Showing 282 results

Item consists of a home movie featuring children playing in the sand.

Item consists of a home movie featuring an individual waving on a boat with the cityscape in the background.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring a woman wearing a traditional outfit and using a microphone.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a woman and a man performing a traditional dance that involves moving bamboo sticks.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring two girls watching a performance on a boat.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring the cityscape views from a boat.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring children dancing over bamboo sticks.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring children dancing over bamboo sticks.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring the cityscape views from a boat and zooms in on other boats in the water.

Project and donor(s) contributed description follows: "Its Cindy Long’s first time meeting her cousins in China once they are a bit older. She now travels there around every 3 or 4 years. Her parents said that they were very close as children, but when they got older they couldn’t connect as easily because her cousins speak little English, and Cindy’s Cantonese and Mandarin are not strong. Now as older teens/young adults, they enjoy spending time together when Cindy visits China, and often talk about the differences in school, culture, etc, between the two places."

Item consists of a home movie featuring a house decorated for Chinese New Year and child playing the whistle.

Project and donor(s) contributed description follows: "It’s a family friend’s birthday party at their home in Agincourt, Scarborough. Pictured are decorations left from Chinese New Year.

Since Cindy was very young when moving to Canada, she identifies more with having immigrant parents than being an immigrant herself. Cindy had a lot of family friends that shared similar cultural backgrounds, and experiences as the community of Agincourt where she lives is largely Chinese, East and South Asian, and Tamil."

Item consists of a home movie featuring a man writing on a desk in an auditorium and a girl playing the piano.

Project and donor(s) contributed discussion follow(s): "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."

Item consists of a home movie featuring the inside of an airplane cabin, family members in their seats, passengers walking the aisles, a flight attendant serving meals, and a screen that reads "please wait system not yet available."

Project and donor(s) contributed description follows: "In 2004, its Cindy Long’s first time back to Guangzhou, China after immigrating to Canada. She is with her mom and her friend likely at Toronto Pearson International Airport."

Item consists of a Hong Kong-Chinese family’s home movie.

Project and donor contributed description follows: "A clip documenting the Red Packet (hóngbāo) ceremony taking place at Mr. Wong’s 70th birthday celebration in 2002.

During this ceremony family members were called up in a particular order to accept a red envelope of money from Mr. Wong.

Deanna Wong, Mr. Wong’s daughter who found and digitized this video, recalls that family members were called up according to age and lineage.

For example, Mr. Wong’s siblings would be called first, followed by their children and grandchildren. In this video Mr Wong's eldest son, Terry was called first, and then, since their middle son Ted was not present, Deanna, the youngest of the three, came next. Following her came Terry's kids from eldest to youngest. And since Deanna nor Ted had children at the time, the eldest cousin and his wife, and their kids etc followed.

As the eldest of 13 siblings, Mr. Wong would have had many envelopes to hand out!

Originally from Hong Kong, Mr. Wong came to Canada to study engineering at McGill University in the mid-1950s, where he met Deanna's mother.

Mrs. Wong's father, Deanna maternal grandfather, immigrated to Canada in 1921 and paid the $500 head tax in order to enter the country. Mr Wong's father, Deanna’s paternal grandfather, was a doctor specializing in acupuncture, which was illegal in Canada at the time, so he settled in California. Now his family lives around the world, including the United States, Singapore, Japan, and in various places in Canada. This milestone birthday presented a great opportunity for a family reunion. And to accommodate everyone, this celebration took place in the home of Deanna’s eldest brother and Mr. Wong’s eldest son, Terry.

Now a longtime resident of Toronto, Deanna calls Winnipeg home where she and her two brothers grew up. Although they were one of the few families of colour around, she remembers her neighbourhood and her experiences fondly. Her parents, particularly her mother, worked hard to build a Chinese community where the children could have Chinese friends and be exposed to their culture. They started a Mandarin school, even though Cantonese was their mother tongue, and began a summer camp.

Family and community come together again at this celebration, one of many for the Wong family."

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "It’s 1997 and four-year-old Abhirami Balanchandran is being taught how to read by her mom. In her family home at Markham and Eglinton in Scarborough, Ontario, her mom goes through the alphabet with her one by one. Abhi looking back sees her funny facial expressions and sees a ‘very inquisitive, more playful version of herself…. It’s a sweet reminder.’"

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "At nine-year-olds, Abhirami Balanchandran visits Sri Lanka for two months with her family for the second time. It was 2003 and during the civil war so it required multiple checkpoints before she was able to reach her hometown of Jaffna located in the north. They visited for Thaipusami, where she witnessed Kavadi for the first time. Kavadi is a ritual done for the Murugan, God of War where the back is pierced with several hooks while people partake in ceremonial dance. It was traditionally done for both sacrifice and preparation for war. It was Abhi’s first time witnessing something like that from her community which was definitely a cultural shock. ‘It was jarring, fascinating and beautiful.’ So much has changed since this video was taken and looking back at the footage of what Jaffna looked like has skewed her idea of what home looks like."

