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Series consists of records documenting Herzberg's battle for promotion.

Series consists of records documenting his application in 1983 and some of the activities during that year.

Series consists of records documenting Herzberg's development of the block scheduling system.

Series consists of notes pertaining to enrolment processes and statistics, advisory information, etc.

Series consists of bulletins and research reports written by Herzberg. The files also contain correspondence with Fellegi, who subsequently became the Chief Statistician of Canada.

Series consists of manuscript drafts, correspondence with publishers, notes, reviews and publicity material.

Series consists of letters of recommendation written by Herzberg.

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Series consists of research and course notes, course outlines, lecture notes, quizzes, manuscript drafts, evaluations, newsletters, exams, course instructor's manual co-authored by Herzberg, etc.

Series consists of research and course notes, course outlines, lecture notes, quizzes, manuscript drafts, evaluations, newsletters, etc.

Series consists of research and course notes, lecture materials, outlines, quizzes, correspondence.

Series consists of research and course notes and lecture materials.

Series consists of financial records, correspondence,family photographs, stamps postcards and memorabilia accumulated by Lee Lorch for personal reasons. Also includes tributes and awards received by Lorch as well as his CV and published articles regarding his accomplishments and activities.

Series consists of off-prints, photocopies and drafts of mathematical articles collected and preserved by Lorch for reference and research purposes. Some articles have correspondence and notes by Lorch attached.

Series consists of draft articles, correspondence and reference material related to Lorch's published mathematical research as well as his numerous letters-to-the-editor, speeches and published articles on such subjects as academic freedom; racism, sexism and discrimination in academia; the civil rights movement; the international mathematical community and anti-Soviet bias in the Western scientific community. Also includes some material reviewed and edited by Lorch.

Series consists of material documenting Lorch's academic career as a mathematician, including his work at the institutions of York University, the University of Alberta, Fisk University, Penn State College, Philander Smith College, City College of New York and Wesleyan University. Includes lecture notes, exam questions, student evaluations and assignments. Also includes lectures notes, teaching material and administrative records related to Lorch's academic exchanges in other North American and European institutions, his participation in conferences, and administrative involvement in professional organizations, committees and grant-funding bodies. Also includes some student material from his time as an undergraduate and doctoral candidate at Cornell University and the University of Cincinnati.

Series consists of files of correspondence, newspaper clippings, articles and reference material related to Lee and Grace Lorch's activities as social activists and community organizers. These include detailed legal case files and correspondence transferred from law firms who represented Prof. Lorch in various court cases in the 1950s regarding charges laid by the House Committee on Un-American Activities and his dismissal from Penn State and Fisk University. Also includes material regarding Grace Lorch's case against the Boston School Board in 1944-1945 and her activities during the Little Rock Crisis of 1957.

Also includes subject files and correspondence accumulated by Prof. Lorch in later years regarding various subjects including racism, sexism and political discrimination in academia; political prisoners and academic freedom; mandatory retirement; socialist movements in Latin America and Africa; the civil rights movement; peace efforts and nuclear disarmament; Chile ; Cuba ; The German Democratic Republic (GDR) ; Lituania; South Africa; the USSR; Vietnam; First Nations rights in Canada; Canadian socialist organizations and unions; and his research on the first African-American to receive a PhD (in physics) in the United States, Edward Alexander Bouchet (1852-1918).

Also includes correspondence, meeting minutes and reports from various committees, local events, societies and community organizations in which Lorch was active.

Series consists of correspondence written and received by Lee Lorch in his capacity as a mathematician, scholar, social activist, father and spouse. Also includes some correspondence received by his wife, Grace Lorch.

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Series consists of submissions, manuscripts, correspondence, notes and published materials related to Rachel Zolf's work as a literary and poetry editor. Series documents Zolf's approaches to editing as a freelance editor and in her capacity as poetry editor of The Walrus magazine. Files include information about the submission and editing process at The Walrus during Zolf's tenure. Records document Zolf's correspondence and editorial work with numerous poets, including Leonard Cohen, Lynn Crosbie, Dennis Lee, George Elliott Clarke, M.NourbeSe Philip, Christopher Dewdney, Michael Turner, P. K. Page, Robert Kroetsch, Sharon Thesen, Marilyn Hacker, Juliana Spahr, Billy Collins, Robert Creeley and Nicole Brossard.

