- 1911-1999, predominant 1973-1992
Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.
Wieland, Joyce, 1930-1998
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Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.
Wieland, Joyce, 1930-1998
The fonds documents John Kastner's career as a filmmaker and producer. Records in this fonds consist of publicity files, which include biographical information, clippings, flyers and other promotional materials related to his productions; administrative and production files, which include correspondence, budgets, proposals, notes, transcripts and scripts; research materials, which include prison records, articles, books, court transcripts, newspaper clippings and news footage; and audiovisual materials, including video cassettes, DVDs, photographs, and audio recordings. These records pertain to the following programs: "Street Comedy", "Ask a Silly Question", "Somebody's Gotta Do It", "Chickens are People Too", "Rage Against the Darkness", "Romance with a Rapist", "Hunting Bobby Oatway", "House of Secrets", "Monster in the Family", "Monster in the Family: The Struggle Continues", "Sinner in Paradise", "Life with Murder", "NCR: Not Criminally Responsible", and "Out of Sight, Out of Mind".
Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.
Feldman, Seth, 1948-
The fonds consists of records pertaining to Barbara Sternberg's activities as an artist, teacher, writer, and activist. In addition to subject files containing materials related to her films, the fonds includes posters, reviews, catalogues, programmes, research and drafts of unrealized projects, course, project, and grant proposals, as well as publications by and about Sternberg. It also includes conference and workshop materials, pedagogical documents, drafts of Sternberg's Cinema Canada column, materials related to screenings, exhibitions, and festivals, as well as correspondence with friends and colleagues, including contemporary Canadian experimental artist Michael Fernandes and former Canadian Parliamentary Poet Laureate George Elliott Clarke. Records of a personal nature are predominantly limited to correspondence.
Fonds consists of material which documents Leckie's career as a writer and director and includes personal and professional correspondence, notes, drafts and outlines of scripts, production files, research files, press clippings, photographs and publicity material of many of the productions that he worked on including related audiovisual material.
Leckie, Keith Ross, 1952-
Fonds consists of records of Pittman's work in film and television and includes scripts, storyboards, correspondence, financial records, publicity material, shooting schedules, edit sheets, research material, grant applications and other related material. It includes photographs taken during the production of a number of his films and audio-visual records in various formats that document the various stages in the making of film and television productions with which Pittman was involved. There is considerable material relating in particular to "Shattered City." The fonds also includes a series of audio recordings of interviews conducted by Pittman for "Saturday Night at the Movies" with film directors including Bernardo Bertolucci, Robert Altman, and Norman McLaren, among others.
Fonds consists of Zdenka Volavka records accumulated and created over the course of her professorial career. The majority of files consist of annotated photocopied material obtained through interlibrary loans (the card catalogue indexing this material was prepared by Zdenka's long-time assistant, the late Charlotte Carrol). Files also contain material related to her involvement at York University and her research on the kingship and royal ritual in Ngoyo, Africa.
The fonds consists of records relating to the Tapestry Pictures/CBC Televison co-production of the programme "Gzowski in Conversation", starring Peter Gzowski, as well as records relating to the production of "Where the Spirit Lives", "Children of My Heart", "By Jeeves", "Tagged: The Jonathan Wamback Story", "Burn: The Robert Wraight Story", "Shattered City: The Halifax Explosion", "The Blue Castle", "The Arrow" and "Spirit Bear". It includes production, administrative and research files, transcripts, production videos and sound recordings related to the production. It also includes publicity material in the form of press kits, posters, reviews, clippings and publicity stills and personal material that documents Leckie's involvement in feature film policy in Canada and her ongoing interest in the activities of the Mountview Alternative School in Toronto.
Leckie, Mary Young
Fonds consists of personal correspondence (1932-1990), project files (1926-1981), slides, photographs, films, videos, and publications by or about the Beveridges.
Fonds contains records include scripts, scores, correspondence and papers, reports, photographs, films, lectures, and interviews documents Applebaum's activities as a composer, conductor, and arts administrator.
The fonds consist of material that documents Rayfield's career as a Professor of Anthropology and, to a lesser extent, her personal life. It includes research files containing copies of published and unpublished manuscripts, conference presentations, drafts of book and article reviews, research notes, professional correspondence, grant proposals, course outlines and a copy of her curriculum vitae. It also includes material such as magazines, film festival programs, reviews of African films, auction and museum catalogues, photograph of African sculptures, newspaper clippings and research notes that documents her ongoing interest in African film and art. Records of a personal nature include correspondence, Christmas cards and obituaries related to her passing.
Rayfield, Joan R.