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "At nine-year-olds, Abhirami Balanchandran visits Sri Lanka for two months with her family for the second time. Here her and her family join several other Tamils come to witness Thuku Kavadi] where a person’s back is pierced with hooks hanging from a pillar, with no harness or anything else holding them up. It looks like you're flying. Abhi recalls asking her mom, ‘How do they do that?’ and her mom told her people train for months with such deep meditation that they transcend pain from their bodies. Sometimes they are suspended for as long as two hours. This ritual is also a part of the ceremonial festival Thaipusam for Murugan, the God of War."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "These clips feature birthdays for two of the Ozaki children in 1966. Steven Ozaki is celebrating his first birthday indoors with extended family in April. Naomi Ozaki is celebrating her fourth birthday in May with neighbourhood children inside the family home and in the family's backyard in Vancouver."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "In the summer of ’65, Naomi and Akemi run around a sprinkler and play in a wading pool in their backyard. Three year old Naomi, in the red bathing suit, two year old Akemi in the blue bathing suit and their four month old brother, Steven are recorded by their father Doug on the sunny Vancouver summer afternoon."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "Neighbourhood children parade down a residential street in Vancouver celebrating Canada’s centennial in 1967. Amongst children dressed in outfits celebrating Canada or their country of origin, Naomi is dressed as a pioneer homesteader, Akemi is wearing a kimono and Steven is dressed as John A. Macdonald. The parade and after party were organized by their father, Doug and another neighbourhood parent."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "These clips feature Christmas and playing in the snow. Naomi, Akemi and Steven open gifts on Christmas morning. Later, extended family gather to enjoy Christmas dinner. The footage ends on a winter afternoon with Naomi, Akemi and Steven playing in the snow."

Item consists of an Indian family’s home movie featuring women receiving papers from men and posing for a group photograph with award certificates in their hands.

Donor(s) and project contributed description follows: "My grandchildren and nieces receiving a certificate from Sikh Gurdwara for studying religious prayers. Video takes place in the religious temple, a Sikh Gurdwara. When immigrating to Canada, the sister of the donor lived with her parents, who insisted her children participate in religious education. Featured here, are the children praying in Punjabi, a language foreign to them. Later, the eldest grandchild celebrates his 13th birthday and receives presents. In the last clip, the child recites a prayer on his birthday in order to receive a gift and cheque."

Item consists of an Indian family’s home movie featuring a child coming out from a hallway to a living room and the man behind the camera says and starts singing happy birthday along with two women and another child who give the birthday boy hugs.

Donor(s) and project contributed description follows: "we’re celebrating my eldest grandchild’s 13th birthday. Video takes place in the religious temple, a Sikh Gurdwara. When immigrating to Canada, the sister of the donor lived with her parents, who insisted her children participate in religious education. Featured here, are the children praying in Punjabi, a language foreign to them. Later, the eldest grandchild celebrates his 13th birthday and receives presents. In the last clip, the child recites a prayer on his birthday in order to receive a gift and cheque."

Item consists of an Indian family’s home movie featuring a child reciting phases in another language while looking at the camera.

Donor(s) and project contributed description follows: "Video takes place in the religious temple, a Sikh Gurdwara. When immigrating to Canada, the sister of the donor lived with her parents, who insisted her children participate in religious education. Featured here, are the children praying in Punjabi, a language foreign to them. Later, the eldest grandchild celebrates his 13th birthday and receives presents. In the last clip, the child recites a prayer on his birthday in order to receive a gift and cheque."

Item consists of an Indian family’s home movie featuring two children standing on a rock in water at Vancouver and taking to the camera about their trip.

Donor(s) and project contributed description follows: "My family having a picnic at Deep Cove North Vancouver. The cameraman (father/grandfather) interviews the children, asking how they like Vancouver, and their thoughts on the wedding recorded in a previous video. The clip shows a family gathering, where the adults enjoy an anniversary party, while the children watch Pinocchio in the family room."

Item consists of an Indian family’s home movie featuring children sitting on a couch and on the floor eating food while watching Pinocchio on TV. The camera zooms in to the TV for the second half of the clip.

Donor(s) and project contributed description follows: "Family and friends party at home. The cameraman (father/grandfather) interviews the children, asking how they like Vancouver, and their thoughts on the wedding recorded in a previous video. The clip shows a family gathering, where the adults enjoy an anniversary party, while the children watch Pinocchio in the family room."

Item consists of an Indian family’s home movie featuring desserts on a table, zooms out to group of adults including on person filming the person behind the camera, everyone appears happy and are giggling, the person behind the camera starts singing happy birthday while a woman cuts a cake topped with kiwi slices, and everyone applauds at the end of the song with the camera panning to reveal many others in the room.

Donor(s) and project contributed description follows: "Adults enjoying an anniversary party. The cameraman (father/grandfather) interviews the children, asking how they like Vancouver, and their thoughts on the wedding recorded in a previous video. The clip shows a family gathering, where the adults enjoy an anniversary party, while the children watch Pinocchio in the family room."

Item consists of an Indian family’s home movie featuring a graduation ceremony with camera zoomed on crowd and individuals in a hotel room celebrating by opening a champagne bottle.

Donor(s) and project contributed description follows: "My son graduates with an MBA from Stanford University and we celebrate in a hotel room with his mother. Video shows the donors brother graduating from Stanford University, followed by a celebration in a hotel. A graduation toast is given by the father in English."

