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Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.

Fonds consists of the Danny Grossman Dance Company (DGDC) records generated from development; promotional; and professional associations, government councils, and conference; performance, touring, and educational initiatives activities. Danny Grossman's personal correspondence with family, friends, and industry professionals is also included in the fonds.

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Fonds consists of records created or accumulated by Rishma Dunlop pertaining to her personal life, her work as a university professor, and her literary career. It includes juvenilia, early academic works, and drafts of published and unpublished works (poems, essays, speeches, a novel, and an unpublished memoir). The fonds also includes the edited drafts of submissions and correspondence related to Dunlop’s five published collections of poetry; notes, research and drafts relating to other poems, published and unpublished; personal and professional correspondence; a personal journal; files regarding literary and teaching activities, including grant applications; drafts pertaining to her work as an editor; photographs; and literary ephemera such as posters, programmes, and flyers. The fonds also includes teaching evaluations filled out by Dunlop’s students at York University, as well as some written work and details of final project submissions by graduate students whose work was supervised by Dunlop.

Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.

The fonds consists of records that document Mistry's career as a writer, including financial records, personal and professional correspondence, publicity files, first editions and translations of his published works, notes, drafts and galleys of his short stories, travel essays and novels, including "Tales from Firozsha Baag," "Such a Long Journey," "A Fine Balance," and "Family Matters." It also includes records documenting his work with his literary agent and publishers, his selection to the Oprah Book Club, the burning and banning of "Such a Long Journey" at the University of Mumbai in September 2010, Mistry's involvement with literary festivals and awards, his investiture into the Order of Canada, and his support of organizations devoted to literacy, humanitarianism, and writers.

The fonds consists of records pertaining to Hersh Zeifman’s research and teaching career in theatre arts at York University, now school of the arts, media, performance and design. The bulk of files contain lecture notes on specific plays, playwrights, and dramatic themes. Also included in the files are course outlines, assignments and other educational administrative records, research material such as newspaper and magazine clippings, playbills, and copies of articles written by Zeifman.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes professional correspondence with publishers and others, copies of articles related to his work, memorabilia about his literary career, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

Fonds consists of notes, drafts and research material related to the publications "The edge of the world," "Emma's dead," "Headstand," "If I knew I'd tell you," "Lovers and other strangers," "Mixed-up grandmas," "The adultery handbook," "Colville's People" and "Cathedral Women," as well as her poem for "Side by side." It also includes personal and professional correspondence, clippings of stories about Malyon and/or reviews of her work, lecture notes and material related to Malyon's readings of her work, grant applications, writer-in-residence application as well as other material that documents her career as a writer.

Accession 2008-032 includes the editorial files for "Imagination in action : thoughts on creativity by painters, sculptors, musicians, poets, novelists, teachers, actors," a book edited by Malyon that was published by Mercury Press in 2007. The project began with interviews with Marjory Smart and Milt Jewell in 1990-1991 to explore the concept of creativity, and was resumed in 2005 when Malyon invited submissions from many people who created original works in different disciplines. The records files include correspondence, edited manuscripts, annotated page proofs, and correspondence with the publisher regarding the contract, design, and promotion of the book.

Accession 2009-044 consists of manuscripts for even-numbered brunches, copy edited page proofs, and promotional material for the book written with bill bissett, "griddle talk : a yeer uv bill n carol dewing brunch" (Talonbooks, 2009), as well as documents relating to Malyon's work as an instructor at the Maritime Writers' Workshop in 1998, her literary readings in 2008, and correspondence with Fred Cogswell and K.D. Miller.

Accession 2016-040 consists of draft manuscripts for a collection of short stories ("Underneath the Water With the Fish") and a book about writing "Writing Matters" as well as promotional material and reviews about previously published work.

Fonds consists of handwritten and typescript novel drafts, source notes, character and scene sketches, and research material accumulated and created by Alissa York as part of her process to write her short story collection, Any Given Power (1999), and her novels: Mercy (2003), Effigy (2007), Fauna (2010), The Naturalist (2016), and Far Cry (2023).

Fonds consists of: personal and professional correspondence, including letters and email exchanged with family and individuals involved in Canada's literary community such as Steven Heighton and David Helwig; essays written while Cowan was a student; correspondence, notes and drafts of her work as a translator; research notes and drafts of her short stories and novels; professorial records including tenure and promotion files, course evaluations, and other material that documents her career as a professor at l'Université de Québec at Trois-Rivières; correspondence and manuscripts relating to her involvement with the literary community in Québec; and examples of Cowan's work with digital photography. Accession 2007-052 includes photographs of Judith Cowan receiving the Governor General's Literary Award in 2004.

Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of musical recordings on one 1/4" audio reel, performed by Deva Prasad Das on vocals and mardal with Shankaran on flute. These performances were intended to accompany the Deba Prasad Das style of Odissi dance. Consists of three separate performances: "Nindata Chandana" Abhinaya, Ashtapadi (an expression-based dance); "Natangi" and a Boomija folk dance from Orissa. These recordings were made to accompany performances by Sukanya Rahman.

Also includes four VHS recordings of performances by Rahman in various venues in the 1990s.