Series consists of manuscripts, typesets, cover art, research materials, photographic prints and negatives, correspondence and notebooks. Series documents how Rachel Zolf researched, wrote and edited her poetry. Series also contains information about Zolf's efforts to have her work funded and published. In addition, series includes reviews of Zolf's published works. Correspondence includes letters written by or to Rachel Zolf on the subject of her poetry. Correspondents include Di Brandt, Betsy Warland, Beverley Daurio, Nathalie Stephens, Margaret Christakos, M.NourbeSe Philip, Erin Moure and Charles Berstein.

Series consists of notes, board minutes, reports and a set of oversize photographs of participants and their activities.

Series consists of files related primarily to Norquay and her family. Records include her grandfather's notes for his Saturday Night Debating Society activities, her father's Sunday Bible talks, letters to and from her husband, parents and grandparents, records pertaining to Norquay's military service during and after World War II (Canadian Women's Army Corps), a scrapbook created by Norquay as a child, dance cards, some photographs, Norquay's creative writing notes and drafts of her family memoirs, diplomas, family genealogical clippings, Norquay's husband's Chelan Mission Field notes as a new United Church minister, correspondence with friends and admirers, and miscellaneous memorabilia.

Series consists of project and writing files that are not specifically Open College files, or other named projects. These files are primarily related to Norquay's interests in adult education, cross-cultural interaction and communication, communication styles, diversity training and management styles, and include workshop notes and course handouts, correspondence, guides, exercises and quizzes, assessment tools, reference materials, readings, and reports either written by or accumulated by Norquay.

Series consists of media coverage of Jean Augustine's professional activities as a member of Parliament, cabinet minister and community advocate, including video recordings of her public appearances, as well as recordings of her appearance on radio and television. Also includes music recordings and documentaries submitted to Augustine by members of the community and some lobby groups.

Series consists of Jean Augustine's collections of artwork, portraits, posters, social activist and political buttons and pins, campaign promotional material and other three dimensional items and ephemera accumulated during her professional life. Item lists are available upon request.

Series consists of amateur and professional photographs taken and accumulated by Jean Augustine during her personal and professional life in Canada. This series documents Augustine's personal and family life in Grenada and Canada from the 1940s through to 2005, including her emigration to Canada, her social activities as a young woman in Toronto, her life as a young mother, social activist, teacher and student.

Photographs also document her early involvement in the 1970s and 1980s in community movements, cultural events, social justice and political organizations, as well as her professional career as an elementary school teacher and principal in the Metropolitan Separate School Board, her activities as part of Premier David Peterson's 'transition team' in 1985 and her work as chair of the Metro Toronto Housing Authority. Events documented include the election campaign of American politician Jesse Jackson, the earliest celebrations of the Caribana parade in Toronto, women's rights events and protests, and local Black History Month celebrations.

Photographs also document Augustine's activities as a federal politician, including her activities on Parliament Hill, her administration of federal committees and the Secretariats of Multiculturalism (later Multiculturalism and Status of Women), as well as her election campaigns (including door-to-door campaigning; fund raising; speeches; debates and promotion), and local activities (including celebrations at her constituency office; round table discussions and meetings with community organizations; annual Christmas parties; summer picnics; community celebrations; banquets; and Remembrance Day ceremonies).

Photographs also document Augustine's extensive travel overseas in the Caribbean, the United States, South America, Europe, Africa, the Middle East, Eastern Europe, Asia, Central Asia and the Far East, both in her official capacity as a politician and cabinet member, and as a tourist and traveler.

