Fonds F0674 - Madeleine Boss Lasserre fonds

Title and statement of responsibility area

Title proper

Madeleine Boss Lasserre fonds

General material designation

  • Textual record
  • Graphic material

Parallel title

Other title information

Title statements of responsibility

Title notes

Level of description

Fonds

Reference code

F0674

Edition statement

Edition statement of responsibility

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • 1918-1998, predominant 1925-1977 (Creation)
    Creator
    Lasserre, Madeleine Boss, 1901-1998

Physical description area

Physical description

0.94 m of textual records
11 photographic prints : b&w and col. ; 25 x 20 cm or smaller

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Name of creator

(5 Oct. 1901 - 17 Aug. 1998)

Biographical history

Madeleine Boss Lasserre (5 Oct. 1901 - 17 Aug. 1998) was a music educator and the first teacher of Dalcroze Eurhythmics in Canada. Lasserre was born in Neuchâtel, Switzerland, where she spent her childhood and adolescence. At age eighteen, Lasserre moved to Geneva at the behest of her piano teacher to study under the composer Émile Jaques-Dalcroze, founder of Dalcroze Eurhythmics. Variously known as Dalcroze Eurhythmics, the Dalcroze Method, or simply eurhythmics, the practice utilizes bodily movements and processes—such as walking, clapping, and breathing—to explore and teach musical rhythm. It consists of three main elements: eurhythmics, solfège, and improvisation. Lasserre trained with Jaques-Dalcroze until 1923, at which time she became sufficiently qualified to teach all three elements. In 1924, she emigrated to Canada, initially living with and teaching the child of a wealthy Toronto family. Lasserre married her Swiss compatriot, Henri Lasserre—a wealthy lawyer, amateur cellist, and founder of the Robert Owen Foundation—who taught French at the University of Toronto.

Lasserre began teaching classes in eurhythmics to both adults and children in the Departments of Physical Education and Drama at the Margaret Eaton School in Toronto in 1925. Two years later, she left the school to join the Toronto Conservatory of Music (later the Royal Conservatory of Music), where she taught Dalcroze Eurhythmics for over half a century. In 1928, Lasserre began organizing demonstrations of the Dalcroze Method—performed by students and guest artists—to various groups and associations throughout Toronto and its environs. Soon after, she returned to Geneva to officially complete her Dalcroze training, earning a Dalcroze diploma in 1932. In 1934, Lasserre was approved to grant elementary certificates to her students through the Dalcroze Centre in New York City. Over the course of her career, she taught classes at the University Settlement School of Music, Hart House Theatre, the Women’s Art Association, and various teachers’ and music organizations within Ontario. Her students included pianist Donald Himes, childhood educator Donna Wood, dancer-choreographer Saida Gerrard, and artists Temma Gentles and Tim Jocelyn. In 1977, Lasserre retired from the Royal Conservatory of Music. The Madame Lasserre Dalcroze Pedagogy Scholarship was established at the Conservatory in her honour.

Custodial history

The records remained in the custody of Madeleine Boss Lasserre until the 1990s, at which time they were gifted to dance historian and scholar of Dalcroze Eurhythmics, Selma Odom. Odom and Lasserre met in 1979 and maintained a close friendship until Lasserre’s death in 1998. During this time, Lasserre aided and encouraged Odom in her Dalcroze research.

Scope and content

Fonds illustrates Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time span. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Fonds contains notes and notebooks, pamphlets, programmes, correspondence, clippings and scrapbooks, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Notes area

Physical condition

Some materials brittle.

Immediate source of acquisition

Donated by Selma Odom in 2008.

Arrangement

Fonds is arranged into one series.

Language of material

  • English
  • French

Script of material

    Location of originals

    Availability of other formats

    Restrictions on access

    No restrictions on access.

    Terms governing use, reproduction, and publication

    Finding aids

    Associated materials

    Related materials

    Accruals

    The fonds comprises the following accruals: 2008-048. Further accruals may be expected.

    Alternative identifier(s)

    Standard number

    Standard number

    Access points

    Place access points

    Name access points

    Genre access points

    Control area

    Status

    Level of detail

    Full

    Dates of creation, revision and deletion

    2015/08/19 C. Falls (Creation)

    Language of description

    • English

    Sources

    Accession area