The fonds consists of the following series: Constitution and by-laws, 1967-1988; Minutes, 1968-1986; Correspondence and papers, 1964-1986; Financial records, 1969-1986; Reports, 1969-1986; Newspaper clippings, 1968-1979; and Printed material, 1973-1979. The correspondence files are arranged alphabetically by name or subject.
The fonds consists of the Records of the Principal, 1964-1972; the Records of the Senior Administrator, 1966-1974; the Records of the Dean of Students, 1960-1965; the Records relating to the Faculty Council, 1967-1989; the Records relating to the Glendon College Student Union, 1971-1982; and Photographs, 1950.
The fonds consists of records pertaining to the activities of the Green Bush Inn and includes minutes of the Board of Directors and annual meetings, financial statements, correspondence and memoranda of agreement with colleges and pubs, legal documents (including charter, Liquor License Act of Ontario regulations and related material), personnel files and architectural plans relating to the historic Green Bush Inn.
The fonds consists of records pertaining to the activities of the Harbinger Community Services and includes minutes of the York Student Clinic, correspondence, counselling records, financial papers, and statistics.
The fonds consists of records pertaining to the activities of the Joint Centre on Modern East Asia and includes general files, director’s files, minutes of the ROC Co-Coordinator’s meetings, narrative reports of the OROC, briefing binders, files on OJEE Ontario pariticipants, publications and working papers, video cassettes, films and audio cassettes. It also includes files relating to programs such as the Canadian-ASEAN Program, the Canada Pacific Program, and the OROC Training Programs.
The fonds consists of the records of McLaughlin College, more specifically of the Tatham Hall Council, College Council, College Student Council. The fonds includes minutes of meetings, financial records, correspondence and papers, and general and subject files. It also includes photographs, audio cassettes and magnetic tapes documenting the history of the College and it’s 25th anniversary celebrations.
The fonds consists of the records of the Osgoode Hall Law School pertaining to its Dean's Office, 1957-1980; Faculty Council, 1974-1982; Alumni Association, 1891-1982; and Legal and Literary Society, 1965-1977. It also includes photographs of graduation ceremonies, 1970-1977 and class lists, 1899-1978.
The fonds consists of the records of the York University Faculty Association (YUFA) Chairperson, 1980-1984; the Librarians' Chapter, 1976-1985; and the Joint Grievance Committee, 1979-1984. Other series consist of Minutes, 1961-1986; Correspondence and papers, 1962-1989; Financial records, 1968-1985; Reports, 1967-1974; Printed material, 1964-1987; Ballots, forms, and opinion polls, 1973-1987.
The fonds documents the activities of the York University chapter of Pollution Probe for the period 1969-1973. It includes correspondence with members and the central organization, some financial records, reports, subject files, newsletters from other Pollution Probe chapters, newspaper clippings, photographs and posters.
The fonds consists of correspondence and financial records of the York University Art Gallery. The first series consists of correspondence with artists concerning shows, with other galleries in Canada and the United States, with publications, art schools, artists' organizations, and with other university departments, organized alphabetically or chronologically. The second series consists of financial records, (including budgets, invoices, records of purchases); guest books and attendance records and surveys; exhibition flyers, catalogues and schedules; minutes of the University Arts Committee (1973-1979) and the Art Advisory Committee (1968-1972) and documentation concerning exhibitions, including 'Re: Union: selected York MFA alumni, 1976-1985'.
The fonds consists of records of the York University Convocation Office and includes correspondence with faculties and colleges regarding graduates, ceremonies, delinquent students, convocation programmes, some financial material, invitations and honorary degrees and citations. It also includes of scripts for the convocation ceremonies, citations, and installations of new Chancellors. In addition there are convocation addresses for the period 1961-1986 and there are also copies of diplomas from the several faculties. The fonds is organized in three series: Correspondence and papers relating to Convocation, 1979-1982; Order of Convocation (scripts), 1961-1996; and Programmes, 1961-1996.
Convocation office files are arranged by year of convocation and then alphabetically within each year. Scripts and programmes are arranged by date of convocation.
York University (Toronto, Ont.). Convocation Office
The fonds consists of the records York University Faculty of Administrative Studies, specifically records of the Office of the Dean, 1965-1981; the Faculty Council, 1965-1992; and the Undergraduate Business Council, 1970-1972. Also includes Research Programme Working Papers authored by Schulich School of Business Professors.
