Showing 282 results

Item consists of a Moroccan family's home movie featuring two children and a woman entering the park to ride the carousel, bumper cars, and ferris wheel amongst many other children’s rides. Footage contains a 360 degree cityscape views of the Jacques-Cartier bridge, Longueuil, and Montreal (including the Olympic Stadium).

Donor(s) and project contributed description follows: "A couple take their young daughter down to La Ronde on a warm sunny afternoon. Opened since 1967, this amusement park continues to be a popular family attraction during the summer season and a common childhood experience for many Montrealers. Yousra remembers going to the park with her family every couple of years and the excitement this visit would bring. She recounts how they"would be out from the day until night".

When asked about her memories of the day, Yosura remembers most clearly the bumper cars and atmospheric nostalgia of being in that place. Like many families with home movies on older formats, she grew up seeing the tapes throughout the years, but stopped once her family no longer had a VHS player. Born and raised in Montreal, but with Moroccan heritage Yousra describes herself as being"someone with two identities [we] are culturally bilingual… I try to define myself and not let others define me.""

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item consists of an Iranian-Canadian family’s home movie featuring cityscapes of Baghdad including footage of traditional architecture.

Donor(s) and project contributed description follows: "Although Aeyliya was born in London, England, she spent a year of her childhood in Baghdad, Iraq, a place in which she does not have too many strong memories of, yet finds fascination with when she watches her footage.

"My grandmother, mom, brother, and I are in the footage. It’s very interesting to see this place that kind of has a memory for me, and then seeing family members like my grandfather who’s no longer alive, and then seeing my mother as a ‘young mother.’" Aeyliya describes having memories of eating certain candy in Iraq, and specifically in the footage she speculates that her mother was going to the mosque perhaps to pray, while she and her brother were running around in the courtyard. "[It’s] very surreal to see your past, to see yourself and your history. When I first watched the footage I thought ‘oh, this is kind of a weird feeling, strange, but still good.’" There are a number of ways ones life could’ve been dramatically different. "Where is home?" She ponders."After migrating to Iraq from London, my parents decided to leave Baghdad for better economic opportunities and migrated to our final destination Canada."

Aeyliya’s family came to Montreal "literally" by boat. "We left London to Montreal and took the QE2, and then settled in St. Catherines, Ontario. "One decision that you have no control over could dramatically change your life," Aeyliya adds, describing her thoughts behind her parents decision to live in Iraq for a year, nearly settling there, before plans changed and then moved from London to St. Catherines instead, "I look at the footage and think of that sometimes." After migrating to Iraq from London, my parents decided to leave Baghdad for better economic opportunities and migrated to our final destination Canada. "

Item consists of an Indian family’s home movie featuring a woman and man dancing.

Donor(s) and project contributed description follows: "My sister sings while another sister and brother dance Bhangra. Video depicts an Indian wedding held in British Columbia. A series of ceremonies took place over the course of many days, including the singing of wedding songs during the Sangeet music party, the father of the bride singing, and the application of henna on the hands. A North Indian Punjabi dance, Bhangra, is performed by aunts and uncles of the bride. The wedding was held at the paternal aunt's house."

Item consists of an Indian family’s home movie featuring a man singing and playing a keyboard.

Donor(s) and project contributed description follows: "I’m singing at my daughter wedding. Video depicts an Indian wedding held in British Columbia. A series of ceremonies took place over the course of many days, including the singing of wedding songs during the Sangeet music party, the father of the bride singing, and the application of henna on the hands. A North Indian Punjabi dance, Bhangra, is performed by aunts and uncles of the bride. The wedding was held at the paternal aunt's house."

Item consists of an Indian family’s home movie featuring a woman walking into a room full of people and sitting down and the camera zooms in to her hands that are decorated with henna.

Donor(s) and project contributed description follows: "My daughters pre-wedding music party. She walks in with henna on hands. The video depicts an Indian wedding held in British Columbia. A series of ceremonies took place over the course of many days, including the singing of wedding songs during the Sangeet music party, the father of the bride singing, and the application of henna on the hands. A North Indian Punjabi dance, Bhangra, is performed by aunts and uncles of the bride. The wedding was held at the paternal aunt's house."

Item consists of an Indian family’s home movie featuring a man riding a horse surrounded by family and friends dancing in New York City at the intersection of 48th street and 3rd avenue.

Donor(s) and project contributed description follows: "My son (groom) is riding a horse through the streets of NYC to get to his marriage ceremony (traditional for India but first time it happened in NYC). This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring women singing and putting a headdress on a seated man.

Donor(s) and project contributed description follows: "The "sera bandi" here is my daughters tying a headdress on my son before his traditional wedding ceremony. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a man encircled by woman saying prayers.

