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Collection consists of promotional material, family documents, correspondence, news clippings, recordings of public lectures, television and radio appearances and newsletters created by or regarding Dr. Robert S. Mendelsohn.

Fonds consists of textual materials, published articles, blog posts, correspondence, genealogical records, photographic material and personal items created or accumulated by Lynn Gehl in the process of her work as an academic, scholar and community activist.

Fonds consists of correspondence between Moss and numerous Canadian literary figures including Margaret Atwood, George Bowering, Matt Cohen, Northrop Frye, Robert Kroetsch, Hugh MacLennan, John Metcalf, Farley Mowat, Michael Ondaatje, James Reaney, Sinclair Ross, Ruby Wiebe, George Woodcock, among others.

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

Fonds consists of records documenting Brian Freeman’s career as a writer and producer of plays, television and film. Records include scripts, script reports, notes, outlines, correspondence, subject files, promotional materials, photographs and moving image recordings.

Fonds consists of VHS videocassettes containing raw footage of interviews with Portuguese Canadians about the Portuguese-Canadian immigrant experience.

Fonds consists of 327 letters written by Liisa Lumiala to her friend Terttu Hansen between 1943-1979, ending a few months before Liisa's death from cancer. The first set of letters until 7 March 1948 were written from various places in Finland, as Liisa and her family were moved around by the government from one residence to another. The next set of letters, covering the time period 22 March 1948 to 20 July 1948 were written from various locations in Sweden, where Liisa and her daughter Tytti were waiting to receive their immigration papers to move to Canada.The final set, beginning 30 August 1948 were written in Canada, again from various locations and addresses around Port Arthur, Fort William and Toronto. This collection of letters provides insight into the day-to-day life of a Finnish immigrant woman who moved to Canada to create a new life for herself with her husband and family after World War II.

The fonds consists of governance records (bylaws, letters patent, incorporation documents), newsletters, minutes, financial records, Finnish studies scholarship files, cultural activity files (musical events, lectures, film showings, symposia), fundraising files pertaining to CFFEF (Canadian Friends of Finland Education Foundation), miscellaneous files, FINNSTAUT (Finnish Studies Alumni Association at University of Toronto), membership files, CFF branch files, and some photographs.

Fonds consists of research materials, committee records, community advocacy documentation and government policy correspondence, curriculum materials, surveys, reports and other textual material related to the professional, volunteer and community activities of Inez Elliston. Material relates to her professional interest in educational curriculum development, particularly in relation to multicultural policies developed at the federal and provincial levels, and how such policies were implemented in local school boards. Other material relates to Elliston's involvement in local, municipal, provincial, national and international organizations and committees involved in social issues related to women's rights, (particularly immigrant women, ethnic and cultural minorities, women of of colour and aboriginal women, issues of gender in urban communities, domestic violence, safety and accessibility), immigrant school children (particularly in the area of assessment, anti-racist, cultural interrelation, vocational training, and children's rights), adult learners (particularly in the areas of vocational training, anti-racist programming and policies for adult immigrant learners) and citizenship (in particular areas of multiculturalism, inter-cultural dialogue, tolerance, anti-Hate Group community efforts, political organization and celebration of diversity).

Fonds consists of the research files and reference material used by Frances Dafoe in her capacity as a costume designer for theatre, television production, performances and figure skating competitions.

Fonds consists of biographical writing, genealogical documents, published and photocopied books, scrapbooks and mementos created, collected and accumulated by Gerald A. Archambeau from various sources,including genealogical information regarding his grandfather Herbert T. Thomas, a police officer in Jamaica who was also a naturalist, lecturer and explorer. Material relating to Herbert T. Thomas is photocopied and scanned pamphlets, online articles and newspaper articles of material originally published from 1881 to about 1927 and relates primarily to Thomas' campaign to eradicate the practice of obeha in Jamaica.

Fonds consists of records created and maintained by Robert Greer Allen pertaining to his personal and professional activities, specifically his work as a producer and executive producer for programs on Canadian Broadcasting Corporation (CBC) radio and television from the 1940s to the late 1980s, his experience as a radio scriptwriter (working with wife Rita Greer Allen) in the 1940s, and his early life and childhood. These records include scripts, production materials, photographs, architectural drawings, personal and career memorabilia, correspondence, memoranda, day planners, research materials and administrative files.

Fonds consists of film elements and finished products of three documentary films by Marshall Golden (1962-2010), completed while a Film Studies student at York University. Also inculdes photographs of Marshall as a university student and young man.

Fonds consists of musical recordings on one 1/4" audio reel, performed by Deva Prasad Das on vocals and mardal with Shankaran on flute. These performances were intended to accompany the Deba Prasad Das style of Odissi dance. Consists of three separate performances: "Nindata Chandana" Abhinaya, Ashtapadi (an expression-based dance); "Natangi" and a Boomija folk dance from Orissa. These recordings were made to accompany performances by Sukanya Rahman.

Also includes four VHS recordings of performances by Rahman in various venues in the 1990s.

Fonds consists of files from various positions Lewis held throughout his career, including correspondence, research documents and clippings covering a wide range of political issues, draft articles, and notes from his reporting days for Time Magazine and Maclean's, as well as editorial planning and management-related operational files from Maclean's. Also included are correspondence files, reports, budget files and strategic planning documents from his content development position with Rogers Media. The fonds also contains minutes and notes from York University's Board of Governors committee meetings. Personal files and speeches, including notes and drafts, are also part of the fonds, which includes 187 notebooks and planners used by Lewis for his research, note-taking, and scheduling. Press and magazine clippings that Lewis collected from various print and online publications are dispersed throughout the fonds. The fonds includes episodes of Maclean's and OMNI television, and other moving image recordings on videocassette.

Fonds consists of textual records created or accumulated by Robert Fothergill, including manuscripts, drafts and promotional material relating to his work as a theatre professor and playwright.

Fonds consists of material related to Virginia Rock's research for her doctoral dissertation and other academic writing pertaining to the Twelve Southern Agrarians. Records include research notes and index cards, photocopies of newspaper clippings, book reviews, literary criticism, journal articles, and photocopies of material written by or about the Southern Agrarians regarding their lives and work, as well as their correspondence with Rock. The fonds also contains Rock's personal and professional correspondence, drafts of Rock's final dissertation and articles, records concerning her involvement with the Canadian Women's Studies Association, as well as materials pertaining to Rock's work as a professor at York University, including information about Stong College, syllabi, course kits and reading lists, information about symposiums she attended, and items relating to her work as an instructor and advisor for the Graduate Women's Studies Programme. Also included in the fonds are records pertaining to Rock's experience teaching American literature as a Fulbright visiting professor at Jagiellonian University in Krakow between 1962 and 1964. These records, which include photographs, correspondence and memorabilia, document Rock's activities while in Poland as well as her return visits to Poland in later years and her general interest in the country. An issue of the Polish magazine "Ameryka," featuring an article about Virginia Rock, has been added to Special Collections; an English translation is available in the fonds.