Series consists of the administrative records created and accumulated by Jean Augustine in the course of her activities as a community advocate, activist and volunteer; in her role as an administrator and chair of various local, municipal, provincial, federal and international organizations, associations, boards, committees and conferences; as a federal politician representing the constituency of Etobicoke-Lakeshore in Ontario; and in her role as Ontario's Fairness Commissioner. Series is organized into several functional categories used by Augustine herself, including Community Action files ; Parliamentarian files ; Correspondence and subject files ; Trips and conferences; Canadian Association of Parliamentarians on Population and Development; Canada Africa Parliamentary Group; Special Advisor for Grenada; Secretary of State (Multiculturalism); Women's Issues; Schedules from the daily operations of the Office of the Fairness Commissioner; and Status of Women Canada. Series also includes groups of records related to her election campaign strategies; the Congress of Black Women of Canada; the Ontario Bicentenary Commemorative Committee; Black History Month celebrations and promotions; the Sugar Caucus; Anti-racism efforts; her work as a school principal and teacher; her official correspondence, business contacts and the contents of several briefcases.

Series consists of twelve photo albums created by Lloyd Mackenzie and seven of his Canadian passports. Photographs document Lloyd Mackenzie's childhood and adolescence in Toronto, as well as some photographs of his parents, family and friends; his military service as a clerk during World War II; his daily life, friendships and living arrangements in Toronto, England and Australia; and his extensive travels within Canada, the United States, Europe, the Mediterranean, the Caribbean and Australia.

Series consist of video cassettes of films screened at the Desh Pardesh festival or an affiliated event; commercial shorts created specifically for the festival; and audio and video recordings of various events, workshops and performances at Desh Pardesh.

Series consists of video cassettes and audio cassettes submitted to Desh Pardesh for consideration, including material from: film makers; spoken word and performance artists; comedians; dancers and choreographers; musicians and vocalists. For the most part, these tapes contain audition material, and it does not appear these materials were actually used or screened in the Desh Pardesh festival proper.

Series consists of media articles and news clippings related to Desh Pardesh participants and events, as well as catalogues, resource directories, periodicals and newsletters used by Desh Pardesh staff for reference purposes. Also includes a list of books, magazines and directories presumably the resource library maintained by Desh Pardesh.

Series consists of job advertisements, correspondence, job applications, employee evaluations, legal documents, working files, and resumes for Desh Pardesh staff members, as well as correspondence and administrative records related to the Desh Pardesh offices located at 401 Richmond Street, Toronto, Ontario.

Series consists of contact lists of members, participants, performers and supporters of Desh Pardesh as well as fund raising planning documents, promotional flyers, mailing packages, and member cards for various fund raising, membership and support campaigns for Desh Pardesh.

Series consists of correspondence, invoices, expense accounts, banking statements, cheque receipts, yearly auditors' reports, budgets, bankruptcy records and policy manuals related to the financial activities of Desh Pardesh.

Series consists of government documents, pamphlets, manuals and information booklets, application reports, proposals and budget reports related to government grants to support, supplement and off-set the costs of organizing and presenting the Desh Pardesh festival and other affiliated Desh Pardesh activities, as well as paying staff salaries. Files have been organized by Desh Pardesh staff based on the main funding organization, namely: the Ontario Anti-Racism Secretariat; the Canada Council; individual and independent funding foundations; the Ministry of Culture; the Ontario Arts Council; the Ontario Women's Directorate; the Toronto Arts Council; and the Trillium Foundation.

Series consists of administrative records, correspondence, festival programmes, press releases, advertisements, promotional materials, flyers, postcards, bookmarks, pamphlets and posters created and distributed by the publicity branch of the Desh Pardesh Programming Committee and the Desh Pardesh Board of Directors.

Series consists of organizational records, promotional material, correspondence and programmes for on-going programming administered by Desh Pardesh committees and staff, including: film retrospectives; industry-related workshops; community conferences; the publication of the Desh Pardesh zine, 'Avec Pyar'; memorials for Desh Pardesh participants; theatre tour productions and other events sponsored or co-sponsored by Desh Pardesh.

Series consists of agendas, minutes, submissions, evaluations and biographical information created and accumulated by members of the programming committee of Desh Pardesh, in the course of their activities soliciting, evaluating and organizing workshops, seminars, dance, music and theatre performances, literary readings, art exhibits and film screenings.

Series consists of the agendas, minutes and administrative records and reports of the Desh Pardesh Board of Directors.

Series consists of handwritten drafts and typed manuscripts of three works of non-fiction, based on diary entries, written by Mackenzie.
The first manuscript Aussies and Englishmen, a travel memoir, was submitted for publication in 1966. The second manuscript The English Canadian Nation, a historical reflection of the role of English-speakers in Canada from the age of the Vikings to the twentieth century was written and submitted around 1990. The third manuscript Watching the Neighbours Next Door based on extractions from his journals regarding American politics was submitted for publication in August of 1996.

