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Series contains records related to John D. Harbron as an author of several books: Communist Ships and Shipping (1962), Canada Without Quebec (1977), the Canadians: C.D. Howe (1980), the Longest Battle: the RCN in the Atlantic 1939-1945 (1993), Canadian Yesterday (2001).

A significant portion of records pertain to Trafalgar (1988) and This Is Trudeau (1968). Records include manuscript drafts, correspondence, research, photos, artwork, reviews, and notes on the production, promotion, and reception of the books.

Series contains textual records created and accumulated by John D. Harbron's father, Tom Habron, and mother, Sarah Lilliane Peace, in their roles in the military as a doctor and dietician. Records in the form of correspondence, newspaper clippings, notes, reports, and ephemera include documentation on promotion within the military, the medical corps and military hospitals, war and remembrance files, nutrition in military diets, and wartime food production in Canada.

This series contains the personal and professional papers of Sheila Harbron, which were collected and prepared by her in her capacity as President of the Etobicoke Branch of the Canadian Federation of University Women, 1966-1967, and President of the Governor Simcoe Branch of the United Empire Loyalists' Association, 1989-1992. This series includes the personal papers, correspondence, family and genealogical research, and photographs, of the Buck, Harbron, Hardy, Lester, Matheson, Ryerson families.

This series consists of audio cassette recordings containing personal interviews, reports, and presentations on topics related to Cuba and Latin America. An accompanying handwritten list by John D. Harbron contains notes about all of the recordings.

This series contains John D. Harbron's reseach and resources, including notes, reports, essays, various publications and newspaper clippings, covering topics related to Cuba and Latin America. Harbron's files concentrate on various aspects and the affairs relating to pre-revolutionary Cuba, revolutionary Cuba, and post-revolutionary Cuba, and Latin America. There are several files with research on Canada-Cuba and Canada-Latin America relations. The files in this series also contain correspondence, photographs, items from a trade development mission to Cuba, and information on Cuban exiles and armed forces, and Latin America's military forces.

The series contains John D. Harbron's published and unpublished writings, including articles, essays and story proposals. Article clippings and correspondence are available from Business Week, as well as film scripts written for the National Film Board, speeches, editorials, and selected Thomson column clippings. Also included is the complete record of Dr. Harbron's column in The Miami Herald (1969-1999), the longest continuous column to date on Canada in American newspapers, concentrated on Canada's various relations with the USA, Latin America, and Canada-Cuban relations, and readers' correspondence. Articles written for Canadian newspapers, such as The Globe and Mail (1960s-1990s), The Financial Post (1950s-1970s), and The Toronto Telegram, also form part of this series. The series also includes articles written for Christian Science Monitor, the New York Times, and various other American newspapers. As well, the series includes several tear sheets of articles by Harbron from Spanish publications. The articles in this series cover a wide range of topics in Canadian business and politics, as well as international affairs, with articles about Europe, USA, Cuba and Latin America.

This series consists of John D. Harbron's original notes, several notebooks and booklets, writing plans, index cards, and sample chapters for books and articles.

Also included are class notes and memorabilia from the University of Toronto and the University of Havana; cheque stubs and freelancing schedules; and material from his naval career including Royal Roads University.

This series consists of John D. Harbron's personal correspondence from during his professional career as a journalist, author, and academic. This series also contains correspondence received from family and friends. Included are letters on naval and defence affairs, Latin American affairs, letters-to-the-editor, as well as photographs and newspaper clippings.

Series consists of video tape cassettes of the company's performances, rehearsals, television broadcasts, and an interview (performances and commercials). Included are performances of La valse, Bella, Hot house, Inching, Triptych, Memento, Ces plaisirs, Totem, and others. The videos come in half-inch and three-quarter inch VHS format, and half-inch Beta max format.

Series consists of promotional photographs in black & white and colour, negatives, contact sheets, as well as personal photographs of Grossman and others. For the most part the photographs are related to performances of the Grossman Company.