Item consists of an Indian family’s home movie featuring three individuals drinking champagne and discussing a t-shirt that reads "A-B-C-D-E-F-U-C-K."

Donor(s) and project contributed description follows: "This is a graduate toast with mum and dad (my wife and I). Video shows the donors brother graduating from Stanford University, followed by a celebration in a hotel. A graduation toast is given by the father in English."

Item consists of an Indian family’s home movie featuring officiant reciting wedding pledges and couple exchanging their vows.

Donor(s) and project contributed description follows: "My son’s wedding civil vows. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, afterwhich the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a child dancing on a dance floor with disco lights in the background and a crowd cheering him on.

Donor(s) and project contributed description follows: "My son’s wedding and Michael Jackson dance by my grandson. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a wedding party listening to individuals performing.

Donor(s) and project contributed description follows: "I’m singing at my son’s wedding. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a man encircled by woman saying prayers.

Donor(s) and project contributed description follows: "These are prayers for the groom. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring women singing and putting a headdress on a seated man.

Donor(s) and project contributed description follows: "The "sera bandi" here is my daughters tying a headdress on my son before his traditional wedding ceremony. This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a man riding a horse surrounded by family and friends dancing in New York City at the intersection of 48th street and 3rd avenue.

Donor(s) and project contributed description follows: "My son (groom) is riding a horse through the streets of NYC to get to his marriage ceremony (traditional for India but first time it happened in NYC). This video depicts an Indian family’s wedding within North American customs, and shows a couple taking their civic vows, followed by a reception. Performances are held, after which the dancers receive blessings where the guests circle them with cash and leave it as a blessing. Songs of romance are sung in Punjabi and Hindi.

Skikh prayer is taken on the morning of the wedding, where the groom is wearing a traditional headdress shrouding the eyes. The headdress is tied on by the grooms sister,creating a symbol of mystery and modesty, and the warding off of the evil eye. The groom then ventures from his dwellings to his brides’, riding by horseback to symbolize the right of passage to manhood. The family surrounds the groom in a musical procession. This reenactment of an Indian tradition was the first to be held in New York City."

Item consists of an Indian family’s home movie featuring a woman walking into a room full of people and sitting down and the camera zooms in to her hands that are decorated with henna.

Donor(s) and project contributed description follows: "My daughters pre-wedding music party. She walks in with henna on hands. The video depicts an Indian wedding held in British Columbia. A series of ceremonies took place over the course of many days, including the singing of wedding songs during the Sangeet music party, the father of the bride singing, and the application of henna on the hands. A North Indian Punjabi dance, Bhangra, is performed by aunts and uncles of the bride. The wedding was held at the paternal aunt's house."

Item consists of an Indian family’s home movie featuring a man singing and playing a keyboard.

Donor(s) and project contributed description follows: "I’m singing at my daughter wedding. Video depicts an Indian wedding held in British Columbia. A series of ceremonies took place over the course of many days, including the singing of wedding songs during the Sangeet music party, the father of the bride singing, and the application of henna on the hands. A North Indian Punjabi dance, Bhangra, is performed by aunts and uncles of the bride. The wedding was held at the paternal aunt's house."

Item consists of an Indian family’s home movie featuring a woman and man dancing.

Donor(s) and project contributed description follows: "My sister sings while another sister and brother dance Bhangra. Video depicts an Indian wedding held in British Columbia. A series of ceremonies took place over the course of many days, including the singing of wedding songs during the Sangeet music party, the father of the bride singing, and the application of henna on the hands. A North Indian Punjabi dance, Bhangra, is performed by aunts and uncles of the bride. The wedding was held at the paternal aunt's house."

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a day at the lake with children playing and adults barbequing.

Donor(s) and project contributed description follows: "The year is 1999 and Sabrina Budiman aged 4, and her family is spending a day at the beach in the summertime, at the Scarborough Bluffs beach. Sabrina and her sister call it "ethnic BBQ" because the family brought their own charcoal BBQ, make lots of delicious food, fry up some fish and "stink up the place." A picnic table is set up with a beautiful tablecloth, and the footage documents an entire day spent at the beach. Sabrina shares that this experience was a large part of her childhood, and today we often see lots of immigrant families gathered at the Bluffs Beach in large groups with similar set-ups that include lots of food and colorful decorations.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a family gathering filled with children playing and dancing.

Donor(s) and project contributed description follows: "Sabrina Budiman’s sister, cousins, aunts, and neighbors grew up as a very close knit family. They are at a family gathering likely at Budiman’s aunt’s place in Etobicoke, ON. The table is set up for a special dinner, and everyone is dressed in celebratory clothing. It’s a party and we see adults and children having a lot of fun dancing together to Lou Bega’s Mambo no. 5, J-Low, Backstreet Boys, and Elvis Crespo’s Suavemente 1998. Being both Colombian and Indonesian and growing up in Toronto, Sabrina remembers dance as a very memorable and significant part of her cultural upbringing.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of a Colombian and Indonesian-Canadian family's home movie featuring a family gathering filled with adults and children playing and dancing.

