Showing 736 results

Authority record
Corporate body

Danny Grossman Dance Company

  • http://www.wikidata.org/wiki/Q64170710
  • Corporate body
  • 1977-

Founded in 1975 by Danny Grossman, the Danny Grossman Dance Company (DGDC) is a modern dance company that was legally incorporated as the Danny Williams Grossman Dance Company in 1977. Considered as one of Canada’s most popular modern-dance troupes, the company toured extensively in Canada and performed globally across Europe, Israel, South America, and the United States. It toured in more than seventeen countries and has appeared at major dance festivals including Jacob’s Pillow. Its mission is to provide the environment, opportunity and support for the creation, performance and preservation of works by Danny Grossman. The company’s artistic statement is to present dance that is about humanity: clear, concise, daring, and universal – not afraid of subject matter. The company’s repertoire of 30 original works reflects Danny Grossman’s personal values of equality, pacificism, honesty courage, social responsibility, sympathy for the underdog and a willingness to reveal demons.

During the first two years, four company dancers (Danny Grossman, Judy Hendon, Erik Bobrow, Greg Parks,) were also members of the Toronto Dance Theatre as dancers, apprentices, and students. Working under the umbrella of TDT, DGDC practised after hours and undertook extended residencies and performances at the University of Michigan in Ann Arbor and at Simon Fraser University in British Columbia. Follow the success of Higher on tour to Miami and New York in 1976, the company was invited to perform at the New York Dance Festival, the Dance in Canada Conference in Halifax, and in the cultural festivities of the 21st Olympiad in Montreal in 1976.

By 1978 the company was established on a fulltime basis and would rehearse in the evenings at the National Ballet School studios. The six members DGDC (with Randy Glynn and Judith Miller joining the founding dancers) embarked on its first tour of Western Canada with Peter Sever as manager and Germain Pierce as wardrobe supervisor. Afterwards, the company moved to its own studio space on King Street, Hendon left and Pamela Grundy (who would later become Co-Artistic Director) and Trish Armstrong joined by audition.

In the 1980s, the company entered into an extended period of creative work to build a new repertoire in preparation for upcoming tours in North America and Europe. In 1988, the company expanded its repertoire to remount 15 revivals from Canadian artists (Patricia Beatty, Paula Ross, Lawrence Gradus, Judy Jarvis, Anna Blewchamp) and some American choreographers (Charles Weidman and Paul Taylor). Throughout the 1990s and early 2000s, the company would performance and tour primarily in Canada.

The company has also collaborated and co-produced with artists of different techniques, cultures, and disciplines including Judy Jarvis, Lawrence Gradus, Rina Singha, and Brainerd Blyden-Taylor. Collaborations also assisted the company to maximise resources through initiatives such as For Dance and Opera (a joint booking project to meet tour management needs) and 509 Parliament St (joint studio space for Canadian Children’s Dance Theatre and independent artists). The company also belonged to Dance 2020 (workgroup of members of Toronto dance community to set priorities and visions for the future), Arts 4 Change (a program designed to create positive change for and by arts professionals in Toronto), and Artsvote (a campaign to educate local voters and politicians about issues in the cultural sector). The company also engaged in educational initiatives with local school groups, community groups, and undertook residency programs on tour.

With shrinking grants to fund operations, the company stopped performing in 2008 and shifted its focus on teaching and preserving Grossman’s choreography. The company travels to schools and teaches works to students at institutions such as Adelphi University.

De Temps Antan

  • http://viaf.org/316744282
  • Corporate body
  • 2003-

"De Temps Antan was founded in 2003 by three former members of La Bottine Souriante , Éric Beaudry, Pierre-Luc Dupuis and André Brunet . In 2017, André Brunet left the formation by joining Le Vent du Nord , David Boulanger then replaced him. In 2008, the trio participated in the recording of the album Mesdames et Messieurs! of the group Le Vent du Nord, which aroused in the musicians a desire to push the collaboration further. Thus, in 2016, the two formations - under the collective name SOLO - created a show offering pieces from their respective repertoire as well as new compositions. Following the success of the tours, the bands recorded an album from this project called: Our SOLO album , which went on sale on November 1 , 2018 and won the Félix for Album of the Year - Traditional 2019 at L' ADISQ . They notably presented the show at the prestigious Carnegie Hall." https://fr.wikipedia.org/wiki/De_Temps_Antan

