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Item consists of the 24 page Mariposa Folk Festival program for 1980, held at Harbourfront Queen's Quay, Toronto, Ontario. The program was edited by Daryl Auwai and designed by Wycliffe D. Smith. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: The Foundation" by Rob Sinclair, "Here We Go Again" by Daryl Auwai, "Director's Notes" by Ken Whiteley, "Mariposa in the Schools" by Ron Boughton and a financial statement by the festival foundation.

Item consists of the 36 page Mariposa Folk Festival program for 1979, held on the Toronto Islands, Toronto, Ontario from 15-17 June, 1979. The program was edited by Daryl Auwai, designed by Wycliffe D. Smith, Paul Weldon and Marilyn Koop and advertisments were managed by John Armstrong. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies as well as a breakdown of participating craftspeople. Also contains several articles including: "Mariposa - An Introduction" by Estelle Klein, President and Artistic Director, "This Year's Festival" by Jeanine Hollingshead, Program Coordinator, "Craft at the Festival" by Wendy Brooks and Sheelagh Carpendale, "Mariposa in the Schools" by Lennox Grant, two anonymous articles titled "Labrador: This Year's Special Guest" and "Children's Area: It's Growing Stronger" and a financial statement from the festival foundation.

Item consists of the 52 page Mariposa Folk Festival program for 1978, held on the Toronto Islands, Toronto, Ontario, from 23-25 June, 1978. The program was edited by Sharon Johnston and David Ferguson, designed by Marilyn Koop and advertisements were managed by Trish Short. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles, including: "Introducing this year's festival" by artistic director, Ken Whiteley, "Alan Mills" by Bram Morrison, a memorial to Malvina Reynolds, "An Old Immigrant Remembers" by Margaret Bennett Knight, "Mariposa in the Schools" by Carol Kehm (MITS Coordinator), "The Children's Area" by Sharon Hampson, Lois Lilienstein and Caroline Parry, "The Native Peoples" by Bettle Liota and a financial statement from the festival foundation.

Item consists of the 69 page Mariposa Folk Festival program for 1977, held on Toronto Islands, Toronto, Ontario, from 24-26 June, 1977. The program was edited by Bill Garrett, designed by Sharon Johnston and the advertisments were managed by Trish Short. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: An Introduction" by Estelle Klein, Artistic Director, "Mariposa in the Schools" by Carol Kehm, "Children's Area" by Sharon Hampson and Lois Lilienstein and "Indians and Inuit at Mariposa" also by Estelle Klein. This program also contains a supplementary newsletter called "The Newsletter: A Mariposa Folk Festival Publication Special Program Edition '77" edited by Matthew Clark and Marilyn Koop, designed by Stew Cameron and with general support from Bill Garrett, Grit Laskin and Joyce Yamamoto. The supplement contains several articles including: "Fifteen Months of Music: The Folk Instruments of South America" by Quentin and Edmond Badoux, "If You Miss Me On The Picket Line.." by Matthew Clark, "Please Walk On The Grass" by Ian Robb, "Record Reviews" with contributors: Marilyn Koop, Edith Fowke and Matthew Clark and "Grit's Workshop" by Grit Laskin. Program also contains a financial statement by the festival foundation.

Item consists of the 52 page Mariposa Folk Festival program for 1976, held on the Toronto Islands, Toronto, Ontario, from 25-27 June, 1976. The program was edited by Bill Garrett, designed by Sharon Johnston and advertisements were managed by Mary Whiteley. Program includes a map of the site, a schedule of evening and day concerts and workshops and a list of performer biographies. Also contains several articles including: "Mariposa: An Introduction" by festival artistic director Estelle Klein, an anonymous article titled "Bringing Home the Mariposa", an anonymous article about Mariposa in the Schools, "Crafts at Mariposa" by Skye Morisson, a short article introducing the children's area written by Sharon Hampson and Lois Lilienstein and a financial statement from the festival foundation.

