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The accession consists of literary papers including personal and professional correspondence, short stories, travel essays and manuscripts, photographs from filming the movie adaptation of “Such a Long Journey,” and photographs from award ceremonies and convocations for several honorary doctorate degrees. Included are records pertaining to Mistry’s investiture in the Order of Canada, research material, financial records, and contributions to journals and literary periodicals plus short stories, essays, excerpts published in various anthologies, and bound galley proofs written by other authors requesting testimonials.

Accession consists of an issue of The Globe (Toronto), 1 July 1867; annotated manuscript of an unfinished science fiction story, “Non-lieu,” written in the 1990s; a copy of Stephen Crane’s The Red Badge of Courage annotated with Judith Cowan’s teaching notes for Québécois students; and correspondence sent by email and surface mail, 2021.

Accession includes material related to Elliston's involvement in local, municipal, provincial, national and international organizations and committees involved in social issues related to women's rights, (particularly immigrant women, ethnic and cultural minorities, women of colour and Indigenous women, issues of gender in urban communities, domestic violence, safety and accessibility), immigrant school children (particularly in the area of assessment, anti-racist, cultural interrelation, vocational training, and children's rights), adult learners (particularly in the areas of vocational training, anti-racist programming and policies for adult immigrant learners) and citizenship (in particular areas of multiculturalism, inter-cultural dialogue, tolerance, anti-hate group community efforts, political organization and celebration of diversity).

Accession consists of files from the Isaacs Gallery including records of bills paid, artists' files, correspondence, Inuit files/Inuit London, photo portfolios and artists' books, and several works of art.

Accession consists of slides providing an overview of Isaac's gallery exhibits over the decades. Most of the slides are shots of artists' works and are annotated with the artist's name, the title of the work, the date the work was created, the medium used, and the dimensions.

Accession consists of scripts, production materials, photographs, posters, correspondence, and moving image recordings pertaining to Freeman’s work as writer and producer of film and televsion, in particular his roles at the CBC as an executive in charge of creative production and creative head of special projects, drama.

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse, and to various dancers and/or dance companies as well as other material related to Dwyer's career as a dancer, choreographer and writer.

The accession consists of drafts for, and correspondence related to, Baldwin’s work-in-progress “Gateway of the World,” and the stage play “We Are So Different Now,” as well as promotional brochures for “Draupadi, We Are So Different Now.”

The accession consists primarily of Cameron's research files pertaining to her monographs ‘The Blue Trust’, ‘On the Take', and ‘The Last Amigo’; related files from her literary agent Linda McKnight; records pertaining to the Oliphant Commission investigating the Karlheinz Schreiber/Brian Mulroney affair; files of her early writings and a small number of miscellaneous research material for earlier investigative journalism stories.

The accession consists of research files, taped interviews and successive drafts of scripts and transcripts prepared for 15 programmes in the CBC radio series, Ideas. There is also his dramatization of Herman Maximov's 'The Ultimate Threshold' prepared for CBC's Vanishing Point.

Accession includes meeting notebooks (1993-1998) and production materials for "Perfect Machines: The Loom", "It ain't Kansas: The myth of New York City" and cassette tapes for other CBC Ideas series programmes.

The accession consists of lecture notes, graduate files, student files, academic and professional correspondence, research notes, course outlines, subject files, and materials related to the Frederic Harrison Collection.

Accession consists of a manuscript of Bakan’s book, “Freud and the tradition of Jewish mysticism,” (1957), which includes handwritten changes to the typescript in pencil and ink.

Accession consists of Barrett's records pertaining to his work as a medical geographer and includes correspondence, research files, papers delivered at conferences and colloquiums, articles written for journals, and photocopies and photographic (prints, negatives, slides) reproductions of rare, and early medical cartography from maps and atlases in England, France and Germany, created or published between 1739-1921.

Accession consists of research files pertaining to Barrett's book about Ernest Ibbetson, including audio recordings of interviews with Ibbetson family members, colour slides of Ibbetson's postcards, photographs and negatives, and memorabilia

Accession consists of research files pertaining to Barrett's book "Disease and Geography: The history of an idea".

Accession consists of audio cassettes containing interviews with First Nations Elders and others pertaining to Poslun’s research.

Accession contains records pertaining to Yvonne Vera’s personal life, created and/or accumulated by John Jose, including medical and legal information. It contains personal correspondence, legal correspondence, medical records and notes, and some newspaper clippings regarding Vera’s writing career.

