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File consists of correspondence with the Variable Speech Control Company requesting permission to reproduce a Eva-tone soundsheet of McLuhan's voice which first appeared in 1974 to be included as an insert in Folio magazine. Also included is a transcript of a conversation between Marshall McLuhan, Eric McLuhan and Ken Sherman about Variable Speech Control from 1974.

File consists of assorted records related to Marshall McLuhan and his estate as clients of CSWS Ltd. Includes: correspondence with Bill Marshall; royalty statements; postcard from Corinne McLuhan to Matie Molinaro; requests to cite and republish; correspondence about public appearances by Eric McLuhan.

Warner Brothers Records Inc.

Philo Records.

Philo Records.

Polydor Limited.

19-year-old Mawadah was born in Egypt, moving with her family briefly to the U.S. and Canada before settling in Saudi Arabia. Mawadah compares living in Medina vs Jeddah, coming-of-age as a woman in Saudi Arabia, and finding home in Egypt..

File contains a consent form for an oral history interview.

Item consists of a sound recording and may include performance(s) by Coles, Maury; Smith, Bill.

Item consists of a sound recording and may include performance(s) by Coles, Maury; Smith, Bill.

Item consists of an audio recording pertaining to Susan Martin, conditions for Inuit during voyage, finding funds during voyage, difference in conditions between Inuit and Cree groups, CTV coverage, solidarity,resentment,youth and drinking, elders,coordinators and children, entering Albany, HydroQuebec, and Larry House.

Item consists of a sound recording and may include performance(s) by O'Hara, Mary Margaret; Marsh, Hugh.

Item consists of a sound recording and may include performance(s) by O'Hara, Mary Margaret; Marsh, Hugh.

Item consists of a recording and may include performance(s) by Leach, Mary Jane; Held, Barbara.

Item consists of a recording and may include performance(s) by Leach, Mary Jane; Held, Barbara.

• Item consists of a recording and may include performance(s) by Leach, Mary Jane
• Held, Barbara.

Item consists of a recording and may include performance(s) by Leach, Mary Jane; Held, Barbara.

Item consists of a recording and may include performance(s) by Leach, Mary Jane; Held, Barbara.

Item consists of a recording and may include performance(s) by Leach, Mary Jane; Held, Barbara.

Item consists of a sound recording and may include performance(s) by Egoyan, Eve.

Interview with Marcus Zacharia, 35, is a first-generation migrant who hails from South West Egypt. He left Egypt in 2011 for Washington, DC and then Canada 2014, where he was offered a professional opportunity. After facing some struggles at first, he now finds Canada a multicultural and diverse society (something that he finds lacking in Egypt). He currently works to help settle immigrants and newcomers and is invested in building bridges with other communities around Canada. Interviewer is Sarah Al Naqeeb.

File contains a consent form for an oral history interview.

Item consists of an Ojibwe family’s home movie featuring the wedding couple walking out of frame, while the woman in a blue dress and child walk into the frame. Footage is slightly out of focus.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera zooming in to a woman wearing a blue dress.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the officiant congratulating the couple, the ceremonial kiss, and an applause.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and groom standing in front of the officiant. flanked by a man in a suit and a woman in a blue dress. The groom is stating his declaration of no legal impediment to marriage and the bridge is giggling.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and a man walking towards the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring multiple generations sitting, standing, and waiting.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman sitting on a chair who stands up to walk away, the camera then zooms in to a man standing in the background and zooms out to a child walking across the frame.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring two adults posing for a photograph.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movies featuring a child and a woman standing by a window, with another woman dancing across the frame of the footage. The Macarena song is playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man and child dancing with disco lights in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man sitting down at a table, pulling out a cigarette, and waving to the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the DJ and individuals on a stage with music playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children pulling another child off their seat in the foreground and children dancing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children walking across the frame and the wedding couple tasting their cake.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the bridal party seated at a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman bringing food to a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera spanning across the room to reveal a decorations and children choosing their seats at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring many individuals sitting with food and drinks at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring adults and children talking and posing for multiple wedding photographs.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of a 29 page festival program for the Mariposa Folk Festival of 1970, which ran from 24 - 26 July, 1970. Program designers were Frank Perold and Dick Flohil with the centre spread design by Murray McLauchlan. Also includes an anonymous article "Native People's Festival Widens Craft Area at Mariposa" and a retrospective selection of photographs of performers from first 10 years of the festival.

Item consists of the 28 page Mariposa Folk Festival program for 1968, held on Toronto Islands, Toronto, Ontario from 9-11 August, 1968. The program was designed by Richard Flohil with graphic designs by Murray McLaughlan, featuring the Mariposa sun motif on the cover in black ink on a bright yellow background.

Item consists of the 29 page Mariposa Folk Festival program for 1969, held on the Toronto Islands, Toronto, Ontario on 25-27 July 1969. The program was designed by Leigh Cline and Richard Flohil, featuring the Mariposa sun logo on the cover designed by Murray McLaughlan. Program includes a list of performer biographies, as well as an illustrated schedule of daytime concerts and workshops. Also features a retrospective of photographs taken at the 1968 festival by William Smith, and an essay about the 1968 festival by Joe Lewis.