Dear Sister

  • Corporate body

"This folk and roots trio have played everything from the Winnepg Folk Festival to a packed room in Toronto's iconic Cameria House. Raven Sheilds and Bri Salmena write the songs and play guitar, and Aaron Comeau backes them up with all the other intruments." (2012 MFF programme booklet)

Desh Pardesh

  • Q106610783
  • Corporate body
  • 1988-2001

Desh Pardesh was a multidisciplinary arts festival dedicated to providing a venue for underrepresented and marginalized voices within the South Asian diasporic community, particularly left wing and queer South Asian artists and academics. It operated from 1988 to 2001. The organization's mandate states: "Desh Pardesh is lesbian and gay positive, feminist, anti-racist, anti-imperialist and anti caste/classist. Desh exists to ensure that the voices and expressions of those constituencies in the South Asian community which are systematically silenced are provided with a community forum. In particular: independent artists, cultural producers and activists who are women, lesbians and gays, people with disabilities, working class people and seniors." Founded in the late 1989, the festival was originally conceived as "Salaam Toronto!" and administered by Khush, an association of South Asian gay men in Toronto. This day-long festival was held at 519 Community Centre in May, 1988. The Khush committee later developed into a coalition-based organizing committee to administer the newly named Desh Pardesh, which was held in March 1990, and was co-sponsored by Khush and The Euclid Theatre. Desh Pardesh was incorporated as a non-profit organization on April 7, 1994. In addition to organizing an annual summer conference and arts festival (featuring film screenings, workshops, issue-driven seminars, spoken work and literary readings, music, dance and performance art pieces), Desh Pardesh also hosted periodic arts development workshops, community outreach seminars, mini-festivals, art exhibits, and film retrospectives. It also served as a resource centre and referral service to various South Asian community groups and artists, cultural organizations and activists. In later years, Desh Pardesh worked in close collaboration with SAVAC (South Asian Visual Arts Collective). The Desh Pardesh festival and its administrative body closed in 2001 due to a financial crisis.

Dirty Dishes

  • http://viaf.org/139514474
  • Corporate body
  • [2015?]-

“A kick-in-the-pants all girl rootsy trio. Delicious three part harmonies, washboard, fiddle guitar and uke accompany sassy songwriting and killer charm.” Featuring Lisa Olafson, Suzy Wilde, and Alison Porter. https://www.dirty-dishes.ca/

Downchild Blues Band

  • http://viaf.org/137988926
  • Corporate body
  • 1969-

“The Downchild Blues Band is a Canadian blues band, described by one reviewer as "the premier blues band in Canada". The band is still commonly known as the Downchild Blues Band, though the actual band name was shortened to "Downchild" in the early 1980s.” https://en.wikipedia.org/wiki/Downchild_Blues_Band

Earle and Coffin

  • http://viaf.org/5361157040173667040007
  • Corporate body
  • 2013-

“Earle and Coffin were a Canadian blues and folk music duo from Newfoundland and Labrador, consisting of Nick Earle and Joe Coffin. They are most noted as two-time winners of the Canadian Folk Music Award for Young Performer of the Year, winning at the 12th Canadian Folk Music Awards in 2016 for their album Live at the Citadel House and at the 14th Canadian Folk Music Awards in 2018 for their EP A Day in July.” https://en.wikipedia.org/wiki/Earle_and_Coffin

Egypt Migrations: a Public Humanities Project

  • Corporate body
  • 2016-

"Egypt Migrations is a federally incorporated not-for-profit educational, community outreach, and archival organization. Formerly, Egypt Migrations was the Coptic Canadian History Project (CCHP). CCHP was founded by Michael Akladios in fall 2016. Miray Philips joined in 2017 as the Blog editor and we extended the project’s activities to the United States. In 2020, [they] made the decision to transition from the Coptic Canadian History Project to Egypt Migrations. [...] [Egypt Migrations] aims to preserve, educate, and empower Egypt’s migrants and their descendants by countering this exclusion and utilizing storytelling to reveal meaning without committing the error of defining it. [It] collaborate[s] with geographically dispersed communities in sharing the stories of any who once called Egypt home and all those first, second and third generation living transnationally. The organization retains its emphasis on the Copts while expanding its lens to Egypt and its migrants, more broadly construed." https://egyptmigrations.com/about/

Eh?!