York University (Toronto, Ont.). Faculty of Administrative Studies
Fonds consists of the records of the York University Librarian, 1959 1985; Associate University Librarians, 1970-1996; the Assistant Director for Collection Development, 1962 1979; the Assistant Director for Technical Services, 1960 1978; the Libraries Business Officer, 1968 1973; the Catalogue Department, 1964 1979; the Circulation Department, 1980; the Reference GEAC Bibliographic Database Task Force, 1981 1983; the Systems Management Committee, 1980 1981; the Library Operating Committee, 1976 1989; the Ad hoc Lounge Committee, 1983 1984; the Library Council, 1977 1985; the Librarians' Group, 1983 1986; the Bibliographers' Office, 1979-1982.
The fonds consists of material related to John Smith's personal life and to his professional career as a writer, producer and director. It includes screenplays, draft notes for works in progress, shot lists, story boards, call lists and shooting schedules, casting and contact lists, correspondence, research files, press clippings, financial records, and selected printing elements for 16mm and 35mm productions, rough assemblies, rushes and outs on VHS and Beta videocassettes and DVDs.
Fonds consists of correspondence, reports, People or Planes (POP) Committee organizational files, and environmental and agricultural files related to efforts to stop the establishment of the proposed Pickering airport by the federal government.
The fonds consists of material which documents Williamson's career as a fine arts bibliographer, librarian and instructor along with associated professional and scholarly activities. It includes correspondence and reports prepared for collection acquisitions (e.g. Germain Bazin library, archives and postcard collection), other library initiatives, interactions with various library departments, and departments in the Faculty of Fine Arts including visual arts, dance, and theatre; material related to her work on YUFA, PLAYU (Professional Librarians Association of York University), the Librarians' Group, and other York University and library committees; exhibition catalogues, monographs, articles and conference presentations authored by Williamson; and research materials, grant files and teaching files. The fonds also includes a collection of letters and photographs that Williamson sent home during her stay at various summer camps between 1940 and 1951, material related to the Moore Park Ratepayers' Association, and a collection that Williamson acquired consisting of 63 photocopied letters from literary and artistic figures in Canada such as Susanna Moodie and George Munro Grant, addressed to Louisa Murray (1818-1894), literary critic and writer on feminist issues.
The fonds consists of Helen Lucas' correspondence, scrapbooks, photographs, The Diary Series (1971-1978), and Relationship Drawings (1978-1981) (both of which include 246 charcoal drawings, 40 sketches, 34 drawings, 5 etchings, 47 lithographs, 3 framed serigraphs, 1 sketchbook, and 1 pastel on paper); preliminary drawings for Angelica (Toronto: Kakabeka Publishing Co.,1973) and Genesis; twelve original collage drawings for the book co-authored by Helen Lucas and Margaret Laurence entitled The Christmas Birthday Story (1981) complemented with letters from Laurence while they were collaborating on the book; original prints (1970s); a sketchbook (1971); and Drawing Dedicated to my Daughter. Lucas provides an accompanying narrative to many of the drawings, giving a context for the works and an account of their evolution between 1971 and 1979. The initial sketchbook pages are also included, portraying intimate personal images which she likens to 'finding the achievement of my own voice'.
Fonds consists of records created during Harry Boyle's career as a broadcaster, including: sound recordings of programmes, interviews, and speeches; transcripts of speeches (1968-1973) delivered while working for the CBC and the CRTC; personal and administrative files while chairman of the CRTC and during his tenure at the Banff School of Fine Arts. There are files related to the writing and publishing his books, and articles and stories published during his years as a journalist with the Toronto Telegram. Also included are items from Boyle's library about communications, broadcasting, and advertising. The records accessioned following his death in 2005 also include: files regarding Boyle's involvement with the Stephen Leacock Medal for Humour and the Leacock memorial dinner; articles by or about Boyle; scripts for the CBC's Farm Department and articles on Canadian agriculture; manuscripts for "Memories of a Catholic boyhood" and "Dreams stronger than death; correspondence and subject files for the Boyle family, his career as a writer and broadcaster, the work of leading Canadian personalities; honours and awards; research and writing on a wide variety of topics; and internal memoranda from the CBC.
Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.
Fonds consists of Kathryn Koenig's records pertaining to her involvement in the first Advising Centre in the Faculty of Arts, York University, and includes memos, drafts, and discussions about an advising centre; promotional material; anniversary books by York University.