Series consists of performance programs and reviews of the Danny Grossman Dance Company and other dance companies, such as The Paul Taylor Dance Company.

Series predominantly consists of general correspondence with and information about other dance companies. Records include fundraising documents, such as records of donations, corporate and foundation sponsorship and appeals, material from the Board of Director's Fundraising committee, samples of appeal letters, and related material.

Series consists of minutes and agendas of the Board of Directors and some of its committees.

Series consists of material relating to individual venues and to larger tours, including contracts, applications for touring grants from the Canada Council, travel budgets, and other material.

Series consists of grant applications to the Canada Council, the Ontario Arts Council, the Metropolitan Toronto Arts Council, and the Toronto Arts Council, including general applications, funding for tours, targeted grants (Development workshops, Teacher training, Promotional video, specific purchases of equipment, etc). As well, there are applications for funds to the Ministry of Culture and Communications (Ontario) for tour monies, management development, money from the Half Back promotion, and applications for grants from the department of External Affairs (Canada) for offshore tours, the Department of Communications (Canada) for specific purcahses and related material.

Series consists of reviews, previews, and photographs of Danny Grossman Dance Company as well as notices of the Paul Taylor Dance Company and the Toronto Dance Theatre, two companies in which Grossman was a dancer prior to 1975.

Series contains documents generated from performances, including educational initiatives, performed primarily in Toronto and tours across Canada and the north-eastern United States. Also, includes work by other choreographers produced by the company. Series consists of programming targeting primary and secondary schools in the form of curricula, teaching materials, educational marketing kits, feedback forms. Majority of records refer to Noondance and Curriculum in Motion educational initiatives.

Documents include itineraries, newspaper clippings, correspondence, programs, press releases, grant applications, contracts, feedback/participant surveys, and lobby displays. Few choreographic notations appear in this series (those that appear are in the Benesh Movement Notation (BWN) style).

Additional material related to the company's public engagement can be found in the correspondence and organisational records series. Aside from lobby displays, research and creative material used to develop repertoires do not appear in this series.

Series primarily consists of letters, cards, and printed emails written to Danny Grossman on a personal nature from industry professionals and friends, family, mentors, and former company members. Some files are subject files containing only photos, newspaper clippings and/or works created by the individual.

Business correspondence is located in this series include letters of support, thanks, and congratulations for the company. Some letters written on behalf of the company are primarily letters of recommendation for dancers. Additional business correspondence is located in the organisation records series.

Series consists of records pertaining to administrative operations including development (correspondence, donor and marketing research, and grant applications), promotional material (programs, newspaper clippings, announcements, newsletters, magazine articles, press releases), and activism in the dance community through professional associations, government councils, and conferences (correspondence, transcripts, and speeches).

Additional business correspondence is located in the correspondence series. The public engagement series contains documents generated from organising to tours and documents from grants that funded specific repertoires.

This series consists of correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera created and accumulated by CSWS Ltd. as agents of Marshall McLuhan and his estate. CSWS Ltd. began representing Marshall McLuhan around 1970.

The records in this series document the close working relationship and friendship between Matie Molinaro and the McLuhan family (especially her friendship with his spouse Corinne McLuhan) in managing Marshall McLuhan’s legacy, “brand”, and the rights to his work subsequent to his death in December 1980.

Files from accession 1990-018 include: correspondence of Marshall McLuhan, which was utilized in a published correspondence volume, edited by his wife Corinne and Matie Molinaro, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); galleys of McLuhan works ('Laws of the media,'); correspondence and reports of the Centre for Culture and Technology at the University of Toronto; lecture invitations; various television and film proposals, scripts, and related correspondence, as well as material about McLuhan (books, articles, newspaper clippings, etc), and the 'Management game,' which includes a sample deck of cards used in the game as well as orders for the game.