  • Corporate body
  • 2009-

“Eh?! is the new collaborative fiddle-based trio of Emilyn Stam, James Stephens and Anne Lederman. Solidly rooted in traditional styles, Eh?! is dedicated to bridging the gap between traditional and contemporary Canadian folk music.” http://www.ehtunes.com/bio.htm

Elephant Revival

  • http://viaf.org/311463180
  • Corporate body
  • 2006-

"Elephant Revival is a folk music group from Nederland, Colorado, formed in 2006. The band consists of Bonnie Paine, Bridget Law, Charlie Rose, Dango Rose, Daniel Rodriguez, and Darren Garvey. They refer to their style of music as "transcendental folk," because it transcends several musical categories and incorporates elements of Scottish/Celtic fiddle tunes, original folk pieces, traditional ballads, bluegrass, and indie rock. All members of the band are multi-instrumentalists and contribute vocals and to songwriting." https://en.wikipedia.org/wiki/Elephant_Revival

Elliott BROOD

  • http://viaf.org/142934624
  • Corporate body
  • 2002-

“Elliott BROOD is a Canadian three-piece, alternative country band formed in 2002 in Toronto, consisting of Mark Sasso on lead vocals, guitar, banjo, ukulele, harmonica, and kazoo, Casey Laforet on guitar, lead vocals, backing vocals, bass pedals, keys, and ukulele, and Stephen Pitkin on percussion, sampler, and backing vocals. The band's style has been categorized as "death country", "frontier rock", or "revival music".” https://en.wikipedia.org/wiki/Elliott_Brood

Ennis

  • Corporate body

Excalibur Publications Inc.

  • Corporate body
  • 1964-

Excalibur is a student newspaper at York University that started in 1964 and has been autonomous since 1966.

Fathead

  • http://viaf.org/152394356
  • Corporate body
  • 1992-2016

"Fathead is a multiple Juno Award and Maple Blues award-winning Canadian blues band, founded by Al Lerman and originally formed with members Mike Fitzpatrick, Ted Leonard, John Mays and Bob Tunnoch." http://en.wikipedia.org/wiki/Fathead_(band)

Federation of Women Teachers' Associations of Ontario

  • http://viaf.org/viaf/152113479
  • Corporate body
  • 1918-1998

The Federation of Women Teachers' Associations of Ontario was established 3 April 1918, as a result of a meeting called by several local women elementary teachers' associations wishing to form a provincial organization. The FWTAO's original mandate included the promotion of the professional and financial status of women teachers in Ontario through the fostering of local associations and campaigning for a minimum annual salary. In addition to representing the financial and everyday workplace concerns of its membership, the FWTAO's mandate was extended to include curriculum reform, employment equity, and other issues related to sexual discrimination. As a consequence of a long series of legal challenges that began in 1985, based on the gender-exclusive nature of the Association, the FWTAO amalgamated with the Ontario Public School Men Teachers' Federation (OPSMTF) in 1998 to form the new Elementary Teachers' Federation of Ontario (ETFO).

Felst

  • Corporate body

Fitzgerald Sisters

  • Corporate body

“The Fitzgerald Sisters are renowned for their high-energy fiddling, jaw-dropping step dancing and the winning way they connect with audiences of all ages. These siblings from just outside the Ottawa Valley are animated and generous performers with a polished, action-packed show. And for good measure, they will even step-dance and fiddle at the same time.” https://www.orilliamatters.com/local-news/new-additions-join-star-studded-mariposa-folk-festival-lineup-900793

Flashlight Radio

  • Corporate body

"Flashlight Radio burst on to the music scene when two childhood friends reunited. Suzy Wilde and Ben Whiteley grew up playing tag together backstage at folk festivals while their parents Nancy White and Ken Whiteley performed. They have combined their 'folky' roots with an 'indie' rock influence. Flashlight Radio's songs combined insightful lyrics, powerful music and beautiful melodies that compel the listener to sing along. [...]" Mariposa Folk Festival programme, 2009, p. 45

Founders College

  • Corporate body
  • 1965-

Founders was the first college established on the main campus of York University, opening in September 1965. The College is affiliated with the Faculty of Arts with special attention paid to the disciplines of Anthropology, French Studies, History, Psychology and Women 's Studies. In addition, the college offers a number of course in the college tutorial programme and is part of the Inter-College Curriculum programme. The college contains the Arthur Haberman Art Gallery, the Nellie Langford Rowell Library and the Office of the University Advisor on the Status of Women. It has a residence building made up of seven houses, each named after a member of the Group of Seven.