Donor(s) and project contributed description follows: "These are prayers for the groom. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a wedding party listening to individuals performing.

Donor(s) and project contributed description follows: "I’m singing at my son’s wedding. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a child dancing on a dance floor with disco lights in the background and a crowd cheering him on.

Donor(s) and project contributed description follows: "My son’s wedding and Michael Jackson dance by my grandson. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring officiant reciting wedding pledges and couple exchanging their vows.

Donor(s) and project contributed description follows: "My son’s wedding civil vows. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, afterwhich the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring three individuals drinking champagne and discussing a t-shirt that reads "A-B-C-D-E-F-U-C-K."

Donor(s) and project contributed description follows: "This is a graduate toast with mum and dad (my wife and I). Video shows the donors brother graduating from Stanford University, followed by a celebration in a hotel. A graduation toast is given by the father in English."

Item consists of an Indian family’s home movie featuring a graduation ceremony with camera zoomed on crowd and individuals in a hotel room celebrating by opening a champagne bottle.

Donor(s) and project contributed description follows: "My son graduates with an MBA from Stanford University and we celebrate in a hotel room with his mother. Video shows the donors brother graduating from Stanford University, followed by a celebration in a hotel. A graduation toast is given by the father in English."

Item consists of an Indian family’s home movie featuring desserts on a table, zooms out to group of adults including on person filming the person behind the camera, everyone appears happy and are giggling, the person behind the camera starts singing happy birthday while a woman cuts a cake topped with kiwi slices, and everyone applauds at the end of the song with the camera panning to reveal many others in the room.

Donor(s) and project contributed description follows: "Adults enjoying an anniversary party. The cameraman (father/grandfather) interviews the children, asking how they like Vancouver, and their thoughts on the wedding recorded in a previous video. The clip shows a family gathering, where the adults enjoy an anniversary party, while the children watch Pinocchio in the family room."

Item consists of an Indian family’s home movie featuring children sitting on a couch and on the floor eating food while watching Pinocchio on TV. The camera zooms in to the TV for the second half of the clip.

Donor(s) and project contributed description follows: "Family and friends party at home. The cameraman (father/grandfather) interviews the children, asking how they like Vancouver, and their thoughts on the wedding recorded in a previous video. The clip shows a family gathering, where the adults enjoy an anniversary party, while the children watch Pinocchio in the family room."

Item consists of an Indian family’s home movie featuring two children standing on a rock in water at Vancouver and taking to the camera about their trip.

Donor(s) and project contributed description follows: "My family having a picnic at Deep Cove North Vancouver. The cameraman (father/grandfather) interviews the children, asking how they like Vancouver, and their thoughts on the wedding recorded in a previous video. The clip shows a family gathering, where the adults enjoy an anniversary party, while the children watch Pinocchio in the family room."

Item consists of an Indian family’s home movie featuring a child reciting phases in another language while looking at the camera.

Donor(s) and project contributed description follows: "Video takes place in the religious temple, a Sikh Gurdwara. When immigrating to Canada, the sister of the donor lived with her parents, who insisted her children participate in religious education. Featured here, are the children praying in Punjabi, a language foreign to them. Later, the eldest grandchild celebrates his 13th birthday and receives presents. In the last clip, the child recites a prayer on his birthday in order to receive a gift and cheque."

Item consists of an Indian family’s home movie featuring a child coming out from a hallway to a living room and the man behind the camera says and starts singing happy birthday along with two women and another child who give the birthday boy hugs.

Donor(s) and project contributed description follows: "we’re celebrating my eldest grandchild’s 13th birthday. Video takes place in the religious temple, a Sikh Gurdwara. When immigrating to Canada, the sister of the donor lived with her parents, who insisted her children participate in religious education. Featured here, are the children praying in Punjabi, a language foreign to them. Later, the eldest grandchild celebrates his 13th birthday and receives presents. In the last clip, the child recites a prayer on his birthday in order to receive a gift and cheque."

Item consists of an Indian family’s home movie featuring women receiving papers from men and posing for a group photograph with award certificates in their hands.

Donor(s) and project contributed description follows: "My grandchildren and nieces receiving a certificate from Sikh Gurdwara for studying religious prayers. Video takes place in the religious temple, a Sikh Gurdwara. When immigrating to Canada, the sister of the donor lived with her parents, who insisted her children participate in religious education. Featured here, are the children praying in Punjabi, a language foreign to them. Later, the eldest grandchild celebrates his 13th birthday and receives presents. In the last clip, the child recites a prayer on his birthday in order to receive a gift and cheque."

Item consists of an Indian family’s home movie featuring a fall landscapes with colourful trees, and several people gathered around a picnic table to barbecue and eat with a river in the background.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."

Item consists of an Indian family’s home movie featuring people exiting a home, driving away, and a toddler playing in the snow with two adults.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."