Files from accessions 2010-040 and 2012-066 include: public appearance requests; requests for permission to cite and republish the work of McLuhan; research material and drafts for the book, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); correspondence and reports related to the preparation, negotiations and acquisition of the McLuhan Papers by the Public Archives of Canada in 1984; correspondence with communication scholars and co-authors of works with Marshall McLuhan, including Bruce R. Powers, Barrington Nevitt, and W. Terrence Gordon; reprint agreement in 2001 and related correspondence with Mo Cohen of Gingko Press of Berkeley, California which led to renewed interest in Marshall McLuhan’s work; correspondence related to the planning of the Toronto International McLuhan Festival of the Future in 2004.

Also included are files about several members of the McLuhan family, including Elsie McLuhan (mother), Corinne McLuhan, and children Eric, Michael, Teri, and Mary.

This series consists of records relating to CSWS Ltd. founder Matie Molinaro. The records in this series provide insight into Molinaro’s early life growing up in New York, her student days at Barnard College, and her work as a war correspondent during the Second World War. Types of records in this series include personal memorabilia, correspondence, writing samples, clippings, and biographical material.

This series consists of assorted printed material collected by the agency. It includes publishers’ catalogues, clippings about clients and prominent industry figures, pamphlets, periodicals and theatre programmes.

This series consists of records created and accumulated by CSWS Ltd. in relation to management of the day-to-day operations and business of the agency. Files include: correspondence (inquiries, invitations); union files (ACTRA, Writers Guild of Canada, Writers Guild of America); template contracts/agreements for writers, actors, and speakers; mailing lists; information about conferences, seminars and book fairs; and subject and clippings files, primarily on the topic of copyright.

Also included are the office’s Diaries and Day Books from 1951-1965, which provide a daily record of incoming and outgoing correspondence, phone calls, and notes about day-to-day business.

This series consists of book manuscripts; film, television and theatre scripts; and musical scores submitted to CSWS Ltd. by clients and prospective clients.

This series consists of general correspondence files kept by the agency. The bulk of the files consists of enquiries about their services, rejections, and requests for public speakers.

This series consists of files created and accumulated by CSWS Ltd. about agency clients and prospective clients enquiring about the agency’s services. The types of records found in this series include correspondence, contracts, royalty statements, clippings, manuscripts (and manuscript samples), headshot photographs, curriculum vitae and biographical highlights sheets. The more well-known people represented in this series include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

Files 2012-066/001(05) to 2012-066/004(10) consists of research notes and drafts related to a research project by Matie Molinaro and Barbara Brescia about the painting Venus Disarming Cupid.

Files related to CSWS Ltd. client Marshall McLuhan and his estate can be found in Series S00667: Marshall McLuhan files.

The series consists of research material, notes, manuscript and typescript drafts and proofs related to stories, essays, articles and book reviews written by Sheard, to her novels "Almost Japanese", "The Swing Era", "The Hypnotist", "Krank: love in the new dark times", and to her play "The House Guest". It also includes correspondence with publishers and publicity material for several of her works.

Series consists of agendas, minutes of meetings, notes, correspondence, catalogues and other material that documents Sheard's work as an editor of Coach House Press. Included are correspondence and other material with Margaret Atwood concerning the writing and publishing of her novel "Good Bones".

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Series consists of chronologically arranged agendas.

Series consists of audio recordings of bissett's poetry readings as well as recordings of bissett's musical activities with his band The Luddites.

Series includes copies of poems written by other writers and submitted to blewointment press where bissett acted as editor for many years. It includes poetry by Canadian authors George Bowering, Dorothy Livesay, Robert Priest and Al Purdy, among others. There are also copies of publications from blewointment by many of these writers as well as newspaper clippings, copies of popular magazines, literary journals, and related material that documents bissett's ongoing personal and professional interest in Canadian poetry.