Founders College. Master

  • Corporate body
  • 1965-

The Master is the senior administrative officer of the College, and sits on the several councils and committees that make up the governance of the college (College Council, the Fellows, Council of Masters, Inter-College Curriculum Committee). In addition, the Master is responsible for the residential life of the College together with the Residence Tutor and Dons and the Residence Council. In the period covered by these records the following men served as Master: John J. Conway (1970-1975) and Hugh Parry (1970-1975).

Founders College Senior Common Room

  • Corporate body
  • 1966-

The Founders College Senior Common Room opened on the Keele Street campus in 1966. This establishment was renamed the York University College Faculty Common Room in 1968.

Founders College. Student Council

  • Corporate body

The Student Council of Founders College is the main voice of students in the College and for Founders students within the York Federation of Students and in the Senate of the university. In addition to its governing function, the Council is responsible for the student pub, the Cock and Bull, and social and athletic activities at the College.

Four Horsemen

  • http://viaf.org/viaf/128949455
  • Corporate body

Fränder

  • Corporate body

Free Spirit Dance

  • Corporate body

Free Spirit Dance is an activity run by Beth Whalen-McKean. "With 30 plus years experience in dance, music and theatre, she has developed a profound understanding of self expression and creativity, and combines it with her role as a therapist". Mariposa Festival Program, 2011, p. 46

Georgian Bay

  • Corporate body
  • 2013-

“The two-woman French Canadian folk band,. [...]. Kelly Lefaive and Joëlle Westman met in 2008 at the University of Toronto, while the two were studying jazz. Westman said the two of them were put into a combo, or small ensemble, together.[...] [They] didn’t start playing as a band until 2013 [...]. Lefaive grew up in the Georgian Bay area, while Westman is from the village of Tweed. When the pair first began writing songs, they wrote most of the music in Georgian Bay. Many of their early songs had to do with language, as Lefaive is Francophone and Westman is Anglophone. Both of them are bilingual and write songs in both French and English, often combine the two languages in one song.” https://inquinte.ca/story/georgian-bay-band-a-hit-at-the-old-church

Glass Orchestra

  • http://viaf.org/viaf/126604939
  • Corporate body

Glendon College

  • http://viaf.org/viaf/153552313
  • Corporate body
  • 1961-

Glendon Hall was the site of the first classes of the new York University in 1961. When the university took up its present Downsview, Ontario location, Glendon College was established as the university 's bilingual, undergraduate college, an affiliated autonomous faculty. In the late 1960s a proposal to relocate the College to the main campus was defeated and it remains a small, liberal arts college within York University. In addition to traditional liberal arts departments, Glendon also has departments in International Studies, Canadian Studies, Multidisciplinary Studies and Women 's Studies. In addition, there is a School of Translation at the College which offers an undergraduate degree in translation as well as a Certificate Programme in Technical and Professional Writing (in English only).
The College is headed by a principal assisted by a Senior Administrator. It has its own Faculty Council and a Dean of Students. The College has its own student-run radio station (Radio Glendon), art gallery (Glendon Gallery) and theatre (Theatre Glendon). The Glendon campus is served by the Frost Library. Students enrolled at the College must demonstrate proficiency in both Official Languages and take instruction offered in English and French.

Glendon College. Dean of Students

  • Corporate body

The Dean of Students, who also served as the Master of Residence was responsible for most student matters relating to cultural affairs, social events, graduate fellowships, and all matters pertaining to residence life at the College.

Glendon College. Faculty Council

  • Corporate body

The Faculty Council of Glendon College is the highest legislative body of the College. It makes decisions regarding curriculum, faculty appointments and tenure, and general academic policy. The Council is composed of all full-time faculty and student representatives. In addition, members of the College administration have ex-officio status on the Council.
The Council also has several standing committees dealing with aspects of the academic and College activities of Glendon: these include, Executive, Nominating, Academic Policy and Planning, Curriculum, Academic Standards, Teaching and Learning, Petitions and Library committees.