Fonds consists of records pertaining to Gentles’ roles as a professor of history at York University, as an active member of the Coalition for Life, and as Vice-President and Research Director of the deVeber Institute for Bioethics and Social Research. These include files related to Gentles' teaching at Glendon College, York University and Tyndale University College, his research and publishing activities in the field of history, as well as records pertaining to his administrative activities at York. They also includes files related to Gentles’ research in bioethics—primarily on the subjects of abortion and assisted suicide—as well as records related to the administrative activities of the Coalition for Life and the deVeber Institute.
Fonds consists of correspondence of Emma Martin Sullivan, Adelaide Township, Ontario, and includes letters from her sister in Kansas, her brother, Neal, in Saskatchewan, and her aunt, Elizabeth Munson, in Maple Grove, Ontario.
Fonds consists of J.D. (Jack) Keehns published articles (1951-1990), speaking engagements (1951-1994), research files, professorial files, photographs and negatives for graphs used in publications, draft manuscripts for published and unpublished works, book reviews, essays, and press clippings.
Fonds consists of records documenting Susan Swan's personal life and professional activities as a writer, university professor, journalist and advocate for the arts, including correspondence, notebooks, day planners, research materials, photographs, lecture notes, sound recordings, promotional materials and manuscript drafts pertaining to Swan's novels and other writing projects.
Fonds consists of correspondence and subject files, ministerial files relating to Thomas A. Hockin’s activities as the Minister of State (Finance), constituency files, press releases, press clippings, research files, correspondence related to Cape Breton Development Corporation (DEVCO), memoranda to the Minister for International Trade, and chronological and subject correspondence relating to international trade. Accruals to this fonds consist of Hockin’s files from his work as President and Chief Executive Officer of the Investment Funds Institute of Canada, which discuss issues such as sales practices for mutual funds, industry standards and self-regulation, educational initiatives within the industry, and the impact of international events upon the market value of securities. Accession 2015-036 consists of files created by Hockin as Chair of the Expert Panel on Securities Regulation between 2007 and 2009, which include correspondence, research reports, documents on principles, regulatory models, and consultation with stakeholders, working notes, newspaper articles, and draft and final text of the panel’s report. This accession also includes notebooks kept by Hockin while serving on the Executive Board of the International Monetary Fund from 2009 to 2013, containing his notes and personal reflections on global financial stability, income models, quota negotiations, risk management, global liquidity, and other areas of financial policy, as well as the IMF's relationship with countries such as Greece, Germany, and Portugal.
Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.
Fonds consists of film and video footage (original and master elements), as well as sound tracks and audio elements, for over 50 films and television series produced by Rhombus Media Inc. including the finished products. Also includes textual, photographic, graphic and prop materials relevant to the film production process and the wider context of the company's activities.
Holdings include documentary materials and film elements from the following productions:
32 Short Films About Glenn Gould (1993) 5 Days in September aka See The Music (2005) All That Bach (1985) An Idea of Canada (2003) Andrea Bocelli : Under Tuscan Skies (2001) Beethoven’s Hair (2005) Blue Snake (1986) Burnt Toast (2005) Childstar (2004) Clean (2004) Crossing Bridges (2001) Elizabeth Rex (2004) Eternal Earth (1987) Falla: Master Peter's Puppets Falla: Nights in the Garden Falla:When the Fire Burns (1991) Fanfares (1994) Firebird (2003) For the Whales (1989) Foreign Objects (2000) Four Seasons (2000) Glenn Gould Hereafter / Glenn Gould : Au delà du temps (2006) John Wyre: Drawing on Sound (1991) Last Night (1998) Long Day’s Journey Into Night (1995) Making Overtures (1984) Mozartballs (2006) Music for Wilderness Lake (1980) My War Years: Arnold Schoenberg (1992) Perfect Pie (2002) Radical Romantic : John Weinzweig (1990) Ravel (1987) Ravel’s Brain (2001) Rodrigo at 90 (Concierto de Aranjuez) (1993) Silk (2007) Slings and Arrows : Season I, II, III (2001-2006) Snow Cake (2006) Stormy Weather : The Music of Harold Arlen (2002) Tectonic Plates (1992) Tectonic Plates (1992) The Lanza Sessions (2001) The Red Violin (1998) The Saddest Music in the World (2003) Toothpaste (2002) Top of His Head (1989) World Drums (1987) YoYo Ma : Inspired by Bach (1997)
The fonds consists of audio recordings in various formats of performances held at The Music Gallery including performances by artists such as James Tenney, Lubomyr Melnyk, Nihilist Spasm Band, Morton Feldman, bp nichol and Casey Sokol, Roy Kiyooka, Gil Evans, Rob Frayne, Nexus, CEE, Ken Vandermark, Michael Brook, Derek Bailey and Ron Sexsmith as well as audio recordings of the CCMC's performances at The Music Gallery and the master recordings for numerous Music Gallery Editions recordings. It also contains office files consisting of financial statements, season reports, contract with performer, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs and other material related to the activities and the performances at The Music Gallery.