Accession consists of Broadfoot's personal and professional correspondence; character monologues and scripts (including for Big Bobby Clobber; David J. Broadfoot, the MP for Kicking Horse Pass; and Sergeant Renfrew); scripts for roasts, tributes and special events; touring information; publicity photographs; clippings; mementos and certificates; records pertaining to his autobiography "Old enough to say what I want" (2002); and videos documenting his career as one of Canada's longest serving comedians.

Accession consists of publicity files which include biographical material, clippings and other promotional material related to John Kastner and his productions; administrative and production files including transcripts and scripts for the television programs Just Kidding and Street Comedy and audio and film reels related to Street Comedy.

The accession consists of records pertaining to M.G. Vassanji’s literary career, including: full and partial draft manuscripts of novels, short stories and speeches; personal correspondence; royalty statements, professional correspondence pertaining to literary festivals, prizes, conferences, permission to use work in other publications, and invitations to events and speaking requests; media packets, clippings and reviews regarding Vassanji’s books and Giller prizes; and records pertaining to his education, subsequent honorary degrees, and his investiture into the Order of Canada. 

Accession consists of photographs of public monuments in cities in Canada, the United States, the United Kingdom, Europe, and Egypt, as well as aerial and landscape views of many of these cities.

Accession consists of a typescript manuscript, "Geographical Guide to Ontario," written by John Warkentin from the late 1980s to 1991, preceded by a summary of the project prepared by Professor Warkentin in March 2023. The manuscript is an impressionistic description of the province based on his field observations, emphasizing physical, urban, and rural landscapes of Ontario, its economic infrastructure, and interrelationships. The manuscript consists of 1,100 pages with 278 maps and 41 tables.

Accession consists of: booklets containing student projects edited by Judith Rudakoff, “Questionable Activities: Canadian Theatre Artists Interviewed by Canadian Theatre Students,” 3 vols., 1997-1998, and “Telling Tales out of School,” a series of one-person performances created by students of Judith Rudakoff’s Playwriting and New Play Dramaturge classes, 2006-2009; articles about Judith Rudakoff, 1990-2001; correspondence regarding the University of Cape Town, 2016; syllabus for a dramaturgy course, 1988; conference papers, 2006-2011; conference booklets and related documents; correspondence regarding acceptance of Judith Rudakoff’s PhD dissertation by the University of Toronto, 1983; teaching award nominations; playwriting files; issues of Toronto Free Press, 1984-1989; award notices and nominations, 1984-2015; scripts for “Not Having,” “The Straw Hat – The Musical,” “The River,” and “Home is not a place” (the last two plays written with Judith Skelton and Joseph Tisga); and files supporting Judith Rudakoff’s academic promotion, 2003.

Accession consists of a photograph of author Norman Levine taken in Hampstead, London, United Kingdom by Nicholas Elder.

Accession consists of records documenting Leo Panitch's scholarly work and academic career. These records include research materials, notes, correspondence, speaking notes, draft articles, essays and other manuscripts, and conference materials pertaining to Panitch's work from the 1970s to the early 2000s, including preliminary writing and research for The Making of Global Capitalism. Also included are correspondence, manuscripts and other material pertaining to his tenure as editor of the Socialist Register, as well as notes and papers written during his undergraduate degree at the University of Manitoba, notes and examinations from his graduate coursework at the London School of Economics (LSE), and research materials and correspondence relating to his PhD dissertation, also at the LSE. Accession also includes a series of headshot photographs of Panitch.

Accession consists of: printed correspondence sent Canada Post and email, including many colour digital images taken by Judith Cowan and others, 2022-2023; Cowan's unfinished novel, "A Better Class of Illusion," with handwritten annotation, 25 October 2019; a brochure for the 39e Festival International de la Poesie; and letters to Cowan by her friend Dr. Hector L. van Vierssen Trip, accompanied by his essays on Alpertus on church and state, Germanic linguistic studies, Latin in biology, his trip to the Netherlands in 1988, and a history of the Trip family, 1978-1990.

Accession consists of materials donated by Inez Elliston in 2014. It includes research materials, education and teachers modules, publications and other documentation relating to Elliston’s work with the Scarborough Board of Education, and the Delta Kappa Gamma Society project, Woman as Volunteers.