Series consists of 69 bound journals kept by Mackenzie from 1935 to 2005 (excluding the years of 1942-1943), ephemera and two schoolroom photographs that include Mackenzie. The majority of the diaries consist of accounts of daily events, particularly international wars, revolutions, political events; the activities of celebrities, statesmen and royalty; natural disasters; and cultural and social issues. These entries include minimal personal opinion and are formatted similar to newspaper articles. Events of particular relevance to Mackenzie are often embellished with marginal illustrations and rubrication.

Mackenzie also records more personal notes on his daily activities; his employment history, wages, housing and work environment; his socializing in taverns and cocktail bars; films and plays he attended; his efforts to improve his education; the progress of his various writing projects; the health and activities of himself, family members and friends; his relationships with other gay men; as well as detailed accounts of his travels abroad. He records important events and dates for other individuals, particularly his parents, his sister, and close friends.

Most volumes of the diaries contain a synopsis of the year's events in the final pages of the bound volume. Beginning in the early 1970s, Mackenzie begins to write more reflectively in his diaries and provides his own opinions and insights into the events he records. There are introspective entries on diary writing in the beginning of several volumes of diaries written after 1975, and the entry for March 7, 1972 contains a reflection on his lifestyle choices and his atheism.

There are also reflective and critical entries on Canadian and American politics, homophobia, generational conflicts within the gay community, American foreign policy, Quebec sovereignty and other major social and political events of the late twentieth century.

Series consists of material that documents Tenney's ongoing academic and professional interest in the field of music including material that documents his years as a professor of music at York University. It includes research material consisting of clippings, notes, drafts of articles and other material related to the the work of fellow composers such as John Cage, Edgard Varese, Harry Partch as well as Conlon Noncarrow. It also contains material that documents his interest in musical theory including drafts of articles written by Tenney as well as material related to his books "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form" and "A history of 'consonance' and 'dissonance.'"

Series of consists of programmes, clippings, promotional material and/or audio recordings of Tenney performing his own compositions or performing work by others. It also includes material related to performances of Tenney's compositions by other ensembles with, in many cases, James Tenney conducting.

Series consists of copies of drafts and completed copies of Tenney's musical scores in various formats including manuscript and computer generated form. Among the compositions included in the series are "Poem for flute," "Sonata for 10 wind instruments," "Canon for bass quartet," "Thirteen ways of looking at a blackbird," "Quiet fan for Erik Satie," "Essay # 3 for string orchestra," "Quintext," and "Changes : 64 studies" among others.

Series consists of personal and professional correspondence including copies of letters received by Tenney from friends and colleagues including Carolee Schneeman, Lionel Nowak, John Pierce, Morton Feldman, John Cage, Steve Reich, Warren Burt, Phil Corner, Malcolm Goldstein, Edgard Varese, Stan Brakhage, Peter Garland and Gayle Young, among others. It also includes correspondence generated in his various professional capacities at educational institutions such as Yale University, the Polytechnic Institute of Brooklyn and Bennington College as well as correspondence, which documents his relationship and work with Bell Telephone Laboratories in developing programs for computer sound-generation, the Institute for Studies in American Music, the Canadian Music Centre and musical organizations or institutions.

Series consists of sound and audio-visual recordings in a variety of formats that represents the actual musical output of Hoffert from his first recording in 1955 to more recent work including music written for televison news shows. It contains a complete set of Lighthouse albums on vinyl as well as many of their singles and test pressings of some of their albums. There is unedited backstage footage of the band from their 1982 reunion special and recordings of artists that Hoffert produced. There are recordings of film and television scores, concert music and live recordings as well as recordings made by Hoffert in his living room including a recording of a reading by Timothy Findley and Janis Rapoport accompanied by Hoffert on piano.

Series consist of appointment books kept by Paul Hoffert from 1969 to 1993 that record daily appointment and other engagements. It also includes hard copies of Hoffert's e-mail correspondence arranged by subject that cover his personal life, his business and musical careers as well as his administrative and academic activities.