Fonds consists of records created and maintained by Rita Greer Allen pertaining to her career as a freelance writer, researcher and broadcaster for radio and television, her work as an artist and sculptor, and her interest in and research about Jungian psychology. These records document Greer Allen's writing of dramatic and documentary scripts for radio and television in the 1940s, 1950s and 1960s, particularly her adaptations of short stories, novels and plays. Radio scripts written in the 1940s in collaboration with her husband, Robert Greer Allen, are also part of this fonds, as are scripts, audio recordings, interview transcripts and research materials pertaining to Greer Allen's writing, production and on-screen presenting work in the 1960s and 1970s for Canadian Broadcasting Corporation (CBC) television program "Take 30". Correspondence and contracts pertaining to her work are included in the fonds and illustrate the long-term freelance nature of Greer Allen's radio and television writing for the CBC, the National Film Board of Canada (NFB), the British Broadcasting Corporation (BBC) and others. The fonds documents Greer Allen's lifelong interest in art, particularly her work in the 1970s and 1980s as an artist and sculptor of raku pottery. Personal records, correspondence, research files and records pertaining to Greer Allen's travels are also included. Records in this fonds are correspondence, scripts, transcripts, notes and notebooks, photographs, audio recordings, day planners, artwork, research materials, newspaper clippings, posters, and personal memorabilia.

Fonds consists of records created by Sig Gerber in his role as producer of several series for the CBC. Gerber's production responsibilities included overseeing the creative aspects involved with story proposals, research, script writing, and direction for each episode, as well as the management of technical components and financial resources. The fonds contains other documents related to the series' production, including reports, correspondence, meeting notes, handwritten notes, scripts, videocassettes, and promotional items, as well as reports on the CBC's broadcasting policies and the network's promotional material. Also included in this fonds are materials pertaining to Gerber's work as a trainer for the CBC Training and Development Department, miscellaneous internal CBC memoranda (1968-1996), and a file of ephemera and photographs from Gerber's time working at CHUM Radio in Toronto (1961-1964).

Fonds consists of handwritten notes for Didi Khayatt's doctoral thesis, "Lesbian teachers : an invisible presence," typescript transcripts of interviews with teachers conducted between 1982 and 1985, correspondence with study participants, and an unbound copy of her thesis, August 1991.

Fonds consists of Drummond's course notes as a student in Canadian political science including his doctoral thesis; various draft papers and chapter contributions, especially his work on several editions of The Government and Politics of Ontario; records pertaining to Drummond's work on the Task Force on Liberal Arts Education; documentation regarding a conference and festshrift honouring the first Chair of the Department of Political Science Douglas Verney, including proposed papers (the festshrift was not completed); records documenting Drummond's YUFA activities, particularly with regard to retirement and pension issues; conference papers and lecture notes; correspondence pertaining to his work and achievements at York University; and photographs of Drummond taken at York University events. It also includes copies of Drummond's poetic writings pertaining to Robert Burns' dinners, odes to York faculty and staff, and essays and memorabilia from his days as an undergraduate student at York.

Fonds consists of records documenting the writing, editing, publication and promotion of Alison Pick's poetry and novels, including "Far to Go" (2010), "Between Gods" (2014) and "Strangers with the Same Dream" (2017), as well as records pertaining to Pick's personal life. These records include draft manuscripts, page proofs, notes, notebooks, correspondence, photographs, day planners, literary publications, journals and memorabilia.

Fonds consists of records pertaining to the personal life of Jeanne Randolph and to her work as an art theorist and psychiatrist. These records, which date from the early 1940s to 2014, document Randolph's relationships with friends, family and colleagues as well as the progression of her medical career, her art writing and lecturing. Included in the fonds are correspondence, photographs, research materials, draft manuscripts, notes, journals, day planners, personal memorabilia and ephemera created and accumulated by Randolph, as well as photographs and memorabilia pertaining to the early life of Randolph's mother, Elizabeth Bryant Randolph, and the Bryant and Randolph families.

Collection consists of archival material included in the Wyndham Lewis Collection. Consisting of batches of letters from Lewis' widow, Anne Wyndham Lewis (Froanna), news clippings on various aspects of Lewis' public activities (book reviews, criticism, artwork, obituaries), and promotional material relating to his publications (publishers' advertisements, inserts, and other ephemera).

Fonds consists of records pertaining to the Waffle movement and includes clippings, campaign material, policy papers and research materials, minutes of the provincial executive and provincial council, some correspondence, Waffle newsletters and bulletins, educational material and bibliographies.

Fonds consists of news clippings and correspondence related to the Mariposa Folk Festival, which Ruth (Jones) McVeigh founded in 1961. Also includes three audio cassettes of recordings from the 1961 festival as well as festival buttons from various festivals and a felt banner from the 1963 festival.

Fonds consists of records documenting the organizational structure, development and activites of the Canadian Association for Latin American and Caribbean Studies (CALACS), including its annual Congress (conference) and meetings of its executive committee. Records include minutes, agendas, a constitution, reports, grant applications, correspondence, conference materials, issues of the Association newsletter and other publications.

Fonds consists of notes and interview transcripts of Ilda Januário, produced during her research on Portuguese women in Quebec; administrative documents from her work with the Comite Lar dos Idosos and the Portuguese-Canadian Coalition for Better Education and the Toronto Portuguese Parents Association (TPPA).

Fonds contains records which document the advocacy and educational campaigns of the Portuguese Interagency Network, its relationships with community service agencies in the Greater Toronto Area, and its administrative history. Records include: grant applications, membership lists and applications, correspondence, promotional material, advocacy and educational campaign material, newsletters and surveys. The material of each Working, Standing, and Ad-Hoc Committee, such as meeting minutes, agendas, notes, and promotional materials, are also included. Fonds also contains records which document the relationship between PIN and other community service agencies in the Greater Toronto Area, such as meeting minutes, correspondence, reports, and press releases.

Audio-visual material includes advocacy and education campaigns and recordings of national conferences.

Fonds consists of research sources, articles, reports, publications, political ephemera, correspondence and maps related to Wurfel's activities as a researcher in South East Asia. In particular, the materials relate to research funded by SSHRC between 1984-1985 to study of Japan and the Philippines and a 1994-1995 Mombusho grant to study Japanese NGOS in SE Asia, although there is material relating to earlier field research in the 1950s. Materials include research materials and resources specifically dealing with the Philippines, Vietnam, Japan, Thailand, Cambodia, Burma/Myanmar and Indonesia including the work of NGO (Non-governmental organizations) in these countries, the reputation and imagery of the Japanese in the Philippines, agrarian policies and reforms, foreign policy, and federal elections in the Philippines.

Fonds consists primarily of Black's records pertaining to her publications about Virginia Woolf, including "Three guineas" as edited by Black, and "Virginia Woolf as feminist" (including research notes, correspondence, drafts, proofs, and jacket art), and correspondence with Quentin Bell (Woolf's nephew and biographer). Also included are miscellaneous course material, book reviews written by Black, York University's Office of the Status of Women material including a run of "The Second Decade", publication lists created by Black, documents regarding the establishment of the Women's Studies programmes at York, and the enhancement of the Nellie Langford Rowell Library at York.