The fonds consists of Operational files for the office of the advisor; correspondence, reports, minutes and other files related to the Presidential Committee to Review the Salaries of Full-Time Faculty Women (1975-1976), the Task Force on the Status of Women at York (1975, 1984), the Women's Studies program, the Employment Equity Committee, the Affirmative Action Committee, and Taking the Initiative Conferences; reports and research on women's issues such as maternity leave, daycare, sexual harrassment, violence against women, pay equity, and women's education; and published material dealing with the status of women at the University.
York University (Toronto, Ont.). Office of the Advisor to the University on the Status of Women
Fonds consists of records of the Mountain Fund pertaining to its activities, helping Vietnamese refugees in coming to Hamilton, Ontario. The fonds includes minutes of the Board of Directors, correspondence, financial records, publications and photographic materials.
Fonds consists of personal and professional correspondence including correspondence with fellow writers such as John Metcalf, Guy Vanderhaeghe, Robyn Sarah, Adele Wiseman and Ralph Gustafson among others, academic and teaching files that document his career as a student at the University of Toronto and Cambridge and professorial files for courses taught at York University. It also includes editorial files that document his work with fellow poets at The Banff Centre for the Fine Arts and writing files including notes, drafts and manuscripts related to his own publications. Accession 2011-032 includes correspondence from Northrop Frye giving Coles advice about an academic career, book reviews written by Coles for "The Globe and mail" from the 1970s to 2001, seminar notes for the Humanities course, "Works & days," reviews of his writing, and drafts of the book of poetry, "Where we might have been" (2010).
Fonds consists of files relating to Earle Beattie's involvement with the formation and maintenance of the publication, Media Probe (1972-1976), which was renamed the Canadian Journal of Communication (1977-1982).
Fonds consists of records documenting Libby Scheier's personal life, her work as a writer and as a teacher, her involvement with political organizations and with the Writers' Union of Canada. These records include correspondence, draft poems and other writing, draft manuscripts and proofs for her published works, teaching files, publications, newspaper clippings, personal ephemera and memorabilia, childhood diaries and high school notebooks, college papers and lecture notes from Sarah Lawrence College, copies of published articles and other writing by Scheier, pins, and graphic materials including posters, photographs and paintings.
Fonds consists of correspondence, personal files, photographs and writings by Elizabeth Kilbourn, as well as records related to her community involvement and her professional activities as a priest in the Anglican Church of Canada. The fonds includes family records, photographs and correspondence relating to her parents, William Kilbourn (her first husband) and their extended family, her memoirs, and the writings of her second husband, Richard Mackie.
Fonds consists of Zdenka Volavka records accumulated and created over the course of her professorial career. The majority of files consist of annotated photocopied material obtained through interlibrary loans (the card catalogue indexing this material was prepared by Zdenka's long-time assistant, the late Charlotte Carrol). Files also contain material related to her involvement at York University and her research on the kingship and royal ritual in Ngoyo, Africa.
Fonds consists of the business records of The Isaacs Gallery (TIG), the Inuit Gallery and the Isaacs/Inuit Gallery which include personal and professional correspondence, exhibition catalogues, mailings, financial records, and artist files consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs such as Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow and Joyce Wieland, Robert Markle, Greg Curnoe, Gordon Rayner and John Ivor Smith, among others. It also includes artist portfolio files consisting of press clippings and catalogues of their works, a comprehensive slide collection documenting an overview of his gallery exhibits, and promotional files relating to his galleries. The fonds includes Isaacs' poster collection as well as notes written by Isaacs, collected correspondence and reminiscences, drafts, mock-ups and other material related to the writing and creation of the artist's scrapbook 'Isaacs seen.'
Fonds consists of the records relating to the Commission of Inquiry into Certain Events at the Prison for Women in Kingston (Arbour Commission)(1996), including background papers, research papers, testimony, and the final printed report that studied the operations and management of the Prison for Women in Kingston, Ontario, and the incidents that occurred there starting 22 April 1994.
