Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
|
1998-038/004(10) |
About composers : Analytical notes, Cage works |
File |
|
|
|
|
1998-038/004(11) |
About composers : Phil Corner - pictures, copies of business correspondence |
File |
1972-1977 |
|
|
|
1998-038/004(17) |
About composers : Carl Ruggles |
File |
1959-1977 |
|
|
|
1998-038/004(18) |
About composers : Analytical notes re: Carl Ruggles |
File |
1977 |
|
|
|
1998-038/004(19) |
About composers : Schoenberg, "Suite Op. 25" |
File |
|
|
|
|
1998-038/005(01) |
Theory : Bell clang materials-Bell timbres |
File |
1962 |
|
|
|
1998-038/005(04) |
Theory : Hellier et alia |
File |
1957-1966 |
|
|
|
1998-038/005(10) |
Theory : Timbre notes |
File |
|
|
|
|
1998-038/005(12) |
Theory : Computer study of violin tones |
File |
|
|
|
|
1998-038/005(13) |
Theory : Violin analyses |
File |
1966 |
|
|
|
1998-038/007(01) |
Research : Yeats |
File |
|
|
|
|
1998-038/007(04) |
Research : Word notes-poetry and ideas |
File |
1956-1962 |
|
|
|
1998-038/007(06) |
Research : Rhythm |
File |
|
|
|
|
1998-038/007(08) |
Research : Miscellaneous notes |
File |
|
|
|
|
1998-038/007(12) |
Research : Tone Roads West - Proposals etc. including mailing list |
File |
1973 |
|
|
|
1998-038/008(02) |
Electronic Music : National Research Council of Canada - electronic music technical translation reports |
File |
|
|
|
|
1998-038/009(02) |
"A History of 'Consonance' and 'Dissonance'", loose papers |
File |
|
|
|
|
1998-038/009(04) |
"A History of 'Consonance' and 'Dissonance'", Part two |
File |
1980 |
|
|
|
1998-038/010(01) |
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones" |
File |
1963 |
|
|
|
1998-038/004(02) |
About composers : Conlon Nancarrow, article originals |
File |
1977 |
|
|
|
1998-038/004(08) |
About composers : Conlon Nancarrow, general notes, charts, etc. |
File |
|
|
|
|
1998-038/004(12) |
About composers : Analytical notes on Debussy, "Syrinx" |
File |
|
|
|
|
1998-038/004(16) |
About composers : Harry Partch |
File |
1974-1983 |
|
|
|
1998-038/004(21) |
About composers : Egard Varese-"Density 21.5" |
File |
1946 |
|
|
|
1998-038/004(22) |
About composers : Webern-"Concerto" Op.24 |
File |
1948 |
|
|
|
1998-038/005(03) |
Theory : Harmon |
File |
1956-1963 |
|
|
|
1998-038/005(07) |
Theory : Sankaran and Deva |
File |
1955-1963 |
|
|
|
1998-038/005(14) |
Theory : Violin perception |
File |
1959-1976 |
|
|
|
1998-038/006(01) |
Theory : Illustrations for Yale article (Journal of Music Theory) |
File |
1963 |
|
|
|
1998-038/006(02) |
Theory : Notes for research reports and article : "Hierarchical Temporal Gestalt Perception" |
File |
[1976-1978?] |
|
|
|
1998-038/007(03) |
Research : Perception-communication |
File |
1963-1966 |
|
|
|
1998-038/007(07) |
Research : Criticism-history |
File |
1963-1965 |
|
|
|
1998-038/007(13) |
York University : MFA Music |
File |
[1979-1991?] |
|
|
|
1998-038/007(18) |
York University : Class materials |
File |
1982-1988 |
|
|
|
1998-038/008(01) |
Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble |
File |
|
|
|
|
1998-038/008(03) |
Electronic Music : Copies of journal articles related to electronic music |
File |
|
|
|
|
1998-038/008(06) |
Electronic Music : Electronic music instrument schematics |
File |
|
|
|
|
1998-038/009(09) |
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy |
File |
1980 |
|
|
|
1998-038/009(10) |
James Tenney, Canada 1978, "A History of 'Consonance' and 'Dissonance'", originals of old deleted copies |
File |
1978 |
|
|
|
1998-038/024(02) |
Nancarrow, general notes, charts, etc. |
File |
|
|
|
|
2000-045/003(01) |
Clippings |
File |
1964-2000 |
|
|
|
1978-018/005(01) |
Typescripts, 1954-1975 : Computer Music Experiences |
File |
1961-1964 |
|
|
|
1978-018/005(03) |
Typescripts, 1954-1975 : Audience Piece #1 (audience as performer) |
File |
1965 |
|
|
|
1978-018/005(04) |
Typescripts, 1954-1975 : Metabolic Music |
File |
1965 |
|
|
|
1998-038/004(06) |
About composers : Conlon Nancarrow, liner notes |
File |
1977-1989 |
|
|
|
1998-038/004(07) |
About composers : Conlon Nancarrow, notes |
File |
|
|
|
|
1998-038/004(13) |
About composers : Feldman |
File |
1965-1988 |
|
|
|
1998-038/004(14) |
About composers : Lou Harrison |
File |
1976-1989 |
|
|
|
1998-038/004(20) |