Glendon College Planning Committee

  • Corporate body

The Committee (also known as the President' s Planning Committee for Glendon College), was established to advise the President on the establishment of Glendon College as a small, liberal arts college within York University once that institution had been established on its main, Keele Street, location. The needs of the College programme in administrative terms, its academic structure, faculty and hiring were are part of the committee' s mandate.

Glendon College. Principal

  • Corporate body

The Principal is appointed by the Board of Governors on the advice of the President and s/he is ultimately accountable to the Board. As the chief academic and administrative officer of the College, the Principal has responsibility for overseeing the implementation of Senate and Faculty legislation. The Principal promotes and facilitates the academic programme, both in the planning and execution stages, and encourages the extra-curricular programs within the College. In addition, the Principal is charged with the responsibility for personnel matters, including the recruitment tenure and promotion of faculty, the promotion of research activity amongst the faculty, and the maintenance of all personnel policies in line with collective agreements. In addition to these academic and personnel responsibilities, the Principal is the chief financial officer of the College, and therefore must strike the annual budget. The Principal also represents the College within the university and to external bodies. During the period covered by these records the following men served as Principal of Glendon College: Escott Reid (1966-1970) and Albert V. Tucker (1970-1976).

Glendon College. Senior Administrator

  • Corporate body

The Senior Administrator was responsible for the daily operations of the College including membership on most of the College committees, financial and budgetary matters (including personnel and salaries), food services, handling minor research grants, as well as mundane matters of an administrative nature, such as controlling allotment of parking spaces, safety measures, and telephone requirements. During the period covered by these records Victor Berg served in this office.

Glendon College Senior Common Room

  • Corporate body
  • 1963-

The York University Senior Common Room was established at Glendon Hall in 1963. This Senior Common Room became the Glendon College Common Room in 1966 when the Founders College Senior Common Room opened on the Keele Street campus in that year.

Glendon College. Student Union

  • Corporate body

The Student Union is the political and social voice of all students enrolled in the College and represents students on various College and University committees. Its executive consists of a President and Vice-President and Directors of Cultural Affairs, Bilingual Affairs, Academic Affairs, Clubs & Services, Communications and External Affairs. The body of the union is made up of annually elected councillors, first year representatives and representatives of each department and programme at the College. In addition, the Alumni Association is represented.

Goldfarb Consultants

  • http://viaf.org/viaf/146111688
  • Corporate body
  • 1965-

Goldfarb Consultants was established in 1965. Its primary activities focus on marketing, polling and advertising. Its customers have included a diverse group of private-sector companies, as well as the federal and provincial Liberal parties of Canada. Goldfarb Consultants provides both corporate and political clients with a reading of the public mood and a prescription for how best to optimize it. Martin Goldfarb, the founder of Goldfarb Consultants, was the first Canadian pollster to expand on traditional research methods by de-emphasizing the use of quantitative research (the gathering and compilation of numbers), and emphasizing qualitative research analysis. The qualitative research approach involves intensive questioning of specific focus groups about specific issues. By interpreting the focus groups' answers, a set of assumptions is made about the probable behaviour of the people, either as voters or consumers.

Good Enough Live Karaoke

  • Corporate body
  • 2013-

“Founded by Tim McCready in late 2013 Toronto's best live band karaoke experience is a super-tight band featuring guitar, bass, keyboards and drums, and plays a massive repertoire of over 300 songs spanning genres and eras.” https://www.goodenoughlivekaraoke.com/

Good Old War

  • http://viaf.org/143490995
  • Corporate body

"Over the past three years, the indie-folk trio Good Old War has captivated audiences with their acoustic driven, sing-along-inspiring live performances." (2012 MFF programme booklet)

Graydon James and the Young Novelists

  • http://www.wikidata.org/wiki/Q24521592
  • Corporate body
  • 2009-

“The Young Novelists are a Canadian folk-roots band, formed in Toronto, Ontario in August 2009. They play and tour as a five or six-piece band, or as a duo.” Members include Graydon James, John Law, Michael Paddags, and Laura Spink and previously included Noel DiTosto, Alex Dodd, and Shawn Jurek. https://en.wikipedia.org/wiki/The_Young_Novelists

