York University Libraries Clara Thomas Archives & Special Collections

Audio recordings : "Medea"-organized sound

Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery

Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting

Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese

Audio recordings : 1) 1 kHZ tone 2) "Spectral Canon" for Conlon Nancarrow 1974 3) "Music for Player Piano" (1964)

Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964

Concert May 27th California Institute of the Arts

Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963

Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962

Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966

Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966

Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966

Audio recordings : "Three Drum Pieces", "Crystal Canon"

Audio recordings : 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)

Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959

Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959

Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)

Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963

Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963

Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967

Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967

Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)

Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles)

Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)

Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)

Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)

Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)

Audio recordings : Tenney - "Chorales for Percussion"

Audio recordings : "Fabric"; #3 and #4 (half-speed) repeated, 1) work-tape #68 (#3 and #4 (half-speed) repeated) 2) work-tape HI (all of 12 + 34 + 68 at the higher speed)

Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed)

Audio recordings : C-copy

Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed

Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed

Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)

Audio recordings : Tenney "Fabric" work tapes #34 and LO-2

Audio recordings : Third- Knoxville to Little Rock

Audio recordings : Toy Specialist, Jim; Ridino, Ballet One

Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"

Audio recordings : #12

Audio recordings : #12 Denver, July 24

Audio recordings : "Ann Rising", I, #1

Varese: "Octandre," Schoenberg, Budd: "Juno", Tenney: "Blues", Satie (Timar), Revueltas: "1st and 2nd Little Serious Pieces," Ives: "Two Little Flowers," "General William Booth...," New Music Concert

IITC, background on Ganienkeh (encampment by members of the Kahnawake Mohawk community) by Kakwirakerons, Keywords, IITC, Ganienkeh, Kahnawake, Kakwirakerons

John Trudell on Commitment

“Political Struggles of Native Peoples”, H. Cardinal, J. Mohawk et al

Wanda Big Canoe, Peter Bishop 20

Our Native Land

Caugh, shooting

Interviews for "Voices from the Odeyak"

Interview

Interviews for "Voices from the Odeyak"

Karen [Like?] 2

D. Destreichen

[Sun More Ovide M?]

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Showing 2195 results

Audio recordings : "Replay"

Audio recordings : "Medea"-organized sound

Audio recordings : "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery

Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting

Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting

Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting

Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting

Audio recordings : "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting

Lydian Mode/Phrygian Mode

Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese

Audio recordings : 1) 1 kHZ tone 2) "Spectral Canon" for Conlon Nancarrow 1974 3) "Music for Player Piano" (1964)

Audio recordings : 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964

Concert May 27th California Institute of the Arts

Audio recordings : Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963

Audio recordings : Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962

Audio recordings : 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966

Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966

Audio recordings : "Three Drum Pieces", "Crystal Canon"

Audio recordings : 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version)

Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)

Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963

Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967

Audio recordings : Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61)

Audio recordings : Tenney - "Chorales for Percussion"

Audio recordings : "Fabric"; #3 and #4 (half-speed) repeated, 1) work-tape #68 (#3 and #4 (half-speed) repeated) 2) work-tape HI (all of 12 + 34 + 68 at the higher speed)

Audio recordings : "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed)

Audio recordings : C-copy

Audio recordings : James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed

Audio recordings : James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed

Audio recordings : James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance)

Audio recordings : Tenney "Fabric" work tapes #34 and LO-2

Audio recordings : Third- Knoxville to Little Rock

Audio recordings : Toy Specialist, Jim; Ridino, Ballet One

Audio recordings : "In the Aeolian Mode", KPFK, ; "Cornfield Intro"

Audio recordings : #12

Audio recordings : #12 Denver, July 24

Audio recordings : "Ann Rising", I, #1

Varese: "Octandre," Schoenberg, Budd: "Juno", Tenney: "Blues", Satie (Timar), Revueltas: "1st and 2nd Little Serious Pieces," Ives: "Two Little Flowers," "General William Booth...," New Music Concert

Wounded Knee Press Conference

Ganienkeh - 2nd Day

"Counter Culture", January 22/73, with George Manuel : Side A

"Counter Culture", January 22/73, with George Manuel : Side B

Aboriginal Art Interviews

G.M. Interview, February 2, 1973

Aboriginal Art Interviews

G.M. Interview, February 2, 1973

G.M. Interview, March 18, 1972

G.M. Interview, March 18, 1972

Social Development Council (Quebec) Interview

Performance for United Nations

Interview with an Inuit Women Artists

Wounded Knee Press Conference

Untitled

W. Duff Interview on George Manuel

G.M. Interview, April 15, 1972

George Manuel Interview, April 15, 1972

Cornwall Police Practices, Akwesasne

Tree Planting Practices Interview

George Manuel Interview, March 19, 1972

George Manuel Interview, March 19, 1972

114 St Powell

Interview with an Inuit Woman Artist

G. Manuel, Keywords: Manuel

Interview with an Elderly Inuit woman

“Making the White Rulers Happy”, Jack Forbes, copy.

CA-5, Self Determination, Colonial and Captive Nations”, Jack Forbes. Keywords, Forbes

IITC, background on Ganienkeh (encampment by members of the Kahnawake Mohawk community) by Kakwirakerons, Keywords, IITC, Ganienkeh, Kahnawake, Kakwirakerons

John Trudell on Commitment

“Political Struggles of Native Peoples”, H. Cardinal, J. Mohawk et al

Wanda Big Canoe, Peter Bishop 20

Our Native Land

Our Native Land

Caugh, shooting

Caugh, shooting