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Series consists of video recordings of Crosbie appearing on a variety of television programs in promotion of her books or as a guest panelist, as well as audio recordings of radio interviews with or literary readings by Crosbie. Included in the series are audio recordings of her interview with Al Purdy in January 2000.

Series consists of a variety of items created or accumulated by Crosbie pertaining to her personal and professional life, including photographs, miscellaneous ephemera, event notices and programmes, award certificates, a diploma, posters, drawings, a painting, an art print, t-shirts, and a sweater belonging to Mordecai Richler.

Series consists of records pertaining to the completion of Crosbie’s PhD in English Literature from the University of Toronto, including her preparation for comprehensive exams and the research and writing of her thesis, “Contextualizing Anne Sexton: confessional process and feminist practice in The Complete Poems". The records in this series include drafts of the thesis, research materials, correspondence, notes, proposals, and reading lists.

Series consists of records pertaining to Crosbie’s work as a university professor and writing instructor. The records in this series are notebooks, lecture notes, correspondence, course descriptions and syllabi, assignments, student evaluations, and samples of her students’ projects.

Series consists of records pertaining to Crosbie’s career as a writer, reviewer and editor. Records include draft manuscripts, poems and articles, research materials, page proofs, notes, invoices, correspondence, speaking notes, programmes, posters and photographs. These records document the writing, publication and promotion of Crosbie’s books of poetry, prose and non-fiction, including Miss Pamela’s Mercy (1992), The Girl Wants To (1993), VillainElle (1994), Pearl (1995), Paul’s Case (1997), Click: Becoming Feminists (1997), Queen Rat (1998), Dorothy L’Amour (1999), Missing Children (2003), Liar (2006), Life Is About Losing Everything (2012) and Where Did You Sleep Last Night (2015), as well as her writing for newspapers, magazines and literary journals. Also included in this series are reviews of Crosbie’s books, manuscripts by other writers sent to Crosbie for comment or review, and copies of her published poems, literary reviews, newspaper and magazine articles.

Series consists of Crosbie’s incoming personal and professional correspondence as well as copies of some of her outgoing correspondence. Correspondents include Al Purdy, Michael Holmes, Tony Burgess, Steven Heighton, Bruce McDonald, Jeffery Conway, David Trinidad, David McGimpsey, Michael Turner and others. Photographs included with correspondence are also part of this series.

Series consists of notebooks, day planners and sketchbooks created and/or used by Crosbie, as well as a number of calendars and an address book. The notebooks in this series include a variety of writing, including general notes, lists, notes pertaining to Crosbie’s writing projects and PhD research, as well as personal writing and drawings. Some items in this series contain loose ephemeral items, notes, letters, and photographs.

Fonds consists of records documenting Lynn Crosbie’s work as a writer, journalist and teacher, including manuscripts, draft articles and poems, published copies of her articles and poems, correspondence, videocassettes, audio cassettes, photographs, notebooks, day planners, lecture notes, research materials, course materials and student assignments. Also included in the fonds are personal photographs, correspondence, ephemera, memorabilia, notebooks and sketchbooks.

Item is a t-shirt with the logo from the first issue of the OTP literary journal for which Crosbie served as associate editor.

Item is a wool sweater once belonging to Mordecai Richler, accompanied by an explanatory note written by Crosbie and email correspondence exchanged with Crosbie, Noah Richler and Sarah MacLaughlin regarding the sweater.

Item consists of an interview with Crosbie about The Girl Wants To.

File consists of two audio recordings of an interview conducted by Crosbie with Purdy, which was later published in the National Post, his last interview before his death.

Item is a video recording of an interview conducted by Ziggy Lorenc with Crosbie to promote her book of poetry, Pearl.

Item is a video recording of an interview conducted by Ziggy Lorenc with Crosbie to promote her book, Click: Becoming Feminists.

Item is a video recording of a program on which Crosbie appeared as a commentator.

Item is a video recording of an episode of this program on which Crosbie appeared as a member of a panel discussion.

Item is a video recording of artists Tom Dean, Lyn Carter, Magdalen Celestino and Ron Giii presenting their work in an exhibition entitled "Heavy Mental" at The Power Plant gallery in Toronto.

Item is a video recording of an episode of this program, which includes a segment featuring Crosbie at the book launch for Click: Becoming Feminists.

Item is a video recording of an episode of "Too Much for Much" hosted by Avi Lewis and featuring Marilyn Manson. Crosbie was a guest panellist on this episode.

Item is a video recording of an episode of this program on which Crosbie appeared to discuss her book, Paul's Case.

Item is a video recording of an episode of this TV Ontario program on which Crosbie appeared as a member of a panel discussion.

