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File consists of reproductions of artwork and photographs.

File predominantly consists of email exchanged between Ellenwood, Yseult Riopelle and others regarding the Egregore translation and work on the book’s bibliography.

Item is a letter written by Ellenwood regarding the history of the translation and publication of Egregore.

File includes correspondence and lists pertaining to illustrations in Egregore.

Item is an early annotated draft of Egregore translated into French by Jean Antonin Billard.

File consists of early correspondence between Ellenwood, Exile Editions (Barry Callaghan), Quebec publisher Editions de l’Hexagone and others about publishing Egregore in French.

File pertains to Ellenwood’s participation in Avant Canada, a conference organized by the Centre for Canadian Studies at Brock University. File consists of a conference program, correspondence, brochures, and Ellenwood’s speaking notes for his presentation, “Jean Benoît’s Exécution du testament du Marquis de Sade: exposition, translation, commentary”.

File pertains to Ellenwood’s participation in a conference about Pierre Mercure held in Montreal. Included in the file is a copy of Ellenwood’s unpublished paper presented at the conference, “Pierre Mercure, l’automatisme, et le danse moderne au Québec”, related email, an itinerary, and papers written by others.

File pertains to Ellenwood’s participation a conference entitled “Translating Canada: The Margins Talk Back”, held at the University of Moncton in March 2005. Included in the file are the conference program, related email and memoranda, and drafts of Ellenwood’s paper, “Translation and the North-West Rebellion of 1885”.

File pertains to Ellenwood’s contribution to this edited collection, entitled “Translating Big Bear in Film”. File includes related email, page proofs, a draft paper, and a partial copy of a script for the CBC mini-series “Big Bear” from the Rudy Wiebe archives.

File pertains to Ellenwood’s lecture to students in this program, part of a lecutre series entitled “Our Canada, Our Culture: Seeking Common Ground”. Included in the file is a schedule for the series, Ellenwood’s speaking notes, a copy of his English translation of “Refus Global”, and notes on the signatories of “Refus Global.”

File pertains to Ellenwood’s unpublished paper entitled “Identité nationale et l’avant-garde mondiale: le case de Refus global et le mouvement auntomatiste de Montréal”, presented at “(Se)Voir et Savoir: Constructions identitaires dans les espaces littéraire et pictural de l’Acadie et du Québec”, held at Mount Allison University in Sackville, NB. Included in the file is an annotated copy of Ellenwood’s paper, the event program, and related correspondence.

File includes email correspondence from Barbara Godard and others about their panel on translation, “Found in Translation”, held as part of this event.

File pertains to Ellenwood’s research for and writing of an essay for “Barry Callaghan: Essays on His Works”, edited by Uppal, focused on Callaghan’s role to include translated works for publication in Exile.

File consists of correspondence, research materials, and draft manuscripts pertaining to the writing and editing of Ellenwood’s articles for this journal, “Some activities and publications around the fiftieth anniversary of Refus Global” and a review of Jean Paul Riopelle’s Catalogue Raisonné, tome 1.

File consists primarily of a draft manuscript featuring an introduction and notes by Ellenwood and transcriptions of letters and other writing by Gauvreau from 1945-1955.

File includes Ellenwood’s correspondence with collaborators, notes, and photocopies of newspaper articles written by Gauvreau.

File consists of Ellenwood’s correspondence, notes and related photocopies of articles about Gauvreau, Refus Global and the Automatists in Quebec from the late 1940s and copies of writing by Gauvreau. Also included is a copy of a manuscript of “L’automatisme surrationnel et la nostalgie du Jardin d’Eden” by P. Hyacinthe-Marie Robillard (28 Sept. 1948).

File pertains to Ellenwood’s article entitled “Pierre Gauvreau, provocateur” in journal Etudes Francaises. Included are drafts, edit notes and correspondence.

File pertains to Ellenwood’s research about Gauvreau and includes transcriptions of Gauvreau’s letters (and those of others) from the 1940s and a CD of scanned 1940s newspaper articles about automatism and Gauvreau reproduced by the Bibliothéque Nationale du Québec.

File consists of correspondence pertaining to Ellenwood’s efforts to publish a book of the writings of Pierre Gauvreau.

File consists of correspondence and manuscript drafts pertaining to Ellenwood’s work on text for an Pierre Gauvreau exhibition, “Pierre Gauvreau, Passeur de modernité”, at the Musée de la civilisation du Quebec.

File pertains to the publication of this article by Ellenwood in the edited collection “The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game”.

