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Silvana Tinelli_oral history_video.mp4

Silvana Tinelli, 83 years old, was born in Alexandria in a Catholic family of Italian and Yugoslavian origins. She narrates her migration to Brazil in 1957, when she was 17, as an adventure of her youth years. When she went back to Alexandria and saw her childhood home, Tinelli thought everything there looked like a miniature, if compared to the dimensions of Brazil.

Tareq Mesbah_oral history_audio.mp4

Tareq Mesbah, 28 years old, was born in Mansura in a Muslim family. His parents worked as government employees and owned a farm. Mesbah decided to move to Brazil in 2017 in search of opportunities. Mesbah says he was also looking for a less conservative country. From the restaurant that he opened in São Paulo, he talks about his passion for Pharaonic history.

Tareq Mesbah_oral history_video.mp4

Tareq Mesbah, 28 years old, was born in Mansura in a Muslim family. His parents worked as government employees and owned a farm. Mesbah decided to move to Brazil in 2017 in search of opportunities. Mesbah says he was also looking for a less conservative country. From the restaurant that he opened in São Paulo, he talks about his passion for Pharaonic history.

Ziad Gadou_oral history_video.mp4

27-year-old Ziad was born in Egypt, migrated with his family to Saudi Arabia at the age of five then to Oman at the age of 12, and now lives in the UAE. Ziad discusses memories of trips home to Port Said, anti-Egyptian racism in the Gulf, and the transformative experience of re-connecting with Egypt during his mandatory military service.

Shereen Elshafei_oral history_video.mp4

37-year-old Shereen was born in Saudi Arabia, returning to Egypt at the age of 10 before migrating to Oman to work as a teacher at the age of 31. Shereen discusses the challenges of living abroad as a single woman, the importance of financial independence, and why parents shouldn't hesitate to let their daughters live abroad.

Hassan Abozeid_oral history_video.mp4

55-year-old Hassan was born in the Philippines, and his parents' diplomatic career moved him between Egypt, Afghanistan, and the UK. Hassan discusses his experiences of migrating straight out of university to Saudi Arabia, Kuwait, and Bahrain, nepotism in the workforce in the GCC, and maintaing roots at home.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

CCMC

Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.

Lydian Mode/Phrygian Mode

Consists of "Lydian Mode" and "Phrygian Mode" James Tenney. Originally recorded at a concert on May 27, 1973 at the California Institute of the Arts.

Audio recordings : Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese

Consists of an audio recording of Computer Music, 1961 by James Tenney. There are four tracks: "Analog #1 - Noise Study," from December, 1961; "Five Stochastic Studies," December, 1962; "Dialogue," from April, 1963; and "Phases," from December, 1963 for Edgard Varese.

Audio recordings : 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo)

Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.

Print by Stephan von Huene [16 of 21]

Print 16 of 21 by Stephan von Huene in collaboration with James Tenney for a sound sculpture art installation. They were created to go with the mechanical drum in a sound sculpture. Signed by both Stephan von Huene and James Tenney.

Print by Stephan von Huene [5 of 21]

Print 5 of 21 by Stephan von Huene in collaboration with James Tenney for an sound sculpture art installation. They were created to go with the mechanical drum in a sound sculpture. Signed by both Stephan von Huene and James Tenney.

Audio recordings : Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.)

Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.

Audio recordings : Second and beginning of Third day

Item consists of a recording made by James Tenney while on a road trip across the United States, through Winchester, Virginia towards Tennessee in which he comments on various topics throughout the day while driving or in his motel room. Annotations on cover include: Notes on case: 2nd (+ beg 3rd) day Notes on inside of case: #2 July 9 Winchester Va to (Tennessee) I.D. / music / re. landscape in Va. / section at bad [scratched out] can be skipped at bad speed (comprehendible at 7 1/2) beginning of 3rd day, Robersville, Tennesee re beard begins again at 3 3/4 - repeats approx. then more on landscape, bear (mask, image) on the music (singing).

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