Fonds consists of the personal and professional records of broadcaster, television personality and talk show host Dini Petty, including broadcast and preservation tapes of episodes of "The Dini Petty Show" (1989-1999), audience member waiver contracts, binders listing episode information and promotional photographs of Dini Petty with various guests including local, Canadian and international celebrities, public figures, journalists, actors, musicians, artists, politicians and performers. Also includes Petty's personal family records, memoirs, documentation and photographs related to her training as a helicopter pilot, her work as a journalist and on-air personality at CITY TV, promotional photographs, news clippings and magazine articles, CVs, promotional material and production tapes for documentaries on incest, "Having a Baby" and other news casts and television documentaries. Also includes drafts, promotional materials, illustrations and other content related to Petty's children's book "The Queen, The Bear and the Bumblebee", script and production material related to Petty's one woman show, contracts and tapes of Petty's work on Pear's shampoo commercials, poetry, biographical information and legal documents related to lawsuits with Air France as well as plaques, awards and tributes.

Fonds consists of dance notations recorded using Labanotation or Kinetography Laban, created or acquired by Mary Jane Warner and used in her work as a professor of dance. The notations take the form of manuscript symbols hand-drawn by Warner while a student at Ohio State University (including Labanotation for her dissertation), photocopies of works produced by other notators, and printed works published by the Dance Notation Bureau and the Royal Academy of Dancing. The notations are grouped according to elementary, intermediate, and advanced readings, with titles that often include the name of the choreographer and, in some cases, the notator. The works of Doris Humphrey, Ray Cook, Anthony Tudor, George Balanchine, Muriel Topaz, and Ann Hutchinson Guest figure prominently among the notations. The fonds also includes Warner’s lecture notes on the history of dance notation and Labanotation, material on teaching dance, notes for a lecture on E.A. Theleur’s "Letters on dancing : reducing this elegent and healthful exercise to easy scientific principles" (London, 1831), and programs and proceedings from various international conferences on Labanotation and Kinetography Laban.

Fonds consists of transcripts of interviews with Portuguese immigrants, collected ephemera, notes, research material and photographs related to Domingos Marques' activities as a activist, newspaper editor and municipal politician within the Portuguese community of Toronto. Includes issues of the Portuguese community newspaper "Comunidade".

Fonds consists of textual and graphic materials, including business records, photographs, artwork and other material, created and accumulated by Patricia (Pat) Fleisher in her capacity as an artist, photographer, art critic, art show organizer, and magazine editor and publisher of "Art Magazine", "Artpost", "Artfocus", "City Art" and the "Artfocus Online Art Magazine". Also included in this fonds are records pertaining to Fleisher's role as a member and treasurer of AICA Canada, her creative and freelance writing, and her work as an independent art appraiser.

Fonds consists of project files created by William Wicken through his work as researcher and expert witness in projects and legal cases involving Mi'kmaq treaties, and their rights to hunt, fish, and trade. The files include correspondence with counsel for the Crown and the defense, reports on Mi'kmaq society and land treaties based on original research using archival and published documents, legal and historical opinions on the interpretion of treaties and unexhausted rights under section 35 of the Canadian Constitution, and reproductions of documents used in provincial and appeal courts in Nova Scotia, New Brunswick, Newfoundland, and the Supreme Court of Canada. Some files deal with issues of governance, and negotiations with the federal departments of Indian and Northern Affairs, and Fisheries and Oceans. Other files contain information on aboriginal title research involving the Mi'kmaq of Gaspe and Prince Edward Island. The fonds also includes Wicken's research notebooks from 1994 to 2002, and his daily appointment books from 1993 to 2007. The fonds offers considerable information on research into aboriginal land titles in Atlantic Canada and Quebec, and the major role played by professional historians in addressing issues of legal rights and cultural identities.

Fonds consists of records pertaining to the writing and literary activities of poet Laurence Hutchman. These records, which include poetry drafts and manuscripts, notebooks, research materials, correspondence, memorabilia, photographs and audio cassettes, document Hutchman’s work as a poet, editor, interviewer and professor of English.

Fonds consists of annotated drafts, continuity notes and revisions from the novels "Moody Food" (published in 2002), "Gently Down The Stream" (2005), "What Happened Later" (2007) and "David" (2009).

The fonds consists primarily of records relating to the Harry Crowe dispute, but also includes others pertaining to Packer's academic career and personal life. Records have been arranged in the following series:

Fonds consists of records created and accumulated in the 1980s, 1990s and 2000s by Theresa Burke. These records document Burke's research, production and investigative work for "The fifth estate" documentaries airing from 1994 to 2012. Many of these records pertain to the following documentaries: "The trouble with Evan" (1994), "His word against history" (2000), "Terror" (2001), "Nightmare drug" (2002), "A state of denial : the Bill Sampson story" (2002), "Deathrow.com" (2003), "Death of a beauty queen" (2004), "The big break" (2005), "The Steven Truscott story: moment of truth" (2005), "You be the judge" (2005), "The lady vanishes" (2007), "The girl in Saskatoon" (2008), "Someone got away with murder" (2009), "Broken heroes" (2009), "The legacy of Brendan Burke" (2010), "The devil you know" (2011), "A question of innocence" (2011), "Diagnosis murder" (2012). Also included are research materials and manuscripts pertaining to Julian Sher's book, "Until you are dead: Steven Truscott's long ride into history" (2001), on which Burke worked as a research associate, as well as manuscripts and other materials relating to Ty Conn and Burke's book, "Who killed Ty Conn" (2000), co-authored with Linden MacIntyre. Records created and accumulated by Burke in the course of her research about the National Parole Board, the subject of witness protection, and the murder conviction of Mason Jenkins are also part of the fonds, as are a number of files relating to other miscellaneous research projects. Records pertaining to Burke's early career in public relations and marketing at Alliance Entertainment and Norstar Entertainment are included in this fonds, as are administrative records and training materials from the CBC, as well as Burke's personal journals, notebooks, letters and university essays. Records in this fonds are predominantly textual records and audiovisual materials arranged by project. These records include correspondence, interview transcripts, memoranda, copies of court transcripts and documents, copies of medical reports, journal articles, notes and notebooks, production materials, newspaper articles, contact lists, copies of police reports, prisoner records and legal documents, video cassettes (in multiple formats), audio cassettes, as well as computer disks and photographs.

Fonds consists of production material, organizational documents, correspondence, grant applications, budget reports, programs, posters, photographs, video recordings, as well as press coverage and reviews of theatre productions, community workshops, fund-raising concerts, public readings and other events organized and hosted by members of Obsidian Theatre Company's board of directors. Includes material from the following productions: The Adventures of a Black Girl in Search of God (2001-2002), The Piano Lesson (2002-2003), Consecrated Ground (2003-2004), Two Can Play (2004-2005), Cast Iron (2004/2005), Born Ready/Pusha Man (2005-2006), The Monument (2005-2006), Hip Hop (Who Stole the Soul?) (2006-2007), The Polished Hoe (2006-2007), Born Ready (2007-2008), Intimate Apparel (2007-2008), Black Medea (2008-2009), Late (2008-2009), Intimate Apparel (2011), Ruined (2011), Caroline, or Change (2012), Topdog/Underdog (2011), Shakespeare's Nigga (2013), The Whipping Man (2013), The Gravitational Pull of Bernice Trimble (2013), dirty butterfly (2013), Nightmare Dream (2014).

