Showing 350 results

Item consists of a Guyanese family’s home movie featuring what appears to most likely be Kaieteur Falls. Footage zooms out from the falls to a landscape shot, cuts to men walking in the Amazon, cuts to several shots of the falls and the valley below, and ends with the three men at the river bed.

Item consists of a Guyanese family’s home movie featuring what appears to most likely be Kaieteur Falls and Orinduik Falls. Footage consists of a close up of the top of the falls; a close up of the middle section of the falls; another view of the falls, the river below, and a rainbow; a landscape shot of the falls from a far away plane window which is covered in water droplets alongside views of the winding river; three men walking on a trail; and a close up of a quickly moving river and rapids.

Item consists of a Guyanese family’s home movie documenting what appears to most likely be a trip to Kaieteur Falls and includes footage from the plane's windows flying to and over the falls.

Item consists of a Guyanese family’s home movie featuring what appears to most likely be Kaieteur Falls and includes footage of a plane, people walking through the Amazon and looking at the habitat, and a lookout with a scenic view of Kaieteur Falls and the valley below.

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "At nine-year-olds, Abhirami Balanchandran visits Sri Lanka for two months with her family for the second time. Here her and her family join several other Tamils come to witness Thuku Kavadi] where a person’s back is pierced with hooks hanging from a pillar, with no harness or anything else holding them up. It looks like you're flying. Abhi recalls asking her mom, ‘How do they do that?’ and her mom told her people train for months with such deep meditation that they transcend pain from their bodies. Sometimes they are suspended for as long as two hours. This ritual is also a part of the ceremonial festival Thaipusam for Murugan, the God of War."

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "At nine-year-olds, Abhirami Balanchandran visits Sri Lanka for two months with her family for the second time. It was 2003 and during the civil war so it required multiple checkpoints before she was able to reach her hometown of Jaffna located in the north. They visited for Thaipusami, where she witnessed Kavadi for the first time. Kavadi is a ritual done for the Murugan, God of War where the back is pierced with several hooks while people partake in ceremonial dance. It was traditionally done for both sacrifice and preparation for war. It was Abhi’s first time witnessing something like that from her community which was definitely a cultural shock. ‘It was jarring, fascinating and beautiful.’ So much has changed since this video was taken and looking back at the footage of what Jaffna looked like has skewed her idea of what home looks like."

Series consists of home movie videos from a Pakistani family in Toronto and includes footage of the subway, visits to Ontario Place, a relative's wedding, breakfast, and Ridley college. Footage captured by Shaheen Khan.

Series consists of home movie footage documenting a Chinese family in Vancouver celebrating multiple birthdays.

Item consists of a home movie captured by an African Nova Scotian/Indigenous Black family featuring celebrations and interviews about Kwanza, New Years, and a Christmas tree lighting.

Project and donor(s) contributed description follows: "At Auburn Highschool in North Preston, Nova Scotia, LaMeia Reddick attended an applied broadcast journalism class, where she had the opportunity to learn and explore directing, interviewing, production and editing.

The school had its own news station, and LaMeia could nurture her interest in recording stories of african canadian content. The stories students recorded would be broadcast for the school. In the footage, LaMeia documents a big Kwanzaa celebration at the Halifax Public Library, a large and diverse gathering of people of African diaspora, from various backgrounds, faiths, cultures, and ethnicities. The celebration includes performances with drums, song and dance. LaMeia interviews Tracey Jones about the meaning, origin, and seven principles of Kwanzaa.

Karen Hudson, the principal at Auburn Highschool was influential to LaMeia, and continues to make a long lasting impression on the culture and students at the school. She has introduced African enrichment to the school’s programs, including afrocentric math class, which helps black students excel at math. She continues to be an important role model and won the top principal in Canada award. LaMeia had a really positive experience at the school; having a black female principal as well as the courses available to her contributed to her future successes and set her up on the right path. "Having a school that valued your cultural experience and taught me about it, provided me with opportunities to nurture that part of myself, as well as understand my identity which [teenagers] are in the process of formulating."

The footage is a testament to how hard Principal Karen Hudson worked to introduce African culture to kids. LaMeia is interested in sharing the footage with Karen, and would like to interview her now. Karen and LaMeia live in neighboring communities, North Preston and Cherry Brook, which are large Indigenous and Black communities in Canada."

Item consists of a Moroccan family's home movie featuring two children and a woman entering the park to ride the carousel, bumper cars, and ferris wheel amongst many other children’s rides. Footage contains a 360 degree cityscape views of the Jacques-Cartier bridge, Longueuil, and Montreal (including the Olympic Stadium).