Item consists of the 45 page Mariposa Folk Festival program for 1975, held on the Toronto Islands, Toronto, Ontario, from 20 -22 June 1975. The program was edited by Dick Flohil, designed by Hodges Freeman & Robinson, and advertisments managed by Gay Spiegel. Program includes a schedule of evening and day concerts and workshops and a list of performer biographies. Also includes several articles, including "Mariposa : An Introduction" by festival artistic director Estelle Klein, an article by Alanis Obomsawin about the Native's People's Participation in the festival an article about crafts at the festival by Skye Morisson and a short anonymous article about Mariposa in the Schools and a financial statement from the festival foundation.

Item consists of the 49 page Mariposa Folk Festival program for 1974, held on the Toronto Islands, Toronto, Ontario from 21-23 June, 1974. The program was designed and edited by the festival's Programme Book Committee, consisting of Joe Lewis, Enoch Kent, Paul Hornbeck, Marna Snitman, Shelley Spiegel, Ray Woodley, Eileen Keleher and Stew Cameron. Includes a schedule of evening and day concerts and workshops, a list of performer biographies, and ... Also includes several articles, including "Bluegrass Music" by Shelley Posen, "Notes on Accompaniment" by Peggy Seeger and Ewan MacColl (reprinted from "The Singing Island"), "Crafts at Mariposa" by Skye Morisson and short anonymous articles from Mariposa In The Schools and the festival's Ethnic Committee.

Item consists of the 52 page Mariposa Folk Festival program for 1973, held on the Toronto Islands, Toronto, Ontario from 6-8 July 1973. The program was designed and edited by Richard Flohil and Marna Snitman. Program includes an illustrated schedule of evening and day concerts and workshops, a listing of performer biographies, as well as an auditor's report for the festival foundation. Also includes articles, including, "Performers from Toronto ethnic groups play a special part in Mariposa" by Flo Hayes and "Crafts and craftsmen at the Festival" by Sykes Morrison.

Item consists of the Mariposa Folk Festival Program for 1972, held at Toronto Islands, Toronto, Ontario from 14 -16 July 1972. Featuring cover art by Ojibwe artist Saul Williams of Weagamow Ontario, and a back cover illustration of the festival's horoscope by Adrienne Leban, the festival program was published by Herbert Wise of Music Sales Corporation, edited by Carol Fein with design by Ulrich Boege. The program featured an illustrated festival schedule of performances and workshop, an alphabetical listing of festival performers and artisans and obituaries for Bob Beers (1922-1972), Rev. Gary Davis (1896-1972). The 1972 program also featured four feature articles, including an introductory essay, "Second Annual 2000 Words" by Tony Glover, "Centreville Conservatory : The Poet and His Hometown" by Bob Atkinson, "Media Inversion : Videovision versus Television" by Richard Kletter, and "Real Country Music : The Treasure in Joe Bussard's Basement".

Item consists of the Mariposa Folk Festival Program for 1971, which was held at the Toronto Islands, Toronto, Ontario from 9-11 July, 1971. Featuring the work "Painting of Kicking Bear" by Michael Soles on the cover, and an illustration and inscription from the work "Mountain Wolf Woman, The Autobiography of a Winnebago Indian" on the back cover, the festival program was published by Herbert Wise of Music Sales Corporation, edited by Peter Greenwood, with art direction by Ulrich Boege, advertising by Mel Weinberger and staff photography by Elaine Lipson. The program features an illustrated festival schedule of performances and workshops, an alphabetical listing of festival performers and artisans and collages and illustrations by Uli Boege. The 1971 program also features nine feature articles, including "Helo The World, An Autobiography" by David Gahr, "Yurts" by William Coperthwaite, "Macrobiotics" by Carole Getzoff, "Integral Yoga" by Aikya, "Brownie McGhee" by Brownie McGhee and Happy Traum, "Blues" by Peter Greenwood, "The Art of The Luthier" by Michael Gurian, "About 2000 Words" by Tony Glover and "The Guitar Owner's Bible" by Matt Umanov.