Great Lake Swimmers

  • http://viaf.org/131304994
  • Corporate body
  • 2003-

"Great Lake Swimmers is a Canadian folk rock band from Wainfleet, Ontario, and currently based in Toronto. The current touring line-up includes Tony Dekker on lead vocals, acoustic guitar and harmonica, Erik Arnesen on banjo, electric guitar and harmonium, Joshua Van Tassel on drums, Bret Higgins on upright bass and Miranda Mulholland on violin and backing vocals. Past members included Julie Fader on backing vocals, Sandro Perri on guitar, and Greg Millson and Colin Huebert on drums. The band's style has been compared to Red House Painters, Nick Drake, Iron & Wine and Neil Young, as well as Will Oldham (Bonnie "Prince" Billy) and Sufjan Stevens. Dekker has cited influences including Gram Parsons and Hank Williams." https://en.wikipedia.org/wiki/Great_Lake_Swimmers

Greek Community of Toronto

  • 119236032RR0001
  • Corporate body
  • 1909-

The Greek Community of Toronto (GCT) is a communal institution established in 1909, incorporated in 1965 and is a registered non-profit charitable organization.

Representing over 150,000 Canadians of Hellenic descent in the Greater Toronto Area, the GCT and its members share a common desire to serve and promote the objectives of our organization. They are committed to providing an environment for Greek culture and heritage to flourish, thus enriching the unique social and cultural fabric within a vibrant and diverse Canada.

The Greek Community of Toronto is governed by a hierarchy of decision-making bodies, principal among them the Board of Directors and The General Assembly.

Green Bush Inn Incorporated (Toronto, Ont.)

  • Corporate body
  • 1969-1975

The Green Bush Inn was created in 1969 as the first student pub on the York University campus. At one point, the corporation hoped to restore the historic Green Bush Inn which had been built in 1847, and was located at the corners of Steeles Avenue and Yonge Street, but the plan was abandoned once the costs became known.
In addition to providing management services to College pubs, the Green Bush Inn operated a weekly pub in one of the College dining halls. When the university acquired a canteen license from the Liquor Licensing Commission of Ontario in 1974, the Green Bush Inn lost its management role and also became redundant as a weekly pub. It ceased operations in 1975.

Harbinger Community Services

  • Corporate body
  • 1971-[198-]

Harbinger Community Services was a health clinic and referral service established at York in 1971. It was formerly called the York Student Clinic which itself was a merger of 1 Road 1 and the Birth Control Centre. Harbinger offered counselling and referral services in the area of drug awareness and intervention, birth control, sexuality problems, suicide and women 1 s self- help. Funded by the York Student Federation, it ceased to exist in the early 1980s.

Hard Ryde

  • Corporate body

Hard Ryde is a Canadian bluegrass band comprised of "Doug DeBoer (guitar and vocals), Will Meadows (mandolin and vocals), Rich Koop (bass), Nathan Smith (fiddle), and Marc Roy (guitar and vocals)." Mariposa Festival Program, 2011, p.47

Hellenic Heritage Foundation Greek Canadian Archives

  • Corporate body
  • 2012-

"The Hellenic Heritage Foundation Greek Canadian Archives (HHF GCA) grew out of the Greek Canadian History Project (GCHP)—a joint initiative launched by Athanasios (Sakis) Gekas and Christopher Grafos in 2012. The GHCP’s mission was to preserve and facilitate access to historical materials illuminating aspects of Greek immigrants’ varied experiences in Canada.

