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“Keith and Sylvia have a very wide-ranging repertoire, strong voices and an uncannily compatible and complimentary styles of delivery, affording an exciting enhancement in duo and produce striking acapella harmony. Keith Kendrick, described as “the man with a voice as sturdy as a five-bar gate” is proud of his Derbyshire roots. Keith and Sylvia also frequently accompany themselves and play lively dance tunes on three different systems of the only English invented musical instrument – the Concertina.” https://broadstairsfolkweek.org.uk/artist/keith-kendrick-sylvia-needham-2/

“Ken Whiteley and The Beulah Band are creating exciting new music that is deeply rooted in traditional North American folk forms. You’ll hear echoes of blues, gospel, swing, string and jug band sounds. They are all outstanding and versatile instrumentalists and great harmony singers. And if anyone can match the youthful energy of his bandmates it is Ken Whiteley. It’s been 10 years since Ben Whiteley first began performing with his Dad, Canadian folk legend Ken Whiteley. This past winter they decided to share the producer role for Ken’s new cd and Ben began sharing his insight about where he thought his father’s work might best focus. That shaped a winter of songwriting with definite funky, folky elements. As spring returned, they began talking about who best to play this new material with. When they got together with banjoist extraordinaire, Frank Evans and fantastic fiddler, Rosalyn Dennett, not only did the arrangements come alive, but they found they had that most special of things – a marvelous, 3 part vocal blend. And so was born Ken Whiteley and The Beulah Band!” https://ottawagrassrootsfestival.com/performer/ken-whiteley-and-the-beulah-band/

Khush: South Asian Gay Men of Toronto was founded in 1987. The group organized meetings for queer South Asians, and later broadened their membership to include women, becoming Khush: South Asian Lesbian and Gay Association. Remaining active until 1998 the organization ran a variety of queer South Asian community events, one being the annual Desh Pardesh (until 2001), spotlighting South Asian culture, art, and politics. In 1989 Khush founded the first South Asian gay and lesbian newspaper in Toronto, and Avec Pyar, a quarterly zine.

For more information see: https://en.wikipedia.org/wiki/Khush:_South_Asian_Lesbian_and_Gay_Association .

Kiev Glasnost Films, Inc. distributed films contextualizing the fall of Communism in the USSR and Eastern Europe. Its history begins in 1989 when Dr. Romana M. Bahry, Associate Professor in the Department of Languages, Literatures and Linguistics of the Faculty of Liberal Arts and Professional Studies and Fellow of Stong College at York University became the recipient of the 1989 Canada -USSR Academic Exchange Grant which allowed her to travel in August 1989 to St. Petersburg (then called Leningrad), Moscow and Kyiv (then called Kiev). She was one of the first Slavic Studies professors in Canada to travel to Ukraine which was then still part of the USSR. It is here that Professor Bahry met directors of the Ukrainian film studios who asked her to take their films to Canada with her. That same year, Bahry organized a film festival at York University Ukraine titled "Glasnost and Ukrainian Documentary Films" (Oct. 22-23, 1989) which screened documentary films from Kiev. During Bahry’s second visit to Ukraine in 1990, she met with documentary and animation film studios in Kyiv (then called Kiev) and formed Kiev Glasnost Films which would acquire screening and duplication rights.

After acquiring permissions, Kiev Glasnost Films and Bahry were involved with organizing an international symposium at York University titled "Ukrainian Glasnost Films 1990" (proceedings of the symposium published as "York University, Ukrainian Glasnost, 1990 Film Festival”) and consultation for the symposium and film series on "Soviet Society in the Glasnost Era" at the Smithsonian Institution, Washington D.C.; the American Committee on U.S.-Soviet Relations, January 10-21, 1991; The University of Alberta and The Alberta Council for the Ukrainian Arts, March 23, 1991; C.B.C. television’s the Journal "Latvia, Ukraine" (March 1991); and the Harvard Ukrainian Summer Institute: Contemporary Ukrainian Film Festival, Harvard University, Ukrainian Research Institute, August 1991.

"Kleztory is a klezmer and world music ensemble founded in 2000 and based in Montreal, Quebec, Canada. While remaining respectful of the rich heritage of klezmer, Kleztory takes the liberty of arranging parts of the traditional repertoire. This gives their music their own personal uniqueness and flavor. Kleztory is influenced by many sources of inspiration including jazz, classical, gypsy, country, folk and blues. The ensemble were awarded both the Opus Prize in 2007 as the best Jazz / World Music album of the year in Québec for Nomade, and the Fürth Klezmer Prize at the 3rd International Jewish Music Festival in Amsterdam in 2012. Current members include Elvira Misbakhova (violin), Airat Ichmouratov (clarinet, bass clarinet, duclar), Mark Peetsma (double bass), Dany Nicolas (guitar) and Melanie Bergeron (accordion). Three of the original founding members remain in the group with Melanie Bergeron replacing Henri Oppenheim (accordion) and Dany Nicolas replacing founding guitarist Alain Legault. During 2013-2014 Kleztory collaborated with Alexandru Sura (cimbalom)." https://en.wikipedia.org/wiki/Kleztory

"Kobo Town is a Juno-winning Canadian Caribbean music group, led by Trinidadian Canadian singer and songwriter Drew Gonsalves. Based in Toronto, Ontario, the band blends calypso music with a diverse mix of Caribbean and other musical influences, including ska, reggae, dub, rapso, zouk and hip hop. Other band members include percussionist Derek Thorne, guitarists Cesco Emmanuel and Patrick Giunta, drummer Robert Milicevic, saxophone and flute player Linsey Wellman, bassist Don Stewart, trombonist Terence Woode and trumpeter Jan Morgan." https://en.wikipedia.org/wiki/Kobo_Town

“Nigerian-born and currently based in Toronto, Kunle brings together his rich vocals, guitar tapping, harmonica and talking drum to take audiences into what he terms ‘music with no boundaries’.” https://kunlemusic.com/