Item consists of a 29 page festival program for the Mariposa Folk Festival of 1970, which ran from 24 - 26 July, 1970. Program designers were Frank Perold and Dick Flohil with the centre spread design by Murray McLauchlan. Also includes an anonymous article "Native People's Festival Widens Craft Area at Mariposa" and a retrospective selection of photographs of performers from first 10 years of the festival.

Item consists of the 29 page Mariposa Folk Festival program for 1969, held on the Toronto Islands, Toronto, Ontario on 25-27 July 1969. The program was designed by Leigh Cline and Richard Flohil, featuring the Mariposa sun logo on the cover designed by Murray McLaughlan. Program includes a list of performer biographies, as well as an illustrated schedule of daytime concerts and workshops. Also features a retrospective of photographs taken at the 1968 festival by William Smith, and an essay about the 1968 festival by Joe Lewis.

Item consists of the 28 page Mariposa Folk Festival program for 1968, held on Toronto Islands, Toronto, Ontario from 9-11 August, 1968. The program was designed by Richard Flohil with graphic designs by Murray McLaughlan, featuring the Mariposa sun motif on the cover in black ink on a bright yellow background.

Item consists of the 34 page Mariposa Folk Festival program for 1967, held near Innis Lake, Ontario from 11-13 August, 1967. The program was edited by Raymond Gallinger, and featured a cover design by Gary Preet. Program includes an illustrated schedule of concerts and workshops, as well as a listing of performer biographies. Also features three articles, including "Richard Waterman's Short History of the Blues", The Revolving Trends of Popular Music" by Leigh Cline, an anonymous short article about the University Settlement International Folk Dancer, "Traditional Folk Songs, Dances, and Tales of England - Scotland - Ireland" by Roger Deveer Renwick, "A Canadian Sampler" by Edith Fowke and a farewell letter from Ruth M. Jones, founder of Mariposa.

Item consists of the 29 page Mariposa Folk Festival program for 1966, held at Innis Lake, Ontario from 5-7 August, 1966. The program was edited by Anne Hershoran, assisted by programme advisor, Randy Ferris, with illustrations provided by Showcards Unlimited. Program includes a schedule of concerts and workshops, as well as a listing of performer biographies. Also features four articles, including "Ontario Folk" by Edith Fowke, "Gospel Music" by Dick Flohill, "Chicago Blues" By John Norris, "Old Time Music" by Leigh Cline. Also features photographs from 1965 festival by Bill Smith.

Item consists of the 24 page Mariposa Folk Festival program for 1963, held in Orillia, Ontario from 9-11 August 1963. The program was designed and edited by Ed Cowan with possible assistance from festival designer Larry Schafer. Program includes a listing of evening and day concerts and discussion panels, as well as a listing of performer biographies.

Item consists of a folding pamphlet for the second Mariposa Folk Festival, held in Orillia, Ontario from 10-12 August 1962. The pamphlet includes schedule of performances, a synopsis of the history of Orillia, a map with directions, and accommodation information.

Item consists of a folded program for the first Mariposa Folk Festival, held 18-19 August, 1961. Also includes festival envelope and ticket reservation for admission and accommodation.

Consists of voice recordings made by James Tenney during a road trip.

Consists of voice recordings made by James Tenney during a road trip. Includes Tenney explaining his recording activities to Steve and Carol.

Consists of voice recordings made by James Tenney during a road trip.

Consists of voice recordings made by James Tenney while on a road trip.

Consists of voice recordings made by James Tenney during a road trip.

Consists of voice recordings made by James Tenney during a road trip.

Consists of voice recordings made by James Tenney during a road trip.

Consists of recording of a house party attended by James Tenney in Phoenix, Arizona. Annotations on reel case include: "H. Julia etc."

Consists of recording of a house party attended by James Tenney in Phoenix, Arizona.

