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Paul James Dwyer fonds
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Accession 2010-027

Accession consists of programmes for events held by cultural organizations, including the Toronto Symphony Orchestra, dance and theatre companies, and photography exhibitions sent to or collected by Paul James Dwyer in connection with his work as founder of Dance Oremus Danse.

Accession 2009-033

Accession consists of records created by Paul James Dwyer during his work with Dance Oremus Danse, including programmes from performances of dance, theatre, and classical music, notes and reference material on fundraising in the arts sector, and operating files for his dance company.

Correspondence : Lytton, Madeleine

File consists of letters from Lytton regarding her work in the tradition of Isadora Duncan, her relationship with Dwyer, and illustrations from her career in dance.

Correspondence : Howard Holtzman collection

File consists of letters with Dawson's Book Shop in Los Angeles regarding Dwyer's attempt to purchase the Holtzman collection of Isadora Duncan material on behalf of Dance Oremus Danse, and its eventual sale to a buyer in Japan

Correspondence : Finchcocks Musical Museum

File consists of letters, promotional material, a contract for Dwyer's performance at the Finchcocks Festival in 2007, a digital video disc of Dwyer's dancing in 2007, and reviews of baroque music recordings written by Dwyer for the magazine, "Opus."

Correspondence : general

File consists of letters and notecards from several individuals involved with the interpretation of Isadora Duncan's dancing, as well as the memorial tribute for Hortense Kooluris.

Correspondence : Bobrow, Ella

File consists of correspondence with Bobrow concerning her book, "Irina Odoevtseva, poet, novelist, memoirist : a literary poet," biographical information about Bobrow, and efforts by Paul James Dwyer to market the book.

Accession 2007-059

Accession consists of correspondence with several individuals involved in the international dance community on topics that include research on teh career of Isadora Duncan, the purchase of Lillian Loewenthal's collection by York University Libraries, the Howard Holtzman collection, and the memorial performance for Hortense Kooluris in October 2007. Accession also includes performance programmes and other promotional literature from a wide range of organizations involved with dance, baroque music, and opera.

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