"Born as a result of a lucky chance meeting between Louis Racine (storyteller, singer and famous dance caller) and the group Deux Saisons (ambassadors of traditional Franco-Ontarian music), La Ligue du Bonheur (aka “The League of Happiness”)  fights apathy and misfortune with tales, songs and dances. This formidable force of good old-fashioned joie de vivre includes Jason Hutt (violin, accordion, podorythmie), Jean-Marc Lalonde (accordion, voice, dulcimer, snare), Simon Mercier (guitar) and Martin Newman (bass) along with Racine." http://www.festivaldubois.ca/la-ligue-du-bonheur-2/

Lakeshore Teachers' College was established by the Ministry of Education in 1959 and became affiliated with York University in 1971. The college was administered by a principal. Most of the teaching staff joined York's Faculty of Education in 1971. The Lakeshore name continued to be used until 1975.

The LaMarsh Research Program on Violence and Conflict Resolution was established at York University in 1980 with the assistance of the Ontario Government. The Programme is dedicated to encouraging research which explores the themes of violence and conflict resolution in Canadian society. The Program has an administrative staff and cross-appointed York faculty serve as core members of the Program. Faculty and external experts are engaged to conduct original research in these two areas, and the Program acts as a sponsor of research, conferences and seminars and is an active
publisher of the research results of those it sponsors. The Program developed a strong interest in family violence in the 1980s.

“Land of Talk is a Canadian indie rock band formed in 2006 from Montreal, Quebec, Canada. The band is led by singer and guitarist Elizabeth Powell.” https://en.wikipedia.org/wiki/Land_of_Talk

“Larkin Poe is an American roots rock band originally from north Georgia, currently based in Nashville, Tennessee, and fronted by sisters Rebecca Lovell and Megan Lovell. Featuring strong southern harmonies, heavy electric guitar riffs, and slide guitar, they are often touted as "the little sisters of the Allman Brothers". [...] The sisters have also toured as backing musicians for a variety of other bands, most notably Elvis Costello, Conor Oberst of Bright Eyes, Kristian Bush of Sugarland, and Keith Urban.” https://en.wikipedia.org/wiki/Larkin_Poe

The Latin American Working Group (LAWG) was an independent, grassroots organization in Toronto, Canada, which carried out Canadian-Latin American solidarity activities from 1966-1997. Formed in response to the military coup and invasion of the Dominican Republic by the United States of America in 1965, LAWG's mission was to educate Canadians, develop solidarity links between Canadians and the peoples of Latin America, and advocate for an independent Canadian foreign policy. LAWG carried out activist research regarding the roles played by Canadian corporations and government aid policies in Latin America by working closely with union, churches, non-governmental organizations and academics in the North and the South hemispheres committed to human rights and social justice. It contributed to the creation and work of the Taskforce on Churches and Corporate Responsibility, the Inter-Church Committee on Human Rights in Latin America (ICCHRLA), the Central American Policy Alternatives (CAPA), the Roundtable for Peace, Mission for Peace, Canada-Chile Solidarity, Tools for Peace, Linking Ontario and Central American in Labour Solidarity (LOCALS), Common Frontiers, and other initiatives aimed at changing Canadian foreign policy. LAWG worked with several Canadian trade union humanity and social justice funds to facilitate north-south educational tours involving workers, teachers, Christians, health workers, and those from other sectors, as a way of deepening Canadians' understanding of, and mutual solidarity with, others living in this hemisphere. LAWG worked to provide insights into the reality of Latin America that it felt was not being provided by either the Canadian government nor mainstream media. Its first-hand information and primary research was published in its newsletter "the LAWG letter," "the Central America update," "LAWG labour report," and several books critically examining the role of Canadian corporations such as Falconbridge and INCO in Latin America. Over its 30 year existence, LAWG played a significant role in influencing Canadian public opinion, and that of churches, trade unions, and government policy-makers in relationship to Latin America. There is no connection between this group and the group with the same name in the United States.

The Law Society of Upper Canada, admitted its first students in 1889, and affiliated with York University in 1968 beginning classes on the York campus in September 1969.

"Le Vent du Nord (The North Wind) is a Canadian folk music group from Saint-Antoine-sur-Richelieu in Quebec. The band performs traditional Québécois music (which is heavily influenced by Celtic music from both Ireland and Brittany), as well as original numbers in this style, in French.[1] In 2018 the group's membership consists of Simon Beaudry (vocals, guitar, Irish bouzouki), Nicolas Boulerice (vocals, hurdy-gurdy, piano accordion, piano), André Brunet (vocals, fiddle, foot-tapping), Réjean Brunet (vocals, diatonic button accordion, acoustic bass guitar, piano and jaw harp) and Olivier Demers (vocals, fiddle, foot-tapping and guitar). Their first eight recordings have been nominated for multiple awards." http://en.wikipedia.org/wiki/Le_Vent_du_Nord

Les Tireux d'Roches is a Quebecois band from the Mauricie region. It formed in 1998 and produces traditional Quebecois folklore music. Members include Denis Massé, Dominic Lemieux, Pascal Per Veillette, Luc Jason Murphy, and David Robert; and previously included Francis d'Octobre, Mario Giroux, Anne Tessier, Fred Pellerin, and Jeannot Bournival. https://fr.wikipedia.org/wiki/Les_Tireux_d%27Roches

Compañeros, according to Vancouver Folk Festival founder Gary Cristall, was considered the first Canadian world music band. Offering a variety of fused rhythms from the Afro-Latin tradition of the Americas, native sounds from the Andes and the rhythms, vocalizations and instrumentation from the Greek and Mediterranean traditions, Compañeros uses a variety of instruments, including guitar, Greek Bouzouki and Baglama, Colombian tiple, Venezuelan cuatro, quenas, zampoñas, Bass, keyboards, flutes and saxophones.
The original members of Compañeros were: Marcelo Puente, Juan Opitz, Dimitri Apoustolou, Nikos Tsingos, Adam Konstantakis, Ricardo Rivas, Juan Salvatierra, Javier Garcia and Zacharias Polatos. Compañeros performed its 1st concert to a sold out house at the Titania Music Hall, now know as The Music Hall, on April 28th, 1978.
Compañeros and The Trojan Horse Coffee House became an important contributor to the cultural scene of the 70’s and early 80’s. Toronto, and more specifically Danforth Ave. near Broadview was the first place refugees from Latin America would congregate and continue work in solidarity with various human rights organizations, including Amnesty International. The band found itself participating in numerous solidarity and fundraising events.

