of Lived Experiences” by Yorghos Ioannou. Journal also contains a section titled “The Garden”, which appears to be a collection of poetry by artists from Greece, Cyprus, and North America. Journal further consists of events and news items related to Modern Greek studies that occurred between December 1981 and April 1982.

Item is a journal consisting of an essay on the life and art of Stahis Trahanatzis by Thaniel, a section titled “The Garden” which is a collection of Greek poetry translated into English by Thaniel and Phinney, as well as an English translation of an essay titled “A Summer’s Seminar of Yannis Ritsos” by P. Prevelakis. Journal further consists of book reviews, a description of a symposium on Modern Greek studies from October 27-30 1983, as well as the work of poet Katerina Anghelaki-Rooke.

Item is a journal consisting of a memorial to Nikos Kachtitsis, a section titled “The Garden” which is a collection of Greek poetry translated into English and English poetry translated into Greek, as well as book reviews by Thaniel and John E. Rexine from Colgate University in Hamilton, NY. Journal further includes a section titled “Activities and News” documenting events related to Modern Greek Studies from May to December of 1984. Journal also includes photographs from a function outlined in the Activities and News section, as well as the title pages of works by George Thaniel and Stephanos Constantinides. Journal additionally includes a list of books and pamphlets received by Thaniel.

Item is a journal consisting of a section dedicated to George Seferis, as well as an article by H.J. Mason titled “Generations of our Lesvian Ancestors: Myrvilis’ Use of Sappho and Longus”. Journal further includes a section dedicated to English and French Canadian poetry translated into Greek (notably that of Gwendolyn MacEwan), as well as Greek poems translated into English. There is an additional section with book reviews and a section dedicated in memoriam to Anna Katevaini and Amalia Tsaknia. Journal also includes 2 photographs from an event where Gwendolyn MacEwan read from her work for the Modern Greek program at the University of Toronto on December 4, 1986.

Item is a recording (Sides A and B) of a presentation on the work of Yannis Koutsocheras. Side A is G. Gokfani (Γ. Γωκφάνη) presenting. Side B is George Thaniel presenting.

Side A is a recording of a memorial tribute to poet Takis Sinopoulos. Side B is a recitation of poetry by Angelos Sikelianos.

Side A is a recording of a tribute to poet Kostas Karyotakis. Side B continues from Side A.

Side A is an interview with poet Giannis Koutsocheras. Side B is an interview with poet Minas Dimakis.

Side A is poet Nikos Pappas reciting his work after an introduction. Side B is poet Rita Boumi-Pappa reciting her work after a biographical introduction and summary.

Side A is an interview with writer Nikos Gavriil Pentzikis, discussing his work “"Fanni and Nikodimos". Side B continues from Side A.

Side A is a recording of George Thaniel reading from his poetry. Side B is a recording of the memorial to George Thaniel broadcast on the radio show “Logitechnikes Selides” (trans: “Literary Pages”) broadcast in July 1991 after Thaniel’s sudden death in June 1991.

Side A is a recording of a roundtable discussion that took place at Aliki Theatre in Athens on the topic "O Papatsonis Poitis Thriskeutikos I Metafysikos?" (Trans: The Papatsoni Poets - Religious or Metaphysical?) Discussion participants included Zoé Karelli (AKA Chryssoulas Argyriadou), Dimitris Papaditsas, Kostas Georgousopoulos, Matthaios Mountes, ανδ Pantelis B. Paschos. The coordinator was Kostas Tsiropoulos. Poetry recitation for the event was performed by Katseli-Binaris. Side B continues from Side A.

Side A is an recording of an interview with writer Galateia Saranti. Side B is a recording of an interview with poet Odysseas Elytis

Side A is a recording of poet Andonis Decavalles (AKA Andonis Manganaris-Decavalles) reciting his work. This recitation was originally broadcast on WFDM-TV on October 17 1983. Side B is a recording of George Thaniel reciting his work in 1989. It is unknown if this recitation was also broadcast on WFDM-TV.

Side A is a recording of a tribute to poet Giorgos Seferis that took place on what would have been his 80th birthday on February 29, 1980. Side B continues from Side A.

Item is a recording of an interview with writer Elias Simopoulos.

Side A is an interview with poet Lena Pappa. Side B is an interview with poet Matthaios Mountes.

Side A is Myrto Anagnostopoulou–Pissalidou speaking about her life and her poetry. Side B is an interview with poet Manolis Xexakis.

Side A is a recording of an interview with poet Theofilos D. Fragkopoulos. Side B is a recording of an interview with poet Dimitrios Stathopoulos.

Side A is a recording of an interview with writer Giannis Maglis. Side B is a recording of an interview with writer Dimitrios Hatzis.

Side A is a recording of an interview with poet Elias Simopoulos. Side B is a recording of an interview with poet P. A. Sinopoulos.

Side A is a recording of an interview with writer Nikos Kasdagles. Side B is a recording of an interview with writer Dimitris Nollas.

Item is a recording of an interview with Spiros Plaskovitis. Side B continues from Side A.

Side A is an interview with writer Kostoula Mitropoulou. Side B is an interview with writer Filippos Drakontaidis

Side A is an interview with philosopher Ioannis Theodorakopoulos. Side B is an interview with philosopher Evangelos Panagiotou Papanoutsos.

Side A is a recording of the musical band Heimerinoi Kolymvites (Χειμερινοί Κολυμβητές). Side B continues from Side A.

Side A is a recording of a broadcast of "King of America" by B.J. Merholz. produced by the Atlanta Center for Television in 1981 and broadcast as an episode of American Playhouse (WGBY Television, Springfield, MA) on January 19 1982. Side B continues from Side A.

Side A is the third part (Part C) of a recording of a performance of one of Angelos Sikelianos’ plays. Side B is the fourth part (Part D) of the recording.