Fonds consists of correspondence, photographs, diaries, a scrapbook, college yearbooks and transcriptions of oral interviews created and accumulated by members of the Lennox family including husband and wife Fannie Jane Evangeline Watt and William James Wilfred Lennox, and their children William, John Watt Lennox and Elizabeth Lennox Locke.

The majority of archival material relates to John Watt Lennox (1920-1943), who was killed in action in WWII. Correspondence is accompanied by detailed inventory and contextual information compiled by Elizabeth Lennox Locke and her nephew Dr. John Lennox.

Fonds consists of records acquired by Selma Odom over the course of her career as a dance scholar and educator. Includes dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Odom between 1972 and 2008.

The fonds consists primarily of approximately 50 letters written to Mrs. Thomas Shore, and one to Jennie Shore. Most of the letters were written by Mrs. Shore's son Charles W. Shore, and about thirteen of these were sent to Mrs. Shore by her cousin, Andy Bach. There are also about a dozen letters of recommendations for Ivan Bradshaw Miles Barr.

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

Fonds consists of correspondence, manuscripts, typesets, cover art, notebooks, video and audio recordings, research materials, photographs, published journals and copies of articles and interviews about Zolf and her poetry. The records document Zolf's work as a poet, editor, critic and as a documentary and experimental filmmaker. Poetry files provide information about Zolf's work in researching, financing, writing, editing and publishing her poetry and her relationships with other poets. Editing files document Zolf's work as a freelance editor and as the founding poetry editor for The walrus magazine. Video production files document Zolf's work as a researcher, producer and director of documentary and experimental video and film.

Fonds consists of: correspondence with Richard Outram and Barbara Howard; Christmas and St. Valentine's Day cards published by The Gauntlet Press; unpublished poetry by Outram; wood engravings by Howard, as well as programs for her exhibits and articles about her work; seven silkscreen prints created by Ronald King and numbered, titled and signed by the artist; and "Alphabet 1," a papercut alphabet designed and cut by Ronald King on hand-made paper and published by Circle Press.

The fonds consists of meeting minutes, annual reports, treasurer's and secretary's reports, reports of the flowers and card committee, obituaries, membership lists and photographs of the members at various social occasions over the years.

Fonds consists of videotaped performances of a wide variety of folk musicians at the Mariposa Folk Festival and other venues for broadcast on Rogers' "Highway 10" cable television show, as well as some videocassettes provided by the Mariposa Folk Festival for promotional purposes

Fonds consists of records created and accumulated by Barry Callaghan pertaining to his personal life and professional work as a writer, publisher, journalist and teacher. Records in this fonds include manuscripts, correspondence, research notes, audiovisual recordings, teaching files, administrative files, and memorabilia. Some records pertaining to the life and work of his father, Morley Callaghan, are also part of this fonds.

Fonds consists of Professor Lorch's professorial and personal papers as a mathematician, academic, civil rights activist and humanitarian. Records document his life in all these spheres and include the following: correspondence from family, friends, academic colleagues and fellow activists; records of his legal battles at various colleges and universities in the defence of civil rights and academic freedom including challenges from the House Committee on Un-American Activities; records that document his and his wife's activism in landmark American events such as the integration of schools in Little Rock, Arkansas in 1954, and the fight for equal rights for blacks in housing in US cities; professorial records and his work as a respected mathematician and scholar; and related books, journals and pamphlets accumulated by him during his decades of work in these areas. Records have been arranged by the archivist into the following series.

Fonds consists of the administrative records, artist submissions, promotional material, fund raising, financial and operational records of the Desh Pardesh organization relating to its annual conference and arts festival and its year-round events related to South Asian youth, women's issues, fund raising, community development and anti-racist efforts. In addition to administrative records, the fonds also includes the submissions of local and international South Asian artists, dancers, film makers, poets, playwrights, photographers and other performers, including audio-visual, photographic and written material, as well as promotional packages and brochures. Fonds is arranged into 11 series.

The fonds consists primarily of colour slides and black and white negatives that chronicle Lawson's activities over 25 years as a CBC production designer, particularly with colleague and friend, producer Norman Campbell, and their collaborations for CBC artistic television productions such as The Gondoliers (1962), Romeo and Juliet with Celia Franca (1965), Hansel and Gretel with Maureen Forrester (1970), Giselle (1975), Cinderella with Veronica Tennant, Jeremy Blanton and Lois Smith (1968), Swan Lake with Erik Bruhn and Lois Smith (1961 and 1967), the Nutcracker with the Royal Winnipeg Ballet (1974), la Rondine with Teresa Stratas (1971), The Wonder of It All (1972), and the Karen Kain Super Special (1978). Other programs documented include More Joy in Heaven (1964), Hatch's Mill, The Masseys, Stephen Leacock, Wayne and Shuster television specials, A Case for the Court, Troubled Heart, Wojeck, and The Road among other programmes. There are also previously unseen photographs of pianist Glenn Gould with violinist Yehudi Menuhin in 1965, and in conversation with Bruno Monsaingeon in 1980. The photographs include many candid shots of iconic Canadian stage and television personalities including Gordon Pinsent, Celia Franca, Karen Kain, Veronica Tennant, Nadia Potts, Erik Bruhn, Norman Campbell, Wayne and Shuster, Christopher Plummer, Maureen Forrester, Margot Kidder, Robert Farnon, and others. Records also include some storyboards, drawings, slides and notes related to the Chroma-Key technique developed by Lawson and Campbell, program reviews, clippings, complimentary and congratulatory letters to and from Lawson, and about Lawson's work.

Fonds consists of three series: diaries recorded in bound journals kept by Mackenzie during his adolescence and adult life; manuscripts of three works of non-fiction; and photo albums and passports of his family,and his life and travels overseas. Mackenzie recorded extensively on local and international political and social events. In his youth, Mackenzie was preoccupied with fascist and socialist movements in Europe. In later life, he became concerned with the influence of American foreign policy and its impact on Canadian sovereignty. His diaries also reflect his interest in films and the theatre, with entries on the deaths of his favourite actors and actresses and frequent entries on the various films and plays he attended in Toronto and abroad. He also wrote about the tours and activities of various royal families, and chronicled his own travels throughout the world in detail, including his extended stays in Australia and England. Mackenzie kept meticulous notes on his employment history and living environment. He also recorded details of his writing activities and his efforts to publish and support himself through writing. Mackenzie kept entries on his social activities in the gay community of Toronto, his relationships with other men, and later in life, his reflections on gay marriage, same-sex legal rights, the AIDS crisis, and the rights of gay couples to adopt and raise children.

Fonds consists of music used by the Rex Battle Orchestra, including a series of envelopes arranged alphabetically by song title that contain published scores and lyrics, as well as original arrangements by Rex Battle. Notes written on the envelopes show names of songs, composers and publishers, as well as the music’s key, performance dates, costs of the published music and the breakdown of the scores by instrument. This fonds also consists of orchestral scores and sheet music for the piano, organ, violin, viola, clarinet, and other instruments.