Donor(s) and project contributed description follows: "Sabrina Budiman’s sister, cousins, aunts, and neighbors grew up as a very close knit family. They are at a family gathering likely at Budiman’s aunt’s place in Etobicoke, ON. The table is set up for a special dinner, and everyone is dressed in celebratory clothing. It’s a party and we see adults and children having a lot of fun dancing together to Lou Bega’s Mambo no. 5, J-Low, Backstreet Boys, and Elvis Crespo’s Suavemente 1998. Being both Colombian and Indonesian and growing up in Toronto, Sabrina remembers dance as a very memorable and significant part of her cultural upbringing.

Sabrina carries a mixture of three cultures which she says felt a bit confusing: "It’s something you feel but can’t analyze as a child. Feeling it has more impact. It means that I’m a part of a larger group of people who share the same experiences, although it varies from person to person. Others have had the same struggles, successes, and personal experiences.""

Item consists of an Ojibwe family’s home movie featuring adults and children talking and posing for multiple wedding photographs.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring two adults posing for a photograph.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman sitting on a chair who stands up to walk away, the camera then zooms in to a man standing in the background and zooms out to a child walking across the frame.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring multiple generations sitting, standing, and waiting.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and a man walking towards the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and groom standing in front of the officiant. flanked by a man in a suit and a woman in a blue dress. The groom is stating his declaration of no legal impediment to marriage and the bridge is giggling.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the officiant congratulating the couple, the ceremonial kiss, and an applause.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera zooming in to a woman wearing a blue dress.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the wedding couple walking out of frame, while the woman in a blue dress and child walk into the frame. Footage is slightly out of focus.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring many individuals sitting with food and drinks at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera spanning across the room to reveal a decorations and children choosing their seats at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman bringing food to a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the bridal party seated at a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children walking across the frame and the wedding couple tasting their cake.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children pulling another child off their seat in the foreground and children dancing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the DJ and individuals on a stage with music playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man sitting down at a table, pulling out a cigarette, and waving to the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man and child dancing with disco lights in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movies featuring a child and a woman standing by a window, with another woman dancing across the frame of the footage. The Macarena song is playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring family members speaking to one another, driving through the countryside, and speaking one another at a wedding.

Donor(s) and project contributed description follows: "Jagtar’s grandfather Sardar Bishon Singh left colonial India in 1902 and after enduring a two year journey via several steam ships from Calcutta, Hong Kong, The Philippines and Hawaii finally arrived on the shores of California in the Port of Stockton in 1904. Sardar Bishon Singh was instrumental in establishing the very first Sikh Gurdwara in North America in Stockton California. Following the devastating major San Francisco earthquake and then the resulting fires which completely destroyed San Francisco in 1906, Jagtar’s grandfather escaped to Vancouver British Columbia on a boxcar, marking the first of his family’s arrival in Canada. His grandfather was eventually able to sponsor his younger brothers son’s arrival to Canada in January of 1960, and Jagtar born in India in December of 1959, arrived to Canada at five years of age on December 18th, 1964. Jagtar returned to India for the first time since his childhood at 25 years old for a traditional Sikh marriage in January of 1985.

In this clip, on February 5th, 1985 in Gurdwara Karamsar Rara Sahib or Gurdwara Rara Sahib is situated at village Rara Sahib near Ludhiana, Punjab, India, Jagtar and his soon to be wife Gurinder Kaur, receive a blessing from the Gurdwara Sant Ji elder prior to their wedding. The two elder gentlemen are Jagtar’s future father-in-law Sardar Mewa Singh Kular and father Sardar Hardev Singh Dhaliwal. Here his father is visible in a pale blue suit not far from Sant Ji. This home movie memorializes these two important figures in Jagtar’s life who have since passed, his father-in-law and his father. After his father’s passing, Jagtar says it was fate to see his father here and remember him as a young man.

In the next scene, Jagtar is in his ancestral village in Toosey, Punjab, India dressed in his wedding attire. As they are leaving, elders and family women offer their blessings by giving him sweet treats.

The car and the groom's family travel down to the Milni ceremony (meeting of the two families) for introduction between the two families. After both sides of the family arrive, the fathers meet and exchange garlands. The uncles at each level exchange an official introduction. Then people gather for tea and refreshments just before going to the Gurdwara, a place of worship.

The groom’s side of the family pays respect to the Guru Granth Sahib, a living embodiment of the Sikh’s gurus."

Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring family members speaking to one another, driving through the countryside, and speaking one another at a wedding.

Donor(s) and project contributed description follows: "Jagtar’s grandfather Sardar Bishon Singh left colonial India in 1902 and after enduring a two year journey via several steam ships from Calcutta, Hong Kong, The Philippines and Hawaii finally arrived on the shores of California in the Port of Stockton in 1904. Sardar Bishon Singh was instrumental in establishing the very first Sikh Gurdwara in North America in Stockton California. Following the devastating major San Francisco earthquake and then the resulting fires which completely destroyed San Francisco in 1906, Jagtar’s grandfather escaped to Vancouver British Columbia on a boxcar, marking the first of his family’s arrival in Canada. His grandfather was eventually able to sponsor his younger brothers son’s arrival to Canada in January of 1960, and Jagtar born in India in December of 1959, arrived to Canada at five years of age on December 18th, 1964. Jagtar returned to India for the first time since his childhood at 25 years old for a traditional Sikh marriage in January of 1985.