"Lunch at Allen’s is a Canadian folk-country music group comprised of Murray McLauchlan, Cindy Church, Marc Jordan and Ian Thomas." http://www.lunchatallens.ca/bio

"Madison Violet is a Juno-nominated Canadian music duo composed of singer-songwriters Brenley MacEachern and Lisa MacIsaac. The group has been notable for various folk and pop award nominations and wins." https://en.wikipedia.org/wiki/Madison_Violet

The Mariposa Folk Festival was conceived and realized by Ruth Jones and her husband Dr. Casey Jones, two folk music enthusiasts. Pete McGarvey a local radio broadcaster and Orillia town councillor suggested the name "Mariposa" in honour of local author Stephen Leacock's fictional name for Orillia in his work Sunshine Sketches of a Little Town.
The first festival was held in August 1961 and featured Jacques Labreque, Bonny Dobson, The Travelers, Alan Mills and Ian Tyson and Sylvia Fricker. Mariposa has hosted many up-and-coming stars in Canadian folk and popular music. From Leonard Cohen, Buffy Sainte-Marie, Joni Mitchell, and Gordon Lightfoot, all have performed in the early stages of their musical careers on the Mariposa stage.
The festival grew in popularity, size and rowdiness until the popularity of the 1963 festival (with over 8000 advance tickets sold), and the lack of sufficient security, led to a backlash from town locals. The city of Orillia secured a court injunction to prevent the festival from continuing in the town limits.
The festival moved to Maple Leaf Stadium in Toronto, Innis Lake near Caledon until settling at the Toronto Islands in the 1970s. In the 1980s, the festival was moved to Harbourfront and Bathurst Quay and later Molson Park in Barrie. The 1990s also saw a shifting roster of venues. Toronto Island, Queen Street West, Parkdale, Ontario Place, as well as Bracebridge and Coburg all played host to Mariposa performers and workshops. In 2000, the Mariposa Folk Festival was invited back to Orillia by city councillors Tim Lauer and Don Evans.
In 2010, the Mariposa Folk Festival will celebrate its' 50th Anniversary.
(Material below from history written by Mariposa Folk Foundation)
Mariposa is Founded
On a cold January afternoon in 1961, radio personality John Fisher gave a short but enthusiastic speech to the Orillia Chamber of Commerce where he suggested that Orillia needed something such as an arts festival to promote the town as a tourist destination. In the audience that day was Dr. 'Casey' Jones and his wife Ruth, folk music enthusiasts, and within days the idea of starting a folk festival in Orillia had taken root. Ruth called upon Pete McGarvey, a local broadcaster and town councillor, who jumped aboard enthusiastically. He suggested the name "Mariposa" in honour of Stephen Leacock's thinly disguised fictional name for Orillia in his novella titled Sunshine Sketches of a Little Town.
On August 18, 1961 the very first Mariposa Folk Festival saw two thousand enthusiastic and generally well-behaved attendees set up their lawn chairs in front of a medieval-themed stage at the Orillia Community Centre. Double that number showed up on Saturday night to hear such artists as The Travellers, Bonnie Dobson, Jacques Labreque, Alan Mills and of course, Ian Tyson and his beautiful partner Sylvia Fricker.
One interesting story from that first festival was the fact that home town boy, Gordon Lightfoot, was deemed to be "not of high enough caliber" to perform. He and then-partner, Terry Whelan, were told that they sounded "too much like the Everly Brothers."
In 1962, virtually the same lineup appeared -- this time including Gordon and Terry, then billed as The Tu-Tones. 1963 was a different story and a turning point in the history of the festival. Over 8000 tickets sold in advance and, by the festival weekend, festival goers nearly outnumbered the townsfolk. Restaurants ran out of food, the roads and highways were jammed, and crowding and confusion reigned. The small police force was overwhelmed as it struggled to cope with the crowds, the drunkenness, and the petty vandalism. The backlash from the townsfolk and their elected officials was quick and unkind. The days of Mariposa Folk Festival in Orillia were, so it seemed, done. The folkies and their rowdy behaviour were no longer welcome.
Mariposa on the Move
In 1964, the Town of Orillia got a court injunction and the festival was forced to go somewhere else. It moved to Maple Leaf stadium in Toronto, later to Innis Lake near Caledon, and finally to Toronto Island where it made its home for the 1970s. While not always a financial success, Mariposa built a reputation as the place to be among both audiences and performers. Artistic director Estelle Klein pioneered the idea of workshop performances and the idea was quickly adopted by nearly every festival in North America. Estelle also had an eye for talent. Among those she hired were Buffy Sainte-Marie, Gordon Lightfoot, Phil Ochs, John Hammond, Joni (Mitchell) Anderson, Tom Paxton, Pete Seeger, Doc Watson, James, Taylor, Tom Rush, Leonard Cohen, Murray McLauchlan, Taj Mahal, John Prine, Richie Havens, Buddy Guy and Bruce Cockburn. Neil Young made a surprise guest appearance in 1972 as did Bob Dylan.
It was during the time at Toronto Island that the festival blossomed with its workshops, its artisans area and its "native people's area." Dance, craft and music were consistently of such high standards that audiences returned year after year despite changes in the popular music mainstream.
By 1980, the festival had moved to Harbourfront in Toronto and then over to Bathurst Quay in 1981. That year the rain made the festival site a quagmire and, despite a good artistic lineup, the festival lost a lot of money. In fact, things were so bad financially that no festival was held at all in 1982.
In 1984, Molson Breweries approached Mariposa organizers about moving the event to Molson Park in Barrie. A few meters off the main highway to Toronto, and with lots of trees and open spaces, it seemed a good fit for a folk music festival. A modest crowd of 2000 people attended that year and established a home for the festival for the next several years. By the time 1989 rolled around, crowds of 25,000 were commonplace. The next year though, unseasonable cold and rain all spoiled the fun, and the festival was in debt once again. To make matters worse, Mariposa and Molsons parted company, and the festival found itself on the road once again.
Ontario Place became the next home for Mariposa and for two years served that purpose. In 1993 it was back to the Toronto Island for daytime workshops and to Queen Street West for evening concerts. James Keelaghan, Colin Linden, the Irish Descendents, Holmes Hooke and Ann Lederman were among the widely recognized performers to appear that year. For the next couple of years, the festival followed that format, but poor weather and weak attendance put the festival into serious debt, yet again.
The Doldrum Years
By 1996, there were threatening noises that the festival would fold, just like in 1987 when last minute heroics by Lynne Hurry and Mariposa founder, Ruth Jones McVeigh, helped save the festival from extinction.
In 1996, there were two Mariposa festivals: one in Bracebridge and one in Cobourg. Mariposa in Bracebridge was a success but the one in Cobourg lost money. By the end of the 1990s, the festival had become a small, one-day festival in the Parkdale neighbourhood of Toronto.
The Rising Phoenix
The City of Orillia had more than doubled in size since the festival was ignominiously given the boot in the early sixties. As was the case forty years earlier, there were individuals with foresight and imagination. City councillors Tim Lauer and Don Evans were like-minded individuals with an interest in folk music. Joined by fellow roots enthusiast Gord Ball, they cooked up a plan to approach Mariposa Folk Foundation about the chances of re-locating the festival to where it all began. It was a case of fortuitous good timing. With Mariposa scouting for a new location, the Foundation's board of directors was receptive to the request from the small party from Orillia.
Within weeks, a loose band of volunteers pulled together to form a not-for-profit organization, Festival Orillia Inc. (FestO), to stage the festival in Orillia, and to complete negotiations with Mariposa Folk Foundation.
Late in 1999, a three-year agreement to stage Mariposa Folk Festival in Orillia was signed and the re-building began. In the ensuing months of intensive meetings, discussions and planning sessions, a strong bond and mutual trust developed between FestO Charter President, Gerry Hawes, and Mariposa Folk Foundation President, Lynne Hurry. By the time of Mariposa's triumphant return to Orillia in July 2000, the two had already cooked up a plan to make Orillia its permanent home. Less than a year into the three-year agreement, a Harmonization Committee was struck, leading to the eventual disbandment of FestO with Mariposa Folk Foundation continuing on, not only as the predecessor organization, but as the successor organization as well. To this day, the Mariposa Folk Foundation board of directors is comprised of people from Toronto, Orillia and elsewhere across Southern Ontario.
At the first festival back in Orillia in 2000 nearly 400 volunteers signed up, and a stellar cast of performers played to the delight of a large appreciative audience. Of course, it helped that hometown boy Gordon Lightfoot headlined the Sunday night finale. Since then, Mariposa Folk Festival has flourished in Orillia.
During past decade, the Mariposa Folk Foundation launched a Hall of Fame to recognize leaders and classic performers from its past. Mariposa has also entered into a Partnership with York University to protect, catalogue and digitize its nationally significant archive of folk music and materials.
In 2010, Mariposa Folk Festival celebrated its 50th anniversary, cementing its place internationally as one of the 'Grande Dames' of folk festivals.

