Photographs of the making of Jeanne Randolph's dulcimer
- 2010-056/057(19)
- Item
- 2008
Part of Jeanne Randolph fonds
Photographs of the making of Jeanne Randolph's dulcimer
Part of Jeanne Randolph fonds
[Kainai Indian Days - Standoff, Alberta] - musicians - Norman Nice Cutter
Part of Robert Witmer collection
Collection 47, Disk 001 : O'Neill, J. Patrick. Toronto : Estonians. Esto Archive
Part of Robert Witmer collection
Collection 53 : Witmer, Robert. First Conference on Ethnomusicology in Canada. CEC Music egs
Part of Robert Witmer collection
Collection 53 : Witmer, Robert. First Conference on Ethnomusicology in Canada. CEC Bibliography
Part of Robert Witmer collection
Collection 53 : Witmer, Robert. First Conference on Ethnomusicology in Canada. ICEC Jazz Session
Part of Robert Witmer collection
Christies waxworks, inside starting
Part of Robert Christie fonds
Part of Music Gallery fonds
Item consists of a sound recording and may include performance(s) by Canadian Creative Music Collective.
1999-008 073 (15) (1 of 2)-003
Part of Music Gallery fonds
1999-008 073 (15) (2 of 2)-002
Part of Music Gallery fonds
1999-008 073 (15) (2 of 2)-004
Part of Music Gallery fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Part of Seth Feldman fonds
Rogers Media : office files 06-3-06
Part of Robert Lewis fonds
Includes disc's directory and file print out.
Part of Robert Lewis fonds
Part of Paul Hoffert fonds
Part of Paul Hoffert fonds
Part of Mary Young Leckie fonds
Disques demies-soeurs / Lucie Tremblay
Part of Ruth Dworin fonds
Dorsey, Tommy / The Sunshine of Your Smile
Part of Ruth Dworin fonds
The Compo Co. Limited.
Hayton, Lennie / Slaughter on Tenth Avenue- Part I. MGM Records.
Part of Ruth Dworin fonds
Hibbler, Al / Al Hibbler sings with The Duke
Part of Ruth Dworin fonds
Columbia Records.
Kristofferson, Kris / KRISTOFFERSON
Part of Ruth Dworin fonds
Monument Records Corporation.
Music Und Ihre Zeit / Recorder Music with Original Instruments.
Part of Ruth Dworin fonds
Part of Ruth Dworin fonds
Warner Brother Inc. : Manufactured and Distributed by MEA Music of Canada Limited.
Vinyl 45 disk/ The Global Perspective [Global TV]
Part of Harry Boyle fonds
Audio recordings : "Ergodos/2/4" second version original from stacked tapes
Part of James Tenney fonds
Audio recordings : "Orchestral Studies," "Three Harmonic Studies", University of South Florida
Part of James Tenney fonds
Recording consists of three performances "Three Harmonic Studies" performed by the University of South Florida Orchestra, most likely in November of 1974.
Ben Johnston, John Cage, Henry Brant, James Tenney. Part II
Part of James Tenney fonds
Consists of an audio recording of "Inside Track" by Henry Brant and "Band" by James Tenney. It begins on 1998-038 / 030 (03) (ASC17164).
Part of James Tenney fonds
Consists of five recordings of musical compositions by James Tenney. Annotations on case include: "James Tenney - Electronic and Computer Music. 1) Improvisations for "Medea" (1961). 2) Collage #1 "Blue Suede" (1961) 3'20" 3) Stochastic String Quartet (1963) 2' 50" 4) Music for Player Piano (1964) 6' 15" 5) Collage #2 "Viet Flakes" (1966) 10' "
Part of James Tenney fonds
Consists of an audio recording of instrumental music between the years 1956 and 1959. The first track is "Seeds" (I-IV) for six instruments by Henry Brant and "From the 'Blue Books,'" performed in 1956 at the Bennington Composers' Conference. Next is "Dance Trio" and "Essay #3" for chamber orchestra by [Henry] Brant, performed at the Bennington Composers' Conference in 1957. This is followed by "13 Ways of Looking at a Blackbird" by James Tenney and based on a poem by Wallace Stevens, performed in 1958 at the Bennington Composers' Conference; then "Sonata for Ten Wind Instruments" (revised version) by James Tenney, performed in 1959 at the Midwestern Composers' Symposium. Lastly, is "Sonata for Nine Wind Instruments" (first version) by Paul Wolfe, performed at the Bennington Composers' Conference in 1959.