In this clip, on February 5th, 1985 in Gurdwara Karamsar Rara Sahib or Gurdwara Rara Sahib is situated at village Rara Sahib near Ludhiana, Punjab, India, Jagtar and his soon to be wife Gurinder Kaur, receive a blessing from the Gurdwara Sant Ji elder prior to their wedding. The two elder gentlemen are Jagtar’s future father-in-law Sardar Mewa Singh Kular and father Sardar Hardev Singh Dhaliwal. Here his father is visible in a pale blue suit not far from Sant Ji. This home movie memorializes these two important figures in Jagtar’s life who have since passed, his father-in-law and his father. After his father’s passing, Jagtar says it was fate to see his father here and remember him as a young man.

In the next scene, Jagtar is in his ancestral village in Toosey, Punjab, India dressed in his wedding attire. As they are leaving, elders and family women offer their blessings by giving him sweet treats.

The car and the groom's family travel down to the Milni ceremony (meeting of the two families) for introduction between the two families. After both sides of the family arrive, the fathers meet and exchange garlands. The uncles at each level exchange an official introduction. Then people gather for tea and refreshments just before going to the Gurdwara, a place of worship.

The groom’s side of the family pays respect to the Guru Granth Sahib, a living embodiment of the Sikh’s gurus."

Item consists of a Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring a portion of a wedding featuring singing and traditional ceremonies.

Donor(s) and project contributed description follows: "In late February in 1985 Jagtar’s after getting married in India for his wedding took a religious pilgrimage to pay respects at the Sri Harmandir Sahib. They visited the Sri Harmandir Sahib (Golden Temple) to see the aftermath of Operation Blue Star, where the 1984 attacks by the Indian paramilitary troops to oust out Sikh extremists happened. The attacks killed hundreds of people and left tons of damage to the buildings and structures of the Sri Harmandir Sahib complex, the holiest shrine of Sikhism. In the clip you see Jagtar pan the camera to the bullet holes and remnants of the attack. ‘It was a tense and strange situation’. He proceeded in India with caution but was fortunate that his future father-in-law was a powerful man in India and provided protection at his wedding."

Item consists of a Punjabi-, Jatt-, and Sikh-Canadian family's home movie featuring a wedding and family members speaking outside, singing, and dancing.

Donor(s) and project contributed description follows: "The bride's side of the family takes their seat beside the groom and the ceremony begins. There’s an Ardas, a request for a blessing. The priest Jathadar Ji advises the couple on how to conduct their lives together according to Sikh traditions and religious edicts.

The bride’s father takes the palla around the groom’s neck and puts it around his daughter, officially blessing them. The lamas begin; the couple bows down and walks around the Guru. The lama is repeated four times and with each lama, the couple gets closer to marriage. After that and more scripture, the audience members pay their respect one by one. The couple is seen off and returns and celebrates in their ancestral village with sweets, blessings and dancing."

Item consists of a Haitian family's home movie featuring multiple generations eating and dancing to music in a living room.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. Here she cuts her cake among her mom and family members."

Item consists of a Haitian family's home movie featuring a child in a white dress cutting a large decorative cake in the shape of a chapel and book cake with help from and supervision of three women. A child is a black suit and tie also appears in the footage.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. Here she cuts her cake among her mom and family members."

Item consists of a Haitian family's home movie featuring two adults dancing to music in a living room. The footage is damaged with the colour switching to back and white, flickering, and a lot of noise appearing.

Donor(s) and project contributed description follows:"The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. In this clip Josiane’s mom dances with her uncle."

Item consists of a Haitian family's home movie starts with a child putting a communion veil on another child. It also features the child in a white dress speaking to an audience and ends with several children entering the frame wrapping arms around one another. The audio is out of sync and the footage contains a lot of noise.

Donor(s) and project contributed description follows: "The year is 1985 and in Verdun, Quebec, eight or nine years old Josiane Blanc celebrates her Catholic communion. In this clip Josiane is speak and telling her family what she is grateful for. She goes on to play with her friends and cousins. Josiane recalls that growing up in Verdun she was one of the only Black kids at her school for a few years. When the second Black girl arrived, they would end up being friends and her friend appears in tail end of this video."

Item consists of a Chinese-Canadian family’s home movie documenting a birthday.

Project and donor(s) contributed description follows: "It’s June 1993. Kristina Wong and her family celebrate her older sister Kathleen’s 5th birthday in their family home in Scarborough, Ontario. Visible here are Kristina’s Aunt Linda, Aunt Lai, her other sister, Melissa in teal and her cousins: Bethany, Eric, Matthew and Steven. Her mom, Lin is in the bright pink shirt opening the cake. Her father, Michael films behind the camera. About a minute in Kristina appears as a baby in pink."

Item consists of a Chinese-Canadian family’s home movie documenting Christmas celebrations.

Project and donor(s) contributed description follows: "It’s Christmas eve, December 24th, 1994 at Kristina Wong’s family home in Scarborough, Ontario. Kristina Wong is about to experience her first Christmas. In the film you can also see her dad and her two sisters. Her mom is filming. Kristina recalls how her parents filmed a lot of her and her siblings growing up and stopped by the time she reached her teens."