Item consists of an Indian family’s home movie featuring people walking down the street, throwing snow balls, riding a snowmobile, snowy landscapes with trees and houses.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."

Item consists of an Indian family’s home movie featuring the camera zooming in to people on the patio of a snowy house, a man operating a snow plow, snowy forested landscapes, people exiting cars, children throwing snowballs, people operating snowmobiles, snowy cityscape views from the top of Mont Royal, cars driving up Mont Royal, the Mont Royal cross with blue skies and the sun shinning in the background, people walking on snowy trails, a horse and sleighs on trails and pulling up to the Mont Royal chalet, people walking down stairs to a car park, people at a cottage and skiing, people walking across a frozen lake, a light house, the camera spanning across the frozen lake and the sun setting in the background, and ends with a flowing river.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."

Item consists of a Haitian family's home movie starts with a child putting a communion veil on another child. It also features the child in a white dress speaking to an audience and ends with several children entering the frame wrapping arms around one another. The audio is out of sync and the footage contains a lot of noise.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. In this clip Josiane is speak and telling her family what she is grateful for. She goes on to play with her friends and cousins. Josiane recalls that growing up in Verdun she was one of the only Black kids at her school for a few years. When the second Black girl arrived, they would end up being friends and her friend appears in tail end of this video."

Item consists of a Haitian family's home movie featuring two adults dancing to music in a living room. The footage is damaged with the colour switching to back and white, flickering, and a lot of noise appearing.

Donor(s) and project contributed description follows:"The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. In this clip Josiane’s mom dances with her uncle."

Item consists of a Haitian family's home movie featuring a child in a white dress cutting a large decorative cake in the shape of a chapel and book cake with help from and supervision of three women. A child is a black suit and tie also appears in the footage.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. Here she cuts her cake among her mom and family members."

Item consists of a Haitian family's home movie featuring multiple generations eating and dancing to music in a living room.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. Here she cuts her cake among her mom and family members."

Item consists of an Ojibwe family’s home movies featuring a child and a woman standing by a window, with another woman dancing across the frame of the footage. The Macarena song is playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man and child dancing with disco lights in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man sitting down at a table, pulling out a cigarette, and waving to the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the DJ and individuals on a stage with music playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children pulling another child off their seat in the foreground and children dancing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children walking across the frame and the wedding couple tasting their cake.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the bridal party seated at a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman bringing food to a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera spanning across the room to reveal a decorations and children choosing their seats at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring many individuals sitting with food and drinks at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the wedding couple walking out of frame, while the woman in a blue dress and child walk into the frame. Footage is slightly out of focus.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera zooming in to a woman wearing a blue dress.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the officiant congratulating the couple, the ceremonial kiss, and an applause.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and groom standing in front of the officiant. flanked by a man in a suit and a woman in a blue dress. The groom is stating his declaration of no legal impediment to marriage and the bridge is giggling.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and a man walking towards the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring multiple generations sitting, standing, and waiting.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman sitting on a chair who stands up to walk away, the camera then zooms in to a man standing in the background and zooms out to a child walking across the frame.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring two adults posing for a photograph.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring adults and children talking and posing for multiple wedding photographs.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of a Anishinaabe family's home movie.

Donor(s) and project contributed description follows: "A protest against the First Nations Governance Act (FNGA) at Parliament Hill in 2003. FNGA was a legislation that the government was trying to impose on First Nations that would overstep their jurisdiction to First Nations relations, impeding their rights as sovereign nations in very much the same type Indigenous people had with the White Paper, it could lead to a slippery slope of further government control over our nations.

Various Chiefs across Canada organized this protest that gathered quite a lot of support across First Nations. This was part of a caravan to Ottawa and take place in Toronto, ON.

Chief Roberta Jamieson, the chief of Six Nation, is talking about the FNGA can negatively affect the community. Beside her is another respected leader Roger Obonsawin shared a few words among well-known community members. Rebeka and David travel in their van and on their way stops in a Mohawk community, Tyendinaga where they are hosted.

They arrive in Ottawa and people from across Canada came and in the end there are people the legislation was thrown out. They succeeded.

The National Chief Matthew Coon Come gave a speech on Parliament Hill. The National Chief spoke out a lot at that time against the Federal government. Many social organizations were afraid of having their funding pulled but it was really good to be apart of something larger, bringing people across the country together.

As young Indigenous people in Toronto they formed the Coalition of Indigenous Sovereignty, including allies, supported by unions and grassroots organizations, met regularly to oppose this legislation. ‘It’s pretty inspiring to review that part of our lives. It captured a moment in time in Toronto for our family that was very special with us. It reflects where our communities were at.’

(4)
Rebeka and her family take a road trip to relatives in the states of David Shilling's in their old van. They were excited to cross this huge bridge into the states. His cousin plays with their kids.