Fonds consists of records created and accumulated in the 1980s, 1990s and 2000s by Theresa Burke. These records document Burke's research, production and investigative work for "The fifth estate" documentaries airing from 1994 to 2012. Many of these records pertain to the following documentaries: "The trouble with Evan" (1994), "His word against history" (2000), "Terror" (2001), "Nightmare drug" (2002), "A state of denial : the Bill Sampson story" (2002), "Deathrow.com" (2003), "Death of a beauty queen" (2004), "The big break" (2005), "The Steven Truscott story: moment of truth" (2005), "You be the judge" (2005), "The lady vanishes" (2007), "The girl in Saskatoon" (2008), "Someone got away with murder" (2009), "Broken heroes" (2009), "The legacy of Brendan Burke" (2010), "The devil you know" (2011), "A question of innocence" (2011), "Diagnosis murder" (2012). Also included are research materials and manuscripts pertaining to Julian Sher's book, "Until you are dead: Steven Truscott's long ride into history" (2001), on which Burke worked as a research associate, as well as manuscripts and other materials relating to Ty Conn and Burke's book, "Who killed Ty Conn" (2000), co-authored with Linden MacIntyre. Records created and accumulated by Burke in the course of her research about the National Parole Board, the subject of witness protection, and the murder conviction of Mason Jenkins are also part of the fonds, as are a number of files relating to other miscellaneous research projects. Records pertaining to Burke's early career in public relations and marketing at Alliance Entertainment and Norstar Entertainment are included in this fonds, as are administrative records and training materials from the CBC, as well as Burke's personal journals, notebooks, letters and university essays. Records in this fonds are predominantly textual records and audiovisual materials arranged by project. These records include correspondence, interview transcripts, memoranda, copies of court transcripts and documents, copies of medical reports, journal articles, notes and notebooks, production materials, newspaper articles, contact lists, copies of police reports, prisoner records and legal documents, video cassettes (in multiple formats), audio cassettes, as well as computer disks and photographs.
Burke, Theresa, 1956-
Fonds consists of research notes, correspondence, screen plays, draft notes, shot lists, cast lists, crew lists, shooting schedules and other material created and/or accumulated by Zukerman in his work as a producer. Fonds also includes copies of scripts sent to Zukerman for his consideration and personal records including diaries, income tax records and other material.
Zukerman, Bernard, 1943-
Fonds mainly consists of material relating to Vincent Vaitiekunas career as a film maker and includes production notes, scripts, correspondence and film reels.
Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.
Fonds consists of records created and accumulated by Barry Callaghan pertaining to his personal life and professional work as a writer, publisher, journalist and teacher. Records in this fonds include manuscripts, correspondence, research notes, audiovisual recordings, teaching files, administrative files, and memorabilia. Some records pertaining to the life and work of his father, Morley Callaghan, are also part of this fonds.
Callaghan, Barry, 1937-
Fonds consists of material that documents Davey's career as a writer, director and producer. It includes film proposals, scripts, contracts, research, interview transcripts, photographs, publicity material, productions files, financial records, audio-visual records and other material related to the productions "Locked in - locked out," "Investing in yourself : women, money and self-esteem," "Helen Lucas ... her journey - our journey" and "Michele Landsberg ... iron in her soul," among others.
Fonds consists of correspondence, manuscripts, typesets, cover art, notebooks, video and audio recordings, research materials, photographs, published journals and copies of articles and interviews about Zolf and her poetry. The records document Zolf's work as a poet, editor, critic and as a documentary and experimental filmmaker. Poetry files provide information about Zolf's work in researching, financing, writing, editing and publishing her poetry and her relationships with other poets. Editing files document Zolf's work as a freelance editor and as the founding poetry editor for The walrus magazine. Video production files document Zolf's work as a researcher, producer and director of documentary and experimental video and film.
Zolf, Rachel, 1968-
The fonds consists of material related to John Smith's personal life and to his professional career as a writer, producer and director. It includes screenplays, draft notes for works in progress, shot lists, story boards, call lists and shooting schedules, casting and contact lists, correspondence, research files, press clippings, financial records, and selected printing elements for 16mm and 35mm productions, rough assemblies, rushes and outs on VHS and Beta videocassettes and DVDs.
The fonds is organized into the following series:
Smith, John Newton, 1943-.
Fonds consists of the administrative records, artist submissions, promotional material, fund raising, financial and operational records of the Desh Pardesh organization relating to its annual conference and arts festival and its year-round events related to South Asian youth, women's issues, fund raising, community development and anti-racist efforts. In addition to administrative records, the fonds also includes the submissions of local and international South Asian artists, dancers, film makers, poets, playwrights, photographers and other performers, including audio-visual, photographic and written material, as well as promotional packages and brochures. Fonds is arranged into 11 series.
SAVAC (South Asian Visual Arts Collective)
Fonds consists of correspondence, subject files, clippings, scrapbooks, memorabilia, contracts, financial records, reports, photographs, video cassettes and sound recordings that document Taylor's career as a film and theatre executive.
Taylor, Nathan A., 1906-
Fonds consists of the professional records of Peter Flemington including: correspondence, memorandums, reports, CRTC briefs and applications, meeting minutes, research files, film project files including copies of films and scripts, academic writing project files, and files related to his work as Head of Programming and Development of VisionTV. The records in this fonds document his role in the evolution of religious communication and the development of religious broadcasting in Canada, notably the establishment of VisionTV in 1986.
Fonds contains the following series, based on Flemington’s career:
S00689: Religious Television Associates
S00690: Berkeley Studio
S00691: Peter Flemington Broadcast Services (freelance work)
S00692: The Rosewell Group / Canadian Interfaith Network files
Flemington, Peter, 1936-