Item consists of the 52 page Mariposa Folk Festival program for 1973, held on the Toronto Islands, Toronto, Ontario from 6-8 July 1973. The program was designed and edited by Richard Flohil and Marna Snitman. Program includes an illustrated schedule of evening and day concerts and workshops, a listing of performer biographies, as well as an auditor's report for the festival foundation. Also includes articles, including, "Performers from Toronto ethnic groups play a special part in Mariposa" by Flo Hayes and "Crafts and craftsmen at the Festival" by Sykes Morrison.

Item consists of the Mariposa Folk Festival Program for 1971, which was held at the Toronto Islands, Toronto, Ontario from 9-11 July, 1971. Featuring the work "Painting of Kicking Bear" by Michael Soles on the cover, and an illustration and inscription from the work "Mountain Wolf Woman, The Autobiography of a Winnebago Indian" on the back cover, the festival program was published by Herbert Wise of Music Sales Corporation, edited by Peter Greenwood, with art direction by Ulrich Boege, advertising by Mel Weinberger and staff photography by Elaine Lipson. The program features an illustrated festival schedule of performances and workshops, an alphabetical listing of festival performers and artisans and collages and illustrations by Uli Boege. The 1971 program also features nine feature articles, including "Helo The World, An Autobiography" by David Gahr, "Yurts" by William Coperthwaite, "Macrobiotics" by Carole Getzoff, "Integral Yoga" by Aikya, "Brownie McGhee" by Brownie McGhee and Happy Traum, "Blues" by Peter Greenwood, "The Art of The Luthier" by Michael Gurian, "About 2000 Words" by Tony Glover and "The Guitar Owner's Bible" by Matt Umanov.

Item consists of the Mariposa Folk Festival Program for 1972, held at Toronto Islands, Toronto, Ontario from 14 -16 July 1972. Featuring cover art by Ojibwe artist Saul Williams of Weagamow Ontario, and a back cover illustration of the festival's horoscope by Adrienne Leban, the festival program was published by Herbert Wise of Music Sales Corporation, edited by Carol Fein with design by Ulrich Boege. The program featured an illustrated festival schedule of performances and workshop, an alphabetical listing of festival performers and artisans and obituaries for Bob Beers (1922-1972), Rev. Gary Davis (1896-1972). The 1972 program also featured four feature articles, including an introductory essay, "Second Annual 2000 Words" by Tony Glover, "Centreville Conservatory : The Poet and His Hometown" by Bob Atkinson, "Media Inversion : Videovision versus Television" by Richard Kletter, and "Real Country Music : The Treasure in Joe Bussard's Basement".

Item consists of the 52 page Mariposa Folk Festival program for 1976, held on the Toronto Islands, Toronto, Ontario, from 25-27 June, 1976. The program was edited by Bill Garrett, designed by Sharon Johnston and advertisements were managed by Mary Whiteley. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: An Introduction" by festival artistic director Estelle Klein, an anonymous article titled "Bringing Home the Mariposa", an anonymous article about Mariposa in the Schools, "Crafts at Mariposa" by Skye Morisson, a short article introducing the children's area written by Sharon Hampson and Lois Lilienstein and a financial statement from the festival foundation.

Item consists of the 69 page Mariposa Folk Festival program for 1977, held on Toronto Islands, Toronto, Ontario, from 24-26 June, 1977. The program was edited by Bill Garrett, designed by Sharon Johnston and the advertisments were managed by Trish Short. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: An Introduction" by Estelle Klein, Artistic Director, "Mariposa in the Schools" by Carol Kehm, "Children's Area" by Sharon Hampson and Lois Lilienstein and "Indians and Inuit at Mariposa" also by Estelle Klein. This program also contains a supplementary newsletter called "The Newsletter: A Mariposa Folk Festival Publication Special Program Edition '77" edited by Matthew Clark and Marilyn Koop, designed by Stew Cameron and with general support from Bill Garrett, Grit Laskin and Joyce Yamamoto. The supplement contains several articles including: "Fifteen Months of Music: The Folk Instruments of South America" by Quentin and Edmond Badoux, "If You Miss Me On The Picket Line.." by Matthew Clark, "Please Walk On The Grass" by Ian Robb, "Record Reviews" with contributors: Marilyn Koop, Edith Fowke and Matthew Clark and "Grit's Workshop" by Grit Laskin. Program also contains a financial statement by the festival foundation.

Item consists of the 52 page Mariposa Folk Festival program for 1978, held on the Toronto Islands, Toronto, Ontario, from 23-25 June, 1978. The program was edited by Sharon Johnston and David Ferguson, designed by Marilyn Koop and advertisements were managed by Trish Short. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles, including: "Introducing this year's festival" by artistic director, Ken Whiteley, "Alan Mills" by Bram Morrison, a memorial to Malvina Reynolds, "An Old Immigrant Remembers" by Margaret Bennett Knight, "Mariposa in the Schools" by Carol Kehm (MITS Coordinator), "The Children's Area" by Sharon Hampson, Lois Lilienstein and Caroline Parry, "The Native Peoples" by Bettle Liota and a financial statement from the festival foundation.