There was a gathering to honor the live of the late Anishnaabe [Rodney Bobiwash] from the Mississaugas nations up north and [Kim Pernel Dominco]. Rodney was a professor at the University of Toronto and used to be the director of First Nations House. He worked international solidarity with Indigenous people in the South, and he had been support the work of [Kim penrecl Dominico] from Colombia. They had been working had together to bring light to the damning of a river on traditional territories. It was during the Free Trade Agreement summit happening in Montreal. Unfortunately, [Kim] was targeted and disappeared. It was devastating.

Shortly after that Rodney passed away due to complications with diabetes. They had his funeral at the Native Canadian Centre in Toronto, hundreds and hundreds of people came out. A Mayan group performed a beautiful dance in his tribute. At the time they felt very fortunate to be able to document things for their communities and to have that proof of gatherings and also for their family.

(5)
In the late nineties and early 2000s Rebeka’s brother and dad at the cabin for the summer. They had a huge catch and had a big fish fry and invited friends over. They made fried bread and lightly battered fish. Rebeka recalls that it was a lot of work to get the line ready, and to fillet it and to bred it, but it was heavenly to have."

Item consists of a Anishinaabe family's home movie.

Donor(s) and project contributed description follows: "In 2001 in Toronto, Ontario at the SkyDome for an annual Pow wow. It was a huge event that everyone in Toronto looked forward to. At the time Rebeka was working for Native Women in the Arts and Dave comes by to visit Rebeka and they go and walk around the pow wow and visit friends.

The second part of the clip is at an event, is a book launch for ‘Nation to Nation: Aboriginal Sovereignty and the Future of Canada’ (2001), a compilation of academic writings about Indigenous sovereignty. A friend of Rebeka’s was one of the publishers, and at the time Rebeka was staying with her, and gifted her friend with a poem for letting her stay at her house. She loved the poem so much she made it the front cover of the book. Rebeka is seen in the clip speaking to the value of the book, at the time there weren’t a lot of contemporary books about nation to nation."

Item consists of a Anishinaabe family's home movie.

Donor(s) and project contributed description follows: "Shot in August 2005, Rebeka Tabobondung and by her partner David Shilling, hang out and have fun with his two daughters, Amethyst and Maaiingan (meaning wolf in Ojibwe) in a Toronto park. At the time, the daughters were living with this mothers so it was great to have them for the weekend. Both Rebeka and Dave shoot, and Rebeka was pregnant at the time.

Later that same summer they go to Georgian Bay on Lake Huron. They are building their cabin in Wasauksing First Nation where Rebeka's family is from. They purchased a trailer, and were clearing and building on the land. Dave shoots his daughters exploring the woods. Towards the end they are visible making the foundation and the piers. Now that they have had their land and the cabin for 14 years, it has since turned into their dream house."

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a family gathering filled with adults and children playing and dancing.

Donor(s) and project contributed description follows: "Sabrina Budiman’s sister, cousins, aunts, and neighbors grew up as a very close knit family. They are at a family gathering likely at Budiman’s aunt’s place in Etobicoke, ON. The table is set up for a special dinner, and everyone is dressed in celebratory clothing. It’s a party and we see adults and children having a lot of fun dancing together to Lou Bega’s Mambo no. 5, J-Low, Backstreet Boys, and Elvis Crespo’s Suavemente 1998. Being both Colombian and Indonesian and growing up in Toronto, Sabrina remembers dance as a very memorable and significant part of her cultural upbringing.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a family gathering filled with children playing and dancing.

Donor(s) and project contributed description follows: "Sabrina Budiman’s sister, cousins, aunts, and neighbors grew up as a very close knit family. They are at a family gathering likely at Budiman’s aunt’s place in Etobicoke, ON. The table is set up for a special dinner, and everyone is dressed in celebratory clothing. It’s a party and we see adults and children having a lot of fun dancing together to Lou Bega’s Mambo no. 5, J-Low, Backstreet Boys, and Elvis Crespo’s Suavemente 1998. Being both Colombian and Indonesian and growing up in Toronto, Sabrina remembers dance as a very memorable and significant part of her cultural upbringing.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a day at the lake with children playing and adults barbequing.

Donor(s) and project contributed description follows: "The year is 1999 and Sabrina Budiman aged 4, and her family is spending a day at the beach in the summertime, at the Scarborough Bluffs beach. Sabrina and her sister call it "ethnic BBQ" because the family brought their own charcoal BBQ, make lots of delicious food, fry up some fish and "stink up the place." A picnic table is set up with a beautiful tablecloth, and the footage documents an entire day spent at the beach. Sabrina shares that this experience was a large part of her childhood, and today we often see lots of immigrant families gathered at the Bluffs Beach in large groups with similar set-ups that include lots of food and colorful decorations.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of a Barbadian- and Guyanese-Canadian family's home movie featuring two adults and a baby in the kitchen, children and adults dancing, a child unwrapping Christmas presents and playing with a doll, children riding bicycles and playing on swing sets, the family driving in a car, and snowy streets with adults shovelling and children playing.

