Showing 633 results
Archival descriptionAudio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7
Audio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7
About composers : Egard Varese-"Density 21.5"
About composers : Egard Varese-"Density 21.5"
About composers : Webern-"Concerto" Op.24
About composers : Webern-"Concerto" Op.24
Correspondence : Jo Ann Tenney to Carl Tenney
Correspondence : Jo Ann Tenney to Carl Tenney
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Audio recordings : Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage]
Personal and professional correspondence : Stan Brakhage [includes poems and notes by Brakhage]
Music Scores by Tenney : 4 Inventions for Piano
Music Scores by Tenney : 4 Inventions for Piano
Personal and professional correspondence : Brakhage, letters
Personal and professional correspondence : Brakhage, letters
Typescripts, 1954-1975 : Postal Pieces (printed cards)
Typescripts, 1954-1975 : Postal Pieces (printed cards)
Scores, Sketches and Notes : Compositions
Scores, Sketches and Notes : Compositions
Music Scores by Tenney : Orchestral Variations
Music Scores by Tenney : Orchestral Variations
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others]
Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others]
About composers : John Cage
About composers : John Cage
Photographs - Carolee Schneemann?
Photographs - Carolee Schneemann?
Music Scores by Tenney : String Quartet in One Movement
Music Scores by Tenney : String Quartet in One Movement
Theory : Sankaran and Deva
Theory : Sankaran and Deva
Carolee Schneemann, correspondence
Carolee Schneemann, correspondence
Music Scores by Tenney : Variations, in A on a theme by my father for Piano
Music Scores by Tenney : Variations, in A on a theme by my father for Piano
Jo Ann Tenney : photograph
Jo Ann Tenney : photograph
Music Scores by Tenney : Essay #1 for Ten Wind Instruments
Music Scores by Tenney : Essay #1 for Ten Wind Instruments
Music Scores by Tenney : Poem for a flute
Music Scores by Tenney : Poem for a flute
Music Scores by Tenney : Essay #2 for chamber orchestra
Music Scores by Tenney : Essay #2 for chamber orchestra
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven
Scores : "Seeds" C. S. (Carolee Schneemann) cover
Scores : "Seeds" C. S. (Carolee Schneemann) cover
Research : Word notes-poetry and ideas
Research : Word notes-poetry and ideas
Scores : "Seeds"
Scores : "Seeds"
Theory : Harmon
Theory : Harmon
Music Scores by Tenney : From the "Blue Books"
Music Scores by Tenney : From the "Blue Books"
Music Scores by Tenney : "Improvisation" for 8 instruments
Music Scores by Tenney : "Improvisation" for 8 instruments
Carolee Schneemann, writing, published material
Carolee Schneemann, writing, published material
Research : Notes on my music
Research : Notes on my music
Music Scores by Tenney : Improvisation for cello
Music Scores by Tenney : Improvisation for cello
Scores : "Essay for 10 Wind Instruments" by James Tenney
Scores : "Essay for 10 Wind Instruments" by James Tenney
Performances, James Tenney, composer/conductor/performer
Performances, James Tenney, composer/conductor/performer
Music Scores by Tenney : Essay #3 for Chamber Orchestra (printed)
Music Scores by Tenney : Essay #3 for Chamber Orchestra (printed)
Theory : Hellier et alia
Theory : Hellier et alia
Performances, James Tenney, composer/performer
Performances, James Tenney, composer/performer
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Music Scores by Tenney : Essay #3 for Chamber Orchestra
Scores : "Essay #3", "Italy"
Scores : "Essay #3", "Italy"
Scores : "Essay #3 for Chamber Orchestra"
Scores : "Essay #3 for Chamber Orchestra"
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird (printed)
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird (printed)
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney
Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed)
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed)
About composers : Carl Ruggles
About composers : Carl Ruggles
Theory : Violin perception
Theory : Violin perception
Music Scores by Tenney : Sonata for Ten Wind Instruments
Music Scores by Tenney : Sonata for Ten Wind Instruments
Malcolm Goldstein
Malcolm Goldstein
Music Scores by Tenney : Monody for solo clarinet
Music Scores by Tenney : Monody for solo clarinet
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions)
Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions)
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up)
Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up)
Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag"
Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag"
