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Writing files

Series consists of notes, drafts and manuscripts related to Paikin's books "The Life" and "The Dark Side". It also includes audio cassette recordings and associated transcripts of interviews conducted by Paikin with numerous politicians at both the provincial and federal level for "The Life".

Writing and research files

Series consists of recordings pertaining to Doob’s research and scholarship interest in medieval studies, dance, and medicine. Series contains interview transcripts and notes, manuscripts, notes, drafts and publications, lectures, grant applications, research-related photographs, and reference material including dance programmes.

A significant portion of the series pertains to the National Ballet of Canada including research material for over thirty repertoires; interview material with Rudolf Nureyev, Celia Franca, Karen Kain, Erik Bruhn, James Kudelka, Rex Harrington, Dominique Dumais, and Glen Tetley; and the manuscripts of Karen Kain and Rex Harrington’s autobiography drafts.

Series also includes the draft manuscript of ‘Nebauchadnezzar’s Children: Conventions of Madness in Middle English Literature,’ and research material related to labyrinths in the middle ages and Chaucer.

Writing and research files

Series consists of records created and maintained by Pat Fleisher between 1940 and 2008. The records in this series pertain to Fleisher's creative and freelance art writing. These records include Fleisher's early poetry and fiction, personal memoirs, and article drafts for freelance and magazine projects. Also part of the series are files consisting of background research for Fleisher's non-fiction writing, which include newspaper and magazine articles, artist bios and CVs, as well as correspondence and notes relating to her freelance and creative writing.

Writing and related files

Series consists of records pertaining to Crosbie’s career as a writer, reviewer and editor. Records include draft manuscripts, poems and articles, research materials, page proofs, notes, invoices, correspondence, speaking notes, programmes, posters and photographs. These records document the writing, publication and promotion of Crosbie’s books of poetry, prose and non-fiction, including Miss Pamela’s Mercy (1992), The Girl Wants To (1993), VillainElle (1994), Pearl (1995), Paul’s Case (1997), Click: Becoming Feminists (1997), Queen Rat (1998), Dorothy L’Amour (1999), Missing Children (2003), Liar (2006), Life Is About Losing Everything (2012) and Where Did You Sleep Last Night (2015), as well as her writing for newspapers, magazines and literary journals. Also included in this series are reviews of Crosbie’s books, manuscripts by other writers sent to Crosbie for comment or review, and copies of her published poems, literary reviews, newspaper and magazine articles.

Writing and related files

Records in this series document the wide scope of Gilbert’s writing projects and pertain in particular to his published books, “How to Win an Argument”, “Coalescent Argumentation”, “Office Party” and “Yellow Angel”, as well as unpublished novels, screenplays and stories, his unpublished textbook “Discovering Logic”, and his academic writing in the area of argumentation theory and gender and transgender theory. These records include draft manuscripts, screenplays, articles and stories as well as related correspondence, notes and research materials, publishing contracts, royalty statements, copies of published articles, and articles about Gilbert’s work.

Writing and related files

Series consists of files documenting Jeanne Randolph's writing in the area of art theory and criticism. Included in this series are notes, research materials, photographs and annotated draft manuscripts pertaining to articles published in journals and exhibition catalogues and her books "Psychoanalysis and synchronized swimming", "Symbolism and its discontents", "Why stoics box" and "Ethics of luxury". Samples of Randolph's early creative writing are also part of this series, as are notes and promotional materials pertaining to lectures and readings given by Randolph in the 1990s and 2000s as part of writing residency programs or in promotion of her books.

Writing and related files

Series consists of pre-publication or draft versions of writing by Mandel for academic periodicals, newspapers and magazines, conferences, public lectures and speeches, on a wide variety of legal and political topics, particularly constitutional law, prison reform, and Canadian and international politics. Included in this series are reference materials and notebooks, as well as scripts co-written with Harry J. Glasbeek for their radio program, “A taste of justice”, and scripts and transcripts pertaining to Mandel’s contributions to a 1983 CBC Radio “Ideas” program.

Writing and publications

Series consists of draft versions of Wicks’s autobiography, “Master of None: The Story of Me Life,” first published by McClelland and Stewart in 1995, drafts of other published booklets, and two short stories published in magazines. Several of the draft booklets contain original drawings by Wicks. Included is a copy of “Dear Canada,” a collection of artwork and writings by Canadian schoolchildren selected by Ben Wicks.