Donor(s) and project contributed description follows: "Its 1972 in Sydney, Nova Scotia. Shot on 8mm film, Mike Nobrega, his brother Richard, and aunt Beryl are seen inside their home and backyard on Tupper Street.

Mike was born in Toronto, and moved to Nova Scotia when he was young. His father is from Guyana and mother is from Barbados. The community around where he grew up was very diverse, including people from the Ukraine, Poland, Carribean, Italy. Many came to work in steel and coal mines."

Item consists of a Barbadian- and Guyanese-Canadian family's home movie and includes footage featuring a Popeye cartoon, Alvin and the Chipmunks cartoon, children playing, a birthday celebration, a crowd outside and a man speaking into a microphone, a parade with cars as floats, adults hanging out, a hall filled with adults eating and dancing, a picnic at a park, gatherings with Christmas decorations in the background, a family dog wearing a hat, and a family gardening.

Donor(s) and project contributed description follows: "Its 1974 or 1975 in Sydney, Nova Scotia, Mike Nobrega, cousins, aunts, extended family and friends are seen in domestic settings. They are also pictured sharing a picnic in the summertime. Mike was born in Toronto, and moved to Nova Scotia when he was young. His father is from Guyana and mother is from Barbados. The community around where he grew up was very diverse, including people from the Ukraine, Poland, Carribean, Italy. Many came to work in steel and coal mines."

Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring a wedding and family members speaking outside, singing, and dancing.

Donor(s) and project contributed description follows: "The bride's side of the family takes their seat beside the groom and the ceremony begins. There’s an Ardas, a request for a blessing. The priest Jathadar Ji advises the couple on how to conduct their lives together according to Sikh traditions and religious edicts.

The bride’s father takes the palla around the groom’s neck and puts it around his daughter, officially blessing them. The lamas begin; the couple bows down and walks around the Guru. The lama is repeated four times and with each lama, the couple gets closer to marriage. After that and more scripture, the audience members pay their respect one by one. The couple is seen off and returns and celebrates in their ancestral village with sweets, blessings and dancing."

Item consists of a Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring a portion of a wedding featuring singing and traditional ceremonies.

Donor(s) and project contributed description follows: "In late February in 1985 Jagtar’s after getting married in India for his wedding took a religious pilgrimage to pay respects at the Sri Harmandir Sahib. They visited the Sri Harmandir Sahib (Golden Temple) to see the aftermath of Operation Blue Star, where the 1984 attacks by the Indian paramilitary troops to oust out Sikh extremists happened. The attacks killed hundreds of people and left tons of damage to the buildings and structures of the Sri Harmandir Sahib complex, the holiest shrine of Sikhism. In the clip you see Jagtar pan the camera to the bullet holes and remnants of the attack. ‘It was a tense and strange situation’. He proceeded in India with caution but was fortunate that his future father-in-law was a powerful man in India and provided protection at his wedding."

Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring family members speaking to one another, driving through the countryside, and speaking one another at a wedding.

Donor(s) and project contributed description follows: "Jagtar’s grandfather Sardar Bishon Singh left colonial India in 1902 and after enduring a two year journey via several steam ships from Calcutta, Hong Kong, The Philippines and Hawaii finally arrived on the shores of California in the Port of Stockton in 1904. Sardar Bishon Singh was instrumental in establishing the very first Sikh Gurdwara in North America in Stockton California. Following the devastating major San Francisco earthquake and then the resulting fires which completely destroyed San Francisco in 1906, Jagtar’s grandfather escaped to Vancouver British Columbia on a boxcar, marking the first of his family’s arrival in Canada. His grandfather was eventually able to sponsor his younger brothers son’s arrival to Canada in January of 1960, and Jagtar born in India in December of 1959, arrived to Canada at five years of age on December 18th, 1964. Jagtar returned to India for the first time since his childhood at 25 years old for a traditional Sikh marriage in January of 1985.

In this clip, on February 5th, 1985 in Gurdwara Karamsar Rara Sahib or Gurdwara Rara Sahib is situated at village Rara Sahib near Ludhiana, Punjab, India, Jagtar and his soon to be wife Gurinder Kaur, receive a blessing from the Gurdwara Sant Ji elder prior to their wedding. The two elder gentlemen are Jagtar’s future father-in-law Sardar Mewa Singh Kular and father Sardar Hardev Singh Dhaliwal. Here his father is visible in a pale blue suit not far from Sant Ji. This home movie memorializes these two important figures in Jagtar’s life who have since passed, his father-in-law and his father. After his father’s passing, Jagtar says it was fate to see his father here and remember him as a young man.

