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File consists of handwritten pages of a draft of York’s novel “Far cry” (2023).

File consists of handwritten pages of a draft of York’s novel “Far cry” (2023).

Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.

File contains syllabus, notes, student assignments, and calendar pertaining to "AK/SOSC 3605 6.00A - Race and diversity in the schools".

File consists of theses, proposals, poems, and correspondence with graduate students.

File pertains to "Growing up Black in the Suburbs".

File contains interview transcripts, notes, and correspondence.

File primarily pertains to conference presentations.

File contains initial interview guide focal participant, example of reporting for micro ethnographers, and presentation slides for "Conducting ethnographic research : a brief guide".

File contains project proposal.

File contains questionnaire.

Box contains 1 audio cassette recorded in 2007. Remainder of material pertains to recordings of an unknown date.

Series contains collected and accumulated academic literature, newspaper clippings, and correspondence pertaining to areas of research interest.

File contains “Adieu, Farewell Earth's Bliss.”

File contains lecture notes and grading schema.

Item consists of lecture notes.

File consists of lecture notes and photocopied readings.

File contains notes pertaining to Swan Lake.

File primarily consists of lecture notes.

Item consists of photocopied page titled “a Table of Metrical Feet.”

File includes an essay titled “Visions through a dark glass: a study of the light and dark imagery in Henry Vaughan's 'Silex Scintillans'” written by Doob in 1963.

File contains print #611 of 2300, an illustration of the Kingsmere MacKenzie King estate.

File features illustration of two women grinding maize with huts in the background.

Fonds consists of records created or accumulated by Rishma Dunlop pertaining to her personal life, her work as a university professor, and her literary career. It includes juvenilia, early academic works, and drafts of published and unpublished works (poems, essays, speeches, a novel, and an unpublished memoir). The fonds also includes the edited drafts of submissions and correspondence related to Dunlop’s five published collections of poetry; notes, research and drafts relating to other poems, published and unpublished; personal and professional correspondence; a personal journal; files regarding literary and teaching activities, including grant applications; drafts pertaining to her work as an editor; photographs; and literary ephemera such as posters, programmes, and flyers. The fonds also includes teaching evaluations filled out by Dunlop’s students at York University, as well as some written work and details of final project submissions by graduate students whose work was supervised by Dunlop.

File consists of statements from Playwrights Canada Press.

File consists of a script with many handwritten annotations and post-it notes.

File consists of a script.

File consists of issue number 2 of the Finch Focus newsletter published by the York-Finch General Hospital. It includes a letter dated June 30, 1987 regarding the appointments of four new members to the York-Finch hospital's Board of Governors. It also includes a February 2018 Emery Village Voice article titled "York Finch Reactivation Centre" by Claudio D'Intino, which documents the history and 2015 closure of the York-Finch hospital, in addition to the opening of the Local Health Integration Network (LHIN)'s York Finch Reactivation Care Centre in 2018.

File consists of the 2016 Neighbourhood Profiles for City of Toronto Neighbourhoods 24 (Black Creek) and 25 (Glenfield-Jane Heights).

File consists of the book "I Am Jane and Finch" (independently published in 2018) by Jason Blackwood.

File consists of timelines and histories and web articles about the community organization Promoting Education and Community Health (PEACH).

File consists of the book "Call Me Pisher: A Madcap Romp Through City Hall

File contains a copy of permission forms signed by Home Made Visible participants including a copyright license agreement, letter of information and agreement to participate, submission receipt, and artist commission agreements.

File pertains to the Centennial College Conference on Racism and Hate Crime, Consensus Conference, Urban Alliance on Race Relations dinner, and Montreal Canadian Race Relations Foundation.

File pertains to Board members of the Canadian Race Relations Foundation, MP Peter Adams, Mitzie Hunter, Kathleen Wynn.

File consists of handwritten lecture notes pertaining to the introduction of the course and clippings.

Fonds consists of the scholarship, creative work, and documentary film elements of scholar, educator, film-maker and university administrator Dr. Celia Haig-Brown.

Series consists of film elements, b-roll, and full unedited interviews related to the documentary film production "Listen to the Land: The Naskapi Nation Invests in Mining." Arrangement based on the chronological sequence of the film's shooting schedule which took place between 2016 and 2017. Interviews with members of Naskapi Nation of Kawawachikamach (NNK) are separated out. For this film shoot, the film crew included Director of Photography, Shane Belcourt, sound engineer Tony Wallace, and two graduate research assistants, Alesha Moffatt and Melissa Blimkie. Once the production was complete and the documentary produced, Celia Haig-Brown worked with editors Jordan O’Connor and John Hryszkiewicz to prepare the raw footage of interviews and and b-roll material to be archived. Additional descriptions, subject tagging, translations and contextual information provided by Loretta Robinson and Leona Pien of NNK and Heather Bergen and Ryan Koelwyn, two graduate research assistants.

File includes chapters 1, 2, 3 and 10 from the manuscript of Fusé’s unpublished memoir “Going My Way.” “Going My Way” includes the author’s lived experiences, research interests, important figures in Fusé’s life, and his views on important political, cultural, and socio-economic events that impacted Japan from the Meiji era (1867-1912) to the end of the 20th Century.

File includes a student essay, a syllabus for “Aboriginal Religion” by Dr. Janet McLellan, a print out of “Aboriginal perspectives in the social studies curriculum,” a syllabus for “Aboriginal Studies” at George Brown College by Professor Kerry Potts, and an issue of George Brown College’s Faculty Forum newsletter.

File contains “Down Beat” (June 1989), “Blue Suede News” (#66, Spring 2004), “Cambria Style” (Winter 2017), and Toronto Life: Special Issue: Style Book” featuring Tanya Tagaq on the cover (2018).

Series predominantly consists of photographs taken by Deborah Barndt that document the breadth and scope of her interdisciplinary work as an educator, activist, academic and artist. These photographs pertain specifically to her political activism, her research trips to Asia, Peru and Nicaragua, her involvement with community-based arts and popular education projects, her work as a professor in York University's Faculty of Environmental Studies, and her research in the area of food sovereignty and agriculture. Also included are textual materials that illustrate some of the ways her photographs were used in her work, including course kits, monographs and other publications, as well as related audio cassettes (with transcripts) of interviews with tomato workers and video recordings of special events.