Notes and computer outputs : Studies #35 and #36
- 1998-038/015(38)
- File
- 1985
Part of James Tenney fonds
Notes and computer outputs : Studies #35 and #36
Part of James Tenney fonds
Notes and computer outputs : Studies #37 and #38
Part of James Tenney fonds
Computer Outputs, "Changes", Studies #51 and #52
Part of James Tenney fonds
Computer Outputs, "Changes", Studies #55 and #56
Part of James Tenney fonds
Computer Outputs, "Changes", Studies #57 and #58
Part of James Tenney fonds
Computer Outputs, "Changes", Studies #59 and #60
Part of James Tenney fonds
Computer Outputs, "Spectrum 4"
Part of James Tenney fonds
Computer Outputs, "Tableaux Vivants" print-out
Part of James Tenney fonds
Computer Outputs, "Tableaux" programs
Part of James Tenney fonds
Part of James Tenney fonds
Scores, Sketches and Notes : Programs and output for "Bridge"
Part of James Tenney fonds
Scores, Sketches and Notes : "Tableaux Vivants" for the ensemble "Sound Pressure"
Part of James Tenney fonds
Scores : "Chorales for Orchestra"
Part of James Tenney fonds
Part of James Tenney fonds
Scores : String parts of "Listen..."
Part of James Tenney fonds
Scores : "Orchestra piece", "Harmonium"
Part of James Tenney fonds
Part of James Tenney fonds
Seegersong #2 for solo flute or alto flute
Part of James Tenney fonds
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
Performances of others' music by James Tenney
Part of James Tenney fonds
Performances of works by James Tenney
Part of James Tenney fonds
Part of James Tenney fonds
Performances of James Tenney's music
Part of James Tenney fonds
Performances of James Tenney's music
Part of James Tenney fonds
Part of James Tenney fonds
Recording consists of eight recordings of computer music by James Tenney made between 1961 and 1963. Annotations on audio reel case include: 1) Timbre tests (1962) 2) Bell-clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7, 63) 5) Entrance/Exit Music (Brecht - Tenney) (8/62) 6) Improvisation from Medea (2/61) 7) Collage #1 "Blue Suede" (4/61) 8. Analog #1 - Noise Study (12/61)
Part of James Tenney fonds
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Part of James Tenney fonds
Consists of voice recording of a lecture by John Cage.
Audio recordings : John Cage - Lecture in 014 Steacie, tape 1
Part of James Tenney fonds
Part of James Tenney fonds
Consists of eight musical performances of works composed by James Tenney, including the First Tone Roads Concert.
Audio recordings : Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes)
Part of James Tenney fonds
Audio recordings : Tone Roads West Concert ; Ives : "Largo", "Hawthorne"
Part of James Tenney fonds
Audio recordings : Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36
Part of James Tenney fonds
Audio recordings : Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c)
Part of James Tenney fonds
Part of James Tenney fonds
Consists of an audio recording labelled "C-copy" by James Tenney.
Part of James Tenney fonds
Consists of audio recording. Associated material includes reel 1998-038 / 044 (02) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Information on case: Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."
Part of James Tenney fonds
Consists of audio recording of computer music for work "Fabric". Associated material includes reel 1998-038 / 044 (01) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2
Part of James Tenney fonds
Consists of audio recording of samples for "Fabric" a work by James Tenney. Annotations on case include: "1. work-tape #34 (#3 + #4 normal speed - repeated 20 min. at 7 1/2 ips 2. work-tape L0-2 (2nd half of 12 + 34 +68 at normal (slow) speed) 10 min. at 7 1/2 ips."
Audio recordings : Ives "Concord Sonata", Tone Roads at Something Else Gallery
Part of James Tenney fonds
Audio recordings : James Tenney "For Ann (rising)"
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : #5-Saturday and Sunday Albuquerque to Salford
Part of James Tenney fonds
Audio recordings : #6-Walt and Willie Chandler in Thatcher, Arizona
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, while visiting Walt and Millie Chandler. In it Walt talks about his early childhood in Texas, New Mexico, 'Old Mexico', the history of the extended Chandler families, related to freighting, railroad contracting, lumber mills, and other industrial projects in Texas in the early 1900s, Mormonism, Morman colonies in Texas and Mexico. Millie Chandler joins the conversation at about 00:15:00. The couple describe how they met and their marriage together. Walt also discusses the First World War (he served in the navy) and his travels in the North Sea and Scotland.