In the next scene, Jagtar is in his ancestral village in Toosey, Punjab, India dressed in his wedding attire. As they are leaving, elders and family women offer their blessings by giving him sweet treats.

The car and the groom's family travel down to the Milni ceremony (meeting of the two families) for introduction between the two families. After both sides of the family arrive, the fathers meet and exchange garlands. The uncles at each level exchange an official introduction. Then people gather for tea and refreshments just before going to the Gurdwara, a place of worship.

The groom’s side of the family pays respect to the Guru Granth Sahib, a living embodiment of the Sikh’s gurus."

Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring family members speaking to one another, driving through the countryside, and speaking one another at a wedding.

Donor(s) and project contributed description follows: "Jagtar’s grandfather Sardar Bishon Singh left colonial India in 1902 and after enduring a two year journey via several steam ships from Calcutta, Hong Kong, The Philippines and Hawaii finally arrived on the shores of California in the Port of Stockton in 1904. Sardar Bishon Singh was instrumental in establishing the very first Sikh Gurdwara in North America in Stockton California. Following the devastating major San Francisco earthquake and then the resulting fires which completely destroyed San Francisco in 1906, Jagtar’s grandfather escaped to Vancouver British Columbia on a boxcar, marking the first of his family’s arrival in Canada. His grandfather was eventually able to sponsor his younger brothers son’s arrival to Canada in January of 1960, and Jagtar born in India in December of 1959, arrived to Canada at five years of age on December 18th, 1964. Jagtar returned to India for the first time since his childhood at 25 years old for a traditional Sikh marriage in January of 1985.

In this clip, on February 5th, 1985 in Gurdwara Karamsar Rara Sahib or Gurdwara Rara Sahib is situated at village Rara Sahib near Ludhiana, Punjab, India, Jagtar and his soon to be wife Gurinder Kaur, receive a blessing from the Gurdwara Sant Ji elder prior to their wedding. The two elder gentlemen are Jagtar’s future father-in-law Sardar Mewa Singh Kular and father Sardar Hardev Singh Dhaliwal. Here his father is visible in a pale blue suit not far from Sant Ji. This home movie memorializes these two important figures in Jagtar’s life who have since passed, his father-in-law and his father. After his father’s passing, Jagtar says it was fate to see his father here and remember him as a young man.

In the next scene, Jagtar is in his ancestral village in Toosey, Punjab, India dressed in his wedding attire. As they are leaving, elders and family women offer their blessings by giving him sweet treats.

The car and the groom's family travel down to the Milni ceremony (meeting of the two families) for introduction between the two families. After both sides of the family arrive, the fathers meet and exchange garlands. The uncles at each level exchange an official introduction. Then people gather for tea and refreshments just before going to the Gurdwara, a place of worship.

The groom’s side of the family pays respect to the Guru Granth Sahib, a living embodiment of the Sikh’s gurus."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "These clips feature Christmas and playing in the snow. Naomi, Akemi and Steven open gifts on Christmas morning. Later, extended family gather to enjoy Christmas dinner. The footage ends on a winter afternoon with Naomi, Akemi and Steven playing in the snow."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "Neighbourhood children parade down a residential street in Vancouver celebrating Canada’s centennial in 1967. Amongst children dressed in outfits celebrating Canada or their country of origin, Naomi is dressed as a pioneer homesteader, Akemi is wearing a kimono and Steven is dressed as John A. Macdonald. The parade and after party were organized by their father, Doug and another neighbourhood parent."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "In the summer of ’65, Naomi and Akemi run around a sprinkler and play in a wading pool in their backyard. Three year old Naomi, in the red bathing suit, two year old Akemi in the blue bathing suit and their four month old brother, Steven are recorded by their father Doug on the sunny Vancouver summer afternoon."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "These clips feature birthdays for two of the Ozaki children in 1966. Steven Ozaki is celebrating his first birthday indoors with extended family in April. Naomi Ozaki is celebrating her fourth birthday in May with neighbourhood children inside the family home and in the family's backyard in Vancouver."

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item consists of a Pakistani-Canadian family's home movie and includes footage of Ridley College and Port Elgin.

Donor(s) and project contributed description follows: "Footage of a family eating breakfast cuts to a teenager standing by an old building. Noor’s oldest brother, Fahad is giving their father a tour of his boarding school. This is the first time her father is seeing Ridley College. He relied on extended family in Canada to help settle Fahad in his school. Dressed like any other boy from the 90’s, Fahad leads his father on a grand tour. "Being Pakistani in Saudi Arabia was difficult" Noor mentions as she talks about being separated from her brother as he went to school in Canada. To Noor "it feels like filling in the blank watching these videos…" since she was still a child when her family moved.