About composers : New Music Concerts |
File |
1988-1989 |
|
|
|
1998-038/005(05) |
Theory : Kerstra |
File |
|
|
|
|
1998-038/005(08) |
Theory : Scherchen Proposal |
File |
1959 |
|
|
|
1998-038/005(11) |
Theory : Timbre project-sound analysis programs |
File |
|
|
|
|
1998-038/006(03) |
Theory : "Hierarchical Temporal Gestalt Perception in Music: A "Metric Space" Model" and "Model" paper has been sent to... |
File |
1978 |
|
|
|
1998-038/006(04) |
Theory : "Metric Space Model", original |
File |
1978 |
|
|
|
1998-038/006(06) |
Theory : "Temporal Gestalt Perception in Music" original |
File |
1978 |
|
|
|
1998-038/006(08) |
Theory : Materials planned as examples for "META Meta + Hodos", but not used |
File |
1961-1969 |
|
|
|
1998-038/006(09) |
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting |
File |
1961, 1975 |
|
|
|
1998-038/007(02) |
Research : Notes on my music |
File |
1956-1961 |
|
|
|
1998-038/007(11) |
Garland-Revueltas article (Silvestre Revueltas) |
File |
1988 |
|
|
|
1998-038/007(14) |
York University : Music Writing Skills Workshop course proposal |
File |
1985-1989 |
|
|
|
1998-038/007(15) |
York University : Grad Program |
File |
1984-1993 |
|
|
|
1998-038/007(17) |
York University : Library : reserves, music program, new recordings |
File |
|
|
|
|
1998-038/008(04) |
Electronic Music : Papers on electronic music |
File |
|
|
|
|
1998-038/009(01) |
"A History of 'Consonance' and 'Dissonance'" |
File |
1980 |
|
|
|
1998-038/009(03) |
"A History of 'Consonance' and 'Dissonance'", Part three, revision copy |
File |
1980 |
|
|
|
1998-038/009(05) |
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy |
File |
1980 |
|
|
|
1998-038/009(06) |
"A History of 'Consonance' and 'Dissonance'", revision pages |
File |
|
|
|
|
1998-038/009(08) |
"A History of 'Consonance' and 'Dissonance'", Part two, revision copy |
File |
1980 |
|
|
|
1998-038/024(04) |
Analytical notes on Debussy, "Syrinx" |
File |
|
|
|
|
1998-038/024(05) |
Analytical notes re: Carl Ruggles |
File |
1977 |
|
|
|
1978-018/005(02) |
Typescripts, 1954-1975 : Choregram |
File |
1964 |
|
|
|
1998-038/004(01) |
About composers : Conlon Nancarrow, correspondence |
File |
1974-1989 |
|
|
|
1998-038/004(03) |
About composers : Conlon Nancarrow, article |
File |
1977 |
|
|
|
1998-038/004(04) |
About composers : Conlon Nancarrow, interview |
File |
1968 |
|
|
|
1998-038/004(05) |
About composers : Conlon Nancarrow, Arch St. liner notes original writing |
File |
1977 |
|
|
|
1998-038/004(09) |
About composers : John Cage |
File |
1954-1989 |
|
|
|
1998-038/004(15) |
About composers : Charles Ives |
File |
1974-1988 |
|
|
|
1998-038/005(02) |
Theory : Bell clang |
File |
1963 |
|
|
|
1998-038/005(06) |
Theory : National Science Foundation Grant Report, draft |
File |
1966-1977 |
|
|
|
1998-038/005(09) |
Theory : Experimental investigation of timbre |
File |
1964 |
|
|
|
1998-038/006(05) |
Theory : Computer printouts for "Model" paper |
File |
1978 |
|
|
|
1998-038/006(07) |
Theory : Originals for short versions of "Temporal Gestalt Model" paper |
File |
|
|
|
|
1998-038/006(10) |
Theory : Clifton review original |
File |
|
|
|
|
1998-038/006(11) |
Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton |
File |
1984 |
|
|
|
1998-038/007(05) |
Research : Biology, Reich-Negentropy |
File |
1963-1965 |
|
|
|
1998-038/007(09) |
Research : Computer projects |
File |
1964 |
|
|
|
1998-038/007(10) |
Research : 6x6 to 1" graph paper, timbre instruments materials |
File |
|
|
|
|
1998-038/007(16) |
York University : memos re. music studies |
File |
1988-1989 |
|
|
|
1998-038/007(19) |
York University : 4110 (fourth year composition course) |
File |
1982-1989 |
|
|
|
1998-038/007(20) |
Note : Politics |
File |
1967 |
|
|
|
1998-038/008(05) |
Electronic Music : Electronic music studio, Tulane University |
File |
1966 |
|
|
|
1998-038/009(07) |
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy |
File |
1980 |
|
|
|
1998-038/024(01) |
Nancarrow, notes |
File |
|
|
|
|
1998-038/024(03) |
Analytical notes, Cage works |
File |
|
|
|
|
1998-038/024(06) |
Schoenberg, "Suite Op. 25" |
File |
|
|
|
|
1998-038/024(07) |
Notes for research reports and article: "Hierarchical Temporal Gestalt Perception" |
File |
[1976-1978?] |
|
|