Fonds consists of the professional records of Jean Augustine, including documents, reports, speech notes, press releases and publications relating to her activities as a community activist and volunteer; a elementary school teacher; her administration of the Metro Toronto Housing Authority; her participation on various international, national, provincial and municipal advocacy boards organizations and associations; and her activities as a federal politician and member of cabinet.

Fonds consists of records created and accumulated by Marilou McPhedran through her activities as a lawyer, legal reformer, and activist. These records illustrate the breadth and variety of McPhedran's work in the areas of constitutional reform, women's international and national rights, women's health, and violence against women and children. Included in the fonds are administrative records of a number of non-profit organizations and committees of which she was a founder, including the Women's Legal Education Action Fund, the Gerstein Centre, the Metropolitan Action Committee on Violence against Women and Children, and the Ad Hoc Committee of Canadian Women on the Constitution. Other records in this fonds, including subject files, correspondence and conference materials, document McPhedran's academic, research and writing work and her contracted work for women's health organizations.

Consists of research and reference material in the form of subject files, reports, briefs, clippings, drafts, notes and correspondence relating to the activities of the Childbirth by Choice Trust including letters from supporters and adversaries, legal documentation pertaining to cases about abortion law, publications by government offices, support groups, etc.

Fonds consists of the organizational records of the Mariposa Folk Foundation Inc., the volunteer organization established to manage and operate the Mariposa Folk Festival. Also includes donations of material from early organizers of the Mariposa Folk Festival prior to the incorporation of the Mariposa Folk Foundation.

Fonds consists of files from the law practice of Aubrey Golden. Files were opened by Golden's staff when he joined an organization, began a new project, or took on a new client. These records include a broad range of documents created or accumulated by Golden or associate counsel under his direction, including handwritten notes from meetings and telephone calls, correspondence, memoranda, research notes, copies of relevant case law, witness lists and statements, photographs, reference material (newspaper clippings, government and technical reports, and trade union publications such as newsletters, flyers, constitutions, and by-laws), affidavits, factums, books of authorities, motions, petitions, court orders, transcripts of testimony, verdicts and their reasons, and documents regarding calculation of damages. The files appear in the order established by Aubrey Golden, and they bear his file numbers. The files fall into six general areas: organized labour; civil liberties and the public interest; politics; commentary on legal issues and public affairs; aboriginal rights; and general interest.

Golden's involvement with organized labour began in 1959, when he was retained by Reid Weir, Recreation Director of Local 598 of the International Union of Mine Mill and Smelter Workers in Sudbury. Weir was fired after the union elected an executive with ties to a rival union, the United Steelworkers of America, and he was attacked in a series of articles by Frank Drea in the "Toronto telegram" that alleged he was a leader of a communist cell in northern Ontario. Reid's lawsuit for defamation against the "Telegram" was settled, and the action for slander against Ray Poirier was heard by judge and jury in 1966 and was decided in Reid's favour. Golden was also retained by Mine Mill from 1960 to 1965 when the union was raided by the United Steelworkers of America for control of bargaining rights in Sudbury. The files deal with applications before the Ontario Labour Relations Board for bargaining rights at Falconbridge and Inco, litigation over the control of union assets, and bargaining applications by other unions for the right to represent workers in food and general merchandising businesses (such as IGA Foodliner) in mining communities that were formerly represented by Mine Mill. Golden later represented the United Steelworkers of America in its action against Radio Shack before the Ontario Labour Relations Board regarding organization of employees at its warehouse and delivery depot in Barrie in 1978. Files trace the proceedings before the board, as well as subsequent hearings before divisional and appellate courts that found for the union. Labour relations and working conditions in Northern Ontario are also the focus of the files for the Lumber and Sawmill Workers Union, which Golden represented in several matters from 1960 to 1988. Early files deal with attempts by the union to stop Ontario Hydro from using labourers known as "slashers" to clear brush from the site of the Long Rapids project, with considerable documentation of living conditions in the bush camps. The union's most significant action involved the arrest of the "Boise Twelve" on conspiracy charges in 1981 following the settlement of a lengthy strike against Boise Canada in which the company's property throughout Northern Ontario sustained considerable damage. The union's executive were arrested based on wiretap evidence collected by the Ontario Provincial Police, charges that were eventually dismissed against all but one union member who was fined a nominal amount. The files contain considerable information about the police use of wiretaps and related case law, as well as a comparison of coverage of the strike by newspapers in Kenora and Thunder Bay to build an argument to have the trial moved from Kenora. Golden was also retained during the 1960s by the Brotherhood of Locomotive Firemen and Enginemen (known as the United Transportation Union by the end of the decade), which fought a decision by the Canadian Pacific Railway to reduce its crews on yard service to a single engineer based on the Rand Commission's report on freight train operations. Union governance was another element of Golden's practice, and the fonds includes files pertaining to the decision made in 1974 by the United Paperworkers Union in Canada to separate from the parent union in the United States, and form the Canadian Paperworkers Union. The records also deal with the merger of the CPU with the Energy and Chemical Workers Union in 1981 to form the Canadian Energy and Paperworkers Union, a predecessor to the Communication, Energy and Paperworkers' Union. Other files deal with the International Ladies Garment Workers Union, 1972 to 1973, the Retail, Wholesale and Department Stores Union (where the Ontario Labour Relations Board issued a precedent setting decision that forced Humpty Dumpty stores to reopen a plant and storage facility that had been closed to adversely affect collective bargaining), 1977, and the Canadian Union of Postal Workers (the appeal of Jean-Claude Parrot's criminal trial in 1978 to 1979).

Union activity extended into the agricultural sector. In 1967, Golden was retained by the United Farm Workers Organizing Committee to represent its Toronto organizer, Marion Moses, who had organized a picket line at the premises of Culotta Grape Company. The relationship with the United Farm Workers lasted until the early 1980s, and was voluntary. The files deal with efforts to promote the boycott of grocery stores selling grapes and later lettuce from California, where pickers were on strike. Golden helped organize a church and labour delegation that visited California to participate in the picket and show moral support for the strikers. Documents include photographs from the trip, as well as newsletters, flyers, and correspondence regarding the boycott. Other files deal with assisting volunteers who had difficulties with immigration officials when crossing the United States border, and charges associated with the right to treat public areas of shopping plazas as property where freedom of assembly and speech could occur without being subject to trespass laws; the appeal was dismissed by the Supreme Court of Canada. Golden also acted for the Ontario Farmers' Union, which represented the interests of small farmers (large corporate farms were represented by the Ontario Federation of Agriculture). The OFU fought to preserve marketing boards, but often litigated disputes over quotas and their abuse by larger operators. The files, which cover the period from 1968 to 1970, focus on marketing boards and farm organization, as well as an action against Tate and Lyle (a large international sugar conglomerate operating as Canada and Dominion Sugar) that was launched when it violated a guarantee to keep open a processing plant for farmers in the Chatham area who had been induced to grow sugar beets. They also document the restriction placed on the dairy farmers near Athens, Ontario, who operated the Plum Hollow Farmers Cheese Cooperative, in order to force them to deliver their milk to the Ault Foods plant in Brockville in 1971. This arrangement led to a boycott of Kraft Foods that was ultimately successful. In 1969, the several farmers' unions throughout Canada merged to form the National Farmers Union (NFU). Golden was retained as counsel, and he pursued a special act of parliament to create a single corporation to replace the varied corporations, voluntary associations, and statutory organizations that previously existed. Files for the NFU also deal with land use issues and the potato marketing board in Prince Edward Island, marketing boards dealing with tobacco and soy beans, Golden's speeches to the NFU's conventions in Winnipeg, 1971, and Vancouver, 1980, and the arrest of its president, Roy Atkinson, for his part in a mass tractor demonstration on the highway leading to Borden, Prince Edward Island, in 1971 (Atkinson was the only non-resident in the demonstration, and the only person charged with conspiracy to obstruct a highway). The majority of the files pertain to Kiist et al v. Canadian National Railway et al, a class action lawsuit sparked by a major dispute in 1978 over grain marketing and the Crow's Nest Pass rates for shipping grain to Vancouver and Thunder Bay. The rates had been established to make prairie grain farms viable producers through competitive prices for shipping grain to Vancouver and Thunder Bay, but the railways responded by sidelining large quantities of grain cars "for repairs" that were later discovered on remote sidings in northern Manitoba and Saskatchewan. The result was cargo vessels anchored and awaiting cargo while grain deteriorated on farms and in elevators.