File consists of correspondence, manuscript text, exhibit postcards and photographs of Gauvreau’s art pertaining to Ellenwood’s work on catalog text for an exhibition at the Musée du Bas-Saint-Laurent in Rivière du Loup, “Pierre Gauvreau et son monde”.

File includes correspondence and unpublished translations by Ellenwood of articles by Jeannette Biondi, Valérie Laforge, and Vincent Giguère, as well as a eulogy written for Gauvreau’s memorial service in May 2011.

File consists of correspondence and manuscript drafts pertaining to Ellenwood’s work on text for an Pierre Gauvreau exhibition, “Pierre Gauvreau, Passeur de modernité”, at the Musée de la civilisation du Quebec.

File consists of correspondence and other material pertaining to an exhibit entitled Art=Liberation, featuring works by Pierre Gauvreau and Janine Carreau, curated by Ellenwood for Baron Gallery in Vancouver. Included is a 1980 photograph of Gauvreau in front of his painting “Avez-vous vu tout ce que nous avons vu?” and a drawing of the gallery floor plan.

Item is a course proposal and bibliography for “a study of European avant-garde movements after 1914 (Futurism, Vorticism, Dada, Surrealism) and their influences on later writers in Europe and North America”, created by Ellenwood.

File consists of copies of articles and bibliographic information.

File consists of correspondence and notes pertaining to Ellenwood’s interview with Mabille’s daughter, Claude, as well as research resources about Mabille.

File includes Ellenwood’s research notes, copies of articles, and a copy of a PhD dissertation by Susan W. Nessen entitled “Surrealism in exile: the early New York Years, 1940-1942”.

File includes letters of permissions from Jean Benoit, Mimi Parent, Claude Mabille, Aube Ellouët and Claude Courtet pertaining to Ellenwood’s visit to the Bibliothèque Littéraire Jacques Doucet in Paris to consult correspondence of Pierre Mabille, Benjamin Peret, Andre Breton, Jean Benoît and Mimi Parent.

The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firozsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, his investiture into the Order of Canada, and his support of organizations devoted to literacy, humanitarianism, and writers.

Accession consists of correspondence, draft manuscripts, research notes, page proofs, itineraries, newspaper and magazine articles, promotional material, photographs, and financial documents relating to Rohinton Mistry’s work as an author, 1987-2012, including acceptance of literary awards and fellowships, media interviews, his relationship with his literary agent and publishers, requests for promotional text for works by other authors, participation in literary festivals and conferences, his service on PEN Canada’s Board of Directors, conferral of honorary degrees, requests for speaking engagements and to contribute essays to various publications, burning of copies of Such a Long Journey by the Shiv Sena party, responses to readers’ mail, adaptation of Mistry’s novels for theatre and radio, visits to India, study of his novels by university students, reviews of his novels by international literary critics, and the film shoot of Such a Long Journey in India. The accession also includes: audio and video recordings of media interviews; Mistry’s readings of his work; his convocation address at the University of Toronto, 1999; audiobooks of Mistry’s novels on tape cassettes and compact discs; and printed first editions of translations of novels, book club editions, and anthologies that contain an essay or excerpt from a literary work by Mistry.

Consists of royalty statements, letters of permission, contracts, correspondence with agents and other material that documents financial transactions related to the sales and marketing of Mistry's work.

The accession consists of literary papers including personal and professional correspondence, short stories, travel essays and manuscripts, photographs from filming the movie adaptation of “Such a Long Journey,” and photographs from award ceremonies and convocations for several honorary doctorate degrees. Included are records pertaining to Mistry’s investiture in the Order of Canada, research material, financial records, and contributions to journals and literary periodicals plus short stories, essays, excerpts published in various anthologies, and bound galley proofs written by other authors requesting testimonials.

Fonds consists of records documenting Armstrong's academic and research career, as well as records pertaining to her role as an expert witness and CHSRF/CIHR Chair in Health Services and Nursing Research. Includes research materials, transcripts, drafts of published works, correspondence, meeting minutes, speeches, grant applications, annual reports, conference materials, and legal documents.

Series consists of correspondence, draft applications, and final copies of grant applications for research projects that Armstrong lead as principal investigator or participated in as part of the research team.

Series consists of lecture notes, correspondence, reports, meeting minutes, and award nominations pertaining to Armstrong's academic career, holding positions at York University, Sir Sandford Fleming College and Vanier College, as well as a Student Information Officer at the University of Toronto Students' Administrative Council.