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Archival description
Barbara Sternberg fonds
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Barbara Sternberg fonds

  • F0718
  • Fonds
  • 1970-2017

The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.

Sternberg, Barbara

Filmmaking and project files

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Professional and professorial files

Series consists primarily of textual records documenting Sternberg's professorial and professional careers. These records include curation and course proposals, notes, and ephemera; resumes; conference materials; interviews; research; copies, typescripts, and drafts of published and unpublished works; screening, talks, and tour records; writings related to screening introductions; exhibition records; film festival programs and publications; posters; and film periodicals and newsletters. Also included are materials pertaining to Sternberg's work with the Community Arts Centre, a selection of published works by or belonging to Sternberg, and a copy of George Clark's essay "To the Distant Observer: On the Films of Barbara Sternberg." In addition to textual records, this series includes posters, DVDs, photographs, and 35mm slides.

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