Series consists of copies of articles written by or about Hoffert as well as notes, drafts, contracts and other legal documents, correspondence with publishers, reviews, publicity material and other documents related to Hoffert's books "The Bagel Effect", "All Together Now" and "The New Client". It also contains drafts of Hoffert's unpublished autobiography and material related to speaking engagements including hard copies of Powerpoint presentations delivered by Hoffert at a number of conferences and symposia.

Series consists of material related to Hoffert's technological and theoretical interests including material pertaining to work begun at the National Research Council on music created using computer technology and carried out with a number of companies concerned with audio data and interactive technology. It contains business and research plans, copyright and legal materials, correspondence, reports, memoranda and other material for companies including McLeyvier, DHJ Research, Marquis Music, Time Out for Fun and the Cultech Research Centre, a project based at York University intended to investigate digital content use by residents in a housing development in suburban Toronto.

Series consists of copyright files kept by Paul and Brenda Hoffert related to their own work as well as to the work of artists that they produced. The files contain certificates of registration for the Canadian Copyright Office, Publishers Registrations forms and other legal documents related to the copyright of songs.

Series consists of material that documents Hoffert's involvement with the band Lighthouse from its inception to the present and contains musical scores and hand written lyrics for many of their songs including "Sunny Days". It also consists of photographs, press clippings, promotional material and legal records pertaining to the band.

Seris consists of original, handwritten compositions by Hoffert and musical arrangements written by him for other musicians. The files also include additional material that supported the writing of the respective musical project including screenplays, time and cue sheets, correspondence and other material and demonstrate Hoffert's work in various genres such as film, television, musical theatre and concert music.

Series consists of material that documents the early music career of Paul Hoffert and includes clippings, reviews and programmes of his early performances as well as a number of composition notebooks from his studies with Gordon Delamont and his contact book for Toronton musicians, organized by instrument. It also includes a complete five-volume set of "Modern Arranging and Composing" written by Delamont.

The series consists of newsletters edited by Margaret Norquay, research notes and drafts of articles for the newsletters.

The series consists of research material, notes, manuscript and typescript drafts and proofs related to stories, essays, articles and book reviews written by Sheard, to her novels "Almost Japanese", "The Swing Era", "The Hypnotist", "Krank: love in the new dark times", and to her play "The House Guest". It also includes correspondence with publishers and publicity material for several of her works.

Series consists of agendas, minutes of meetings, notes, correspondence, catalogues and other material that documents Sheard's work as an editor of Coach House Press. Included are correspondence and other material with Margaret Atwood concerning the writing and publishing of her novel "Good Bones".

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Series consists of chronologically arranged agendas.

Series consists of records pertaining to the research, writing, editing, publication and promotion of Axelrod’s books, including his PhD thesis, "The economy, government and the universities of Ontario, 1945-1973”, which was republished as "Scholars and dollars: politics, economics and the universities of Ontario, 1945-1980", "Making a middle class: student life in English Canada during the Thirties", "Transitions: schooling and employment in Canada" (co-editor with Paul Anisef), "The promise of schooling: education in Canada, 1800-1914", "Youth, university and Canadian society: essays in the social history of higher education" (co-editor with John G. Reid), "Opportunity and uncertainty: life course experiences of the class of '73" (co-writer with Paul Anisef), "Values in conflict: the university, the marketplace and the trials of liberal education" and "Knowledge matters: essays in honour of Bernard J. Shapiro" (editor), as well as his various articles, reviews, conference papers, and commentaries. Records in this series are research materials, correspondence, draft manuscripts, audio recordings, photographs, interview transcripts, book proofs, reader reports, publishing contracts, speaking notes and promotional materials.

Series consists of records documenting Axelrod's career as a university professor and administrator. Many records pertain in particular to his role as Dean of the Faculty of Education at York University between 2001 and 2008, as well as his work on committees (Ontario Association of Deans of Education, Ontario Confederation of University Faculty Associations). Included are correspondence, job applications, course outlines and student evaluations for courses taught by Axelrod, copies of research grant applications, past tenure files, photographs, reports, speeches, assessments, conference materials, newspaper and magazine articles.