Donor(s) and project contributed description follows: "A couple take their young daughter down to La Ronde on a warm sunny afternoon. Opened since 1967, this amusement park continues to be a popular family attraction during the summer season and a common childhood experience for many Montrealers. Yousra remembers going to the park with her family every couple of years and the excitement this visit would bring. She recounts how they"would be out from the day until night".

When asked about her memories of the day, Yosura remembers most clearly the bumper cars and atmospheric nostalgia of being in that place. Like many families with home movies on older formats, she grew up seeing the tapes throughout the years, but stopped once her family no longer had a VHS player. Born and raised in Montreal, but with Moroccan heritage Yousra describes herself as being"someone with two identities [we] are culturally bilingual… I try to define myself and not let others define me.""

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "It’s 1997 and four-year-old Abhirami Balanchandran is being taught how to read by her mom. In her family home at Markham and Eglinton in Scarborough, Ontario, her mom goes through the alphabet with her one by one. Abhi looking back sees her funny facial expressions and sees a ‘very inquisitive, more playful version of herself…. It’s a sweet reminder.’"

Item consists of a Guyanese family’s home movie filmed by Shenaz Baksh in 2005. Clip features employees at their desks working and drinking beers. Recording also features the CN tower with cranes and construction of Liberty Village in the foreground.

Project and donor(s) contributed description follows: "Liberty Village in 2005 was a rapidly changing place, and Shenaz Baksh, equipped with a brand new Super 8 camera decided to document it. The community had changed so much and by the brief shots of construction seen outside her office window, would only continue to change more. This gave Shenaz all the more reason to archive her workplace of five years. Nearing 15 years later, Shenaz's coworkers marveled less at how spaces change over time, like Shenaz had intentioned, but more at their youthful appearances."

Series consists of home movies pertaining the everyday of a Chinese family in Regina including footage of family visiting from Macau in the wintertime, children playing and receiving Christmas presents, the family picking fruits and vegetables in the backyard. Footage captured by Jacob Chon Tat Lo.

Series consists of home movies documenting the Chinese family's everyday life including footage of children playing, riding horses, and performing at a school recital. Footage captured by Cindy Long and Yong Dong Long (the donor's father).

Item consists of an a Khmer-Krom family’s home movie.

Item consists of a Guyanese family’s home movie on black and white footage featuring wide and panning shots of market stalls, mid and close shots of merchant interactions with customers, and tracking shots of customers walking through the market.

Project and donor(s) contributed description follows: "As a child, Shenaz wandered Mahaica Market with her mother shopping for the weeks groceries. As an adult and as a filmmaker, Shenaz wanted to capture her childhood memories and archive the vendors in the market. For Shenaz, recording her trip back to her childhood community had less to do with being Guyanese and more to do with being a filmmaker and an artist."

Item consists of an Indian family’s home movie.

Series consists of home videos documenting an Argentine-Chilean family and friends in everyday life and at events such as picnics, parties, Christmas, and visiting the CN Tower and Niagara Falls.

Item consists of an Ojibwe family’s home movie featuring adults and children talking and posing for multiple wedding photographs.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring many individuals sitting with food and drinks at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera spanning across the room to reveal a decorations and children choosing their seats at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman bringing food to a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the bridal party seated at a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children walking across the frame and the wedding couple tasting their cake.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children pulling another child off their seat in the foreground and children dancing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the DJ and individuals on a stage with music playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man sitting down at a table, pulling out a cigarette, and waving to the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man and child dancing with disco lights in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movies featuring a child and a woman standing by a window, with another woman dancing across the frame of the footage. The Macarena song is playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring two adults posing for a photograph.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman sitting on a chair who stands up to walk away, the camera then zooms in to a man standing in the background and zooms out to a child walking across the frame.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring multiple generations sitting, standing, and waiting.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and a man walking towards the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and groom standing in front of the officiant. flanked by a man in a suit and a woman in a blue dress. The groom is stating his declaration of no legal impediment to marriage and the bridge is giggling.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the officiant congratulating the couple, the ceremonial kiss, and an applause.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera zooming in to a woman wearing a blue dress.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the wedding couple walking out of frame, while the woman in a blue dress and child walk into the frame. Footage is slightly out of focus.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl sitting next to a hospital bed and saying "she’s so beautiful."