Series consists of typescript and manuscript drafts of poems written by bissett, many of which include original bissett drawings or sketches in the margins. There are also copies of bissett's published works including 'Pomes for yoshi,' 'Space travl,' 'Wuns I saw it raining frogs' and others, art work by bissett including sketch pads, paintings, loose sketches, drawings and doodles as well as material exhibited in galleries. The series also includes posters and flyers publicizing new bissett publications, bissett readings or art exhibitions. There are also several examples of publications that contain reviews of bissett's poetry and/or interviews with him as well as anthologies in which either his poetry or art was published. The series also contains financial records related to bissett's professional life and work including book contracts, grant applications and reports to the Canada Council and to the Ontario Arts Council.

Series consists clippings, note books, journals, photographs, publications, ephemera and other material which documents bissett's personal life and interests including his material that documents his years as an undergraduate at the University of British Columbia. It includes collected memorabilia such as buttons and name plates, identification cards and expired passports, a vest worn by bissett when giving poetry readings, tee shirts designed by bissett and a rattle used in poetry readings.

Series consists of personal and professional correspondence including letters received from friends, writers, bookstores, publishers, art galleries and others including Margaret Atwood, Earle Birney, George Bowering, The League of Canadian Poets, b.p. nicol, P.K. Page, Al Purdy, James Reaney, Books in Canada, Bantam Books, Coach House Press and McClelland & Stewart, among others.

Series consists of lectures and addresses given by Applebaum as part of courses, seminars, public lectures, symposia and conferences, and radio shows (Music From Film). Also includes talks and interviews (1956-1979).

Series includes high school marks and assignments.

Series consists of correspondence, minutes of meetings, press clippings, contracts, and reports relating to associations in which Applebaum was involved such as Canadian Music Centre (1967-1994), Chamber Concerts Canada (1988-1989), Canadian League of Composers (1976-1996), National Arts Centre (1967-1996) and SOCAN (1990-1994).

Series contains orchestra parts for film, television, theatre and other productions, including 'Twelfth night,' (1986), 'Glory enough for all,' (1988), 'The Masseys,' (1977-1978), 'Love of gardens' and several other titles.

Series video cassettes of CBC and PBS productions, 'Arthur Miller special,' (1979), and 'The Masseys'.

Series contains audio reels and audio cassettes of recordings of Applebaum's music, including 'Athabasca,' 'B.C. welfare music,' (1955), 'I, the diplomat,' (1956 - for United Nations Radio), 'Krieghoff,' (1955), 'The national dream,' (1973-1974), music for Stratford, for the CBC production "Purple playhouse" (several titles); sound recordings related to Applebaum’s activities as chairman of the Federal Cultural Policy Review Committee (1979-1984); recordings related to his activities as Jury member for the Opera America (1996); recordings of his music composed for various CBC shows, recordings of concert (and interviews) given at the occasion of Applebuam’s 80th birthday; and recordings of other composers’ music including the CBC Composer Series.

Series consists of newspaper clippings, some arranged chronologically, others by subject (Stratford, Canadian League of Composers), as well as printed material, correspondence, speeches, sketches, scores, drafts, catalogues and calendars of festivals. There are also programmes for performances, which are arranged by cultural activity (dance, music, theatre, etc). There are printed materials, including periodicals, arranged by title, including 'Bulletin from the Canadian Conference of the Arts,' 'Artscanada','Canadian composer,''Musicanada,' and reports of cultural institutions and agencies, and academic and government studies, including those in which Applebaum was a participant. Also included are records related to the creation of his last opera Errowhon (1996-1999).

Series contains minutes of meetings of the Advisory Committee on Cultural Policy (1979-1980), including agendas, background material, reports, and policy papers and submissions from staff on issues such as funding for the arts, marketing, and related topics. There is also material from the Planning Committee (1981-1982), and the full committee (1981-1982), which includes minutes, correspondence, agendas, and briefing notes from public hearings in several cities across the country, arranged by city. There are also submissions from individuals and organizations appearing before the Committee, and these are also arranged by city in which they were presented. In addition, there is material on international aspects of the arts, arts administration, broadcasting, the role of government in the arts, and related subjects. There is a copy of the final report, 'Report of the Federal Cultural Policy Review Committee,' (1982) as well as drafts. There are also newspaper clippings regarding the Committee, its work, and meetings across the country.