Series consists of Axelrod's high school, undergraduate and graduate school essays, speeches, drafts of articles written for student newspapers and other materials that document his involvement with student organizations including the Council of the York Student Federation, the Ontario Federation of Students and the Ontario Union of Students, as well as his research interest in post-secondary education and the student union movement. These records include publications, papers, articles and news releases.

Series consists of personal and professional correspondence consisting of manuscript and typescript copies of letters received by Axelrod and, in many cases, copies of letters written by Axelrod himself.

Consists of royalty statements, letters of permission, contracts, correspondence with agents and other material that documents financial transactions related to the sales and marketing of Mistry's work.

Series consists of material that documents Coles work as a literary editor and critic and includes contracts, correspondence, course timetables, critiques of students' work and other material that documents his tenure as poetry editor of "The May Studio" at the Banff Centre for the Fine Arts. It also includes drafts of works by other writers sent to Coles for his comments and criticism including manuscripts of work by Michael Redhill, Stephanie Bolster, Richard Sanger, Mark Sinnett and John Bemrose, among others, as well as material that demonstrates Coles' work as poetry judge of the Canadian Literary Awards and the CBC Literary Awards. This material consists of submissions bearing notes and comments by Coles.

Series consists of material that documents Coles' academic career at the University of Toronto and Cambridge University, as well as his years spent as a professor in the Department of Humanities at York University in Toronto. It includes copies of essays, as well as manuscript and typescript notes taken by Coles while he was a student. Included are notes taken by Coles while completing course work with Northrop Frye, advice from Frye regarding an academic career in 1964, his rough first draft of his M.A. thesis, and columns and reports for the University of Toronto Daily Press. It also contains course files related to Coles' work as professor. These files consist of course outlines, reading lists, lecture notes, clippings related to course material, correspondence related to his teaching and other material that documents the ongoing development and delivery of the courses Man in Search, Concepts of Love, Early Times : Literature and the Imagination of the Child, Myth and the Arts and Works & Days. Records also include annotated working copies of monographs used in his courses and certificates received pertaining to his academics and teaching.

The series consists of notes, drafts and proofs of collected and uncollected poems written by Coles including manuscript drafts of his collections "K in love," "The prinzhorn collection," "Forest of the medieval world," "Kurgan," and "How we all swiftly," among others. It contains research material, notes and drafts of his novel "Doctor Bloom's story," his autobiographical work "A dropped glove in Regent Street," a poetry collection "Where we might have been," correspondence with publishers, interviews with Coles, reviews of his work, publicity material related to his writing, and book reviews written for "The Globe and mail." It also includes the manuscript for Tomas Transtomer's "For the living and the dead," which Coles translated from Swedish as well as correspondence between Coles and Tomas and Monica Transtromer regarding this work.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters as well as e-mail received by Coles. It also includes many copies of letters or e-mails written by Coles himself. The series includes family correspondence as well as correspondence with writers such as Christopher Wiseman, Liliane Welch, Guy Vanderhaeghe, Al Purdy, P.K. Page, Steven Heighton, Ralph Gustafson, Adele Wiseman, John Metcalf, David O'Meara, Robyn Sarah, Jan Ruzesky, Betty Jane Wylie, Robert Fulford, Carol Shields, Philip Grover and Tomas Transtromer among others.

The series consists of research material, notes, drafts and manuscript copies of Clark's novel "Bite the stars" including drafts edited by Cynthia Holz and Iris Tupholme. The series also includes manuscript and typescript drafts of shorter works by Clark as well as an audio recording of "Pride and Joy" which was adapted as a radio drama for CBC's Morningside.

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

The series consists of notebooks and journals kept by Powe in which he documented his thoughts and reflected on both his personal life and on works in progress. Also included are calendars on which Powe recorded appointments and other scheduled events.

The series consists of copies of published works inscribed by their respective authors.

The series consists of course/lecture notes, research materials, correspondence, course syllabi, teaching proposals, course evaluations, official York University publications and other material related to Powe's instruction of courses at York University and Humber College, his position as Academic Advisor at Winter's College, the completion of his PhD, his applications for tenure and promotion, and his work as coordinator of the Creative Writing Program at York University. Also documented in this series are Powe's activities while a visiting scholar at IN3, University of Catalunya, Barcelona.