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of a Black-Canadian family’s home movies featuring crowds and performers at Montreal Carifiesta parade. Participants in costumes are playing mas, marching with a masquerade band. Several carnival bands - made up of dozens and sometimes hundreds of participants, wearing themed costumes created by various Caribbean designers and assembled by volunteers - would dance and perform for crowds and a group of judges (who would select and later announce the best mas band) at a local stadium, before the masquerade bands would make their way through downtown streets. In the 70’s and 80’s, the Carifiesta parade would mainly make its way along Ste-Catherine Street in Montreal, before the parade was moved to nearby René Lévesque Boulevard in later years.

Donor(s) and project contributed description follows: "This footage was shot in the mid-1970’s and marks one of the first Montreal Caribbean Carnival celebrations in the city. Heather’s parents, Richard and Althea Seaman, brought her and her siblings, Hazel and Herbert, to see their first few parades as spectators. In later years, the family was occasionally involved as participants – whether helping to create costumes, build floats or march in the annual parade. The summer event was established to celebrate and showcase the Caribbean culture and heritage of immigrants, who were born on one of the diverse islands of the West Indies or those who had ancestry there. While Caribbean immigrants in Toronto started their carnival celebration - Caribana - in 1967, to mark Canada’s centennial celebration, Montrealers held their first Carifiesta parade and festival in July 1975."

Item consists of an a Khmer-Krom family’s home movie.

Item consists of an a Haitian Canadian family’s home movie featuring the family and their neighbours shovelling snow and digging out the street. Recording also features children playing in the snow and a tractor plowing the street. Video was filmed by André and Ginette Valcin.

Project and donor(s) contributed description follows: "On March 4th, 1971, Montreal saw the "Storm of the Century", a massive snowstorm brought 43cm of snow and 100/km winds to the city. It would take 41 years for this snowfall record to be broken. People lost electricity for as long as ten days. Nadine recalls living on St. Leonard and not being able to see through her patio doors and that the only people who could get around were emergency vehicles and snowmobiles. Of course this major setback meant snow days for everyone, and Nadine's parents and neighbours got to shovelling. In a predominantly Italian neighbourhood, Nadine suspects her family may have been the only Black family on this street. With no school, five-year old Nadine took pleasure in the Montreal pastime of building snow forts."

Item consists of an a Khmer-Krom family’s home movie featuring a birthday celebration.

Project and donor(s) contributed description follows: "The Truong/Tram family's home movie footage shot in VHS format on January 25th 1992, captures the 1-month old birthday party of their youngest son in Brantford, ON, shortly after moving from Hull, Quebec. A full and lively gathering, their celebration includes families chatting over a community meal, speeches, gift giving, dancing to 80's music, and loving footage of a peaceful baby enjoying the party. The Truongs/Trams are of Khmer-Krom ethnicity, translating to 'Khmer of the South'. The Khmer-Krom are an [unrecognised] Indigenous group and ethnic minority in the South of Vietnam. Many Khmer people who inhabited the same refugee camps in Vietnam later immigrated together to Canada. When the Truongs/Trams arrived in Hull, Quebec (now Gatineau, Quebec) in 1989, they were able to regularly connect with a Khmer community at gatherings like these. The Troung/Tram family have since relocated to Toronto ON where they continue to celebrate and take pride in their identity, and attend Khmer language and dance classes. The Khmer Buddhist Temple of Ontario in Hamilton remains central to them and their community. Mother, Trinh Nha Truong, was happy to share her footage with Home Made Visible because she wants to show other Canadians that ‘our people live in Canada too.'"

Item consists of an Argentine-Chilean family’s home movie featuring a child playing in his house and park; the first third of the clip consists of urban and rural landscapes.

Project and donor(s) contributed description follows: "Jean-Pierre Marchant's parents immigrated from South America in the early 1970s before he was born. His mother is from Argentina and his father is from Chile. Jean-Pierre was born in Vieux-Rosemont, Montreal, and spent the first year of his life there before they all moved to (what was then) the suburbs in Saint-Hubert, Longueuil, about 14 km from downtown Montreal. Jean-Pierre recalls day trips with his parents to the United States and Toronto. On this day, the family captures the roads and cityscapes of New Hampshire."

Series consists of home movies featuring footage of an Ojibwe family wedding in Ontario.

Item consists a home movie featuring a neighbour covered in snow and community members playing winter sports such as ice skating, tobogganing, and hockey.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a home movie featuring an auditorium with a piano.

Project and donor(s) contributed discussion follow(s): "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."

Item consists of a home movie featuring a man writing on a desk in an auditorium and a girl playing the piano.

Project and donor(s) contributed discussion follow(s): "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."