Mariposa In The Schools (MITS) introduces Ontario young people to world oral cultural traditions, reaching 50 school communities each year with a repertoire of world music, dance, storytelling, spoken word and puppetry.

We believe that oral traditions and world performing arts, celebrate, critique and share knowledge and lead to cross-cultural understanding and inter-generational continuity, ultimately building more caring and joyful communities.

Our artists connect with children and youth in meaningful creative learning that challenges perceived abilities and racial and cultural stereotypes, as well as inspire us all to reflect, cooperate and build something that’s bigger than ourselves.

Since 1969 MITS has been committed to the principle of equity of access for all children. We invest our fundraising revenues in this cause, bringing affordable programs to under-resourced inner city, rural and First Nations communities across Ontario.
(from MITS website: http://www.mariposaintheschools.ca/)

In the summer of 1970, the Marlborough Avenue Ratepayers' Association, a part of the Avenue-Bay-Cottingham group, began a dispute with Marathon Realty Corporation over the building of the York Racquets Club on Marlborough Avenue. The boundaries of the dispute widened when it was learned that Marathon planned to build Summerhill Square, a combined retail and residential complex on land it owned in the area. Marathon later sold the property and the Square was not built. Jack Granatstein, a professor of history at York University, was a Director of the Avenue-Bay-Cottingham Ratepayers' Association in 1969, president in 1971, and a prime mover in the Marlborough Avenue Ratepayers' Association. His description of the dispute is contained in his book, 'Marlborough marathon: one street against a developer', (1971).