Item consists of a folded program for the first Mariposa Folk Festival, held 18-19 August, 1961. Also includes festival envelope and ticket reservation for admission and accommodation.

Item consists of a folding pamphlet for the second Mariposa Folk Festival, held in Orillia, Ontario from 10-12 August 1962. The pamphlet includes schedule of performances, a synopsis of the history of Orillia, a map with directions, and accommodation information.

Item consists of the 24 page Mariposa Folk Festival program for 1980, held at Harbourfront Queen's Quay, Toronto, Ontario. The program was edited by Daryl Auwai and designed by Wycliffe D. Smith. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: The Foundation" by Rob Sinclair, "Here We Go Again" by Daryl Auwai, "Director's Notes" by Ken Whiteley, "Mariposa in the Schools" by Ron Boughton and a financial statement by the festival foundation.

Item consists of the 36 page Mariposa Folk Festival program for 1979, held on the Toronto Islands, Toronto, Ontario from 15-17 June, 1979. The program was edited by Daryl Auwai, designed by Wycliffe D. Smith, Paul Weldon and Marilyn Koop and advertisments were managed by John Armstrong. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies as well as a breakdown of participating craftspeople. Also contains several articles including: "Mariposa - An Introduction" by Estelle Klein, President and Artistic Director, "This Year's Festival" by Jeanine Hollingshead, Program Coordinator, "Craft at the Festival" by Wendy Brooks and Sheelagh Carpendale, "Mariposa in the Schools" by Lennox Grant, two anonymous articles titled "Labrador: This Year's Special Guest" and "Children's Area: It's Growing Stronger" and a financial statement from the festival foundation.

Item consists of the 45 page Mariposa Folk Festival program for 1975, held on the Toronto Islands, Toronto, Ontario, from 20 -22 June 1975. The program was edited by Dick Flohil, designed by Hodges Freeman & Robinson, and advertisments managed by Gay Spiegel. Program includes a schedule of evening and day concerts and workshops and a list of performer biographies. Also includes several articles, including "Mariposa : An Introduction" by festival artistic director Estelle Klein, an article by Alanis Obomsawin about the Native's People's Participation in the festival an article about crafts at the festival by Skye Morisson and a short anonymous article about Mariposa in the Schools and a financial statement from the festival foundation.

Item consists of the 49 page Mariposa Folk Festival program for 1974, held on the Toronto Islands, Toronto, Ontario from 21-23 June, 1974. The program was designed and edited by the festival's Programme Book Committee, consisting of Joe Lewis, Enoch Kent, Paul Hornbeck, Marna Snitman, Shelley Spiegel, Ray Woodley, Eileen Keleher and Stew Cameron. Includes a schedule of evening and day concerts and workshops, a list of performer biographies, and ... Also includes several articles, including "Bluegrass Music" by Shelley Posen, "Notes on Accompaniment" by Peggy Seeger and Ewan MacColl (reprinted from "The Singing Island"), "Crafts at Mariposa" by Skye Morisson and short anonymous articles from Mariposa In The Schools and the festival's Ethnic Committee.

Item consists of a recording and may include performance(s) by Crispell, Marilyn.

Item consists of a recording and may include performance(s) by Crispell, Marilyn.

Recording of Maria Farantouri performing in Montreal. M.C. for concert was Sylvia Mittler.

Recording of Maria Farantouri performing in Montreal. M.C. for concert was Sylvia Mittler.

Item is a map of Petticoat Parkland in Pickering, Ontario for a community event hosted by the Cephalonica-Itahca Association of Toronto, photocopied onto the organization's letterhead

Ο Μάνος Λοΐζος παίζει πιάνο έχοντας ένα τσιγάρο στο στόμα. Πίσω του ένας μουσικός του κοιτάζει τον φωτογραφικό φακό.

Manos Loizos playing quitar and singing. On the left one more musician is visible. Ο Μάνος Λοΐζος παίζει κιθάρα και τραγουδά. Αριστερά διακρίνεται ένας ακόμη μουσικός.

Manos Loizos sits at the piano with his hands on his knees. Behind him a musician looks at the camera. Ο Μάνος Λοΐζος κάθεται στο πιάνο με τα χέρια ακουμπισμένα στα γόνατά του. Πίσω του ένας μουσικός του κοιτάζει τον φωτογραφικό φακό.

Manos Loizos singing with the microphone during a performance. On the right a musician is playing the bouzouki. Ο Μάνος Λοΐζος τραγουδά στο μικρόφωνο κατά τη διάρκεια της συναυλείας. Δεξιά ένας μουσικός τον συνοδεύει με το μπουζούκι.

His name is on the sign. Ο Μάνος Λοΐζος έξω από την αίθουσα "the Palladium" στη Νέα Υόρκη με μαύρο κοστούμι, το δεξί χέρι στη τσέπη και στο αριστερό τσιγάρο. Η επιγραφή γράφει το όνομά του.

Horizontal portrait close up.

Vertical portrait close up.