Showing 696 results
Archival descriptionAudio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7
Audio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7
Research and writing files
Research and writing files
About composers : Egard Varese-"Density 21.5"
About composers : Egard Varese-"Density 21.5"
James Tenney fonds
James Tenney fonds
About composers : Webern-"Concerto" Op.24
About composers : Webern-"Concerto" Op.24
Correspondence : Jo Ann Tenney to Carl Tenney
Correspondence : Jo Ann Tenney to Carl Tenney
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage]
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage]
Musical scores
Musical scores
Music Scores by Tenney : 4 Inventions for Piano
Music Scores by Tenney : 4 Inventions for Piano
Personal and professional correspondence : Brakhage, letters
Personal and professional correspondence : Brakhage, letters
Typescripts, 1954-1975 : Postal Pieces (printed cards)
Typescripts, 1954-1975 : Postal Pieces (printed cards)
Scores, Sketches and Notes : Compositions
Scores, Sketches and Notes : Compositions
Music Scores by Tenney : Orchestral Variations
Music Scores by Tenney : Orchestral Variations
Correspondence files
Correspondence files
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others]
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others]
About composers : John Cage
About composers : John Cage
Photographs - Carolee Schneemann?
Photographs - Carolee Schneemann?
Music Scores by Tenney : String Quartet in One Movement
Music Scores by Tenney : String Quartet in One Movement
Theory : Sankaran and Deva
Theory : Sankaran and Deva
Carolee Schneemann, correspondence
Carolee Schneemann, correspondence
Music Scores by Tenney : Variations, in A on a theme by my father for Piano
Music Scores by Tenney : Variations, in A on a theme by my father for Piano
Jo Ann Tenney : photograph
Jo Ann Tenney : photograph
Music Scores by Tenney : Essay #1 for Ten Wind Instruments
Music Scores by Tenney : Essay #1 for Ten Wind Instruments
Music Scores by Tenney : Poem for a flute
Music Scores by Tenney : Poem for a flute
Music Scores by Tenney : Essay #2 for chamber orchestra
Music Scores by Tenney : Essay #2 for chamber orchestra
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Scores : "Seeds" C. S. (Carolee Schneemann) cover
Scores : "Seeds" C. S. (Carolee Schneemann) cover
Research : Word notes-poetry and ideas
Research : Word notes-poetry and ideas
Scores : "Seeds"
Scores : "Seeds"
Theory : Harmon
Theory : Harmon
Music Scores by Tenney : From the "Blue Books"
Music Scores by Tenney : From the "Blue Books"
Music Scores by Tenney : "Improvisation" for 8 instruments
Music Scores by Tenney : "Improvisation" for 8 instruments
Carolee Schneemann, writing, published material
Carolee Schneemann, writing, published material
Research : Notes on my music
Research : Notes on my music
Music Scores by Tenney : Improvisation for cello
Music Scores by Tenney : Improvisation for cello
Scores : "Essay for 10 Wind Instruments" by James Tenney
Scores : "Essay for 10 Wind Instruments" by James Tenney
Musical performance files
Musical performance files
Performances, James Tenney, composer/conductor/performer
Performances, James Tenney, composer/conductor/performer
Music Scores by Tenney : Essay #3 for Chamber Orchestra (printed)
Music Scores by Tenney : Essay #3 for Chamber Orchestra (printed)
Theory : Hellier et alia
Theory : Hellier et alia
Performances, James Tenney, composer/performer
Performances, James Tenney, composer/performer
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Scores : "Essay #3", "Italy"
Scores : "Essay #3", "Italy"
Scores : "Essay #3 for Chamber Orchestra"
Scores : "Essay #3 for Chamber Orchestra"
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird (printed)
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird (printed)
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed)
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed)
About composers : Carl Ruggles
About composers : Carl Ruggles
Theory : Violin perception
Theory : Violin perception
Music Scores by Tenney : Sonata for Ten Wind Instruments
Music Scores by Tenney : Sonata for Ten Wind Instruments
Malcolm Goldstein
Malcolm Goldstein
Music Scores by Tenney : Monody for solo clarinet
Music Scores by Tenney : Monody for solo clarinet
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions)
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions)
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up)
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up)
Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag"
Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag"
Theory : Scherchen Proposal
Theory : Scherchen Proposal
Music Scores by Tenney : For viola
Music Scores by Tenney : For viola
Music Scores by Tenney : Sonata for Ten Wind Instruments
Music Scores by Tenney : Sonata for Ten Wind Instruments
Performances, James Tenney, composer/conductor
Performances, James Tenney, composer/conductor
Correspondence : Carl Tenney to Jim Tenney
Correspondence : Carl Tenney to Jim Tenney
Music Scores by Tenney : String Quartet
Music Scores by Tenney : String Quartet
Audio recordings : "Medea"-organized sound
Audio recordings : "Medea"-organized sound
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman
Typescripts, 1954-1975 : Computer Music Experiences
Typescripts, 1954-1975 : Computer Music Experiences
Theory : Materials planned as examples for "META Meta + Hodos", but not used
Theory : Materials planned as examples for "META Meta + Hodos", but not used
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting
The first of three improvisations from Medea, Collage #1, Blue Suede
The first of three improvisations from Medea, Collage #1, Blue Suede
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney]
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney]
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963
Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963
Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967
Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967
Tape Music - 1961
Tape Music - 1961
Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962
Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962
Theory : Bell clang materials-Bell timbres
Theory : Bell clang materials-Bell timbres
Audio recordings : John Cage rehearsal San Francisco
Audio recordings : John Cage rehearsal San Francisco
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Ives songs, original on Mylar
Audio recordings : Ives songs, original on Mylar
Theory : Illustrations for Yale article (Journal of Music Theory)
Theory : Illustrations for Yale article (Journal of Music Theory)
Research : Perception-communication
Research : Perception-communication
Research : Criticism-history
Research : Criticism-history
Music Scores by Tenney : Stockastic Quartet for Strings
Music Scores by Tenney : Stockastic Quartet for Strings
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)
Audio recordings : 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)
Audio recordings : 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue"
Audio recordings : 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue"
Notes and computer outputs : Unfinished pieces
Notes and computer outputs : Unfinished pieces
Audio recordings : "Phases"
Audio recordings : "Phases"
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)
Theory : Bell clang
Theory : Bell clang
Research : Biology, Reich-Negentropy
Research : Biology, Reich-Negentropy
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
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