Item consists of a Chinese-Canadian family’s home movie documenting Christmas celebrations.

Project and donor(s) contributed description follows: "It’s Dec 30th, 1994 the day after Kristina Wong’s first birthday. She celebrates with her dad, mom and two sisters in Scarborough, Ontario. Kristina recalls that growing up in Scarborough in the 90s, ‘everyone was an immigrant. To me, I lived beside Pacific Mall so everything was very Asian growing up so I felt more Canadian than Chinese versus the opposite.’’"

Item consists of a home movie captured by an African Nova Scotian/Indigenous Black family featuring celebrations and interviews about Kwanza, New Years, and a Christmas tree lighting.

Project and donor(s) contributed description follows: "At Auburn Highschool in North Preston, Nova Scotia, LaMeia Reddick attended an applied broadcast journalism class, where she had the opportunity to learn and explore directing, interviewing, production and editing.

The school had its own news station, and LaMeia could nurture her interest in recording stories of african canadian content. The stories students recorded would be broadcast for the school. In the footage, LaMeia documents a big Kwanzaa celebration at the Halifax Public Library, a large and diverse gathering of people of African diaspora, from various backgrounds, faiths, cultures, and ethnicities. The celebration includes performances with drums, song and dance. LaMeia interviews Tracey Jones about the meaning, origin, and seven principles of Kwanzaa.

Karen Hudson, the principal at Auburn Highschool was influential to LaMeia, and continues to make a long lasting impression on the culture and students at the school. She has introduced African enrichment to the school’s programs, including afrocentric math class, which helps black students excel at math. She continues to be an important role model and won the top principal in Canada award. LaMeia had a really positive experience at the school; having a black female principal as well as the courses available to her contributed to her future successes and set her up on the right path. "Having a school that valued your cultural experience and taught me about it, provided me with opportunities to nurture that part of myself, as well as understand my identity which [teenagers] are in the process of formulating."

The footage is a testament to how hard Principal Karen Hudson worked to introduce African culture to kids. LaMeia is interested in sharing the footage with Karen, and would like to interview her now. Karen and LaMeia live in neighboring communities, North Preston and Cherry Brook, which are large Indigenous and Black communities in Canada."

Item consists of an Eritrean family's home movies featuring the preparation of home roasted coffee.

Project and donor(s) contributed description follows: "Lu Asfaha’s family begins the day by preparing their home roasted coffee for the Jebana (coffee pot) on the Assumption of St. Mary. Raised in a family of Christian Orthodox, Lu grew up taking the day off to observe this religious holiday with her family. Food, drinks and even a custom cake is ornamentally laid out to celebrate the day. Lu can be seen animatedly gesturing to the camera as she talks to her uncle behind the camera, a common occurrence in their home movies.

The only footage selected that did not take place on the Assumption of St. Mary is a typical family dinner of the Asfaha eating Injera and Tsebhi from a large dish. Common to many cultures from across the African continent, her family can be seen eating by hand, enjoying the flavourful dish. The adults appear to handle the spice level better than the children.

When asked about her identity, Lu speaks of the unique experience of being Eritrean in Toronto. Being from an East African identity that has a significantly smaller population compared to the Somali and Ethiopian one, the specific social location of Eritreans tends to be either rendered invisible or lumped in with the dominant East African identities represented in the city."

Item consists of an Eritrean family's home movies featuring a cake with "Happy St. Mary Day" text decoration, children sitting on a couch eating cake, and a child dancing in front of the camera.

Project and donor(s) contributed description follows: "Lu Asfaha’s family begins the day by preparing their home roasted coffee for the Jebana (coffee pot) on the Assumption of St. Mary. Raised in a family of Christian Orthodox, Lu grew up taking the day off to observe this religious holiday with her family. Food, drinks and even a custom cake is ornamentally laid out to celebrate the day. Lu can be seen animatedly gesturing to the camera as she talks to her uncle behind the camera, a common occurrence in their home movies.

The only footage selected that did not take place on the Assumption of St. Mary is a typical family dinner of the Asfaha eating Injera and Tsebhi from a large dish. Common to many cultures from across the African continent, her family can be seen eating by hand, enjoying the flavourful dish. The adults appear to handle the spice level better than the children.

When asked about her identity, Lu speaks of the unique experience of being Eritrean in Toronto. Being from an East African identity that has a significantly smaller population compared to the Somali and Ethiopian one, the specific social location of Eritreans tends to be either rendered invisible or lumped in with the dominant East African identities represented in the city."

Item consists of an Eritrean family's home movies featuring a family eating a meal together and discussing a Portuguese related class assignment.

Project and donor(s) contributed description follows: "Lu Asfaha’s family begins the day by preparing their home roasted coffee for the Jebana (coffee pot) on the Assumption of St. Mary. Raised in a family of Christian Orthodox, Lu grew up taking the day off to observe this religious holiday with her family. Food, drinks and even a custom cake is ornamentally laid out to celebrate the day. Lu can be seen animatedly gesturing to the camera as she talks to her uncle behind the camera, a common occurrence in their home movies.

The only footage selected that did not take place on the Assumption of St. Mary is a typical family dinner of the Asfaha eating Injera and Tsebhi from a large dish. Common to many cultures from across the African continent, her family can be seen eating by hand, enjoying the flavourful dish. The adults appear to handle the spice level better than the children.