Theory : Scherchen Proposal
Theory : Scherchen Proposal
Music Scores by Tenney : For viola
Music Scores by Tenney : For viola
Music Scores by Tenney : Sonata for Ten Wind Instruments
Music Scores by Tenney : Sonata for Ten Wind Instruments
Performances, James Tenney, composer/conductor
Performances, James Tenney, composer/conductor
Correspondence : Carl Tenney to Jim Tenney
Correspondence : Carl Tenney to Jim Tenney
Music Scores by Tenney : String Quartet
Music Scores by Tenney : String Quartet
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Audio recordings : The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman
Correspondence : Alivia [Tenney] to Jim Tenney and Carolee Schneeman
Typescripts, 1954-1975 : Computer Music Experiences
Typescripts, 1954-1975 : Computer Music Experiences
Theory : Materials planned as examples for "META Meta + Hodos", but not used
Theory : Materials planned as examples for "META Meta + Hodos", but not used
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting
Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney]
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney]
Performances of others' music by James Tenney
Performances of others' music by James Tenney
Theory : Bell clang materials-Bell timbres
Theory : Bell clang materials-Bell timbres
Audio recordings : John Cage rehearsal San Francisco
Audio recordings : John Cage rehearsal San Francisco
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
Audio recordings : John Cage - lecture, "Evenings on the Roof", San Francisco
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones"
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc.
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert
Audio recordings : Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre"
Audio recordings : Ives songs, original on Mylar
Audio recordings : Ives songs, original on Mylar
Theory : Illustrations for Yale article (Journal of Music Theory)
Theory : Illustrations for Yale article (Journal of Music Theory)
Research : Perception-communication
Research : Perception-communication
Research : Criticism-history
Research : Criticism-history
Music Scores by Tenney : Stockastic Quartet for Strings
Music Scores by Tenney : Stockastic Quartet for Strings
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements"
Audio recordings : 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue"
Audio recordings : 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue"
Notes and computer outputs : Unfinished pieces
Notes and computer outputs : Unfinished pieces
Audio recordings : "Phases"
Audio recordings : "Phases"
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version)
Theory : Bell clang
Theory : Bell clang
Research : Biology, Reich-Negentropy
Research : Biology, Reich-Negentropy
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : "Ergodos II," Bell Telephone Labs
Audio recordings : Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music"
Audio recordings : Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music"
Music Scores by Tenney (oversize) : String Complement (text)
Music Scores by Tenney (oversize) : String Complement (text)
Scores : "Music for Player Piano #1"
Scores : "Music for Player Piano #1"
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Audio recordings : "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble
Audio recordings : Cage - "Atlas Eclipticallis", Feldman - "Out of Last Pieces", Brown - "Available Forms II"; Leonard Bernstein New York Philharmonic
Audio recordings : Cage - "Atlas Eclipticallis", Feldman - "Out of Last Pieces", Brown - "Available Forms II"; Leonard Bernstein New York Philharmonic
Clippings
Clippings
Loose correspondence
Loose correspondence
Music Scores by Tenney (oversize) : String Complement (pattern)
Music Scores by Tenney (oversize) : String Complement (pattern)
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors"
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Music Scores by Tenney (oversize) : String Complement (text and pattern in mirror image)
Music Scores by Tenney (oversize) : String Complement (text and pattern in mirror image)
Theory : Experimental investigation of timbre
Theory : Experimental investigation of timbre
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others]
Personal and professional correspondence : Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others]
Performances of works by James Tenney
Performances of works by James Tenney
Typescripts, 1954-1975 : Audience Piece #1 (audience as performer)
Typescripts, 1954-1975 : Audience Piece #1 (audience as performer)
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