The fonds consists of letters (1919-1922) to Lieut.-Col. Aikin from his young daughters, Ethel, Flora, and Dorothy; his wife, Olive; and someone from Glasgow named Isabella. It seems that the family lived in Saskatoon while the father was working in Winnipeg. The letters also mention another daughter, Catherine. There are a couple of other more formal pieces of correspondence with government departments dating 1949 and 1955.
The fonds consists of production scripts, including revisions, for three one-hour episodes of "I Married the Klondike", by Peter Wildeblood, a CBC Television drama based on the book by Laura Beatrice Berton.
The fonds consists of correspondence to Paul Sullivan from family members, including 22 letters from cousin Vernon Sullivan written between 1911-1915 and describing the daily life, concerns, and opinions of a young man first as a farm worker, and then teacher, on the prairies immediately prior to enlisting to fight in World War I at the age of 16. There are also ca. 40 letters from brother Edgar Sullivan written between 1914-1943 describing the life of a homesteader who has moved to Saskatchewan to homestead and operate a business during difficult economic times. The fonds also includes diaries (1915-1971), municipal tax notices (1886-1961), personal correspondence, family wills, deeds and mortgages (from 1848), some business papers, 4 newspapers, a child's book, ca. 15 photographs and 3 business ledgers (1934-1950). The letters are arranged chronologically.
The fonds documents Paul James Dwyer's activities as a dancer, choreographer, and writer. Records consist mainly of correspondence and subject files relating to various dance companies such as Dance Oremus Danse and the Isadora Duncan School of Modern Dance. There is some documentation on grant applications. Also included are dance programmes, Dwyer's published articles and photographs of colleagues such as Jeanne Bresciani, Lori Belliveau, Nadia Chilkovsky, and Anita Zhan. There are video and audio recordings of interviews and dance performances. Accession 2007-059 includes correspondence with Madeleine Lytton regarding her dance career in the tradition of Isadora Duncan, correspondence and other documentation regarding the collections of books, photographs, and other material pertaining to Duncan owned by Leo and Lillian Loewenthal and Howard Holtzman, Ella Bobrow's book on Irina Odoevtseva, a program for the memorial dance performance for Hortense Kooluris, and promotional material for a wide variety of performers involved in dance, opera, and baroque music.
Fonds consists of Hugh Ian Macdonald's Ontario government economist files, his speeches, correspondence, day books, York University Presidential files, Community service files, Ontario Advisory Committee on Confederation files, York International files, and his IDEA Corporation files.
Fonds consists of letters written by Ted Aplin to his wife Elinor during his years of service with the R.C.A.F. including letters written while conducting relief work at the Bergen-Belsen concentration camp. It also contains copies of his birth certificate and passport, photographs of Aplin and his family, material that documents his political career in Scarborough, Ontario, a copy of his military service record, copies of articles written about Aplin before and after his death including obituaries and a transcript of his memorial service. It also contains material created and/or accumulated by his sons Nick and Frank in preparation for the 50th anniversary celebration of the liberation of Bergen-Belsen.
The fonds consists of records pertaining to the activities of Goldfarb Consultants and include research reports, printouts, questionnaires and administrative files. They can be used in conjunction with each other: the responses in the questionnaires are analysed in the research reports; the printouts are the raw data results of the questionnaires; and the administrative files provide additional documentation related to a particular research topic. With a few exceptions the projects included in the fonds were undertaken for federal or provincial political parties or governments.
Fonds consists of manuscript and typescript drafts and notes for many of Richard Courtney's works, personal and business correspondence with friends, colleagues, publishers and other individuals and organizations, background and resource material for Courtney's writing and teaching, lecture notes, copies of journals and other publications in which Courtney's work either appeared or which he used as resource material, scrapbooks documenting Courtney's role as an actor and director in a number of productions including those undertaken as a student at Leeds as well as a number of audio-visual samples of his work.
The fonds consists of minutes, annual reports, newsletters, financial records, membership lists, reports, press clippings, briefs and submissions to governments, president's diaries, membership directories, committee reports, scholarship fund reports and correspondence regarding the club's activities, its involvement with York University, and its work to influence provincial and federal government policies on women's issues, education, social reform and the environment. Briefs and submissions deal with a wide range of topics that include fluorination of water, discrimination against women, teaching of French, family law reform, women and the Canadian constitution, early learning and child care, abortion and the Criminal Code, pornography, reproductive technologies, human rights, gun control, affordable housing, and health care.