When asked about her identity, Lu speaks of the unique experience of being Eritrean in Toronto. Being from an East African identity that has a significantly smaller population compared to the Somali and Ethiopian one, the specific social location of Eritreans tends to be either rendered invisible or lumped in with the dominant East African identities represented in the city."

Item consists of a Barbadian- and Guyanese-Canadian family's home movie and includes footage featuring a Popeye cartoon, Alvin and the Chipmunks cartoon, children playing, a birthday celebration, a crowd outside and a man speaking into a microphone, a parade with cars as floats, adults hanging out, a hall filled with adults eating and dancing, a picnic at a park, gatherings with Christmas decorations in the background, a family dog wearing a hat, and a family gardening.

Donor(s) and project contributed description follows: "Its 1974 or 1975 in Sydney, Nova Scotia, Mike Nobrega, cousins, aunts, extended family and friends are seen in domestic settings. They are also pictured sharing a picnic in the summertime. Mike was born in Toronto, and moved to Nova Scotia when he was young. His father is from Guyana and mother is from Barbados. The community around where he grew up was very diverse, including people from the Ukraine, Poland, Carribean, Italy. Many came to work in steel and coal mines."

Item consists of a Barbadian- and Guyanese-Canadian family's home movie featuring two adults and a baby in the kitchen, children and adults dancing, a child unwrapping Christmas presents and playing with a doll, children riding bicycles and playing on swing sets, the family driving in a car, and snowy streets with adults shovelling and children playing.

Donor(s) and project contributed description follows: "Its 1972 in Sydney, Nova Scotia. Shot on 8mm film, Mike Nobrega, his brother Richard, and aunt Beryl are seen inside their home and backyard on Tupper Street.

Mike was born in Toronto, and moved to Nova Scotia when he was young. His father is from Guyana and mother is from Barbados. The community around where he grew up was very diverse, including people from the Ukraine, Poland, Carribean, Italy. Many came to work in steel and coal mines."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring adults and children by the Horseshoe Falls in Niagara Falls, and family members taking care of a baby in a stroller in a Toronto park. On footage: Edward Tzen-hwa (father), Chia-chi (mother), Wendy Ming Yu (elder daughter), Millie Ming Yen (younger daughter), Cecilia Ming Si (baby). Camera: Edward Tzen-hwa Chen, Chia-chi Chen.

Shortly after arriving in Canada in 1968, the Chen family visited Niagara Falls. This clip is the last recorded footage of the elder daughter, Wendy, before she was killed in a car accident in the fall of that year. The next time the camera was picked up was for the birth of the youngest child, Cecilia."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring children and adults playing with a ball at a park in or near Toronto, laying on picnic blankets, and eating. This clip includes friends of the Chen family, most of whom were also recent immigrants from Taiwan. Camera: Edward Tzen-hwa Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring winter activities with children and adult sledding and ice skating in High Park, Toronto. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter). Camera: Edward Tzen-hwa Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring children and adults swimming in a lake. The Chen family is swimming with friends at Nickerson State Park, Brewster, Massachusetts. Camera: Edward Tzen-hwa Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring a girl playing the piano in front of an audience, a woman watering plants at home, and family members in a living room. Millie gives a piano recital at the Royal Conservatory of Music in Toronto, followed by shots of the Chen family at home after the concert. Camera: Edward Tzen-hwa Chen.

In this piano recital, Millie was nervous as usual to perform publicly. She was grateful to be wearing her mother’s handmade skirt that was long enough to hide her trembling knees. Mavericks in many ways, Edward and Chia-chi (parents) always encouraged their children to participate in diverse cultural experiences. Millie and Cecilia both trained in the arts and later continued to take part in the arts professionally and in daily life."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring a children’s choir recital. Cecilia is performing with the Runnymede Public School choir in the Sing the Rainbow event. Camera: Edward Tzen-hwa Chen.

Mavericks in many ways, Edward and Chia-chi (parents) always encouraged their children to participate in diverse cultural experiences. Millie and Cecilia both trained in the arts and later continued to take part in the arts professionally and in daily life."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring two adults and two girls blowing out candles on a birthday cake, reading a booklet titled "Happy Birthday Mom," removing the candles, and slicing the cake. The Chen family is celebrating Chia-chi’s (mother) birthday. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter), Edward Chen (father). Camera: Edward Tzen-hwa Chen."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring explorations of High Park with children running up and rolling down a hill, children climbing trees, the family enjoying each other’s company surrounded by cherry blossoms, and posing for the camera. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter), Edward Chen (father). Camera: Edward Tzen-hwa Chen, Chia-chi Chen, Millie Chen.

During Cherry Blossom season, the Chen family enjoyed a beautiful afternoon in High Park. Edward (father), who was usually behind the camera, can be seen enjoying the day with his family. Over the years, Chia-chi (mother) and Millie would occasionally take over the filming to get Ed in front of the camera. Chia-chi was particularly teasing and playful on this day. She can be seen laying in the grass kicking up her feet and winking at the camera."