“Mayfly’s Landing originally formed in 2012, started as a solo project, and quickly evolving into a larger concept. By 2015 they adopted the 4-piece project sound that continues and prospers today, by 2016 they released a debut album, a much loved 5 song self-titled EP, produced and engineered by Epidemic Music Group. Mayfly’s Landing went on our first tour in the Summer of 2016 to the East Coast.” https://indiepulsemusic.com/2019/05/12/mayflys-landing/

McLaughlin College was established in 1968, the fourth college on the York University campus. It is associated with the Faculty of Arts on campus and several student associations representing students in academic departments (Economics, Labour Studies, Political Science, Public Policy) are located at McLaughlin. The College emphasizes public policy is its broadest sense as an area of interest. To this end symposia, guest lectures and conferences on public policy themes are sponsored by the College through the Public Policy Programme. The College is also host to several research centres and external bodies including the Refugee Documentation Centre, the Canadian Council for Social Development and the Research Programme in International and Strategic Studies. The College is administered by a Master assisted by a Senior Tutor and a Resident Tutor. Fellows of the College include University faculty members as well as representatives of business,government, politics and the arts. The College Council is an elected student body which provides social activities and administers student recreational services in the College. The College residence is named Tatham Hall after a former Master, George Tathum. It is co-educational and has an active student Residence Council.

The McLaughlin College Council (formerly the Student Council) was instituted in 1968, the year the College opened, as the elected voice of the student body. It is made up of all registered students with non-voting status given to Fellows, Alumni and College officers. The elected members of Council include the President, Directors of External Affairs, Business Affairs, Cultural Affairs, Social Affairs, Communications, a representative to the York Federation of Students, general councillors and a first year councillor. The Council appoints a Speaker, Secretary and Treasurer, the last two being paid, non-voting members. In addition, the Council elects an Athletic Council. The Council must meet at least twenty times during the Fall/Winter Academic year. In 1982 the Student Council was dissolved and was reconvened as the College Council in 1983. The Council represents the interests of the student body to the administration of the College and to the wider university community. Within the College the Council is responsible for the appointment of the Orientation Co-ordinator( s), the editor of the McLaughlin 'Mirror' and the managers of the Games Room, the ARGH [coffee shop] and the Mac Pub.

The Residence Council represented the interests of the residential students of McLaughlin College, to the College administration and assumed the responsibility of ensuring discipline through the application of residence regulations with recourse to a discipline tribunal with power to enforce fines and punishments. The Residence was divided into six houses, each having an elected House Committee consisting of a House President, Vice-President and Treasurer and other officers as it sees fit. The Council was made up of the Presidents and Vice-Presidents of the Houses together with a Student Council representative and College officers who all sit as ex-officio members. The Council Executive consisted of an elected Chairperson, Vice-Chairperson, Treasurer, Secretary, Social Convener and Chair of Complaints.

The Tatham Hall Council (formerly Residence Council) represents the interests of the residential students of McLaughlin College, to the College administration and assumes the responsibility of ensuring discipline through the application of residence regulations with recourse to a discipline tribunal with power to enforce fines and punishments. The Residence is divided into six houses, each having an elected House Committee consisting of a House President, Vice-President and Treasurer and other officers as it sees fit. The Tatham Hall Council is made up of the Presidents and Vice-Presidents of the Houses together with a Student Council representative and College officers who all sit as ex-officio members. The Council Executive consists of an elected Chairperson, Vice-Chairperson, Treasurer, Secretary, Social Convener and Chair of Complaints.

The McLaughlin Student Council was instituted in 1968, the year the College opened, as the elected voice of the student body. It was made up of all registered students with non-voting status given to Fellows, Alumni and College officers. The elected members of Council include the President, Directors of External Affairs, Business Affairs, Cultural Affairs, Social Affairs, Communications, a representative to the York Federation of Students, general councillors and a first year councillor. The Council appoints a Speaker, Secretary and Treasurer, the last two being paid, non-voting members. The Council was responsible for the appointment of the Orientation Co-ordinator(s), the editor of the McLaughlin 'Mirror ' and the managers of the Games Room, the ARGH [coffee shop] and the Mac Pub. In addition, the Council elected an Athletic Council. In 1982 the Student Council was dissolved and was reconvened as the College Council in 1983.

“Mélisande [électrotrad] offers an energetic blend of traditional music, pop and electro with a mix of acoustic and electric instruments, vocal harmonies and programming. Formed by Mélisande and her husband Alexandre ‘Moulin’ de Grosbois-Garand, the duo offers a fresh artistic proposal to the folk-world-trad music scene since its debut in 2014. From repertoire research in folklorists collections, to excavations in archive centers and then by collecting traditional songs from elders along the Richelieu River, the duo has been able to remain rooted in tradition while creating a modern sound. Its fourth album Flash de mémoire (2021) presents a mix of traditional classics as well as covers from famous Québec artists influenced by trad music. Greatly acknowledged by critics in Canada and abroad, the duo won a Canadian Folk Music Award and two Independent Music Awards as well a being nominated for several other awards. Four seasoned musicians on stage giving a powerful show with an infectious energy and engaging stage presence. The band performed over 300 concerts in Canada, the United States, France, Spain and Australia.” https://melisandemusic.com/bio

The Memorial Society Association of Canada received its letters patent in 1971 although some of the chapters were established as early as 1957 (Edmonton). The purpose of the society was to promote the formation of non-profit memorial societies in Canada and to promote dignity and simplicity in funeral rites. Individuals joined local chapters which then subscribed to the national association. There were local chapters in most provinces. At its height in 1987 the Association had 200,000 paying members. It was disbanded in 1990, and dissolved in 1992.

The Track and Field Centre was first proposed as a small stadium to replace facilities lost at the Canadian Exhibition Stadium when it was expanded for professional sports. The stadium was proposed in 1974 and York won a competition to have it located at the university, thanks to its generous land endowment. The centre was opened in 1979.

The Mountain Fund to Help Save the Boat People was founded in 1979 by John Smith, a Christian politician in Hamilton, Ontario in response to the plight of the Vietnamese refugees who fled communist rule in their country in boats to neighbouring countries. Supported by local Hamilton-Wentworth citizens, the Mountain Fund sponsored hundreds of Vietnamese refugees in the 1980s and assisted them in integrating into Canadian society quickly. The Mountain Fund aid extended beyond the crisis and continued to help the Vietnamese in refugee camps into the 1990s.