Fonds consists of material which documents Panitch's long standing interest in British and Canadian labour history including notes, drafts and other material related to his PhD thesis "UK Labour and Incomes Policy" and to his books "The Assault on Trade Union Freedoms: From Consent to Coercion" and "The End of Parliamentary Socialism". It also includes research files related to the British Labour Party, new labour left, the Canadian State, political economy and political power, labour in Canada and coporatism.
The fonds consists of audio recordings of, and notes relating to, interviews conducted by David Coombs with founding members of York University, particularly relating to McLaughlin College, and with K.H.M. (Michael) Creal and Harold I. Schiff regarding their roles on the Search Committee for a President of York University in 1969-1970; correspondence between Coombs and Prof. George Tatham, Master of McLaughlin College; and letters, photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston, Coombs's step-grandfather.
Fonds consists of diaries and approximately 150 letters of Gordon Stepler written during World War I and sent to his parents and sister. Also included are postcards, a discharge certificate, a photograph album and other photographs, a pay book, leave passes and other ephemera, as well as letters to Gordon Stepler's family from friends of Gordon Stepler and articles by Dorothy Stepler regarding her brother's participation in World War I, and pamphlets related to World War I and World War II.
Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.
Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.
Canadian Association of Professional Dance Organizations
The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:
The fonds mainly consists of manuscript and typescript copies of Marion Andre's work either published or produced, including 'The Scorn of Fate', 'The Spanish Civil War', 'The Value of Fifty', 'Fate of a Poet', 'The Gates', 'The Snob', 'The Eagle', 'The Sand', 'Soldat Hans Stumpf', 'The Invented Lover', 'Captive of Yesteryear', 'Verdict of Fate', 'Skinny Dip of an Aging Professor', 'Maria B.', 'The Battered Man', and 'A Road to Freedom'. In additon there are notes, drafts, correspondence and other supporting documentation for some of the works. Also includes articles, essays and correspondence about Andre and Theatre Plus, reviews of Theatre Plus productions, mounted and/or framed theatre posters of plays that were produced at the Saidye Bronfman Centre and Theatre Plus, certificates of awards received by Andre and a 3-D model of his work as playwright. Accession 2008-036 consists of programmes, scripts, reviews, and photographs for theatrical works produced and directed by Andre, as well as written by Andre and several other playwrights.
The fonds primarily documents the Association of Canadian Film Craftspeople's operational and administrative activities. Records consist of dissolution files; financial records and contracts; meeting minutes; correspondence and other administrative records including reports; and publicity, special event and marketing records.
Fonds consists of records pertaining to Robert Laxer's family life, teaching, writing, and political activities. It includes correspondence, manuscripts and drafts, political pamphlets, research notes and reports.
The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firoszsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, and his support of organizations devoted to literacy, humanitarianism, and writers.
The fonds documents O.R. Lundell's activities as a professor and university administrator. Records consist of correspondence, course notes, evaluations and advising material. Also included are reports, minutes and background material relating to the design requirements of the Chemistry department within the new Chemistry and Computer Science Building, the Canadian Institute for Research in Atmospheric Chemistry and the Science Olympics.
Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.
Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.
The fonds consists of programmes, choreographic and production notes, clippings, photographs, newsletters, awards and certificates, financial documents and notebooks which document the career of Gladys Forrester in Canadian theatre and dance.
The fonds consists of records documenting Stevie Cameron's career as a journalist and author, and is rich in a wide range of annotated research material including extensive chronologies and detailed notes, records obtained through FOI requests or supplied by interested parties and fellow journalists, correspondence between the author and her peers, members of the public, annotated copies of government documents and clippings, interview and court transcripts, clippings, audio recordings of research interviews conducted by Cameron, sound recordings of some public hearings, drafts and manuscripts for her newspaper articles and in particular her books, including 'Ottawa Inside Out' (1989), ‘On the Take’ (1994), 'Blue Trust' (1998), and 'The Last Amigo' (2001).
Fonds consists of manuscript and typescript copies of Jason Sherman's work, copies of scripts with revisions, clippings and reviews pertaining to the production of his plays and radio and television work, personal and business correspondence, subject files and other material pertaining to his career as a writer as well as the operational files of "What" magazine.
The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:
The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".
The fonds consists of research materials and student data produced in the early days of Glendon College by Professor Dee G. Appley. Includes test scores, checklists, questionnaires, coding sheets, index cards, grading reports and other statistics related to the first group of students enrolled at Glendon.