Professional associations were a third area of labour relations for Golden's firm. He was involved with the Steering Committee on Negotiating Rights for Professional Staff from 1966 to 1970, and the files include his brief to the Rand Commission and work on draft provincial legislation in 1967. He represented the Society of Professional Hydro Engineers from 1961 to 1987, including its dealings with the Special Committee on Professional Engineers from 1969 to 1971. His files also contain records dealing with a feasibility study for a Federation of Professional Employees, 1966 to 1972, and the Federation of Engineering and Scientific Associations that involved employees of the Ontario government, 1977. The Ontario Secondary School Teachers Federation was another major client. Files pertain to teacher bargaining legislation in 1974, and negotiations with the Metropolitan Toronto school board in 1975. Golden was also involved in a challenge to federal anti-inflation legislation following a dispute with the Renfrew school board in 1975, and in challenges to separate school funding during the mid 1970s (St. Anne's High School, where the parent-teacher association pursued its constitutional right to equal education with non-separate schools), mid 1980s, and from 1995 to 1999 (Daly et al v. Attorney General of Ontario, which tested legislation that allowed separate school boards to discriminate against non-Catholics when hiring teachers). Both issues wound up before the Supreme Court of Canada, and Golden's files contain ample documentation of his research, working documents, correspondence, and court proceedings. Other professional associations represented by Golden include the Canadian Air Traffic Controllers Association and the Canadian Air Line Pilots Association, with files created during the mid 1970s and 1980s dealing with a conciliation board to assist the controllers in reaching an agreement without a strike, a dispute over the use of French for air traffic control, and the requirement for pilots to retire at 60 years of age (Stevenson v. Air Canada).

He represented the Canadian Media Guild from 1971 to his retirement, guiding it through numerous labour board and court cases leading to its mergers with many other unions into its present representation of all employees of the Canadian Broadcasting Corporation (CBC) in a single bargaining unit.

Aubrey Golden is perhaps best known for his involvement in cases that deal with civil liberties and the public interest, and these themes are well represented by his fonds. His files for the Canadian Bar Association contain extensive documentation on wiretapping and hate propaganda during the 1960s, as well as his work with the Canadian Civil Liberties Association and its Censorship Committee. The defence of obscenity charges form the basis for the files for Lovecraft (a store that sold sex aids and related material) and Metro News (distributors of adult magazines) for the distribution of pornography from 1972 to 1986. Changing social mores also lay at the heart of the charges against David DePoe, an organizer with the Company of Young Canadians, and a large number of other individuals for sit-ins in Yorkville, a community in downtown Toronto. The files deal with conflict between the culture of "hippies" and an older generation represented by City Council, particularly Mayor Alan Lamport, as well as claims of police brutality during demonstrations and unauthorized searches for drugs, and cover the period from 1967 to 1971. Golden had become involved with municipal affairs several years earlier, when he represented the Mimico Rate Payers Association in a public inquiry sparked by Pierre Berton's columns in the "Toronto star" in 1961 about corruption involving improper payments and other considerations for permission to violate zoning laws. The files include newspaper clippings, correspondence, transcripts of the evidence, and the final report by Judge J. Ambrose Shea in 1962. Undeclared pecuniary interest in a real estate development was also the issue in the action launched by City of Toronto aldermen Karl Jaffary and John Sewell against another member of Council, Ben Grys, in 1971. He has appeared often across Canada before various boards and courts, including the Supreme Court of Canada, and was called to the bar of four provinces. Other files within the fonds reflect Golden's wide ranging interest in social and environmental issues and organizations: the Exchange for Political Ideas in Canada, 1964 to 1967 (including a paper on the impact of automation on trade unions and labour relations, 1965); the Kingston Penitentiary Citizens Committee, 1971 to 1973; the judicial review of the closure of Clinton General Hospital, 1976; the Committee for a New Constitution, 1977 to 1978; the inquest into the death of seven students employed in the Ministry of Natural Resources' Junior Ranger Program by a fire set by the Ministry near Napina, Ontario, 1979 to 1982; the Council of Canadians, 1985; the Coalition on Capital Punishment, 1987; efforts with James Lorimer to revive the public affairs magazine "Canadian forum, " 1988 to 2001 (including correspondence, financial documents, agreements, and the original minute book for the managing corporation, 1934 to 1974); a mock trial and conference held by International PEN, 1988 to 1989; and an injunction to stop Notre Development's proposal for a waste management site at the Adams Mine in northern Ontario, 1994 to 2001.

Golden's interest in public affairs naturally led to involvement with politics and the media. His files document his work with the National Liberal Federation and the Ontario Liberal Association from 1961 to 1969, including policy documents on labour relations, his role in the election campaigns of Mitchell Sharp and Val Scott, and the movement to draft Charles Templeton for leadership of the Ontario Liberals in 1964. Golden switched to the New Democratic Party in 1969, and the ensuing files deal with his candidacy for the party's federal council in 1969 and election campaigns during the 1970s. His profile was enhanced by considerable media exposure. The fonds includes scripts for his public affairs commentaries broadcast on CBC television, his columns and articles on legal and civil liberties issues, publicity material for his book "Rumours of war" and its release in paperback, and the text for his many speeches and presentations on industrial relations, collective bargaining, censorship, pornography, and the defence of obscenity charges.