Series includes copies of films for which Applebaum provided scores including, 'Coal face Canada,' 'A man and his job,' 'Thirteen platoon,' 'This is Canada,' ‘The Story of G.I. Joe’ and other titles.

Series consists of audio discs of Applebaum's works, including glass discs, some with Applebaum playing the score, many for which there are also scripts in Series 1. The recordings include, 'Coal face,' 'Dollar dance,' 'Thirteen platoon,' 'Welcome soldier,' 'Juno and the paycock,' 'The rape of Lucretia,' and other titles. In addition, there are recordings that formed part of Applebaum's private collection.

Series consists for the most part of publicity stills for productions in which Applebaum was involved, at Stratford, on CBC, Hollywood, etc. The photographs are sub-divided by form of productions (drama, music, film). In addition, there are photographs (arranged by subject) of people and events, and a photographic plate for a portrait of Applebaum (1950s).

Series consists of the blueprints for the National Arts Centre (1965).

Series contains announcements and articles concerning Applebaum's life and work, and related material, arranged by subject (dance, festivals, film, music, opera, theatre, Stratford).

Series consists of newspaper and magazine clippings, arranged by year, in the first instance, and then arranged by subject (Duke Ellington, National Film Board, Stratford Festival).

Series contains reports from the Canada Council (annual-1978-1979), 'Economic aspects of the arts in Ontario,'(1972), and reports related to arts and artistic organizations.

Series includes includes appointment books (1958-1978), calendars (1970-1972), a cash book (1942-1948) and day timers (1987-1998).

Series consists of scripts, cue sheets and correspondence, in some cases, for film, stage and radio productions for which Applebaum was to compose the music. These include 'Ballade' a musical play by Arthur Samuels (1968), 'The fool killer,' (c. 1961), 'Three sisters,' (Stratford production, 1976), and others. Also includes scripts of poems.

Series consists of three sub-divisions: Scores for films; Scores for radio and television; Scores for theatre. Some of the scores include sketches, shooting scripts, parts, music cues, correspondence with directors and producers. The scores for films contains scores for National Film Board productions, including 'Alexis Tremblay, habitant' (1942) 'Arctic saga,' (1952), 'Athabasca,' (1967), 'Canadian profile,' (1956), 'The forest,' (1965), 'Krieghoff,' (1955), 'Paddle to the sea,' (1966), 'Royal journey,' (1951 Royal Tour), and 'Varley,' (1952). In addition, there is a good deal of NFB stock music composed by Applebaum. There are also scores for American government agencies (United States Army Reorientation Branch, United States Navy, Georgia Department of Health, Mississippi Department of Public Health). As well, there are Hollywood scores for 'Lost boundaries, '(1949), 'Story of G.I. Joe.' (1945), 'Tomorrow the world,' (1944), and scores for American productions including the Hans Richter film 'Dreams that money can buy,' (1952) with music by John Cage, Paul Bowles, and Applebaum. For radio and television there are scores for 'And then we wrote,' (1967), the CBC National News theme (1966-1967), scores for the CBC Television programmes "Camera Canada," ('Campus in the clouds,' 'Hockey,' etc), 'The discoverers,' (1972) "First performance" ('Black of the moon,' 'O'Brien,' 'Time lock,'), 'Images of Canada,' (1972), 'The journal of Susanna Moodie,' (1971), 'Mr. Piper,'[children's programme] (1961-1963), 'Peer Gynt,' (1957), "CBC playhouse," ('The ghost in the corpse,' 'The girl queen at the world's end,' 'How the Tongans came to Fiji,' 'The McAndrew family,' 'The viking and the vixen,')(1952), "Purple playhouse" ('The bells,' 'Corsican brothers,' 'Dracula,' 'Sweeney Todd,' 'Used up,') (1973), 'Scope' (1955), 'Seven days of victory' (1955), and several more. There are also scores for the Columbia Broadcasting System programme "Twentieth Century," and scores for the United Nations radio service. For CBC - Radio there are scores for "Summer stage" ('Always a librarian--never a bride,' 'Burlap bags,' 'For whom the horses run,' 'Prophecy at dawn,' 'Tidewater morning,'), "Wednesday night" ('Antigone,' 'Hamlet,' 'Juno and the paycock,' 'The playboy of the western world,' 'The shaking tent,' 'Words & music,'), and others. For theatre there are scores for Stratford productions including 'Anthony and Cleopatra' (1967, 1976), 'Coriolanus,' (1961), 'Cyrano,' (1963), 'Hamlet,' (1957, 1969) 'King Lear,' (1964) 'Much ado about nothing,' (1958, 1980, 1987) 'Twelfth night,' (1966, 1985), 'Macbeth,' (1978), 'Cymberline,' (1986), 'Mystery of Henry Moore,' (1984), 'The man who hid Anne Frank,' (1980), as well as other theatre productions in Toronto and New York.