Item is a video recording of an interview conducted by Evan Solomon with Crosbie to promote her book, Click: Becoming Feminists.

Item is a video recording of a television program on which Crosbie appears as a guest in promotion of her book, Click: Becoming Feminists.

Item is a video recording of an interview conducted by Brent Bambury with Crosbie to promote her book, Dorothy L'Amour.

Item is a video recording of an episode of this program on which Crosbie recites her poem, "Superfly", from her book of poetry, Pearl.

File consists of items collected and/or accumulated by Crosbie, including a toy belonging to her dog, a pair of earrings, a pen used by Marilyn Manson, items pertaining to the suicide of Daniel Jones and to Tony Burgess. These items are accompanied by explanatory notes written by Crosbie.

Item is a painting of Paul Bernardo and Karla Homolka by Domenic Pirone.

Item is a 30th anniversary poster for the House of Anansi publishing company, featuring the names of its authors including Crosbie.

Item is a newspaper article featuring a photograph of Crosbie entitled "Lynn Crosbie gets on Paul Bernardo's case".

Item is a poster promoting Crosbie's book, Liar.

Item is a poster of the cover of this book.

File consists of multi-media art and writing projects created by Crosbie's students at the Ontario College of Art and Design.

Print is entitled "I healed the little animals".

Item is a published poem by Crosbie in Narc: New Artist Review Co-op (issue 3, Nov. 1991).

File consists of cover proof for Queen Rat, featuring a photograph of Crosbie, accompanied by a letter from Angel Guerra of Stoddart Publishing.

Item includes a photograph of Crosbie as a child.

Item pertains to Crosbie's silver award for best short feature, "Lights out", published in Fashion Magazine.

File consists of published newspaper and magazine articles and interviews about or mentioning Crosbie.

File consists of published newspaper and magazine articles and interviews about or mentioning Crosbie.

File pertains to Crosbie's gold award for best fiction story, "The high hard ones", published in Saturday Night.

File consists of records pertaining to Crosbie's research on Sylvia Plath, including journal articles, newspaper articles, Crosbie's notes, draft writing and her 1989 student paper entitled "Sylvia Plath's posthumous existence".

Item also includes notes pertaining to the writing of Paul's Case in 1997.

File consists of a university essay by Crosbie entitled "This is my body: an examination of Anne Sexton's 'Ms. Dog' poems", as well as Crosbie's handwritten notes and research materials pertaining to John Berryman, Robert Lowell, and W.D. Snodgrass. Included is an student essay written by Tony Burgess entitled "A spontaneous overflow of powerful feelings, foreseen in tranquility: John Berryman's 'Henry's understanding'".

File consists of newspaper, magazine and literary journal reviews of Crosbie's published poetry, edited collections and novels.

File consists of published newspaper and magazine articles and reviews written by Crosbie for publications including Zoomer Magazine, NOW Toronto, Books in Canada, Chatelaine, Quill & Quire, Saturday Night, Toronto Life, Maclean's, LightNews, and On the Up.

Item is a catalog featuring photography by James Lahey and Crosbie's collection of poems, "This means you", published by the Nicholas Metivier Gallery to accompany Lahey's April 2011 exhibit.

Item is a signed publishing agreement between HarperCollins Publishers Ltd. and Crosbie.

File consists of newspaper articles, correspondence and a notice of summons issued pertaining to controversy about Crosbie's book, Paul's Case, particularly involving a threat against Crosbie by journalist Rosie DiManno.

File consists of draft copies of essays submitted for this anthology, some edited by Crosbie, as well as correspondence exchanged with contributors and potential contributors to the project. Correspondents include Julia Kristeva, Trish Thomas, June Callwood, Judy Radul, Pamela Des Barres, Marge Piercy, Lorna Crozier, Sook-Yin Lee, Barbara Ehrenreich, Helen Gurley Brown, Nawal El Saddawi, Gayl Jones, Magdalen Celestino, Carol Shields, Roberta Gregory, Lisa Jones, Susie Bright, Betty Friedan, Louise B. Halfe, Slavenka Drakulic, Urvashi Butalia, Debra Orenstein, Nikki Giovanni, Pat Califia, Sallie Tisdale, Jessica Stevenson, Aline Kominsky-Crumb, Renee Humphrey, Kembra Phahler, Naomi Klein, and Akua Dansua. Included is correspondence exchanged between Crosbie and Macfarlane Walter & Ross publisher Jan Walter, organizational notes about the project, as well a photograph of Crosbie.