Part of James Tenney fonds
Consists of recordings of five performances featuring music composed by James Tenney. Case notes include: Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles).
Audio recordings : Tenney - "Chorales for Percussion"
Part of James Tenney fonds
Consists of audio recording of "Chorales for Percussion" by James Tenney. There is a folded note in side the reel case which reads: "Jim - As I recall you wanted a 1/2 trk mono copy. I made it, but there is a tiny bit of speed fluctuation in the 1/2-trk machine downstairs, so I added a 1/4-stereo version as well. It's all on one side of the tape. Hope it works out. Carl 1st dub no good (some voice is on)."
Audio recordings : Third- Knoxville to Little Rock
Part of James Tenney fonds
Item consists of a recording made by James Tenney during a cross-country road trip. Annotations on case include: #3 - middle 3rd day (July 10) - Tennessee to Little Rock landscape, Indians, etc. / music (Nashville) re paranoia / radio + TV - selling, "fantasy" re. trip alon / "bugged" by others sign of zodiac and IChing trigrams singing ("39 Miles to Memphis") 4th day (Arkansas) re landscape.
Audio recordings : #4A Thurs. before Little Rock - Albuquerque
Part of James Tenney fonds
Item consists of a recording made by James Tenney during a road trip, passing through Albuquerque, New Mexico. Annotations on audio reel case include: Notes on outside of case: #4A Thurs Fri before Little Rock - Alberquerque Notes by Tenney in case "#4 July 11 near Little Rock, Arkansas to Alberquerque spray (bird) mistaken for woman re. taping short bad speed section : re anticipation; present time - Oklahoma (speed ok) re landscape/hair sun/ Friday June 12 7 am west of Okla City trading post/landscape, language bad speed - Texas (immed corrected) landscape/sign of zodiac ("sign of conception")here's dessert 17 miles from N.M. border N.M. music/thunderstorm, distance, skyjacking earth "anaimistic concepts are really true" Steve + Carol".
Audio recordings : Talking with Carl and Helen, Tuesday
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, in conversation with his father Carl Tenney and a woman named Helen (Carl Tenney's wife?).
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip, including recordings done in Phoenix Arizona with his father Carl Tenney. At the 16 minute mark, recording begins of Tenney interviewing his mother in Denver, Colorado, who is reluctant to speak about Tenney's birth and childhood on tape.
Audio recordings : 9-B, Phoenix, July 19, second tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Audio recordings : 9-C, Phoenix, July 19, third tape
Part of James Tenney fonds
Consists of voice recordings made by James Tenney during a road trip.
Part of James Tenney fonds
Audio recordings : #12 Denver, July 24
Part of James Tenney fonds
Audio recordings : "Ann Rising", I, #1
Part of James Tenney fonds
South Africa imagebooks : Jean Augustine
Part of Jean Augustine fonds
Part of Home Made Visible collection
Item consists of a Tamil family’s home movie.
Project and donor(s) contributed description follows: "It’s 1997 and four-year-old Abhirami Balanchandran is being taught how to read by her mom. In her family home at Markham and Eglinton in Scarborough, Ontario, her mom goes through the alphabet with her one by one. Abhi looking back sees her funny facial expressions and sees a ‘very inquisitive, more playful version of herself…. It’s a sweet reminder.’"