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Aerial view of campus looking east - Steacie Science Library in foreground, Farquharson Life Sciences under construction
Aerial view of campus looking east - Steacie Science Library in foreground, Farquharson Life Sciences under construction
Steacie Science Library - interior view
Steacie Science Library - interior view
Aerial view looking north east - Founders College under construction in background
Aerial view looking north east - Founders College under construction in background
Initial sign for University at main Keele St. entrance - A. R. Dawson Asst. Director of Campus Planning
Initial sign for University at main Keele St. entrance - A. R. Dawson Asst. Director of Campus Planning
Main Keele St. entrance (now St. Lawrence Blvd.) - Burton Auditorium in background
Main Keele St. entrance (now St. Lawrence Blvd.) - Burton Auditorium in background
Archway through Founders College Residence - Founders College visible through arch
Archway through Founders College Residence - Founders College visible through arch
Founders College - main entrance from inside quadrangle
Founders College - main entrance from inside quadrangle
Founders College Dining Hall
Founders College Dining Hall
Vanier College construction beginning
Vanier College construction beginning
Steacie Science Library completed September 1965
Steacie Science Library completed September 1965
Burton Auditorium - (Phase I of Centre for Fine Arts) completed September 1965
Burton Auditorium - (Phase I of Centre for Fine Arts) completed September 1965
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964
Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Audio recordings : Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses
Central mall - sodding and landscaping just completed
Central mall - sodding and landscaping just completed
Rear view - John S. Proctor - Chairman of Property and Building Committee of Board of Governors. Mike London
Rear view - John S. Proctor - Chairman of Property and Building Committee of Board of Governors. Mike London
A.R.D. York University Slides
A.R.D. York University Slides
Sod turning, general view
Sod turning, general view
John Ezyk, A.C. Johnson, A.R. Dawson, R.C. Howard, - Department of Campus Planning, York University
John Ezyk, A.C. Johnson, A.R. Dawson, R.C. Howard, - Department of Campus Planning, York University
W. Greer, Shore and Moffat, and A.C. Johnson, W.W. Small, J.K. Armour, A.R. Dawson, York U
W. Greer, Shore and Moffat, and A.C. Johnson, W.W. Small, J.K. Armour, A.R. Dawson, York U
Dr. Murray Ross on site of future Ross Building .
Dr. Murray Ross on site of future Ross Building .
Ex Premier Leslie M. Frost - Rear view (head) of John Bonnick - Architect with Gordon S. Adamson Associates
Ex Premier Leslie M. Frost - Rear view (head) of John Bonnick - Architect with Gordon S. Adamson Associates
President Murray G. Ross
President Murray G. Ross
Sign referring to first building - Steacie Science Library
Sign referring to first building - Steacie Science Library
Sod turning ceremony
Sod turning ceremony
Sod turning, general view
Sod turning, general view
Initial view of site at sod turning ceremony - looking east. Steacie Science Library.
Initial view of site at sod turning ceremony - looking east. Steacie Science Library.
At opening sod turning ceremony. L to R : A. R. Dawson, Asst. Director Campus Planning ; J. K. Armour, Director Physical Plant
At opening sod turning ceremony. L to R : A. R. Dawson, Asst. Director Campus Planning ; J. K. Armour, Director Physical Plant
Hon. Robt. H. Winters, sod turning ceremony Steacie Science Library
Hon. Robt. H. Winters, sod turning ceremony Steacie Science Library
Hon. Leslie M. Frost
Hon. Leslie M. Frost
President, Dr. Murray G. Ross
President, Dr. Murray G. Ross
Hon. Robert H. Winters (Chairman of Board of Governors) - initial sod turning ceremony for first building - the Steacie Science
Hon. Robert H. Winters (Chairman of Board of Governors) - initial sod turning ceremony for first building - the Steacie Science
Sod turning ceremony
Sod turning ceremony
Audio recordings : 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)
Audio recordings : 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)
Aerial view - York Campus and district - 1962
Aerial view - York Campus and district - 1962
Approved 1980 Master Development Plan for 15,000 students.
