Showing 164044 results

File includes a typescript of Dubé’s monograph about painter Marcel Baril.

File pertains to Ellenwood’s efforts to translate André Breton’s Les vases communication and get it published. Included is a note from Ellenwood about this work.

File includes this paper given by Ellenwood at the International Comparative Literature Association Convention in August 1973 as well as an offprint of the published version.

File pertains to a lecture given by Ellenwood for Surrealism Day at Victoria College, University of Toronto, entitled “The politics of non-figuration: surrealism and after” and includes the text of the lecture, research notes and articles, and an agenda for the event, which was organized by Victoria College and the Cinema Studies Programme.

File pertains to a paper given by Ellenwood entitled “Toward non-figuration in New York and Montreal: 1940-1950” at the Nov. 1989 meeting of the American Studies Association in Toronto. Included are a copy of the paper, notes, a bibiography, research materials, and a list of his fellow panellists for the talk.

File consists of correspondence, lists of artwork, and notes pertaining to the photography of Yvan Boulerice and its use in Egregore.

File consists of correspondence, invoices and notes pertaining to André Le Coz’s photographs of Francoise Riopelle and others and his correspondence with Ellenwood relating to the use of these photographs in Egregore.

File consists of correspondence and application forms pertaining to grants in aid of publication for Egregore (original and translation), as well as reader responses to the early manuscript from 1988.

File includes a chronological list of events in the history of automatism written by Ellenwood.

File consists of notes and lists pertaining to works held by the Galerie Dresdnere. Also included is correspondence pertaining to an opinion article written for La Presse by Serge Lemoyne entitled “Toronto a-t-elle eau peur de Borduas”?.

File consists of correspondence pertaining to Ellenwood’s promotion of Egregore in relation to the National Gallery of Canada’s travelling exhibit Towards Automatism, as well as correspondence with National Gallery curator Charles C. Hill regarding permissions to use excerpts of Ellenwood’s English translation of Refus global. Also included are copies of the Towards Automatism exhibit catalog in French and English, Ellenwood’s speaking notes for a presentation entitled “Automatism and international surrealism”, invoices and correspondence pertaining to reproduction orders.

File consists of correspondence and forms pertaining to various permissions sought by Ellenwood.

File consists of correspondence, forms and invoices pertaining to various permissions sought by Ellenwood.

File consists of correspondence and contracts pertaining to various permissions sought by Ellenwood.

File consists of correspondence pertaining to various permissions sought by Ellenwood.

File consists of email correspondence, notes, images, and drafts pertaining to Ellenwood’s catalog text, “Regards et jeux,” for the exhibit “Ferron Riopelle Duos” held at Galerie Simon Blais from January to March 2019.

File pertains to an exhibition at the Galerie Michel Guimont entitled “Les automatistes en trois temps” (23 Sept. to 23 Oct. 2018). Records include a copy of the exhibition catalog, email correspondence, and drafts of the text written by Ellenwood for the catalog.

File pertains to Ellenwood’s participation in a 16 Feb. 2018 panel presentation at the Art Gallery of Ontario entitled “Joan Mitchell and Jean Paul Riopelle: Creativity and Collaboration”. Included are Ellenwood’s notes, email correspondence and a colour printout of the presentation slides.

File pertains to Ellenwood’s contribution to the Françoise Sullivan retrospective held at Musée d’art contemporain de Montreal (20 Oct. 2018 to 20 Jan. 2019). Records include email correspondence and various drafts of Ellenwood’s essay, “Françoise Sullivan and the question of myth,” written for the exhibition catalog.

File consists of a catalog, email correspondence, and speaking notes pertaining to Ellenwood’s participation in a student exhibition entitled “Refuse contraire”, held at l’Université du Quebec à Montreal, in celebration of the 70th anniversary of Refuse global.

File pertains to Ellenwood’s contribution to the anthology Canadian Plays and Perfomance Documents: 1606-1967, which was a translation of and commentary about Bien-être (The Good Life) by Claude Gauvreau. Records include email correspondence, notes from a conference about the project, draft copies of other pieces from the anthology, and drafts of Ellenwood’s commentary and his translation.

File consists of correspondence and annotated draft manuscripts pertaining to Ellenwood’s work to write an introduction to and revise the translation of Jean-Philippe Warren’s book L’art vivant, Autour de Paul-Émile Borduas, published in English as Living Art, Individual and Collective Creativity: Becoming Paul-Émile Borduas for publisher Exile Editions.

File consists of correspondence, an invoice, and a copy of the text written by Ellenwood regarding a painting by Paul-Émile Borduas, “Dominos”, for the auction catalog of Heffel Fine Auction House.

File consists of a draft manuscripts, notes, email correspondence and research material pertaining to Ellenwood’s review for The Review of Canadian Art of Stan Dragland’s book about painter Gerald Squires.

File pertains to Ellenwood’s contribution to the anthology Canadian Plays and Perfomance Documents: 1606-1967, which was a translation of and commentary about Bien-être (The Good Life) by Claude Gauvreau. Records include email correspondence, notes from a conference about the project, draft copies of other pieces from the anthology, and drafts of Ellenwood’s commentary and his translation.

File consists of reproductions of artwork and photographs.

File predominantly consists of email exchanged between Ellenwood, Yseult Riopelle and others regarding the Egregore translation and work on the book’s bibliography.

File includes correspondence and lists pertaining to illustrations in Egregore.