Golden's work with the Canadian Bar Association included research on First Nations and aboriginal rights, and these issues became a major focus of his practice. In August 1978, the Inuit Tapirisat of Canada (ITC) was advised of hearings by the National Energy Board into the supply and demand for natural gas to consider the proposal by the Polar Gas consortium of oil and gas companies to build a pipeline through Keewatin on the west coast of Hudson Bay. Golden was retained by the ITC to fight the proposal, which was supported by the federal Department of Indian and Northern Affairs. The files document the three weeks of hearings that preceded the withdrawal of the application. At the same time, the Inuit Tapirisat was involved in an effort to slow down or stop exploration activity that accompanied the uranium find at Shultz Lake, 40 miles upstream from Baker Lake. The use of low-flying aircraft and its impact on hunting the Kaminuriak herd of caribou was central to the action, which was complicating negotiations for the creation of Nunavut. Golden secured an interim injunction in Toronto. Trial of the case was dependent upon the oral history presented by Inuit hunters in the gymnasium at Baker Lake High School. The court dissolved its injunction and instead declared that approximately 150 square kilometres were subject to aboriginal title. The extensive files on the Polar Gas and Baker Lake cases include witness statements, corporate and government reports, substantial research material on caribou as well as archaeological and anthropological evidence, maps, legal arguments, case law, trial notes, and correspondence regarding the negotiation of development rights after the court decision in 1980. Golden also represented the Islington White Dog Band who lived on the reserve along the English-Wabigoon River system in northwestern Ontario regarding a lawsuit over mercury poisoning of the river, and a claim for compensation against Ontario Hydro for flooding reserve lands and causing considerable damage. The files document the settlement of these actions, and Golden's work with other advisors to develop a plan for economic recovery of the reserve, 1980 to 1982. Tagak Curley was another client of Aubrey Golden. He was a prominent Inuit activist and member of the legislature for the Northwest Territories who had shot a polar bear in self defence in August 1981. His refusal to surrender the pelt to wildlife authorities led to prosecution under a game ordinance, which was contested by the Hunters and Trappers Association to test aboriginal title and hunting rights under the Canadian Bill of Rights.

General interest files include: Golden's preliminary report on a proposed industrial relations system for the Bahamas at the request of its government, October 1967; his work for the United Jewish Appeal in 1961, and on the Legal Committee of the Canadian Jewish Congress, 1963 to 1974; and his lecture notes and other teaching material for his courses on industrial relations that were offered through the Master of Business Administration program at York University, 1967 to 1970.

Fonds consists of administrative and organizational files pertaining to the activities of the International Commission for the Coordination of Solidarity Among Sugar Workers (ICCSASW), particularly with regard to national and regional seminars, international sugar workers conferences and solidarity campaigns. It also contains committee meeting minutes, financial records, fundraising files, correspondence with unions and other organizations, newsletters, photographs, videos, taped interviews and publications related to ICCSASW activities. The fonds also includes some items from the Sugar Workers and Industry Education Resource Library (SWIERL).

Fonds consists of material that documents Davey's career as a writer, director and producer. It includes film proposals, scripts, contracts, research, interview transcripts, photographs, publicity material, productions files, financial records, audio-visual records and other material related to the productions "Locked in - locked out," "Investing in yourself : women, money and self-esteem," "Helen Lucas ... her journey - our journey" and "Michele Landsberg ... iron in her soul," among others.

Fonds consists of photographs documenting the journalistic activities of Excalibur at York University.

Fonds consists of records pertaining to the personal and professional activities of Karen Connelly. These records include manuscripts, in various states of development, for Connelly’s published writing, particularly her books "One room in a castle" (1995), "The border surrounds us" (2000), “The lizard cage” (2005), and “Burmese lessons” (2009), as well as draft poems and stories. Journals from Connelly’s travels through Asia in the mid-to-late 1990s are also part of the fonds , as are personal journals kept between 1984 and 2011, correspondence sent and received, travel and personal photographs, literary memorabilia, and notes for Connelly’s speaking engagements and lectures.

Fonds consists of notes, edited manuscripts, and research materials related to various published and unpublished works by Hédi Bouraoui, including “La Tour CN,” “La Pharaone,” “Musocktail,” and “Bangkok Blues.” It includes personal and professional correspondence, as well as clippings about Bouraoui and reviews of his work. Also included are several sound and audiovisual recordings of poetry and novel recitals, conferences, and interviews.

Collection consists of publications, policy statements, research reports, conference and educational documents, and newsletters accumulated by Professor Linda Briskin in the course of her research on women and equity in organized labour in Canada. The documents were published by or about local, provincial, and national organizations, including the Canadian Labour Congress, provincial federations of labour, Canadian and United Auto Workers, Canadian Air Line Employees' Association, Canada Employment Immigration Union, the Communications, Energy and Paperworkers Union of Canada, the Committee for Cleaners' Rights, International Ladies Garment Workers Union, Metro Labour Council, Union of Provincial Government Employees, Canadian Union of Public Employees, Ontario Secondary School Teachers' Federation, Public Service Alliance of Canada, United Steelworkers of Canada, Registered Nurses Association of Ontario, and the Windsor Hospital Clerical Workers Union of Canada. The collection deals with equity in collective bargaining units, including issues of sisterhood and solidarity, education, human rights, anti-racism, aboriginal issues, affirmative action, violence against women, and the impact of technological change.

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

Fonds consists of personal diaries, teaching notes and writing, performance and family memorabilia, diplomas, correspondence, sheet music, photographs and audio recordings pertaining to the personal life and professional career of Peggie Sampson, including her early activities as a music student, her work as a professor of music, and her performances on the cello and viola da gamba. These records also document her associations with early teachers Guilhermina Suggia, Donald Francis Tovey, Nadia Boulanger and Pablo Casals, as well as her work with the Manitoba University Consort during the 1960s and the Quatre en Concert in the 1970s. The personal diaries in the fonds span Sampson's time in Edinburgh and London during World War II to her immigration to Canada in 1951 to teach at the University of Manitoba and her employment at York University from 1970 to 1977.

Fonds consists of records that resulted from Ruth Dworin's activities as a music promoter, queer activist, community organizer and business manager, as well as her personal life and interests. The fonds includes correspondence, diaries, calendars, files related to her production company, Womynly Way, and files related to her work as business manager of This Magazine and Canadian Woman Studies.

Fonds consists of personal correspondence, including those documenting Zimmerman's receipt of a teaching award and her appointment as Advisor to the University on the Status of Women. Fonds also consists of correspondence and other documents regarding Zimmerman's involvement during and after what is known as the Freeman affair while Advisor to the University on the Status of Women.

Collection consists of small groups of documents and items acquired from a variety of sources that have enduring research value.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes correspondence with publishers, copies of articles related to his work, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

Fonds consists of material that documents Kulyk Keefer's career as a writer and academic. These records include personal and professional correspondence with fellow writers, files related to her work with the Eden Mills Writers' Festival and House of Anansi, drafts of poems and short stories, and draft manuscripts of her published works of fiction and non-fiction. Also included are research and subject files and promotional materials pertaining to her writing projects, copies of published writing by and about Kulyk Keefer, personal notebooks, speeches and photographs.

Fonds consists of a scrapbook containing letters and autographs from men and women such as W.L. Courtney, J.M. Wilson, F. Max Muller, Sir John Burke, W.J. Courhope, E. Curtius, John Cam Hobhouse, Admiral J. Jervis, B. Jowett, A.H. Sayce, and W.A. Wright; poems by Federico Garcia Lorca, Cecil Day-Lewis, and Wilson Pugsley MacDonald; press clippings for the Mid-Canada Development Conference; a bound manuscript by E.B. Sorge; letters written by Robert White Creeley, Dennis T. Patrick Sears, Edith Sitwell, Arthur S. Hamilton, Eugene A. Moxley, Arthur Chute Dent, Esther and Abraham Rattner, Francis Turner Palgrave, Robert Taylor, and Clement King Shorter; the will of William Crysall; the journal of Florence Alice Sitwell; sketches by Arthur S. Hamilton; a scrapbook of photographs and letters by Frederick H. Evans; a short essay on Roy Campbell by John Gawsworth; a Kingston Preparative Meeting of Men Friends minute book; a L'Académie française medal; a silk screen poster for The Escstasy of Rita Joe ; a manuscript of “Apollo Tree” by Miriam Waddington; and a list of Livingston and similar names from 1871 Census of Ontario.