"In 1978, Ian Bell, Kate Murphy, and Anne Lederman joined up to form Muddy York, to play the traditional songs and dance music of Canada, especially Ontario. The group's name, Muddy York, refers to an old epithet for Toronto. They played in venues from church basements to barn dances to festivals, in Ontario and the western provinces. In 1982 Kate Murphy left the group but Bell and Lederman continued. They became well known and played at Expo 86 in Vancouver, BC." https://en.wikipedia.org/wiki/Ian_Bell_(musician)

Based out of Sudbury, Ontario, Canada, band members include Steph Duchesne (percussion), Kris Dickson (upright bass), Sam Cassio (guitar, mandolin vocals), Geoff McCausland (violin), Barry Miles (banjo, dobro, vocals), and Jonathan Danyliw (guitar, mandolin, vocals). “[They] play a mixture of outlaw country and bluegrass [alternative folk]. [...] [Their] music is heavily rooted in the traditions of folk music, especially the old murder ballad tradition (hence the name).” https://canadianbeats.ca/2017/07/31/five-questions-with-murder-murder/

The Music Gallery is a musician-run venue, located in Toronto, for the performance of electronic music, multimedia productions, dance, contemporary jazz and world music. It was established in 1976 by the Canadian Creative Music Collective (CCMC), a composer/improvisor collective initially aligned with the free-jazz movement. The Music Gallery was directed jointly by the CCMC's Peter Anson and Allan Mattes from 1976-1989 and soley by Mattes from 1980-1987. Jim Montgomery assumed direction in 1987, a position he held until 2005 when Jonathan Bruce became its interim director. By 1990, it averaged nearly 65 concerts annually and has hosted up to 150 concerts in a year. Through the 1980's and 1990's The Music Gallery was the home of the CCMC but also served as the home base of the Canadian Electronic Ensemble, the Glass Orchestra, the Evergreen Club Gamelan Orchestra, Hemispheres, New Music Co-op and Sound Pressure among other groups. It produced 'Ear It Live, a traveling festival of improvised music that toured Ontario and Quebec from 1979-1988 and sponsored an annual electronic music festival from 1979-1991. It has hosted residencies by artists including Derek Bailey, Mischa Megelberg and Barre Phillips. It has also operated it own record label, Music Gallery Editions, and is responsible for the issuing of some 27 lps, many of which are live performances taped at the Gallery itself including recordings of the CCMC, Lubomyr Melnyk, The Artists' Jazz Band, John Oswald, Peggy Sampson, Casey Sokol and The Nihilist Spasm Band. Music Gallery performances have also been featured on CBC Radio and CKLN-FM in Toronto.

"My Bubba is a Swedish/Icelandic duo whose music is described as minimalistic, vocal-oriented folk which 'belies a modern sensibility and often a sultry suggestiveness'. The lyrics are playful and the vocals are simultaneously delicate and disarming." https://en.wikipedia.org/wiki/My_Bubba

"My Sweet Patootie is a swinging roots group from rural Ontario that brings twining vocal harmonies, monstrous fingerstyle guitar, sizzling fiddle, percussion and abundant charisma together in one perfect package. Their music is a tongue-in-cheek blend of swing and americana. Complete with tall tales and corny jokes, the My Sweet Patootie show is modern-day Music Hall that Driftwood Magazine describes as “two parts exemplary musicianship, one part vaudeville comedy”."https://www.centralontariomusicians.org/bands/my-sweet-patootie

"NNEWH is one of four federally funded Centres of Excellence of the Women’s Health Contribution Program at the Bureau of Women’s Health and Gender Analysis, Health Canada. It brings together a diversity of perspectives and evidence-based findings to address gaps in health policy, practice and education. Research Associates come from a variety of academic disciplines and multiple sectors including sociology, psychology, anthropology, political science, nursing, law, health promotion, NGO’s, and community and health services organizations. NNEWH’s women’s health research priorities include chemical exposures including pharmaceuticals, maternal health and water quality. Dayna Nadine Scott, Osgoode Hall Law School and Environmental Studies, is the director of NNEWH and Anne Rochon Ford, Coordinator of Women and Health Protection, assumed co-directorship in April 2009. At that time, NNEWH also welcomed two sister working groups under its administration: Women and Health Care Reform and Women and Health Protection." Retrieved from http://yihr.info.yorku.ca/national-networks-on-environments-and-womens-health-nnewh/ on 2 Nov. 2018

“The members of the Neema Children’s Choir are orphaned and destitute children aged 8 to 17 who are being raised by Pastor Francis Daniel Mutibwa and his wife Winnie Tumu of Kingdom Child Project, a registered charity in Uganda that runs a school and orphanage near Kampala.” https://sunfest.on.ca/event/neema-childrens-choir/

“New Country Rehab is a Canadian alternative country band.[1] Based in Toronto, Ontario, the band consists of John Showman on vocals and fiddle, Anthony Da Costa on guitar, Ben Whiteley on bass and Roman Tomé on drums. All four members are established session musicians in the Toronto area, who have played in supporting bands for artists such as Basia Bulat, Justin Rutledge and Amy Millan.” https://en.wikipedia.org/wiki/New_Country_Rehab

The New Play Society, established by Dora Mavor Moore in 1946, was a professional, non-profit theatre company, which produced original and other works (seventy-two productions in total). One of its most enduring efforts was the annual review 'Spring thaw,' which Moore's son, Mavor Moore, took charge of in the 1950s. The society was also responsible for a theatre school in Toronto.