Audio recordings : #7 Carl Tenney Mon July 15
Part of James Tenney fonds
Consists of audio recording of James Tenney interviewing Carl Tenney in Phoenix, Arizona during a road trip.
Audio recordings : 9-A, Phoenix, July 19, first tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : Toy Specialist, Jim; Ridino, Ballet One
Part of James Tenney fonds
Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Typescripts, 1954-1975 : Computer Music Experiences
Part of James Tenney fonds
Typescripts, 1954-1975 : Audience Piece #1 (audience as performer)
Part of James Tenney fonds
Typescripts, 1954-1975 : Metabolic Music
Part of James Tenney fonds
About composers : Conlon Nancarrow, liner notes
Part of James Tenney fonds
About composers : Conlon Nancarrow, notes
Part of James Tenney fonds
Part of James Tenney fonds
About composers : Lou Harrison
Part of James Tenney fonds
About composers : New Music Concerts
Part of James Tenney fonds
Part of James Tenney fonds
Part of James Tenney fonds
Theory : Timbre project-sound analysis programs
Part of James Tenney fonds
Part of James Tenney fonds
Theory : "Metric Space Model", original
Part of James Tenney fonds
Theory : "Temporal Gestalt Perception in Music" original
Part of James Tenney fonds
Theory : Materials planned as examples for "META Meta + Hodos", but not used
Part of James Tenney fonds
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting
Part of James Tenney fonds
Part of James Tenney fonds
Garland-Revueltas article (Silvestre Revueltas)
Part of James Tenney fonds
York University : Music Writing Skills Workshop course proposal
Part of James Tenney fonds
York University : Grad Program
Part of James Tenney fonds
York University : Library : reserves, music program, new recordings
Part of James Tenney fonds
Electronic Music : Papers on electronic music
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'"
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", revision pages
Part of James Tenney fonds
"A History of 'Consonance' and 'Dissonance'", Part two, revision copy
Part of James Tenney fonds
Analytical notes on Debussy, "Syrinx"
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Analytical notes re: Carl Ruggles
Part of James Tenney fonds
Box contains over-sized materials from boxes 1998-038/004 and 1998-038/006
Performances of James Tenney's music
Part of James Tenney fonds
Performances, Aspen '85, summer, reviews
Part of James Tenney fonds
Part of James Tenney fonds
The first of three improvisations from Medea, Collage #1, Blue Suede
Part of James Tenney fonds
Recording consists of three recording samples, including James Tenney's first three improvisations from "Medea" (from Feb. 1961), "Collage #1 and Blue Suede" (from April 1961).
Audio recordings : "Ergodos/1"
Part of James Tenney fonds
Part of James Tenney fonds
Audio recordings : "Fabric," "A" copy
Part of James Tenney fonds
Audio recordings : "For Ann (rising)"
Part of James Tenney fonds
Audio recordings : "Deus ex Machina" 1st part
Part of James Tenney fonds
Item consists of a recording of James Tenney's piece 'deus ex machina, part I.'
Audio recordings : "Bridge", dub from the Dolby C cassette of the best version so far
Part of James Tenney fonds
Part of James Tenney fonds
Item consists of an audio recording of the New Music concert in 1977. Performances include "Octandre" by Edgard Varese, "Juno" by Budd Schoenberg, "Blues" by James Tenney, "1st and 2nd Little Serious Pieces" by Revueltas Satie (Timar), and "Two Little Flowers" and "General William Booth...," by Ives.
Part of James Tenney fonds
Consists of an audio recording of "Replay" (1984) by James Tenney.
Audio recordings : 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra"
Part of James Tenney fonds