Consists of recording of a house party attended by James Tenney in Phoenix, Arizona.

Consists of voice recordings made by James Tenney during a road trip, including recordings done in Phoenix Arizona with his father Carl Tenney. At the 16 minute mark, recording begins of Tenney interviewing his mother in Denver, Colorado, who is reluctant to speak about Tenney's birth and childhood on tape.

Consists of voice recordings made by James Tenney during a road trip, in conversation with his father Carl Tenney and a woman named Helen (Carl Tenney's wife?).

Consists of audio recording of James Tenney interviewing his father Carl Tenney in Phoenix, Arizona during a road trip, discussing specifically the impact of Carl's divorce from his mother.

Consists of audio recording of James Tenney interviewing Carl Tenney in Phoenix, Arizona during a road trip.

Consists of voice recordings made by James Tenney during a road trip, the day after visiting with Walt and Millie Chandler, travelling through Thatcher and Phoenix Arizona. Annotations on case include: ""re memory / W+M's love for me/ about J Robinson/ Coolidge dam / cactus / Globe".

Consists of voice recordings made by James Tenney during a road trip, while visiting Walt and Millie Chandler. In it Walt talks about his early childhood in Texas, New Mexico, 'Old Mexico', the history of the extended Chandler families, related to freighting, railroad contracting, lumber mills, and other industrial projects in Texas in the early 1900s, Mormonism, Morman colonies in Texas and Mexico. Millie Chandler joins the conversation at about 00:15:00. The couple describe how they met and their marriage together. Walt also discusses the First World War (he served in the navy) and his travels in the North Sea and Scotland.

• Consists of a series of recordings taken from 13-14 July 1968 by James Tenney while on a road trip. Annotations include:"re. palm reader (south of Alberquerque)
• Sunday am Silver City - Virden - Safford etc. (music with speech)
• re. Graham mountain"

Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".

Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.

Item consists of a recording made by James Tenney while on a road trip across the United States, through Winchester, Virginia towards Tennessee in which he comments on various topics throughout the day while driving or in his motel room. Annotations on cover include: Notes on case: 2nd (+ beg 3rd) day Notes on inside of case: #2 July 9 Winchester Va to (Tennessee) I.D. / music / re. landscape in Va. / section at bad [scratched out] can be skipped at bad speed (comprehendible at 7 1/2) beginning of 3rd day, Robersville, Tennesee re beard begins again at 3 3/4 - repeats approx. then more on landscape, bear (mask, image) on the music (singing).

Recording consists of James Tenney as he sets out for a cross-country road trip. He travels from New Paltz to Winchester, Virginia, discussing variou topics (anticipation, delayed satisfaction, the purpose of life, astrology, music and other topics. Later he records thoughts a a motel, including the purpose of art, he records some music he has been thinking of and finally he discusses his past relationships with women. Annotations on case include: #1 - July 8, New Paltz to Winchester Va. "it begins" re present time - anticipation + delay some music re purpose of life (Hubbard, etc.) (organization) re Gemini - Leo: a) integration, b) expansion (Jupiter) in motel = re purpose in art singing "you might as well know what it's like" private from here (not for A., M., or S. to hear!)

Consists of an audio recording of "Woodwind Quintet Symphony" by James Tenney.

Consists of audio recording of samples for "Fabric" a work by James Tenney. Annotations on case include: "1. work-tape #34 (#3 + #4 normal speed - repeated 20 min. at 7 1/2 ips 2. work-tape L0-2 (2nd half of 12 + 34 +68 at normal (slow) speed) 10 min. at 7 1/2 ips."