Shot over a few days, the home movie ends on a barbeque in Noor’s aunt home. Her aunt can be seen making fresh kebabs. "We still have those barbeques… they’re much different now, but we still make kebabs from scratch", Noor recounts."

Item consists of a Pakistani-Canadian family's home movie featuring a family barbeque, children playing at a park, and a wedding reception.

Donor(s) and project contributed description follows: "At four years old, Noor is in Canada visiting her family to attend a relative’s wedding. After seeing the clip, she noticed her cousins are only speaking to her in Urdu. When she asked them why they weren’t speaking in English, she was told they thought she couldn’t speak English. Noor attended an International English primary school in Saudi Arabia with children from English speaking countries. The footage cuts to a night time gathering. Noor is dressed up with her family attending a relatives wedding. Children and adults can be seen mingling and dancing around."

Item consists of a Pakistani-Canadian family's home movie featuring the family taking the subway, riding attractions at Ontario Place, and includes views of the CN tower and a sunset over Lake Ontario. Home movie also includes footage a baby smiling , giggling, and interacting with other children while sitting on a couch.

Donor(s) and project contributed description follows: "Travelling via Subway on the Bloor Line, a family is visiting Ontario Place during the summer of 1995. Less than a year old, Noor resides in Saudi Arabia with her mother, while one of her older brothers attends a boarding high school in Ontario. Her father is with his wife’s extended family and spends the majority of the time behind the camera. Scene of the water park and the children playing is captured along with the skyline of Toronto."

Item consists of a Filipino-Canadian family's home movie featuring a child and adult holding hands and walking, and a child riding a tricycle.

Item consists of a Filipino-Canadian family's home movie featuring two adults playing badminton in a backyard with a creek in the background, a man dancing, and a child reading a book on a bench.

Item consists of a Filipino-Canadian family's home movie featuring a woman spinning two children on a tire swing.

Item consists of a Filipino-Canadian family's home movie featuring children climbing up and coming down a slide.

Item consists of a Filipino-Canadian family's home movie featuring two children and a doll on a swing set.

Item consists of a Filipino-Canadian family's home movie featuring two men playing tennis at a park and two children on the court.
2023/08/22 KCP. Updated scope note based on donor feedback.

Item consists of a Filipino-Canadian family's home movie featuring two men playing tennis at a park.

Item consists of a Filipino-Canadian family's home movie featuring three men fishing, celebrating, reeling in, and gutting fish on the boardwalk.

Item consists of a Filipino-Canadian family's home movie featuring children interacting with the camera and two women in the background setting a picnic table for a barbecue in the backyard.

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring adults and children skating on Grenadier Pond in High Park. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter), Edward Chen (father). Camera: Edward Tzen-hwa Chen, Chia-chi Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring explorations of High Park with children running up and rolling down a hill, children climbing trees, the family enjoying each other’s company surrounded by cherry blossoms, and posing for the camera. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter), Edward Chen (father). Camera: Edward Tzen-hwa Chen, Chia-chi Chen, Millie Chen.

During Cherry Blossom season, the Chen family enjoyed a beautiful afternoon in High Park. Edward (father), who was usually behind the camera, can be seen enjoying the day with his family. Over the years, Chia-chi (mother) and Millie would occasionally take over the filming to get Ed in front of the camera. Chia-chi was particularly teasing and playful on this day. She can be seen laying in the grass kicking up her feet and winking at the camera."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring two adults and two girls blowing out candles on a birthday cake, reading a booklet titled "Happy Birthday Mom," removing the candles, and slicing the cake. The Chen family is celebrating Chia-chi’s (mother) birthday. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter), Edward Chen (father). Camera: Edward Tzen-hwa Chen."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring a children’s choir recital. Cecilia is performing with the Runnymede Public School choir in the Sing the Rainbow event. Camera: Edward Tzen-hwa Chen.

Mavericks in many ways, Edward and Chia-chi (parents) always encouraged their children to participate in diverse cultural experiences. Millie and Cecilia both trained in the arts and later continued to take part in the arts professionally and in daily life."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring a girl playing the piano in front of an audience, a woman watering plants at home, and family members in a living room. Millie gives a piano recital at the Royal Conservatory of Music in Toronto, followed by shots of the Chen family at home after the concert. Camera: Edward Tzen-hwa Chen.