Writing and publications

Series consists of personal publications written by Thaniel, including the complete collection of The Amaranth journals as well as a detailed Curriculum Vitae.

Writing and project files

Series consists of records pertaining to Drache’s academic writing and research project work. These records include drafts and published copies of his writing for journals, books and other publications, research and subject files on political economics, free trade and globalization, project files for initiatives undertaken while director of the Robarts Centre for Canadian Studies, and files pertaining to his research about Harold Innis and his role in the organization of Innis centenary activities held in 1994. Also included in this series are correspondence, conference materials, notebooks, proposals and grant applications.

Writing and project files

Series consists of publications, presentation scripts, notes and other writings authored or co-authored by Eric Trist, bibiliographies of Trist's and others' works, and audio recordings of Trist and of conversations between Trist and Howard Perlmutter. Many of the publications in this series were used as source material for the book Social Engagement of Social Science: A Tavistock Anthology, edited by Trist (Tavistock, 1990). In such cases, this has been noted at the file level.

Writing and production files

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

Writing and production files

Series consist of works written, translated or adapted by Moore including typescripts and drafts for radio plays such as 'Ottawa man' (1960), 'Three enigmas' (1969-1970), and 'The store' (1972), as well as a series of 'Ontario School broadcasts' for the CBC on ancient and Canadian history, literature and the arts. There are also typescripts and drafts of scripts for television both by Moore and by others including, 'Getting in' (1971), 'Catch my death,' 'Crime lab,' as well as various literary works turned into scripts by Moore such as 'The fall' (Camus), 'To tell the truth' (Morley Callaghan), and 'Yesterday the children were dancing' (Gratien Gelinas, translated by Moore). There are files of correspondence, notes, scripts, and background material related to productions with which Moore was associated (1948-1963) and there are audio recordings of various productions including 'Belinda 75,' 'Louis Riel,' and 'Sunshine town.' The series also includes correspondence, newspaper clippings, programmes and other material related to Moore's treatment of 'Johnny Belinda' (based on a play by Elmer Harris), staged at the Charlottetown Festival, as well as scripts, correspondence, musical scores, posters, photographs and other material related to the writing of 'Sunshine town.' The series contains six scrapbooks of Moore's column, 'About the theatre,' from the Toronto Telegram (1959-1960), notes, drafts and manuscripts of Moore's memoirs entitled 'Re-Inventing Myself' and extensive documentation of Mavor Moore and Louis Applebaum's collaboration on the opera 'Erewhon.' It also contains records of Moore's production company Mavor Moore Productions.

Writers' Union of Canada files

Series consists of records accumulated and created by Scheier in her capacity as a Writers' Union of Canada Ontario representative and National Council member (1986-88) and as chair of its Rights and Freedoms Committee (1988-89). Included in the series are publications, meeting minutes, member lists and newsletters.

Writers' Union 2007 : fight vs. Harper

File consists of The Writers' Union of Canada information sheets/promotional materials regarding Prime Minister Stephen Harper's support of the arts in Canada, as well as a creative writing piece about Harper by one of Swan's students and an agenda and related e-mail pertaining to a writers' protest, "The awakening", to be held in Ottawa at the Parliament buildings. Also included in the file is a document entitled "Thoughts towards a writer's ten digital commandments" and an e-mail from Susan Kersten regarding digital publishing.

Writers' Union : general

File consists of correspondence, meeting minutes, pamphlets and brochures, notes, a constitution, reports, and informational guides.

Writers' Trust of Canada

File consists of correspondence, invitations, and programme for the dinner where Rohinton Mistry received the Timothy Findley Award (author in mid-career).

Writers' Trust of Canada

File consists of correspondence, invitations, and programme for the dinner where Rohinton Mistry received the Timothy Findley Award (author in mid-career).

Writers reserve 2003

File pertains to Exile Editions, Exile Quarterly, administrative records, Arts Councils, grants, and/or Exile reviews.

Writers reserve

File pertains to Exile Editions, Exile Quarterly, administrative records, Arts Councils, grants, and/or Exile reviews.

Writers reserve

File pertains to Exile Editions, Exile Quarterly, administrative records, Arts Councils, grants, and/or Exile reviews.

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