Consists of Herzberg's files related to his research on the memoir he wrote about his mother, astrophysicist Luise Herzberg. Records include research notes, book proposal, correspondence with relatives, colleagues, publishers, photocopies of certificates, translations, genealogical notes, photocopies of original diaries, letters, etc., working files and a few photographs.

Series consists of annual reports of Herzberg's professional activities; correspondence with the departmental chair, dean, and other faculty members; the faculty strike of 1996/1997; efforts over 20 years to restrict smoking at York; and other topics.

Series consists of memorabilia, records documenting Herzberg's speech at a retirement party, and continuing dialogue with TAs via the "Stats Forum", an early version of a blog.

Series consists of records documenting Herzberg's battle for promotion.

Series consists of records documenting his application in 1983 and some of the activities during that year.

Series consists of records documenting Herzberg's development of the block scheduling system.

Series consists of notes pertaining to enrolment processes and statistics, advisory information, etc.

Series consists of bulletins and research reports written by Herzberg. The files also contain correspondence with Fellegi, who subsequently became the Chief Statistician of Canada.

Series consists of manuscript drafts, correspondence with publishers, notes, reviews and publicity material.

Series consists of letters of recommendation written by Herzberg.

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Series consists of research and course notes, course outlines, lecture notes, quizzes, manuscript drafts, evaluations, newsletters, exams, course instructor's manual co-authored by Herzberg, etc.

Series consists of research and course notes, course outlines, lecture notes, quizzes, manuscript drafts, evaluations, newsletters, etc.

Series consists of research and course notes, lecture materials, outlines, quizzes, correspondence.

Series consists of research and course notes and lecture materials.

Series consists of records pertaining to the research, writing, editing, publication and promotion of Axelrod’s books, including his PhD thesis, "The economy, government and the universities of Ontario, 1945-1973”, which was republished as "Scholars and dollars: politics, economics and the universities of Ontario, 1945-1980", "Making a middle class: student life in English Canada during the Thirties", "Transitions: schooling and employment in Canada" (co-editor with Paul Anisef), "The promise of schooling: education in Canada, 1800-1914", "Youth, university and Canadian society: essays in the social history of higher education" (co-editor with John G. Reid), "Opportunity and uncertainty: life course experiences of the class of '73" (co-writer with Paul Anisef), "Values in conflict: the university, the marketplace and the trials of liberal education" and "Knowledge matters: essays in honour of Bernard J. Shapiro" (editor), as well as his various articles, reviews, conference papers, and commentaries. Records in this series are research materials, correspondence, draft manuscripts, audio recordings, photographs, interview transcripts, book proofs, reader reports, publishing contracts, speaking notes and promotional materials.