In this piano recital, Millie was nervous as usual to perform publicly. She was grateful to be wearing her mother’s handmade skirt that was long enough to hide her trembling knees. Mavericks in many ways, Edward and Chia-chi (parents) always encouraged their children to participate in diverse cultural experiences. Millie and Cecilia both trained in the arts and later continued to take part in the arts professionally and in daily life."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring children and adults swimming in a lake. The Chen family is swimming with friends at Nickerson State Park, Brewster, Massachusetts. Camera: Edward Tzen-hwa Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring winter activities with children and adult sledding and ice skating in High Park, Toronto. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter). Camera: Edward Tzen-hwa Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring children and adults playing with a ball at a park in or near Toronto, laying on picnic blankets, and eating. This clip includes friends of the Chen family, most of whom were also recent immigrants from Taiwan. Camera: Edward Tzen-hwa Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring adults and children by the Horseshoe Falls in Niagara Falls, and family members taking care of a baby in a stroller in a Toronto park. On footage: Edward Tzen-hwa (father), Chia-chi (mother), Wendy Ming Yu (elder daughter), Millie Ming Yen (younger daughter), Cecilia Ming Si (baby). Camera: Edward Tzen-hwa Chen, Chia-chi Chen.

Shortly after arriving in Canada in 1968, the Chen family visited Niagara Falls. This clip is the last recorded footage of the elder daughter, Wendy, before she was killed in a car accident in the fall of that year. The next time the camera was picked up was for the birth of the youngest child, Cecilia."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a man holding a newborn and three men sleeping on the couch.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl playing peek-a-boo and kissing a newborn.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a close up of a newborn and a child squeezing his cheeks while saying "gougi gougi goo."

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl sitting next to a hospital bed and saying "she’s so beautiful."

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a woman holding a newborn

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a woman holding a newborn and a child asking to hold the baby.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring an adult in the pool and a child watching.

Donor(s) and project contributed description follows: "Robert, Shanti’s nephew swings 2-year-old Layla around on his family’s farm in Puslinch. Ten years older than Leyla and an only child, he cherished the weekend and summer visits from his younger cousin.

Her mother was an active swimmer in her youth and was excited to take up her old hobby on the family farm. Layla gestures to her grandmother in the pool who is clearly enjoying her self. Smiling brightly and leisurely swimming around she tells Layla how cold the pool is and not to come in."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a child spinning in circles while carrying another child who is laughing and giggling.

Donor(s) and project contributed description follows: "Robert, Shanti’s nephew swings 2-year-old Layla around on his family’s farm in Puslinch. Ten years older than Leyla and an only child, he cherished the weekend and summer visits from his younger cousin.

Her mother was an active swimmer in her youth and was excited to take up her old hobby on the family farm. Layla gestures to her grandmother in the pool who is clearly enjoying her self. Smiling brightly and leisurely swimming around she tells Layla how cold the pool is and not to come in."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl wearing fairy princess costume singing a song and an adult wearing a witch costume.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a child lighting diyas for Dwali.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl giving a woman a hug.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a women and a child picking grapes from the pergola.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item consists of a Black-Canadian family’s home movie featuring a plane on the tarmac; children enjoying sugarcane and an adult milking a cow; adults and children drinking from a freshly-picked coconut; children swimming at a beach; cityscapes in parts of Dominica, with streets, buildings and mountains in the background; children playing in a shallow river; a family carrying beach supplies and walking on a path surrounded by a tropical forest.

Donor(s) and project contributed description follows: "Heather and her siblings met and visited her paternal grandparents for the first time in 1978. "My grandfather was born in 1898. He lived to about 105, so he got to see three centuries – the late 1800’s, the 1900’s and he died in the early 2000’s." This was the family’s first vacation overseas, a memorable time in the Commonwealth of Dominica where Heather’s parents were born and raised - her father in Vieille Case and her mother in Portsmouth. In the travel clips, various footage shows the time Heather and her family swam at Purple Turtle Beach, enjoyed sugarcane, fresh coconut water and watched her Dad milk a cow on her grandparents’ property in La Haut. There’s also footage of their visit to a busy city. Then back in the countryside, Heather notes, "That’s just us walking with a relative through a village in Dominica" as the relative carries a load of laundry, washed in the river, in a basket on her head. In those days, there was no plumbing or electricity in the rural area where her grandparents lived, so Heather remembers it being pitch-black at night, with only lanterns, candles and the moon to light the way. Using the outhouse there at night was scary for her as a child."

Item consists of a Black-Canadian family’s home movie featuring children gathering around a kitchen table, making the sign of the holy cross, pointing to watches they just received for Christmas, and eating brunch with two adults.

Donor(s) and project contributed description follows: "The footage shows the Seaman family with some cousins, enjoying Christmas brunch at home on Lippé Street, in St. Laurent, where they lived for about three or four years. Christmas was a big deal in their house. Annually, they would enjoy a big breakfast before opening presents. As Catholics, the day would also include attending Christmas mass, then later welcoming relatives and friends at the home for a holiday celebration, involving lots more food, including Caribbean dishes and desserts."