Item consists of a home movie featuring a girl playing the piano in an auditorium.

Project and donor(s) contributed discussion follow(s): "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."

Series consists of a Indian-Canadian family's home movies documenting winter in the Laurentian Mountains, the cityscapes of Montreal, and skiing at Chicopee Hill.

Item consists of an a Haitian Canadian family’s home movie featuring the family in New York celebrating a birthday and Christmas. Video was filmed by André and Ginette Valcin.

Project and donor(s) contributed description follows: "It's November 1969 in New York City and the Valcin Family is celebrating Nadine's dad's birthday. Four-year-old Nadine waves at the camera and helps blow out her father's candles. We see Nadine's mother cutting the cake. Later in the day, Nadine, drinking her juice from a cocktail glass, is engrossed in a serious conversation with her father. Her mom is behind the camera shooting on Super 8mm film. At Christmas, the camera is pulled once more, a very exciting time for Nadine who was an only child. This private but celebratory occasion is one the whole family dresses up for. Nadine dons an all-white pantsuit she later swaps for something more comfortable, while her parents sport equally stylish crisp suits. The clothes become secondary to the gift unraveling — the toy car, doll, keyboard, all slowly collecting around her. André Valcin passed in 1999, so the Valcin family was happy to revisit these memories of him."

Item consists of a Pakistani-Canadian family's home movie featuring the family taking the subway, riding attractions at Ontario Place, and includes views of the CN tower and a sunset over Lake Ontario. Home movie also includes footage a baby smiling , giggling, and interacting with other children while sitting on a couch.

Donor(s) and project contributed description follows: "Travelling via Subway on the Bloor Line, a family is visiting Ontario Place during the summer of 1995. Less than a year old, Noor resides in Saudi Arabia with her mother, while one of her older brothers attends a boarding high school in Ontario. Her father is with his wife’s extended family and spends the majority of the time behind the camera. Scene of the water park and the children playing is captured along with the skyline of Toronto."

Item consists of a Chinese-Russian family's home movie.

Project and donor contributed description follows: "Kate and her siblings open presents and set the scene for a play her dad directed with typewriter and doctor/nurse kits.  Kate’s mom is in the silk housecoat. Joyce plays piano and they all gather to sing around her."

Series consists of home movies documenting the life of a Japanese-Canadian family playing in their backyard, enjoying a neighbourhood parade, and celebrating birthdays and Christmas. Footage was captured by Naoyuki Douglas Ozaki.

Series consists of a Barbadian- and Guyanese-Canadian family's home movies documenting winter and summer in Sydney, Nova Scotia. Footage captured by Thelma Nobrega.

Item consists of a home movie from a Huron-Wendat family documenting a summertime parade in Apache Junction, Arizona.

Project and donor(s) contributed description follows: "There is a parade likely in celebration of the fourth of July, in Apache Junction, Arizona. As a Railroad Engineer, Alexander Gros-Louis traveled a good part of his life by train, and spent many summers in Arizona to escape the Quebec winters. Seen in the clip are people in uniform dressed in navy blue, red and white, fire engines, and the Fire Chief. Most notably though, the camera spends time on Natives in full dress riding through the parade on horses. Seen on the sidelines are Alexander’s half-brother Paul-Henri and sister in law. "

Item consists of a Colombian and Indonesian-Canadian family's home movie.

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl playing peek-a-boo and kissing a newborn.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of a home movie featuring a girl with a bow practising the piano.

Project and donor(s) contributed description follows: "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."

Item consists of a home movie featuring an individual practising the piano and sheet music to "Ring on her finger."

Project and donor(s) contributed description follows: "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a women and a child picking grapes from the pergola.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Series consists of home movies from Colombian and Indonesian-Canadian family documenting a family party and a picnic at the Scarborough Bluffs beach. Footage captured by Fariden Piedrahita.

Item consists of a home movie featuring a child sitting next to a play dough set.

Project and donor(s) contributed description follows: "In China, Cindy’s parents met a couple on the train when on their way to an interview to apply to come to Canada. Perchance, Cindy and the same couple’s kids ended up attending the same school and kindergarten class in Canada. The families moved to Canada within months of each other and became very close. They lived together in adjoining units during their first two years in Canada. This video documents the housewarming get together after the families got separate places. Seen here are four girls playing together in her friend’s basement.

Since Cindy was very young when moving to Canada, she identifies more with having immigrant parents than being an immigrant herself. Cindy had a lot of friends that shared similar cultural backgrounds, and experiences as the community of Agincourt where she lives is largely Chinese, East and South Asian, and Tamil."