Series consists of records documenting Axelrod's career as a university professor and administrator. Many records pertain in particular to his role as Dean of the Faculty of Education at York University between 2001 and 2008, as well as his work on committees (Ontario Association of Deans of Education, Ontario Confederation of University Faculty Associations). Included are correspondence, job applications, course outlines and student evaluations for courses taught by Axelrod, copies of research grant applications, past tenure files, photographs, reports, speeches, assessments, conference materials, newspaper and magazine articles.

Series consists of Axelrod's high school, undergraduate and graduate school essays, speeches, drafts of articles written for student newspapers and other materials that document his involvement with student organizations including the Council of the York Student Federation, the Ontario Federation of Students and the Ontario Union of Students, as well as his research interest in post-secondary education and the student union movement. These records include publications, papers, articles and news releases.

Series consists of personal and professional correspondence consisting of manuscript and typescript copies of letters received by Axelrod and, in many cases, copies of letters written by Axelrod himself.

The series consists of research material, notes, drafts and manuscript copies of Clark's novel "Bite the stars" including drafts edited by Cynthia Holz and Iris Tupholme. The series also includes manuscript and typescript drafts of shorter works by Clark as well as an audio recording of "Pride and Joy" which was adapted as a radio drama for CBC's Morningside.

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

The series consists of correspondence, notes, clippings and other material which documents the career of Friedlander's father Curt Borchardt, himself a theatre critic.

The series consists press photos of actors, artists, theatre companies and festivals received by Friedlander during the course of her work as a theatre critic and writer.

The series consists of clippings of articles written by Friedlander covering a number of subjects and written for newspapers, magazines, newsletters and other publications.

The series consists of Friedlander's yearbooks covering her years as a high school student at Vaughan Road Collegiate Institute.

The series consists of correspondence, notes, order forms, ticket agreements and other material related to the Theatre Club.

The series consists of personal and professional correspondence, research material, interview transcripts, newspaper clippings, drafts of speeches and lectures given by Friedlander, copies of resumes, material related to the Sears Ontario Drama Festival and other material which documents Friedlander's career as a theatre critic and writer and which illustrates her involvement in the arts community in Ontario.

The series consists of audio visual recordings pertaining to Bernard Zukerman's television productions and including awards submissions, promotional videos, audition tapes, final broadcasts and ohter types of material.

The series consists of subject files created and compiled by Bernard Zukerman including diaries, income tax returns, financial statements, memorabilia and other material.

The series consists of scripts written by others and sent to Bernard Zukerman for his consideration.

The series consists of research files, correspondence, drafts of scripts, casting lists, crew lists, publicity materials, and photographs relating to various television dramas produced by Bernard Zukerman. Projects documented include: "And Then You Die", 1986; "Skate!", 1987; "The Squamish Five", 1988; "Love and Hate: the Story of Colin and JoAnn Thatcher", 1990; "Dieppe", 1994; "Million Dollar Babies", 1994; "Net Worth", 1995; "The Sleep Room", 1998; "Revenge of the Land", 2000; "Heart: The Marily Bell Story", 2001 and others.

Series consists of various sound recordings of Christie's performances, of talks by him or interviews with him during his years as an actor. It includes copies of music recorded by Christie including recordings of performances by his daughter Dinah Christie both alone and with Christie himself.There is also a recording on which Christie reflects upon his family history.

Series consists of correspondence, yearbooks, family histories, photographs, collected memorabilia and ephemera related to Christie's immediate and extended family. Aside from more general files, it also contains groups of files specifically related to Chrsitie's father David Wallace Christie, to his ex wife Granier Mortimer Christie and to the Stacey family as well as ephemera in the form of identification cards, awards and certificates belonging to Christie and correspondence exchanged with Margot Christie while Christie was serving with the Canadian Army. There is also information regarding Christie's death including a series of journals kept by his caretaker towards the end of his life.