Item is an early annotated draft of Egregore translated into French by Jean Antonin Billard.

File consists of early correspondence between Ellenwood, Exile Editions (Barry Callaghan), Quebec publisher Editions de l’Hexagone and others about publishing Egregore in French.

File pertains to Ellenwood’s participation in Avant Canada, a conference organized by the Centre for Canadian Studies at Brock University. File consists of a conference program, correspondence, brochures, and Ellenwood’s speaking notes for his presentation, “Jean Benoît’s Exécution du testament du Marquis de Sade: exposition, translation, commentary”.

File pertains to Ellenwood’s participation in a conference about Pierre Mercure held in Montreal. Included in the file is a copy of Ellenwood’s unpublished paper presented at the conference, “Pierre Mercure, l’automatisme, et le danse moderne au Québec”, related email, an itinerary, and papers written by others.

File pertains to Ellenwood’s participation a conference entitled “Translating Canada: The Margins Talk Back”, held at the University of Moncton in March 2005. Included in the file are the conference program, related email and memoranda, and drafts of Ellenwood’s paper, “Translation and the North-West Rebellion of 1885”.

File pertains to Ellenwood’s contribution to this edited collection, entitled “Translating Big Bear in Film”. File includes related email, page proofs, a draft paper, and a partial copy of a script for the CBC mini-series “Big Bear” from the Rudy Wiebe archives.

File pertains to Ellenwood’s lecture to students in this program, part of a lecutre series entitled “Our Canada, Our Culture: Seeking Common Ground”. Included in the file is a schedule for the series, Ellenwood’s speaking notes, a copy of his English translation of “Refus Global”, and notes on the signatories of “Refus Global.”

File pertains to Ellenwood’s unpublished paper entitled “Identité nationale et l’avant-garde mondiale: le case de Refus global et le mouvement auntomatiste de Montréal”, presented at “(Se)Voir et Savoir: Constructions identitaires dans les espaces littéraire et pictural de l’Acadie et du Québec”, held at Mount Allison University in Sackville, NB. Included in the file is an annotated copy of Ellenwood’s paper, the event program, and related correspondence.

File includes email correspondence from Barbara Godard and others about their panel on translation, “Found in Translation”, held as part of this event.

File pertains to Ellenwood’s research for and writing of an essay for “Barry Callaghan: Essays on His Works”, edited by Uppal, focused on Callaghan’s role to include translated works for publication in Exile.

File consists of correspondence, research materials, and draft manuscripts pertaining to the writing and editing of Ellenwood’s articles for this journal, “Some activities and publications around the fiftieth anniversary of Refus Global” and a review of Jean Paul Riopelle’s Catalogue Raisonné, tome 1.

File consists primarily of a draft manuscript featuring an introduction and notes by Ellenwood and transcriptions of letters and other writing by Gauvreau from 1945-1955.

File includes Ellenwood’s correspondence with collaborators, notes, and photocopies of newspaper articles written by Gauvreau.

File consists of Ellenwood’s correspondence, notes and related photocopies of articles about Gauvreau, Refus Global and the Automatists in Quebec from the late 1940s and copies of writing by Gauvreau. Also included is a copy of a manuscript of “L’automatisme surrationnel et la nostalgie du Jardin d’Eden” by P. Hyacinthe-Marie Robillard (28 Sept. 1948).

File pertains to Ellenwood’s article entitled “Pierre Gauvreau, provocateur” in journal Etudes Francaises. Included are drafts, edit notes and correspondence.

File pertains to Ellenwood’s research about Gauvreau and includes transcriptions of Gauvreau’s letters (and those of others) from the 1940s and a CD of scanned 1940s newspaper articles about automatism and Gauvreau reproduced by the Bibliothéque Nationale du Québec.

File consists of correspondence pertaining to Ellenwood’s efforts to publish a book of the writings of Pierre Gauvreau.

File consists of correspondence and manuscript drafts pertaining to Ellenwood’s work on text for an Pierre Gauvreau exhibition, “Pierre Gauvreau, Passeur de modernité”, at the Musée de la civilisation du Quebec.

File pertains to the publication of this article by Ellenwood in the edited collection “The Exquisite Corpse: Chance and Collaboration in Surrealism’s Parlor Game”.

File consists of correspondence, manuscript text, exhibit postcards and photographs of Gauvreau’s art pertaining to Ellenwood’s work on catalog text for an exhibition at the Musée du Bas-Saint-Laurent in Rivière du Loup, “Pierre Gauvreau et son monde”.

File includes correspondence and unpublished translations by Ellenwood of articles by Jeannette Biondi, Valérie Laforge, and Vincent Giguère, as well as a eulogy written for Gauvreau’s memorial service in May 2011.

File consists of correspondence and manuscript drafts pertaining to Ellenwood’s work on text for an Pierre Gauvreau exhibition, “Pierre Gauvreau, Passeur de modernité”, at the Musée de la civilisation du Quebec.

File consists of correspondence and other material pertaining to an exhibit entitled Art=Liberation, featuring works by Pierre Gauvreau and Janine Carreau, curated by Ellenwood for Baron Gallery in Vancouver. Included is a 1980 photograph of Gauvreau in front of his painting “Avez-vous vu tout ce que nous avons vu?” and a drawing of the gallery floor plan.

File consists of copies of articles and bibliographic information.

File consists of correspondence and notes pertaining to Ellenwood’s interview with Mabille’s daughter, Claude, as well as research resources about Mabille.