The series consists of research material, notes, drafts and manuscripts of Powe's published and unpublished works including his books "A Climate Changed" (1984), "Noise of Time" (1989), "A Tremendous Canada of Light" (1993), "Outage: A Journey Into Electric City" (1995), "The Solitary Outlaw: Trudeau, Lewis, Gould, Canetti, McLuhan", "Mystic Trudeau" (1997), "Towards a Canada of Light" (2006), "These Shadows Remain" (2011), his 2009 PhD thesis, "Apocalypse and alchemy: visions of Marshall McLuhan and Northrop Frye", the reworked and published version of his PhD thesis, "Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy" (2014), "Where Seas and Fables Meet" (2015), and "Decoding Dust" (2016). It also includes drafts and/or printed copies of numerous reviews, essays and articles written by or about him, and drafts pertaining to the "Opening Time: On the Energy Threshold" collaborative project. Series also includes correspondence with publishers and fellow writers such as Irving Layton, Hugh Kenner and J.G. Ballard in reference to his work, publicity material for several of his books, and copies of journals and magazines in which Powe's work appeared.

The series consists of material which documents Powe's personal life and his relationship with his family. It includes correspondence, photographs, legal and medical records and other collected ephemera.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Powe, copies of letters written by Powe, as well as printed copies of incoming and outgoing e-mail. It includes correspondence with friends, students, publishers, fellow writers and academics, among them R. Murray Shafer, Don DeLillo, Gary Geddes, Susan Swan, John Ralston Saul, Joe Keogh, John Robert Colombo, Eric McLuhan and Pierre Trudeau. Series also consists of subject files containing clippings, publicity material, audio recordings, video cassettes, photographs, brochures, notes and other material pertaining to speaking engagements, conferences such as the "Trudeau Era Conference" and "Rethinking McLuhan", and York University's Living Literacies Initiative, Foundation and Endeavour (LLIFE).

Series consists of various sound recordings of Christie's performances, of talks by him or interviews with him during his years as an actor. It includes copies of music recorded by Christie including recordings of performances by his daughter Dinah Christie both alone and with Christie himself.There is also a recording on which Christie reflects upon his family history.

Series consists of correspondence, yearbooks, family histories, photographs, collected memorabilia and ephemera related to Christie's immediate and extended family. Aside from more general files, it also contains groups of files specifically related to Chrsitie's father David Wallace Christie, to his ex wife Granier Mortimer Christie and to the Stacey family as well as ephemera in the form of identification cards, awards and certificates belonging to Christie and correspondence exchanged with Margot Christie while Christie was serving with the Canadian Army. There is also information regarding Christie's death including a series of journals kept by his caretaker towards the end of his life.

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Series primarily consists of selected monologues and other pieces of theatre used by Christie while teaching acting at Ryerson Polytechnic Institute. It also consists of programmes, posters and other material related to theatre productions by Christie's students and lecture notes, course outlines and resource material related to Christie's teaching subjects.

Series consists of files containing correspondence, financial records, memos, legal documents and other material related to Christie's involvement with Jane Mallet and Associates, the production company for which Christie was a partner along with Jane Mallet and Don Harron. It contains a considerable amount of correspondence between Harron and Christie related to the staging of various productions including Earle Birney's "Turvey" and to Chrisite's portrayals of Sir John A. MacDonald as part of the Canadian Centennial Commission's celebration of the centenary.

The series consists of chronologically arranged diaries or agendas that contain a record of Christie's day to day appointments and activities.

Series consists of scripts, notes, photographs, articles and clippings related to various theatre productions, television and radio shows with which Christie was involved. It includes material related to productions of "The dream," "Here lies Sarah Binks," "Sweeney Todd" and "Sir John A. MacDonald." It also contains published copies of plays annotated by Christie that demonstrate stage directions and other comments related to his portrayal of his characters in these plays.