Recording of sample recordings by James Tenney. Annotation on case include: "Fabric work tapes 1. work-tape #12 (#1 + #2 repeated) 20 min at 7 1/2 ips 2. work-tape L0-1 (first half of 12 + 34 +68 at normal (slow) speed) 10 min at 7 1/2 ips"

Consists of five tracks by James Tenney of samples for his work "Fabric". Annotations on case include: "Fabric #3 +4 (half speed) repeated ~ 20 min at 7 1/2 ips work tape #68 1. work-tape #68 (#3 + #4 (half-speed) repeated) 20 min at 7 1/2 ips 2. work tape HI (all of 12 + 24 + 68 at the higher speed 10 min. at 7 1/2 ips)".

Consists of audio recording of computer music for work "Fabric". Associated material includes reel 1998-038 / 044 (01) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."

Consists of audio recording. Associated material includes reel 1998-038 / 044 (02) and two sheets of notes in reel case with diagrams and set up for reels A and B. Notes include: "Nov. 21, 67 Music is a physical process (acoustics). And it involves psychological processes (imagination- perceptor [composition, style crossed out]). But it is also, and most importantly, a social [emphasis] process." Information on case includes: "Information on case: Tenney Fabric Work-tape "A" 1. Mar. 64 single voice 2' at 15 ips 2. "#1" (=A1 + B2) 2' at 15ips 3. "3#" (from Marc. 64) 2 1/2 ' at 15 ips 4. "#1" and "#2" mixed 2' at 7 1/2 ips 5. "#3" and "#4" mixed at half-speed 5' at 7 1/2ips (all 2-track stereo)."

Consists of an audio recording labelled "C-copy" by James Tenney.

Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."

Consists of recordings of three performances of compositions by James Tenney.

Consists of eight musical performances of works composed by James Tenney, including the First Tone Roads Concert.

Consists of voice recording of a lecture by John Cage.

Recording consists of eight pieces recorded by James Tenney. Annotations on case read: Tenney - Computer Music Work-tapes (analog #1 - Noise Study Dialogue). all at 7 1/2 (full track escept as noted). Computer Music Work Tapes James Tenney 1) Analog #1 - Noise Study - December 1961 a)original (full track) b) dubbings at half and double speed (two-track, timed) 2) Dialogue - April 1963 a) tonal stratum (original, converted in Dec. 63 b) noise stratum original, conversted in Dec. 63 (not as good as C and E below) c) tonal strtum (original of April, 63) d) noise [crossed out] tonal [crossed out] stratum with reverberation (2 track, col. lab.) e) noise stratum (original of April 63) f) tonal [crossed out] noise [crossed out] stratum with reverberation (2-track, Col. lab.) LP#6.

Recording consists of eight recordings of computer music by James Tenney made between 1961 and 1963. Annotations on audio reel case include: 1) Timbre tests (1962) 2) Bell-clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7, 63) 5) Entrance/Exit Music (Brecht - Tenney) (8/62) 6) Improvisation from Medea (2/61) 7) Collage #1 "Blue Suede" (4/61) 8. Analog #1 - Noise Study (12/61)

Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).

Consists of an audio recording of electronic music by James Tenney. The tracks consist of "Analog #1 (Noise Study)," from December, 1961; "Five Stochastic Studies," December, 1962; "Collage #2 (Viet-Flakes)," from February, 1967, made for the film by Carolee Schneemann; and Fabric, written for Che Guevera, from November, 1967. There is a card attached to the reel case which reads: "Jerry Bruck Designing Services, Home Music Systems, Professional Tape Recording 185 Ave 'C' NY 9 NY OR 7-4082"

Recording of five recordings of computer music made between 1961 and 1964. Annotations on audio reel case include: 1)Analog #1 (Noise Study) Dec., 1961 2) Five Stochastic Studies - Oct. - Dec. 1962 3) Stochastic Quartet - Geb. 1963 L=R = 1 : 30 4) Radio Piece July 1963 5) Dialogue (monophonic version) April 1963

Consists of a live recording of four solo orchestral pieces by composer James Tenney, labelled as "Four Koans" performed by Yoko Matsuda (violin), Susan Allen (harp), BEAST by Nick Pap (string bass) and John Bergamo (percussion). Final piece is very low and difficult to discern.