“The family-composed Next Generation Leahy consists of father and mother pair Doug and Jennifer and their children Adele, 13; Gregory, 12; Angus, 10; Cecilia, 8; Joseph, 7; and Evelyn, 5. The family began performing its Celtic-based music and step dancing show about a year and a half ago and Doug said he and Jennifer have tried to instill a sense of giving back to the community in their children.” https://www.wellingtonadvertiser.com/next-generation-leahy-performance-to-benefit-groves-hospital/

“After he moved on from a ten-year stint as the front man of a touring rock band, Nicholas Keays spent time writing and stockpiling a bunch of great songs for a rainy day. When it came time to make his next move, he went in a new direction, joining Justin Rich and Jason Turner to form Nicholas Keays and the North River. The trio has crafted a stripped down, harmony filled, sound that is gracefully carried by a standup bass, acoustic guitar, banjo, and a kick drum fashioned out of an old suitcase. They play tunes of home and family that are hook-filled, simple, and of the foot stompin’ variety.” https://mariposafolk.com/nicholas-keays-north-river-make-festival-debut-mariposa/

“Lowe has been tag teaming with Yep Roc labelmates Los Straitjackets since 2014. The masked, instrumental heavy hitters have toured with everyone from Tom Petty and The Heartbreakers to El Vez, racking up almost 20 albums in 20 years.” https://www.npr.org/2019/11/12/778505361/nick-lowe-and-los-straitjackets-on-mountain-stage

Norman Bethune College (initially College 'G' ) was established in 1971. The college' s operations were located in the Steacie Science Building until the 1972-73 academic year when the college moved into its own building. The College was initially associated with many of the community and socially-active programmes and services on campus (LaMarsh Centre on Violence and Conflict Resolution,
York Community Connection, the Chile Project) and, beginning in 1989-90, when faculties were formally linked with the colleges, Bethune began an affiliation with the Faculty of Science which has offices on site. The college' s formal disciplinary theme is Science and Society. Many of the science-related clubs on campus (Physics, Chemistry, Biology, Mathematics) are housed in the College, along with the York Malaysian/ Singapore Club, the York University Chinese Students ' Association and the Association of Chinese Scholars and Students at York. The College also houses the newspaper, 'The Lexicon ', and the literary publication, 'Borderlines'.
The Master is the senior college officer, aided by a senior tutor, residence dons, the Master 's Advisory Council and the College Fellows. There is an Alumni Association, College Council, and a Residence Council for students.

The Bethune College Council is made up of student members (elected by all of the College' s undergraduate students), the Master, the administrative staff and Fellows of the College, and two appointees. Nine student members are elected as Chair, Vice-chair, Treasurer, Freshmen Reps (2) and General Members (two representing the Residence Council, one representing commuting students, and the Student Senator). In addition, the Master serves on Council, as does one Fellow of the College, elected by the Council of Fellows. If s/he is not elected to council, the chair of the Programme Committee becomes the twelfth member of Council. There are two appointed officers of Council, the secretary and the chief returning officer, both non-voting members. The Programme Committee, a working committee of Council, consists of the Master (or designate), the Student Liaison Officer and two students appointed by Council.

'Northern journey' was a Canadian literary magazine published in Montreal from 1971-1976. Its original publisher was Terrance MacCormack, who was also a founding co-editor with Fraser Sutherland. The magazine published many of Canada's best poets and writers, including Earle Birney, Gwendolyn MacEwen, Norman Levine, George Woodcock, Margaret Atwood and others. It was also a forum for literary and cultural debate, particularly in the area of Canadian nationalism.

“Canadian Folk Music Award nominated Notre Dame de Grass is a five-piece bluegrass band specializing in original songs and instrumental material. Songsmith/guitarist Matt Large and composer/banjoist Guy Donis provide the palette for fiddler Chris Bartos, mandolinist Joe Grass and bassist Solon McDade to exhibit their exceptional skill. While staying true to the conservative sensibilities of bluegrass music, Notre Dame de Grass calls upon the deep well of North American folk idioms to inform their work. Featuring strong vocal harmonies and high calibre instrumental musicianship, just one Notre Dame de Grass concert has been known to make folks crave another.” https://summerfolk.org/performers/notre-dame-de-grass/

Founded in February 2000, Obsidian Theatre Company is a leading black theatre companies in Canada. As a producer of black theatre and community advocate, the company has endeavoured to produce plays, develop playwrights and train emerging theatre professionals. Their mission statement focuses on the exploration, development, and production of the black voice. The founding board included Awaovieyi Agie, Ardon Bess, David Collins, Roy Lewis, Yanna McIntosh, Diane Roberts, Kim Roberts, Sandi Ross, Djanet Sears, Satori Shakoor, Tricia Williams, Alison Sealy-Smith, and Philip Akin. Obsidian has encouraged Canada's local black playwrights and actors, mounting local works such as "The Adventures of a Black Girl in Search of God", "Consecrated Ground", "Born Ready" and "The Monument", as well as the first international collaboration (Canada and Barbados) of Austin Clarke's Giller Award winning novel "The Polished Hoe". They have also produced international plays such as "Intimate Apparel", "Late" and "Black Medea". Obsidian has established partnerships both locally and provincially working with companies such as The Stratford Festival of Canada, Mirvish Productions, The Harbourfront Centre, The Canadian Stage Company, Nightwood Theatre, The Harold Green Jewish Theatre, Factory Theatre, Theatre Passe Muraille, fu-GEN Theatre, Aluna Theatre, Roseneath Theatre, bcurrent, and the Frank Collymore Hall in Barbados. Obsidian produces plays from a world-wide canon focusing primarily, but not exclusively, on the works of highly acclaimed black playwrights.