Fonds consists of material that documents Ellenwood's career as an academic, translator and writer.

Fonds consists of material that documents Hoffert's career as a composer, musician, author and arts administrator and includes musical scores from the 1950s to the 1990s, audio-visual recordings, administrative files, photographs, clipping and other memorabilia, copies of awards, diaries, e-mail correspondence, drafts of his books and other material.

The fonds consist of material that documents Rayfield's career as a Professor of Anthropology and, to a lesser extent, her personal life. It includes research files containing copies of published and unpublished manuscripts, conference presentations, drafts of book and article reviews, research notes, professional correspondence, grant proposals, course outlines and a copy of her curriculum vitae. It also includes material such as magazines, film festival programs, reviews of African films, auction and museum catalogues, photograph of African sculptures, newspaper clippings and research notes that documents her ongoing interest in African film and art. Records of a personal nature include correspondence, Christmas cards and obituaries related to her passing.

Fonds consists of Wordswrights Canada files including correspondence, promotional material, newsletters and client files related to Ioannou's company; publishing files consisting of material related to Ioannnou's own writing and includes galleys of collections of her poetry and readings files consisting of correspondence, notes and drafts of talks presented by Ioannou on the the teaching of poetry to various groups and organizations.

Fonds consists of correspondence with fellow Crosby collectors and enthusiasts, drafts of essays and articles concerning Crosby written by Vogt, scrapbooks dedicated to Crosby, lists of Crosby recordings, publicity photos and movie stills, magazines, newsletters and other material that documents Vogt's ongoing interest in Bing Crosby's music and work.

Fonds consists of records created and accumulated by Frank Zingrone pertaining to his university education, his work as a professor of communications at York University, and his activities as a writer and critic. These records include personal and professional correspondence, subject files and notes, memorabilia, conference materials, student papers, lecture and course materials, as well as article drafts and manuscripts for published and unpublished works including "Addiction to illusion" (unpublished), "The media symplex", "Strange attraction" (poetry) "Who was Marshall McLuhan?", "The invisible revolution", "Essential McLuhan" and "Traces" (poetry).

Fonds consists of correspondence, minutes, reports and newsletters from various men's rights organizations such as 'Fathers for Justice', newspaper clippings documenting issues of interest to the movement as well as other related material that documents Kenedy's ongoing research into the men's rights movement. Fonds also includes copies of presentations made at the annual conferences of the National Orientation Directors Associations, as well as samples of orientation literature that was published by universities in Canada and the United States for first-year students and their parents.

Fonds consists of records of Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City." The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren, among others.

Fonds consists of material that documents her personal and professional life with emphasis on her career as a writer and film maker. It includes correspondence and subject files, publicity files, research and writing files, production files and other material that documents her life and work on such films as True Confections, Wisecracks, Watching Movies and Abortion: Stories from North and South. It also includes day books, notebooks and diaries documenting daily events and appointments, drafts of articles written by Singer including material related to her story for Saturday Night on mercury poisoning and personal correspondence including greeting cards. There is also a considerable amount of audio-visual material creating during the making of her documentary films including interviews for her films Watching Movies, You Can't Beat a Woman and Wisecracks.

Fonds consists of Douglas V. Verney's personal correspondence and papers as chair of the political science department at York University.

The fonds mainly consists of research files, photocopies and microfilm reels of archival documents from American and European archives related to Michael Hans Kater's work on Nazi Germany including publications such as his dissertation SS-Ahnenerbe, and books Doctors Under Hitler and Different Drummers: Jazz in the Culture of Nazi Germany; professorial files (such as lecture notes and course evaluations).

Fonds consists of notes, drafts and research material related to the publications "The edge of the world," "Emma's dead," "Headstand," "If I knew I'd tell you," "Lovers and other strangers," "Mixed-up grandmas," "The adultery handbook," "Colville's People" and "Cathedral Women," as well as her poem for "Side by side." It also includes personal and professional correspondence, clippings of stories about Malyon and/or reviews of her work, lecture notes and material related to Malyon's readings of her work, grant applications, writer-in-residence application as well as other material that documents her career as a writer.

Accession 2008-032 includes the editorial files for "Imagination in action : thoughts on creativity by painters, sculptors, musicians, poets, novelists, teachers, actors," a book edited by Malyon that was published by Mercury Press in 2007. The project began with interviews with Marjory Smart and Milt Jewell in 1990-1991 to explore the concept of creativity, and was resumed in 2005 when Malyon invited submissions from many people who created original works in different disciplines. The records files include correspondence, edited manuscripts, annotated page proofs, and correspondence with the publisher regarding the contract, design, and promotion of the book.

Accession 2009-044 consists of manuscripts for even-numbered brunches, copy edited page proofs, and promotional material for the book written with bill bissett, "griddle talk : a yeer uv bill n carol dewing brunch" (Talonbooks, 2009), as well as documents relating to Malyon's work as an instructor at the Maritime Writers' Workshop in 1998, her literary readings in 2008, and correspondence with Fred Cogswell and K.D. Miller.

Accession 2016-040 consists of draft manuscripts for a collection of short stories ("Underneath the Water With the Fish") and a book about writing "Writing Matters" as well as promotional material and reviews about previously published work.

The fonds consists of Fred Matthews Young's working files for his legislative responsibilities. The largest part of the fonds contains files related to transportation and especially highway traffic, which reflects Young's role on the Select Committee on Highway Traffic. The files are divided into subjects related to transportation (safety, lighting, re-sale of automobiles, automobile prices, alternatives to the automobile), and include reports of government agencies, briefs to the Select Committee and other committees, copies of bills, copies of Hansard (Ontario), advertisements, press releases and background material. In addition, there is material on several other issues before the Legislative Assembly including smoking, housing (including public housing), election expenses, reformatories, municipal affairs, and material relating to the Revenue Ministry, including material on land transfer taxes, provincial income taxes, the government estimates, securities law, the Corporations Act and related subjects. This material includes reports, submissions, statements of ministers and members, copies of speeches, Hansard, copies of bills and amendments and related material.

The fonds consists of records pertaining to Archibald Henry Woods' activities with the Co-operative Commonwealth Federation Council (CCF). The fonds includes minutes of meetings, 1945-1946; correspondence and papers, 1946; reports, 1946; newspaper clippings, 1936-1945.

The fonds mainly consists of records pertaining to Roy Israel Wolfe's research activities and publications.

Fonds consists of manuscript and typescript copies of Adele Wiseman's work, clippings and reviews pertaining to her books, personal and business correspondence, financial records, photographs, subject files and manuscripts of work by others and material pertaining to her career as a writer, teacher and social worker.

The fonds is arranged in the following series: