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Fonds consists of material that documents his career as a writer and broadcaster and, as such, includes correspondence with publishers, fan mail, research material, newspaper clippings, reviews of his work, notes, drafts and galleys related to his novels and works of non-fiction. The writing files include photocopies of his own letters written to his mother when he was an internee in England and manuscript and photocopies of letters written to Koch from Daria Hambourg and used as research material for his novel, "The Brothers Hambourg". Fonds also includes transcripts of interviews as well as written reminiscences in the form of letters from many former German internees; these letters were subsequently used as resource material for his book "Deemed Suspect: A Wartime Blunder". Fonds includes a complete set of published copies of his books. The broadcasting files contain correspondence, memos, notes and drafts of scripts, scrapbooks and other material that documents his long career with the CBC.

Fonds consists of records pertaining to Herman Voaden's family life, education, teaching, play writing, directing and cultural lobbying activities. Also included are the private records of his wife, Violet Kilpatrick Voaden. Types of records include: correspondence, personal diaries, teaching notes, production notes, playbills, and photographs. Some material has been sorted and arranged according to subject by Anton Wagner, theatre historian and executor of Herman Voaden's literary estate.

The fonds is arranged in the following series:

The fonds documents Lauretta Thistle's activities as a journalist and dance reviewer for the period, 1961-1982.

Collection consists of playbills and theatre programs arranged int he following series: 1. Dance companies (including ballet); 2. Theatre and drama companies; 4. Musical performances (excluding concerts); 5. Souvenir programs; 6. Film programs; 7. Concerts.

The fonds documents Bernard Ostry's education and personal life as well as his activities as public servant and author for the period 1940-1990.

The fonds mainly documents Margaret Avison's work as a poet and writer and includes manuscripts, correspondence, clippings, printed material, music scores and photographs.

The fonds consists of material that documents Godard's professorial career and includes thesis advisory files, general correspondence, letters of recommendation, lecture notes, conference material, minutes and reports related to various departments and committees that she was involved with and additional material related to her work with the Canadian Federation of Humanities and to her work as editor of the "Bibliography of feminist criticism," "Gynocritics" among other publications. It also includes notes and drafts of her own writing including her undergraduate and graduate research, articles, book reviews, conference papers, drafts of her translations and a collection of chap books and broadsheets accumulated over the course of her career.

The fonds documents the Canada Dance Festival's operational and administrative activities. Records consist of financial records and contracts; grant applications, sponsorship and fund raising files; correspondence and other administrative records including reports; and publicity, special event and marketing records. Also included are posters used in the advertising and marketing of the festival.

The fonds documents Dance Umbrella of Ontario’s operational and administrative activities. Records consist of financial records; grant applications and contracts; publications; correspondence and reports; and program files. Also included are special project records pertaining to events such as Arts Vote ‘94, Dance 2020, Artsweek, and Forward Motion.

The collection consists of programmes, correspondence, articles and press clippings relating to the life and career of Isadora Duncan. Also included are research notes and interview transcripts used by Lillian Loewenthal in support of her book, The Search for Isadora Duncan (1993).

The fonds consists of programmes, choreographic and production notes, clippings, photographs, newsletters, awards and certificates, financial documents and notebooks which document the career of Gladys Forrester in Canadian theatre and dance.

Fonds consists of personal and business correspondence, reviews, notes, drafts and manuscripts of poems and musical compositions which document the career of Robert Casto.

Fonds consists of an accumulation of files kept by several different members of the Canadian Association of Professional Dance Organizations which have been maintained in the manner in which they were received. They contain correspondence, minutes, reports, financial records, items used for publicity, resource material and other material.

Fonds consists of manuscript and typescript drafts and notes for many of Richard Courtney's works, personal and business correspondence with friends, colleagues, publishers and other individuals and organizations, background and resource material for Courtney's writing and teaching, lecture notes, copies of journals and other publications in which Courtney's work either appeared or which he used as resource material, scrapbooks documenting Courtney's role as an actor and director in a number of productions including those undertaken as a student at Leeds as well as a number of audio-visual samples of his work.

Fonds consists of selected administrative and operational records of the Toronto Dance Theatre.

The fonds is arranged in the following series:

Fonds consists of administrative files relating to the activities of DanceSpace and includes correspondence, posters, photographs, and various published materials relating to dance.