Donor contributed description follows: "Item consists of a Chinese family's home movie featuring adults and children skating on Grenadier Pond in High Park. On footage: Chia-chi (mother), Millie (elder daughter), Cecilia Chen (younger daughter), Edward Chen (father). Camera: Edward Tzen-hwa Chen, Chia-chi Chen.

The Chens had an immense appreciation for the outdoors and natural landscapes and wanted to nurture this relationship in their children."

Item consists of a home movie from a Huron-Wendat family documenting winter in Wendake.

Project and donor(s) contributed description follows: "There is a heavy snow storm on Alexander Gros-Louis’ veranda sometime in the 1950s. The Gros-Louis family are Huron Wendat, and the footage is shot on the reserve in Wendake, Quebec, which is twenty-five minutes from Quebec City. Snow storms are quite commonplace in Wendake. Every surface is covered in white, and the shot on Super 8 film looks very dreamy. Seen in the shot is a snowmobile that looks to be from the fifties era. At the time there were no street lights or paved roads, and they weren’t plowed regularly. People in Wendake were quite poor. Although it’s a bit different now, it’s still very working class. Seen briefly in the shot, are Alexander’s son and grandson, both named Paul.

Ron Gros-Louis is Alexander’s grandson. He and his wife, Patricia retired to Wendake from Montreal. They don’t see Wendake any differently than any other small town.

There are currently 2,134 people of Huron-Wendat ancestry. Most of whom are descended from the 300 ancestors who came from Huronia in what is now part of Northern Ontario's Simcoe and Grey counties. Wendake has been an Indigenous reserve since 1697. On the reserve are some Cree, Inuit, and Montagnais peoples from the northern parts of Quebec, there to attend high school and university as some schools in the north do not go past elementary. There are therefore a lot of Indigenous languages being spoken.

Life was very restrictive for Indigenous people at the time that Alexander Gros-Louis grew up. You had to sign in and out of the reserve with an Indian agent, and there was a lot of marginalization, surveillance, and policing by keeping track of who was entering and leaving the reserve.
Alexander couldn’t join the army, because he was labelled as a "savage," in official documentation. A childhood lack of Vitamin D caused rickets, which left him with bowed legs throughout his life. He left the reserve at the age of fourteen to work as a lumberjack in Quebec, Nova Scotia and New Brunswick, and eventually as a taxi driver in Montreal. He worked shovelling coal for Canadian National Railways on steam locomotives, and afterward became one of the first Indigenous engineers for the CNR."

Item consists of a home movie from a Huron-Wendat family documenting a summertime parade in Apache Junction, Arizona.

Project and donor(s) contributed description follows: "There is a parade likely in celebration of the fourth of July, in Apache Junction, Arizona. As a Railroad Engineer, Alexander Gros-Louis traveled a good part of his life by train, and spent many summers in Arizona to escape the Quebec winters. Seen in the clip are people in uniform dressed in navy blue, red and white, fire engines, and the Fire Chief. Most notably though, the camera spends time on Natives in full dress riding through the parade on horses. Seen on the sidelines are Alexander’s half-brother Paul-Henri and sister in law. "

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a women and a child picking grapes from the pergola.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl giving a woman a hug.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a child lighting diyas for Dwali.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl wearing fairy princess costume singing a song and an adult wearing a witch costume.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a child spinning in circles while carrying another child who is laughing and giggling.

Donor(s) and project contributed description follows: "Robert, Shanti’s nephew swings 2-year-old Layla around on his family’s farm in Puslinch. Ten years older than Leyla and an only child, he cherished the weekend and summer visits from his younger cousin.

Her mother was an active swimmer in her youth and was excited to take up her old hobby on the family farm. Layla gestures to her grandmother in the pool who is clearly enjoying her self. Smiling brightly and leisurely swimming around she tells Layla how cold the pool is and not to come in."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring an adult in the pool and a child watching.

Donor(s) and project contributed description follows: "Robert, Shanti’s nephew swings 2-year-old Layla around on his family’s farm in Puslinch. Ten years older than Leyla and an only child, he cherished the weekend and summer visits from his younger cousin.

Her mother was an active swimmer in her youth and was excited to take up her old hobby on the family farm. Layla gestures to her grandmother in the pool who is clearly enjoying her self. Smiling brightly and leisurely swimming around she tells Layla how cold the pool is and not to come in."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a woman holding a newborn and a child asking to hold the baby.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a woman holding a newborn

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl sitting next to a hospital bed and saying "she’s so beautiful."

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a close up of a newborn and a child squeezing his cheeks while saying "gougi gougi goo."

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl playing peek-a-boo and kissing a newborn.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a man holding a newborn and three men sleeping on the couch.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indian family’s home movie featuring the camera zooming in to people on the patio of a snowy house, a man operating a snow plow, snowy forested landscapes, people exiting cars, children throwing snowballs, people operating snowmobiles, snowy cityscape views from the top of Mont Royal, cars driving up Mont Royal, the Mont Royal cross with blue skies and the sun shinning in the background, people walking on snowy trails, a horse and sleighs on trails and pulling up to the Mont Royal chalet, people walking down stairs to a car park, people at a cottage and skiing, people walking across a frozen lake, a light house, the camera spanning across the frozen lake and the sun setting in the background, and ends with a flowing river.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."