Over the next decade, Gekas, Grafos, Kali Petropoulos (the GCHP’s Public Relations Coordinator), and dozens of community volunteers organized memorable events, exhibitions, and historical walks. The project’s success inspired further investment. On September 22, 2021, York University announced that it had received a $1.4-million gift from the Hellenic Heritage Foundation to aid in preserving, cataloguing, digitizing, and teaching Greek Canadian history. The GCHP acquired a new name, and the HHF GCA was born." https://www.yorku.ca/research/project/hhfgca/history/

Hepatitis C Society of Canada

  • Corporate body
  • 1994-

The Hepatitis C Society of Canada (HeCSC) is a non-profit, national voluntary health organization. Its mission is to fight hepatitis C through prevention, early detection, support, appropriate treatment and comfort. It does this through 40 chapters across Canada that offer support groups, local peer counseling, publications and seminars. In addition, mainly through its intervenor status at the Krever Commission, the society advocated for just compensation for those who developed hepatitis C through tainted blood transfusions. HeCSC was founded in May of 1994 by Dr. Alan T.R. Powell of Toronto. The first volunteers started working with the organization in June 1994. By October, chapters were established in Victoria, Edmonton, Regina, Hamilton, Toronto and Ottawa. With the national office open in Toronto and the 1-800 number up and running, HeCSC was providing support and resources for hepatitis C carriers all across Canada and became registered as a charitable organization in January of 1995 and incorporated by Industry Canada as a non-profit group in April of the same year. HeCSC is funded by Health Canada’s National Voluntary Health Organizations and Hepatitis C Division, Ontario Ministry of Health’s Healthy Communities, and donors.

Hey Ocean

  • http://viaf.org/296247513
  • Corporate body
  • 2004-

"Hey Ocean! is a Canadian indie alternative rock and synthpop band formed in 2004 in Vancouver. David Beckingham and Ashleigh Ball had been friends since grade 6, joining with David Vertesi in the 2000s to form the band. The band consists of Ashleigh Ball (vocals/flute), David Beckingham (vocals/guitar), and David Vertesi (vocals/bass). Their music draws from many genres, including pop and acoustic, and the group tours Canada widely." http://en.wikipedia.org/wiki/Hey_Ocean!

Hunter's Corners

  • Corporate body

“The duo of Bill Nesbitt (concertinas, harmonicas, vocals & jaw harp), and Brad McEwen (citterns & vocals) chose [the name of Hunter’s Corners] because the cross-roads is close to where they met, and represents the continuing intersection of their musical ideas and experiences. Bill loves traditional music of all kinds, and plays for Contra, Morris and Ceili dances throughout southern Ontario. He has a particular interest in songs and tunes from Newfoundland. Brad has been immersed in traditional folk music for over four decades as a keen student and performer and as the founding and only Artistic Director of Cambridge's Mill Race Festival of Traditional Folk Music for its entire 26 year run.” https://hunterscorners.yolasite.com/

Hydra

  • Corporate body

Idlers

  • http://viaf.org/3363161696243316120008
  • Corporate body
  • 2006-

Idlers is a Canadian ska and reggae group from St. John's, Newfoundland.

Information York

  • Corporate body
  • 1975-1981

Information York was an internal information service to members of the York community on services, faculties departments and activities in the university, that operated from 1975 to 1981.

International Theatre Institute

  • http://viaf.org/viaf/188046189
  • Corporate body
  • 1948-

"The International Theatre Institute ITI is the world’s largest performing arts organization founded in 1948 by theatre and dance experts and UNESCO. Dedicated to performing arts, ITI advances UNESCO’s goals of mutual understanding and peace and advocates for the protection and promotion of cultural expressions, regardless of age, gender, creed or ethnicity. It works to these ends internationally and nationally in the areas of arts education, international exchange and collaboration, and youth training.[2] ITI organizes the International Dance Day and World Theatre Day every year at the UNESCO, Paris.[3][4]" (Wikipedia)

Jabulani

  • Corporate body

"Jabulani is a Zulu word meaning "we are happy". […] Jabulani has been writing and performing unique South African music for several years now. The music embraces the many styles and rhythms of the region, with  a strong leaning toward the Zulu "Maskande" guitar style. After numberous musical collaboratives, the sound of Jabulani has matured, and is now a tight melodic group that sings both in English and Zulu. Jabulani founder Brian Litvin, originally from Johannesburg in South Africa, Mafata Lemphane from Lesotho on bass guitar and vocals, and George Morellato on percussion and vocals. Also accompanying the band with frequent guest appearances is the multi-talents, South African singer, percussionist, actor and dancer, Welcome Nkosi." Mariposa Folk Festival programme, 2009, p. 47

Jaron Freeman-Fox and the Opposite of Everything

  • Corporate body

Jaron Freeman-Fox and The Opposite of Everything is comprised only of Jaron Freeman-Fox a fidder who studied under the classical violinist Marc Destrube, studied South Asian classical music, and was apprenticed under Oliver Schroer.