Item consists of a Japanese-Indian family's home movie featuring children and a man playing cards.

Project and donor(s) contributed description follows: "We’re in a suburban backyard in Ottawa, ON and it’s summer time in 1984. Sonia, age 4 and her younger sister, age 2 are playing with a swing set and an inflatable tipi likely from Canadian Tire. The inflatable has a small hole to pop your head in, and has imagery of the trope of the "Indian" and the "cowboy." This was strange for Sonia to see when revisiting the footage, because this type of imagery likely wouldn’t be sold anymore.

She and her sister are singing songs in Japanese (her mother’s mother tongue) and Marathi (her father’s mother tongue). The Japanese songs are ones she still recalls and sings to her own children. The Marathi songs are familiar, and Sonia recalls her father teaching them to her, but she doesn’t remember their titles, or know what they mean.

Sonia grew up in Ottawa, and moved to Toronto as an adult. Although she was the minority in school as one of two non-white children, she doesn’t remember feeling out of place. Her parents said that other children called her "blacky" but she doesn’t recall this happening.

In relation to Home Made Visible, Sonia says, "The process of drawing out pieces of history and indicating its value, [and] that it deserves to be preserved is incredible""

Item consists of a home movie featuring children playing in the sand.

Item consists of a Japanese-Indian family's home movie of a child playing in the snow and throwing snowballs while a woman yells "come inside."

Project and donor(s) contributed description follows: "We’re in a suburban backyard in Ottawa, ON and it’s summer time in 1984. Sonia, age 4 and her younger sister, age 2 are playing with a swing set and an inflatable tipi likely from Canadian Tire. The inflatable has a small hole to pop your head in, and has imagery of the trope of the "Indian" and the "cowboy." This was strange for Sonia to see when revisiting the footage, because this type of imagery likely wouldn’t be sold anymore.

She and her sister are singing songs in Japanese (her mother’s mother tongue) and Marathi (her father’s mother tongue). The Japanese songs are ones she still recalls and sings to her own children. The Marathi songs are familiar, and Sonia recalls her father teaching them to her, but she doesn’t remember their titles, or know what they mean.

Sonia grew up in Ottawa, and moved to Toronto as an adult. Although she was the minority in school as one of two non-white children, she doesn’t remember feeling out of place. Her parents said that other children called her "blacky" but she doesn’t recall this happening.

In relation to Home Made Visible, Sonia says, "The process of drawing out pieces of history and indicating its value, [and] that it deserves to be preserved is incredible""

Item consists of a Japanese family's home movie featuring a boy playing outside with toy military vehicles.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring two boys playing with sticks in the backyard.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring a boy filling a pool and children playing in the water.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring a boy praying and reading a book in bed.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Haitian family's home movie featuring two adults dancing to music in a living room. The footage is damaged with the colour switching to back and white, flickering, and a lot of noise appearing.

Donor(s) and project contributed description follows:"The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. In this clip Josiane’s mom dances with her uncle."

Item consists of a Haitian family's home movie featuring a child in a white dress cutting a large decorative cake in the shape of a chapel and book cake with help from and supervision of three women. A child is a black suit and tie also appears in the footage.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. Here she cuts her cake among her mom and family members."

Item consists of a Haitian family's home movie featuring multiple generations eating and dancing to music in a living room.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. Here she cuts her cake among her mom and family members."

Item consists of a Haitian family's home movie starts with a child putting a communion veil on another child. It also features the child in a white dress speaking to an audience and ends with several children entering the frame wrapping arms around one another. The audio is out of sync and the footage contains a lot of noise.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. In this clip Josiane is speak and telling her family what she is grateful for. She goes on to play with her friends and cousins. Josiane recalls that growing up in Verdun she was one of the only Black kids at her school for a few years. When the second Black girl arrived, they would end up being friends and her friend appears in tail end of this video."

Item consists of an Eritrean family's home movies featuring the preparation of home roasted coffee.

Project and donor(s) contributed description follows: "Lu Asfaha’s family begins the day by preparing their home roasted coffee for the Jebana (coffee pot) on the Assumption of St. Mary. Raised in a family of Christian Orthodox, Lu grew up taking the day off to observe this religious holiday with her family. Food, drinks and even a custom cake is ornamentally laid out to celebrate the day. Lu can be seen animatedly gesturing to the camera as she talks to her uncle behind the camera, a common occurrence in their home movies.

The only footage selected that did not take place on the Assumption of St. Mary is a typical family dinner of the Asfaha eating Injera and Tsebhi from a large dish. Common to many cultures from across the African continent, her family can be seen eating by hand, enjoying the flavourful dish. The adults appear to handle the spice level better than the children.

When asked about her identity, Lu speaks of the unique experience of being Eritrean in Toronto. Being from an East African identity that has a significantly smaller population compared to the Somali and Ethiopian one, the specific social location of Eritreans tends to be either rendered invisible or lumped in with the dominant East African identities represented in the city."

Item consists of a Chinese-Russian family's home movie.

Project and donor contributed description follows: "George films the TV and captures Queen Elizabeth's message to start off the Christmas day."

Accession consists of home videos documenting Azada Rahi's participation in the Junior Toronto Raptors Dance Pak including rehearsals and performances at the YTV Achievement Awards.

Item consists of an Afghani family’s home movie featuring children and teenagers from the Raptors Junior Dance Pak dancing on stage behind Six Nations country singer Rebecca Miller singing and introducing the YTV Achievement Award recipients.

Project and donor(s) contributed description follows: "Around 1994, 9-year old Azada Rahi living in a nearby co-op auditioned at the Cabbagetown Youth Centre to be part of the junior Toronto Raptors Dance Pak. The choreographer was Clarence Ford, who auditioned kids, teens and young adults from all over the city, and ran the Pak once the crew was established. He was a delight to work with, was extremely kind, and was great at keeping so many young people organized and focused.

Here, November 2nd ,1995, at the SkyDome (presently the Rogers Centre) the Pak rehearses the same routine over and over in preparation for the opening performance at the first-ever Toronto Raptors game. On the day of the performance, Azada recalls pushing through the stomach flu to perform, her hard work could not go to waste, and it was a very exciting time. They had already performed at the Toronto Raptors opening dinner gala the previous summer. The Junior Dance Pak continued to dance at games and other functions for some time, though Azada only stayed with them for about a year and a half to two years.

In 1996 the Pak was hired to perform at the YTV Achievement Awards. Dawning matching plaid and denim ensembles, the Pak backup danced for Indigenous Canadian country singer, Rebecca Miller. This country line-dancing number was one of three performances they did at the Awards that evening, including one with Aashna Patel.

For Azada, the years she spent in the Pak, encountering Canadian athletes and entertainers were "fun and weird". These tapes are the sole recordings of her dancing that she has had access to. Looking back at the footage proved surprisingly hilarious, and are a chance to reflect on herself as an uninhibited young dancer."

Item consists of an Afghani family’s home movie featuring children and teenagers from the Raptors Junior Dance Pak line dancing on stage behind Six Nations country singer Rebecca Miller singing "Listen to the Radio" at the YTV Achievement Award recipients.

Project and donor(s) contributed description follows: "Around 1994, 9-year old Azada Rahi living in a nearby co-op auditioned at the Cabbagetown Youth Centre to be part of the junior Toronto Raptors Dance Pak. The choreographer was Clarence Ford, who auditioned kids, teens and young adults from all over the city, and ran the Pak once the crew was established. He was a delight to work with, was extremely kind, and was great at keeping so many young people organized and focused.

Here, November 2nd ,1995, at the SkyDome (presently the Rogers Centre) the Pak rehearses the same routine over and over in preparation for the opening performance at the first-ever Toronto Raptors game. On the day of the performance, Azada recalls pushing through the stomach flu to perform, her hard work could not go to waste, and it was a very exciting time. They had already performed at the Toronto Raptors opening dinner gala the previous summer. The Junior Dance Pak continued to dance at games and other functions for some time, though Azada only stayed with them for about a year and a half to two years.

In 1996 the Pak was hired to perform at the YTV Achievement Awards. Dawning matching plaid and denim ensembles, the Pak backup danced for Indigenous Canadian country singer, Rebecca Miller. This country line-dancing number was one of three performances they did at the Awards that evening, including one with Aashna Patel.

For Azada, the years she spent in the Pak, encountering Canadian athletes and entertainers were "fun and weird". These tapes are the sole recordings of her dancing that she has had access to. Looking back at the footage proved surprisingly hilarious, and are a chance to reflect on herself as an uninhibited young dancer."

Item consists of a Chinese-Russian family's home movie.

Item consists of footage of a town with Christmas decorations and individuals at a restaurant. Project and donor contributed description follows: "An RCMP dinner at Virden Café including all of the grooms and brides."

Item consists of a Chinese-Russian family's home movie.

Project and donor contributed description follows: "In the 1960s Kate’s dad, George admired the RCMP and made a point of befriending them. This segment includes four RCMP weddings. Here at Virden United Church George, like much of the town, waits to see the bride and groom. George would later go on to screen these films at the town Holiday parties.

The Chan family was the only Chinese family in the community and his relationship with the RCMP helped him maintain his business as the owner of the Virden Café. It also helped that Kate’s mother, Clara, was Russian and hostess at their café."

Item consists of a Chinese-Russian family's home movie.

Project and donor contributed description follows: "In the 1960s Kate’s dad, George admired the RCMP and made a point of befriending them. This segment includes four RCMP weddings. Here at Virden United Church George, like much of the town, waits to see the bride and groom. George would later go on to screen these films at the town Holiday parties.

The Chan family was the only Chinese family in the community and his relationship with the RCMP helped him maintain his business as the owner of the Virden Café. It also helped that Kate’s mother, Clara, was Russian and hostess at their café."

Item consists of a Chinese-Russian family's home movie.

Project and donor contributed description follows: "In the 1960s Kate’s dad, George admired the RCMP and made a point of befriending them. This segment includes four RCMP weddings. Here at Virden United Church George, like much of the town, waits to see the bride and groom. George would later go on to screen these films at the town Holiday parties.

The Chan family was the only Chinese family in the community and his relationship with the RCMP helped him maintain his business as the owner of the Virden Café. It also helped that Kate’s mother, Clara, was Russian and hostess at their café."

Item consists of a Chinese-Russian family's home movie.

Project and donor contributed description follows: "In the 1960s Kate’s dad, George admired the RCMP and made a point of befriending them. This segment includes four RCMP weddings. Here at Virden United Church George, like much of the town, waits to see the bride and groom. George would later go on to screen these films at the town Holiday parties.

The Chan family was the only Chinese family in the community and his relationship with the RCMP helped him maintain his business as the owner of the Virden Café. It also helped that Kate’s mother, Clara, was Russian and hostess at their café."

Series consists of footage captured by an African Nova Scotian/Indigenous Black family documenting the celebrations of and interviews about Kwanza, New Years, and a Christmas tree lighting. Footage captured by LeMeia Reddick.

Item consists of a Guyanese family’s home movie.

Project and donor(s) contributed description follows: "In 2008, Shenaz sets up her Super 8 camera to test it out on the trip from Scarborough to North York and back again. The footage moves at double time, in a time lapse, due to the short filming capacity of Super 8 cameras. Her aunt accompanies her on the first leg of the trip, her expression almost static in the bright winter sunshine. As her aunt exits the car at her destination, Shenaz sets up the camera on the dashboard to face her for a moment, slipping on her sunglasses. The camera is later refocused on her father in the passenger seat, as she drives him to his chemotherapy session. For the last portion of the road trip, Shenaz turns the camera onto the road itself, finally parking in front of her home where she began."

Item consists of a Haitian and Sudanese family’s home movie featuring featuring speeches, performances such as children singing, and audience members at a francophone Catholic school's Christmas recital.

Project and donor contributed description follows: "Stella Isaac’s sister films her at her elementary school, École élémentaire catholique du Sacré-Coeur during their annual Christmas concert in 2004 at la Paroisse du Sacré Coeur located at Sherbourne and College. The footage captures a particular experience and community of mostly Black students of Congolese, descent attending the French school, which was located at Sherbourne and Bloor. Now located near Christie Pits, the community and neighborhood is no longer remembered in the same way. On stage during the concert the school’s principal mentions the students’ practice of prayer exemplifying the experience of religiosity at the school.

Education at Sacré-Coeur is rooted in Catholicism and Christianity. Stella recalls a time when students in the class would put their Bibles and crosses on their tables before tests for an extra blessing. This was normal practice. Stella enjoyed attending a Catholic School and has fond memories of the experience, especially when receiving mentorship from particular teachers who pushed their students to prepare for success in their futures. "I have a slight obsession with this time period and this school, especially as it relates to what it was like educating Black students. It was in an environment where I had a teacher that completely pushed us and believed in us and our intelligence.

The footage also documents images of Stella’s younger brother, Jordan, who has Down Syndrome. She describes him lovingly: "It was nice seeing my little brother making tons of noise and yelling my sister’s name, rubbing my mom’s face."

In relation to Home Made Visible, Stella shares: "It’s great to allow families the opportunity to revisit old footage, explore their history and share that. A lot of people don't think of Black people in Canada just existing. It’s a great way to change the Canadian narrative.""