Approved 1980 Master Development Plan for 15,000 students.
Aerial view - York Campus 1963 - cropped duplicate of 116
Aerial view - York Campus 1963 - cropped duplicate of 116
Aerial view - York Campus 1963
Aerial view - York Campus 1963
Aerial view - York Campus and district 1963 - cropped duplicate of 118
Aerial view - York Campus and district 1963 - cropped duplicate of 118
Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962
Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Typical response to University input.
Typical response to University input.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
Sample of early UPACE development design - approximately 150 in total.
One of first D.C.P. campus organization plans.
One of first D.C.P. campus organization plans.
Sample continued showing evolution of design.
Sample continued showing evolution of design.
Sample continued showing evolution of design.
Sample continued showing evolution of design.
Architect's sketch showing skyline view from west similar to appearance to-day.
Architect's sketch showing skyline view from west similar to appearance to-day.
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
Audio recordings : "Collage #1" plus original and work tapes for Carolee Schneemann
The first of three improvisations from Medea, Collage #1, Blue Suede
The first of three improvisations from Medea, Collage #1, Blue Suede
Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963
Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963
Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967
Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967
Tape Music - 1961
Tape Music - 1961
Audio recordings : "Medea"-organized sound
Audio recordings : "Medea"-organized sound
CCMC
CCMC
CCMC
CCMC
CCMC
CCMC
1999-008 073 (15) (1 of 2)-001
1999-008 073 (15) (1 of 2)-001
1999-008 073 (15) (1 of 2)-002
1999-008 073 (15) (1 of 2)-002
Lydian Mode/Phrygian Mode
Lydian Mode/Phrygian Mode
Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese
Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese
Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963
Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963
Audio recordings : "Three Drum Pieces", "Crystal Canon"
Audio recordings : "Three Drum Pieces", "Crystal Canon"
Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)
Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)
Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)
Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)
Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)
Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)
CCMC
CCMC
CCMC
CCMC
CCMC
CCMC
1999-008 073 (15) (2 of 2)-003
1999-008 073 (15) (2 of 2)-003
Audio recordings : "Saxony 2"
Audio recordings : "Saxony 2"
Audio recordings : "In the Lydian Mode"
Audio recordings : "In the Lydian Mode"
Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966
Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966
Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed)
Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed)
CCMC
CCMC
Audio recordings : C-copy
Audio recordings : C-copy
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2
Audio recordings : Tenney "Fabric" work tapes #34 and LO-2
Audio recordings : Toy Specialist, Jim; Ridino, Ballet One
Audio recordings : Toy Specialist, Jim; Ridino, Ballet One
Concert May 27th California Institute of the Arts
Concert May 27th California Institute of the Arts
CCMC
CCMC
1999-008 073 (15) (1 of 2)-003
1999-008 073 (15) (1 of 2)-003
1999-008 073 (15) (2 of 2)-002
1999-008 073 (15) (2 of 2)-002
1999-008 073 (15) (2 of 2)-004
1999-008 073 (15) (2 of 2)-004
Audio recordings : "Orchestral Studies," "Three Harmonic Studies", University of South Florida
Audio recordings : "Orchestral Studies," "Three Harmonic Studies", University of South Florida
Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966
Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966
Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959
Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959
Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)
Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)
Audio recordings : Tenney - "Chorales for Percussion"
Audio recordings : Tenney - "Chorales for Percussion"
Audio recordings : Third- Knoxville to Little Rock
Audio recordings : Third- Knoxville to Little Rock
Audio recordings : #12
Audio recordings : #12
Audio recordings : #12 Denver, July 24
Audio recordings : #12 Denver, July 24
Audio recordings : "Ann Rising", I, #1
Audio recordings : "Ann Rising", I, #1
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