“[The Winnipeg-based roots quartet Oh My Darling has] prairie roots mixed with Appalachian old time, bluegrass, country, funk and Franco-folk, makes their style a melting pot of musical languages. Infused with dynamic vocals, brilliant claw-hammer banjo, inspired fiddling, and grooving bass, their music will get your hips swinging, toes tapping, and put your heart right into their hands.” http://www.ohmydarling.ca/bio

“Ohbijou was a Canadian indie pop band that was based in Toronto, Ontario. The music of Ohbijou draws on pop, folk and bluegrass influences.” Members include Casey Mecija, Jennifer Mecija, Heather Kirby, James Bunton, Anissa Hart, Ryan Carley, and Andrew Kinoshita. https://en.wikipedia.org/wiki/Ohbijou

The "Onion", the Toronto paper on the arts, was a twice-monthly tabloid newsprint publication. It published fiction, reviews, essays, and artwork. The paper was edited by Stephen Mezei, an author, scriptwriter and instructor in the arts at several institutions, including York University (1974-1975). The Onion's editorial board included Pauline Carey, John Hebert, and other Canadian and foreign writers.

Osgoode Hall Law School, the teaching arm of the Law Society of Upper Canada, admitted its first students in 1889, and affiliated with York University in 1968 beginning classes on the York campus in September 1969. In its first year the new law school introduced the semester system of teaching and attempted to integrate itself into the university by offering joint course with the faculties of Arts & Science and Administrative Studies.
Student representatives were admitted to the Faculty Council in keeping with York' s policy of student participation in university government. The move to York coincided with the expansion of the library what now is the largest law library in the British Commonwealth.
The Law School is administered by a Dean, an Associate Dean with responsibility for the academic programme, and two Assistant Deans, the one responsible for student counselling, the other with responsibility for some aspects of the administration of the first year programme, admissions and computers. There is a Director of the Graduate Programme, a Director of Clinical Education (with responsibility for Parkdale Legal Aid Clinic), and a Co-Director of the M.B.A./LL.B. programme. In addition, there is a Faculty Council which advises on curriculum, admissions and academic policy.
Osgoode Hall offers the LL.B., LL.M. and D.Jur. degrees in law, as well as joint LL.B./M.B.A. (M.P.A.) degrees with the Faculty of Administrative Studies, and the LL.B./M.E.S. degree with the Faculty of Environmental Studies. The School also operates the York University Centre for Public Law and Public Policy, a research institute sponsoring major research projects and conferences, and the Institute for Feminist Legal Studies. The School publishes the 'Osgoode Hall Law Journal', and sponsors several annual lectures and events on aspects of the law. The School also produces 'Continuum', a newsletter for alumni.
The Legal and Literary Society serves as the student council, and there are several student societies geared to various ethnic, political, religious and social interests. The student-run Community Legal Aid Services Programme (CLASP) operates a community legal clinic at Osgoode as well as the Parkdale Legal Aid Clinic in downtown Toronto. The student newspaper, 'Obiter Dicta ', is published weekly.

The Dean of the Osgoode Hall Law School is the senior academic and administrative officer in the School. The Dean oversees the implementation of legislation (Senate and Faculty) within the Law School, promotes and facilitates the academic program, administers all facets of personnel management in the Law School especially with regard to the hiring of faculty members in accordance with collective agreements and promotes research and professional development. Planning is an additional area of responsibility
along with financial management where s/he is to strike the Law School's budget in accordance with university priorities and finances. Finally the Dean is responsible for external relations both within the university and in the wider community.
In the period covered by these records the following men have served as Dean of the Osgoode Hall Law School at York University and when it was still operated by the Law Society of Upper Canada:
H. Allan Leal (1958-1966), Alan Mewett (Acting 1966), Gerald LeDain (1967-1972), Harry Arthurs (1972-1978), Stanley M.D. Beck (1978-1983), John D. McCamus (1983-1986), John Maxwell Evans (1987-acting), James C. MacPherson (1988-1992).

The Faculty Council is the primary decision- making forum in the Law School and is composed of all faculty, student representatives, representatives of other faculties at York, the administrative staff, the non-faculty library staff, the support staff and the Director of the Parkdale Community Legal Services. Its purpose is to review all academic policy including admissions, course evaluation, new programmes of study and related topics.
The Council has a number of standing committees, including Academic Policy, Academic Standing, Admissions Advisory, Clinical Education, Faculty Recruitment, Graduate Studies, Library Advisory, Nominating, Priorities and Finance, Research Advisory, Student Awards, Student Faculty Relations and Tenure and Promotion.

The Legal and Literary Society, founded in 1876, is the student government of Osgoode Hall Law School. All enrolled students are members. It acts as a liaison with the administration through its representation on the Faculty Council, and provides funding and coordinating help for all student activities within the school. It also represents the study body in external student organizations (YES) and the university Senate. The Society is run by an executive made up of a president, vice-president, treasurer, secretary, external affairs officer, and representatives of the of the three classes (first, second and third year).

“Over the years [Kim Halliday (Rotuman/NZ Scottish), Ora Barlow (Te Whanau-a-Apanui/English) and Jessie Hindin] have accumulated an impressive instrumental collection featuring the ukulele, cajon, fiddle, Taonga Puoro – traditional Maori instruments, guitar, stomp box, kalimba, various percussive instruments and vocals with lyrics in Te Reo Maori, Rotuman and English.” https://minersfoundry.org/pacific-curls-in-concert-thursday-september-12-2013-doors-700-music-800-pm-20-in-advance-25-at-the-door/

Parkdale Community Legal Services (PCLS) was established in 1971 as a community legal service for the Parkdale community in Toronto. PCLS is affiliated with Osgoode Hall Law School whose students work as interns in the programme as part of their legal education. The clinic is funded by the Clinic Funding Committee of the Law Society of Upper Canada and by Osgoode Hall Law School which provides the services of an academic director who is always a faculty member. PCLS has always defined its primary task as poverty law and students who participate in the clinic attend weekly seminars on poverty law. The clinic focuses on four main areas of poverty law: tenants rights; workers' rights; refugee law; and social assistance law.