Jayme Stone's Lomax Project

  • Corporate body

“Focusing on songs collected by folklorist and field recording pioneer Alan Lomax, this collaboratory brings together some of North America’s most distinctive and creative roots musicians to revive, recycle, and reimagine traditional music. The repertoire includes Bahamian sea chanties, African-American a cappella singing from the Georgia Sea Islands, ancient Appalachian ballads, fiddle tunes, and work songs collected from both well-known musicians and everyday folk: sea captains, cowhands, fishermen, prisoners, and homemakers. Collaborators include Grammy-winning singer Tim O’Brien, Bruce Molsky, Margaret Glaspy, Moira Smiley, Brittany Haas, Julian Lage, and more.” https://jaymestone.com/projects/lomaxproject/

Jen Schaffer and The Shiners

  • Corporate body

“Jen Schaffer and the Shiners hail from Toronto via Montreal, Hamburg, Calgary and the UK! They are purveyors of original soulful folkrock music with lush harmonies and heavy bass. Jen Schaffer is the lead singer, songwriter and acoustic guitarist. She came to music via a stint as a public defender in the Appalachian foothills of Ohio, where she gained a love of alt-country music and a heightened social conscience. Her self-penned works, which have garnered praise from the likes of Ron Sexsmith, speak of love, struggle and injustice and are sharply focused through the lens of her own life journey. The Shiners are Simon Law, the band’s drummer, keyboardist, background vocalist and producer, who is also a Grammy winning songwriter of Soul II Soul’s Back to Life and original member of that band; Astrid Foster on bass and sweet background harmonies; John Teshima plays guitar, both electric and acoustic – he also plays keyboards and adds background harmonies; Jonathan Marks contributes violin, viola and mandolin as well as background harmonies.”

John McDermott Band

  • Corporate body

“The band led by John McDermott, is comprised of a group of talented professional musicians who have performed and toured throughout the world entertaining live audiences.” https://thejmb.com/home

Joint Centre for Asia Pacific Studies

  • http://viaf.org/viaf/148858588
  • Corporate body
  • 1974-

The Joint Centre on Modern East Asia was organized in 1974 as a joint venture of the University of Toronto and York University to promote research, in the Toronto region, at the faculty and graduate level, on modern China, Japan and Korea. The Centre is involved in several on‑going research projects including Canada and Hong Kong, the North Pacific Cooperative Security Dialogue and Women in Development in Thailand. In 1987-88 it's name was changed to Joint Centre for Asia Pacific Studies (JCAPS) and its mandate broadened accordingly to include South-East Asia. During the same period, JCAPS achieved official status as a research centre both at York and the University of Toronto. In May of 2002, the University of Toronto ceased its involvement in JCAPS and the centre’s name was changed to York Centre for Asian Research.

Joint Centre on Modern East Asia

  • http://viaf.org/viaf/148842899
  • Corporate body
  • 1974-

The Joint Centre on Modern East Asia was organized in 1974 as a joint venture of the University of Toronto and York University to promote research, in the Toronto region, at the faculty and graduate level, on modern China, Japan and Korea. The Centre is involved in several on‑going research projects including Canada and Hong Kong, the North Pacific Cooperative Security Dialogue and Women in Development in Thailand. In 1987-88 it's name was changed to Joint Centre for Asia Pacific Studies (JCAPS) and its mandate broadened accordingly to include South-East Asia. During the same period, JCAPS achieved official status as a research centre both at York and the University of Toronto. In May of 2002, the University of Toronto ceased its involvement in JCAPS and the centre’s name was changed to York Centre for Asian Research.

Joint Program in Transportation

  • http://viaf.org/viaf/154715827
  • Corporate body
  • 1970-

The Joint Programme in Transportation was operated jointly by the York University Transportation Centre and the University of Toronto Department of Urban Studies. Established in 1970 with a grant from the Canadian Transport Commission, it promoted and coordinated interdisciplinary research and teaching in the field of transportation studies. Its goals were to promote and co-ordinate research interests and a comprehensive teaching program through support for research projects, publications and sponsored seminars.

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