Item consists of a home movie featuring a Santa parade in front of the University of Toronto Schools.

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a day at the lake with children playing and adults barbequing.

Donor(s) and project contributed description follows: "The year is 1999 and Sabrina Budiman aged 4, and her family is spending a day at the beach in the summertime, at the Scarborough Bluffs beach. Sabrina and her sister call it "ethnic BBQ" because the family brought their own charcoal BBQ, make lots of delicious food, fry up some fish and "stink up the place." A picnic table is set up with a beautiful tablecloth, and the footage documents an entire day spent at the beach. Sabrina shares that this experience was a large part of her childhood, and today we often see lots of immigrant families gathered at the Bluffs Beach in large groups with similar set-ups that include lots of food and colorful decorations.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of a home movie featuring the end of a school performance with the last song "celebrating our differences" and includes a speech about diversity and thank yous.

Project and donor(s) contributed description follows: "At North Agincourt Junior Public School a group of elementary school children are performing at a concert either in 2003 or 2004. Large drawings hung in the background of different countries indicate that the concert is likely a multicultural day celebration performed for parents.
"The running joke at Agincourt Collegiate Institute is that white people are the visible minority."

Since Cindy was very young when moving to Canada, she identifies more with having immigrant parents than being an immigrant herself. Cindy had a lot of friends that shared similar cultural backgrounds, and experiences as the community of Agincourt where she lives is largely Chinese, East and South Asian, and Tamil."

Item consists of a home movie featuring playing the xylophone at a school recital.

Item consists of a home movie featuring a girl pledging to a scouts program and receiving badges.

Project and donor(s) contributed description follows: "Cindy Long was one of only 2 girls that participated in her Scouts Canada pack that held meetings at CD Farquharson Junior Public School. Here she is being honoured with a badge representing her moving up in ranking in the Cub Scouts (ages 8-10) program."

Series consists of a Black-Canadian family’s home movies featuring everyday life including Carifesta, picnics in the park, Halloween, Christmas, birthdays, and vacations to the Commonwealth of Dominica. Footage captured by Althea Joseph Charles Seaman and Richard C. Seaman (the donor's parents).

Item consists of a Japanese family's home movie featuring a woman and a boy eating a table.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring a lion dance performance.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring children in the snow.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Series consists of home movies documenting the everyday life of a Sikh family, including footage of weddings, graduation ceremonies and celebrations, birthdays, religious education, picnics, and parties. Footage captured by Pritam and Amrita Singh.

Item consists of a home movie from a Pakistani-Indian family featuring a trip to Delhi to attend a family member's wedding.

Project and donor(s) contributed description follows: "On one of her trips to Delhi, Mariam attends her mom's cousin's second wedding. Cousins, aunts, and extended family are gathered on the floor and sofas. Women are dressed in bright yellow and orange saris and joy radiates through song as the bright sunlight washes the shot.

The family is singing folk songs and playing the dhol, a South Asian drum, in a town dialect that would only be recognizable to someone from the state of Uttar Pradesh (U.P) and perhaps Delhi.

The songs are familiar to Mariam, but she doesn’t understand what is being said. They are part of an oral tradition, sung in celebration and passed down from generations. The folk songs cannot be found online and aren’t "officially" preserved.

Mariam remembers that holding the camera was very enjoyable, and she documented hours of what she calls mundane footage of family eating lunch and going about everyday activities, mostly on her yearly trips to India to visit extended family. She is a filmmaker, and plans to create short films with selected clips from her home movies.

Mariam’s transition to Canada is complex and layered: ‘Having grown up in Dubai, I carry a sense of knowing what it feels like not being from where you grew up [...] I didn’t process how difficult it was [to move to Canada] because [at first] I was excited to be [in Montreal], and put my heart into classes and the university experience.’"

Item consists of a home movie featuring individuals going up a ski lift.

Project and donor(s) contributed description follows: "Cindy Long’s dad is filming her and her friend skiing at Horseshoe Mount St Louis Moonstone near Barrie ON."

Item consists of a home movie zooming in on individuals going up a lift lift.

Project and donor(s) contributed description follows: "Cindy Long’s dad is filming her and her friend skiing at Horseshoe Mount St Louis Moonstone near Barrie ON."

Item consists of a home movie featuring individuals skiing downhill and zooming in on a girl.

Project and donor(s) contributed description follows: "Cindy Long’s dad is filming her and her friend skiing at Horseshoe Mount St Louis Moonstone near Barrie ON."