Series consists of chronologically arranged subject files and/or scrapbooks that were maintained by Christie on an annual basis between the years 1913 and 1984. The material up to 1959 was maintained in bound scrapbooks following which they were maintained as loose material in file folders. In both cases, they contain clippings, reviews, programs, miscellaneous correspondence, photographs and ephemera that document Christie's personal and/or professional life. The early scrapbooks contain Christie's record of Baptism as well as report cards from Riverdale Collegiate and programmes related to his early acting career at Hart House Theatre while he was a student at the University of Toronto. Included are records of Christie's acting career in London, England where he acted as part of the company of the Old Vic among other companies and of his acting career in Canada where he was a long term member of the New Play Society and the Stratford Shakespearean Festival company.

Series consists of drafts and proofs of articles, poems, plays, short stories, essays and novels written by Swan, including "Unfit for Paradise", "The Biggest Modern Woman of the World", "The Last of the Golden Girls", "The Wives of Bath", "Stupid Boys Are Good to Relax With", "What Casanova Told Me", "The Western Light" (previously titled "Black Ships" and "The Hockey Killer"), and "The Dead Celebrities Club". Series also includes research material and notes pertaining to Swan's writing projects, correspondence with publishers and collaborators, lecture notes pertaining to Swan's book tours, promotional material for several of her books, as well as screenplays for the proposed and/or produced films of "The Biggest Modern Woman of the World" and "The Wives of Bath".

Series pertains to Swan's work as an instructor at York University and her tenure process, her position as the Millennial Robarts Chair in Canadian Studies for 1999-2000, her work for the Writers' Union of Canada, and her public lectures. Records in this series include course materials, teaching proposals, official York University publications, and lecture notes.

Series consists of personal and professional correspondence and e-mail, sent and received by Swan.

Series consists of correspondence, clippings, journals, notebooks, photographs, publications, ephemera, day planners, address books and other material documenting Swan's personal life and interests, in particular her early years as a student at Havergal College, as well as files pertaining to Swan's family. Some notebooks contain notes on Swan’s writing projects as well as personal diary entries.

The series consists of personal and professional correspondence including copies of letters received by Mistry from Leone Rook, John Metcalfe, Graeme Gibson, Alberto Manguel, Craig Stephenson, John Irving, Jane and Tony Urquhart, Pico Iyer, Louis de Berniers, Mavis Gallant, Greg Hollingshead, Michael Ondaatje, Greg Gatenby, David Staines and Steven Heighton among others and, in many cases, copies of letters written by Mistry himself.

The series consists of correspondence, invitations, travel schedules, clippings and promotional material related to the publication of Mistry's work and to reading tours associated with it including his selection to the "Oprah Book Club". Series also includes material pertaining to the awards and nominations he received for his books.

The series consists of notes, drafts, proofs and cover art for his books Tales from Firozsha Baag, Such a Long Journey, A Fine Balance and Family Matters and the screenplay, production files, correspondence and promotional material related to the film adaptation of Such a Long Journey.

The series consists of programmes, pamphlets and notes for examinations, concerts and single performances, for the Faculty of Music, the Banff Centre, Dalhousie University musical auditorium, Royal Conservatory performance night, Toronto Symphony Orchestra, the Modern Library, Teatro Alla Scala, the New Music Concerts and others.

The series consists of vocal and instrument catalogues from manufacturers and music publishers, Faculty of Music programmes, calendars, and related material.

The series consists of programmes for concerts and recitals in several venues, as well as those for the University of Toronto, Faculty of Music concerts, Massey Hall, the Royal Alexandra Theatre, the Metropolitan Opera House (New York), and others.

The series consists of Vinci's personal documents and correspondence related to his education and immigration to the United States as Ernst Wreszynski. Also includes newspaper clippings about Vinci and biographical sketches ready for publication. Later accessions include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

The series consists of personal photographs of Vinci and family and friends. Also included are photographs of Vinci and students at Banff and several unidentified photographs.

The series consists of scrapbooks, arranged by subject and organized chronologically, for recitals and opera (1945-1977); additional scrapbooks are arranged alphabetically by subject (literature, war, world events).

The series consists of notes on teaching methods employed at the school, registration cards, staff lists, examination and marking schemes, attendance lists and alumni membership lists.

The series consists of reports and correspondence with the Banff School, music festivals, the Royal Conservatory, and related bodies.

The series consists of Ernesto Vinci's notes and announcements of recitals given by his students as well as his lecture notes.