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Series primarily consists of selected monologues and other pieces of theatre used by Christie while teaching acting at Ryerson Polytechnic Institute. It also consists of programmes, posters and other material related to theatre productions by Christie's students and lecture notes, course outlines and resource material related to Christie's teaching subjects.

Series consists of files containing correspondence, financial records, memos, legal documents and other material related to Christie's involvement with Jane Mallet and Associates, the production company for which Christie was a partner along with Jane Mallet and Don Harron. It contains a considerable amount of correspondence between Harron and Christie related to the staging of various productions including Earle Birney's "Turvey" and to Chrisite's portrayals of Sir John A. MacDonald as part of the Canadian Centennial Commission's celebration of the centenary.

The series consists of chronologically arranged diaries or agendas that contain a record of Christie's day to day appointments and activities.

Series consists of scripts, notes, photographs, articles and clippings related to various theatre productions, television and radio shows with which Christie was involved. It includes material related to productions of "The dream," "Here lies Sarah Binks," "Sweeney Todd" and "Sir John A. MacDonald." It also contains published copies of plays annotated by Christie that demonstrate stage directions and other comments related to his portrayal of his characters in these plays.

Series consists of chronologically arranged subject files and/or scrapbooks that were maintained by Christie on an annual basis between the years 1913 and 1984. The material up to 1959 was maintained in bound scrapbooks following which they were maintained as loose material in file folders. In both cases, they contain clippings, reviews, programs, miscellaneous correspondence, photographs and ephemera that document Christie's personal and/or professional life. The early scrapbooks contain Christie's record of Baptism as well as report cards from Riverdale Collegiate and programmes related to his early acting career at Hart House Theatre while he was a student at the University of Toronto. Included are records of Christie's acting career in London, England where he acted as part of the company of the Old Vic among other companies and of his acting career in Canada where he was a long term member of the New Play Society and the Stratford Shakespearean Festival company.

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

The series consists of the administrative files of 'What', including financial statements and budgets, records of expenses, contracts, advertising information, clippings, correspondence, press releases and other material related to the ongoing operation of the magazine; submissions which includes typescript copies of stories sent to 'What', story ideas, writers' invoices, 'What' guidelines and writer's files which are a series of files arranged alphabetically which contain correspondence, stories and clippings pertaining to particular authors.

Consists of royalty statements, letters of permission, contracts, correspondence with agents and other material that documents financial transactions related to the sales and marketing of Mistry's work.

The series consists of personal and professional correspondence including copies of letters received by Mistry from Leone Rook, John Metcalfe, Graeme Gibson, Alberto Manguel, Craig Stephenson, John Irving, Jane and Tony Urquhart, Pico Iyer, Louis de Berniers, Mavis Gallant, Greg Hollingshead, Michael Ondaatje, Greg Gatenby, David Staines and Steven Heighton among others and, in many cases, copies of letters written by Mistry himself.

The series consists of correspondence, invitations, travel schedules, clippings and promotional material related to the publication of Mistry's work and to reading tours associated with it including his selection to the "Oprah Book Club". Series also includes material pertaining to the awards and nominations he received for his books.

The series consists of notes, drafts, proofs and cover art for his books Tales from Firozsha Baag, Such a Long Journey, A Fine Balance and Family Matters and the screenplay, production files, correspondence and promotional material related to the film adaptation of Such a Long Journey.

Series consists of notes, board minutes, reports and a set of oversize photographs of participants and their activities.

Series consists of files related primarily to Norquay and her family. Records include her grandfather's notes for his Saturday Night Debating Society activities, her father's Sunday Bible talks, letters to and from her husband, parents and grandparents, records pertaining to Norquay's military service during and after World War II (Canadian Women's Army Corps), a scrapbook created by Norquay as a child, dance cards, some photographs, Norquay's creative writing notes and drafts of her family memoirs, diplomas, family genealogical clippings, Norquay's husband's Chelan Mission Field notes as a new United Church minister, correspondence with friends and admirers, and miscellaneous memorabilia.