File consists of correspondence, notes, contact lists, submitted essays and resource materials pertaining to Crosbie's work as editor of this anthology, published by Macfarlane, Walter & Ross. Correspondents and/or contributors include Melanie Barter, Doris Anderson, June Callwood, Slavenka Drakulic, Sook-Yin Lee, Naomi Klein, Marjorie Ingall, Sadie Plant, Marilyn Waring, Katherine V. Forrest, Florence Kirimania-Obura, Jennifer Baumgardner, Huang Qing, Sylvia Spring, Sallie Tisdale, Trish Thomas, Elizabeth Renzetti, Bonnie Sherr Klein, Nawal El Sandawi, Akua Dansua, Urvashi Butalia, Calanit Dovere, Rebecca Walker, Judy Radul, Lorna Crozier, Anna Quindlen, and Danda Prado. Also included is correspondence from Macfarlane, Walter & Ross publisher Jan Walter and editor Sara Borins.

Item is a signed publishing agreement between HarperCollins Publishers Ltd. and Crosbie.

File consists of published book reviews written by Crosbie for this newspaper.

File consists of published articles written by Crosbie, some under the Pop Tart column heading. Included in the file is a letter from Beverley Daurio pertaining to an article written by Crosbie about the suicide of Daniel Jones.

File consists of published articles on poetry and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, written for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles and book reviews written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks, as well as other articles written by Crosbie for this newspaper.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks as well as a book review written by Crosbie.

File consists of published copies of Crosbie's weekly pop culture column, Pop Rocks. Also included are book reviews and a travel article written by Crosbie.

File consists of published copies of Crosbie's column on magazines and her weekly pop culture column, Pop Rocks.

File consists of published articles, book reviews and a column on magazines written by Crosbie for this newspaper.

File consists of published articles and a column entitled "How poems work" written by Crosbie for this newspaper.

File consists of published articles and book reviews written by Crosbie for this newspaper.

File consists of published articles written by Crosbie for this monthly magazine.

File consists of published articles written by Crosbie for this monthly magazine.

File consists of clippings of Crosbie's television column for this weekly paper.

File consists of incoming correspondence from Courtney Love, John Waters, Michael Douglas, Hugh Hefner, Pamela Des Barres, Richard Prince, Erica Jong, Clayton Ruby, and Leonard Cohen.

File consists of professional incoming correspondence pertaining to the publication and reception of Crosbie's writing and the completion of her PhD.

File consists of personal incoming correspondence as well as some unsent correspondence written by Crosbie. Correspondents include David Trinidad, Bruce McDonald, Neil Eustache, Russell Smith, Jeffery Conway, Kerri Huffman and R.M. Vaughan.

File consists of a collection of correspondence and ephemera, including correspondence from Michael Turner, Steven Heighton, Bruce McDonald, David Trinidad, Pamela Des Barres, Kenneth J. Harvey, and Elliott Leyton.

File consists of mostly incoming personal correspondence and cards from Crosbie's friends and family, including Neil Brouillet, Neil Eustache, Randy Forrester, David Trinidad, Michael Holmes, David Keyes, Clint Burnham, Tony Burgess, David McGimpsey, Mary Crosbie, David Crosbie, Monty DiPietro, her mother and grandparents. Included are two photographs taken in London, England, two photographs of Crosbie, a photograph of Crosbie's uncle David McGimpsey and a photograph sent to Crosbie by her father depicting two small children and a man in May 1963.

File consists of zines accumulated by Crosbie. Included are items created by Sonja Ahlers, "Cut" by Eric Kostiuk Williams, "Rudy the magic cat" by M. Connery, "Zag", "Teenage suicide", items created by Pug Wannamaker, "Ranch of the future", "Riot grrrl", "Violet" by Lucy McKenzie, "Sure Lee's temple", "Exploring time & space" by Gregory K., "Hissy fit", "Free toy inside" by Pam and Karen.

File consists of writing by other people, sent or dedicated to Crosbie.

Item is an exhibition catalog for Mercer Union show, Self Help, curated by Anda Kubis, featuring writing by R.M Vaughan. Item has been inscribed to Crosbie by Vaughan.

Item is a grade one composition book, written in the form of a journal, belonging to Crosbie.

File consists of photographs and drawings of a small, red woolen mitten and a handwritten note from Sonja Ahlers to Crosbie pertaining to the photographs. Included in the file is the mitten.

File consists of photographs taken by Bruce McDonald while on a road trip through Vancouver, Seattle and Los Angeles. These photographs feature various people posing with a toy alien wearing a coat. Included in the file is a handwritten note by Crosbie explaining the context of the photographs. Photographs have been annotated on verso by McDonald with the names of the subjects. Subjects of the photographs include Lisa and Paul Zimmerman, John Frizzell, Pam Rack, Jonathan Poneman, Kerri Harrop, Michael Turner, Karen Powell, Kevin Smith, Michael Madson, Paul Federbush, and Scott Bairstow.

File consists of notes and family photographs.