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The Visual Arts Department was initially called a Programme prior to 1974 when it acquired Department status. It is the largest department within the faculty. The programme of study blends historical, critical and practical courses in two streams: art history and studio art. The latter includes courses in photography, painting, sculpture, drawing, and textiles. It offers both undergraduate and Master 's level degrees.
The Department is administered by a chairperson who has both line and staff responsibilities and is appointed by the Board of Governors on the recommendation of the Dean and the President. The programme chair plays a role in the recruitment and retention of staff, the development of curriculum and in research activities.
The chair handles the departmental budget, is the chief administrative officer, and takes the lead in setting the programme timetable. In addition, the chair acts as a liaison with the external community, and this is especially important with visual arts where outside experts and galleries are employed in the educational experience. Since 1974 the department has been served by Edward Fort Fry (1974-1975), Ken Lochhead (1975-1976), Joyce Zemans (1976-1982), Andrew Tomcik (1982-1985) and T. Whiten (1985-1988) as chair.

The York-Kenya Project was initiated by the Government of Kenya and the Government of Canada through the Canadian International Development Agency (CIDA). CIDA arranged for York University to administer the project. The project had three components: the establishment of a Planning and Evaluation Unit in the Kenyan Ministry of Finance and Economic Planning for which York provided a field staff; a Training Programme, through which Kenyans were educated at York to take over the Planning Unit and act as future teachers of economic planning; and a research component on particular topics proposed by the Kenyan Government, the York field staff, or the university.

The York Inter-Varsity Christian Fellowship was inaugurated at York University in the late 1960s as a chapter of the Inter-Varsity Christian Fellowship of Canada. It is an evangelical Christian organization dedicated to service of God and prosletization.

The Vice President (University Services) was responsible for the several business and administrative operations of the University. The position was created in an administrative re-organization in 1976 at which time the position of Vice President (Administration) was abolished to be replaced by the Vice President (University Services). Both positions were held by Mr. William Small. University Services/Administration were broadly defined to include campus planning, physical plant, university facilities, business operations, and computing services. In the re-organization of 1976 two prominent administrative functions were transferred out of the portfolio: personnel (non-academic) services and the Comptroller 's Office. The position of Vice President (University Services) was dissolved in 1983 with the responsibilities being distributed to the remaining three vice presidents.

The York Youth Connection began in 1974 as a summer day camp for under-privileged youth in the York University-Finch neighbourhood. Originally providing English as a Second Language, Heritage Language training and multicultural awareness for children, the summer camp evolved into a fine arts day camp that provides lessons and entertainments in the fields of dance, visual arts, theatre and music. The camp is a part of the York Community Connection.

The York Variety Show was offered after York's first year to portray the events of that year in a satirical and light-hearted manner using songs, skits and artistic representations.

"NNEWH is one of four federally funded Centres of Excellence of the Women’s Health Contribution Program at the Bureau of Women’s Health and Gender Analysis, Health Canada. It brings together a diversity of perspectives and evidence-based findings to address gaps in health policy, practice and education. Research Associates come from a variety of academic disciplines and multiple sectors including sociology, psychology, anthropology, political science, nursing, law, health promotion, NGO’s, and community and health services organizations. NNEWH’s women’s health research priorities include chemical exposures including pharmaceuticals, maternal health and water quality. Dayna Nadine Scott, Osgoode Hall Law School and Environmental Studies, is the director of NNEWH and Anne Rochon Ford, Coordinator of Women and Health Protection, assumed co-directorship in April 2009. At that time, NNEWH also welcomed two sister working groups under its administration: Women and Health Care Reform and Women and Health Protection." Retrieved from http://yihr.info.yorku.ca/national-networks-on-environments-and-womens-health-nnewh/ on 2 Nov. 2018

The International Commission for Coordination of Solidarity Among Sugar Workers (ICCSASW) was an ecumenical church-sponsored organization founded in 1983. It emerged from the work begun by GATT(General Agreement on Tariffs and Trade)-Fly, an inter-church initiative for an alternative trade policy. GATT-Fly’s initial focus was the sugar trade, chosen and researched as a case study of the impact of international trade policy on developing countries. GATT-Fly’s efforts to bring about an International Sugar Agreement (to provide a fair return to sugar exporting countries) were unsuccessful, however their research and network building linked Canadian missionaries in sugar exporting countries with local workers’ organizations. This led in 1983 to the creation of ICCSASW, financed largely by church overseas development agencies. Based in Toronto, Canada, ICCSASW had a 10-member international steering committee of sugar union leaders.

ICCSASW aimed to provide an independent forum and build solidarity among workers across the political spectrum, through solidarity campaigns, national and regional seminars, international conferences and its monthly newsletter “Sugar World.” In 1998, ICCSASW ceased to exist due to lack of funding, although much of ICCSASW’s work has continued under the Geneva-based International Union of Food Workers (IUF), a trade secretariat. A more detailed administrative history and a list of contents written by ICCSASW executive secretary, Reg McQuaid, have been added by the archivist to file 2006-060/001(01) “Historical notes from the executive director about ICCSASW and SWIERL [Sugar Workers and Industry Education Resource Library]”.

The Organizing Committee of York University was instituted in July 1955, as a group of private citizens in Toronto concerned about the need for additional post-secondary education facilities in the Toronto region. These men were initially allied with the North Toronto branch of the YMCA, and in 1957 set about attempting to establish an institute of higher learning in northern Toronto under the proposed name, Kellock College. In the spring of 1958 the name 'York University' was substituted, a provincial charter was sought, and a proposed curriculum was discussed. By 1958 meetings had been held with provincial politicians and education officials regarding the charter and course of study, and discussions were going forward with the University of Toronto regarding federation of the new university with the established school until such time as York had its own facilities. The Committee had hoped to begin classes in September 1959, but the university did not open its doors until September 1960 as an affiliate of the University of Toronto. In March 1959, the York University Act was given Royal Assent, renaming the Committee as the provisional Board of Governors. It was replaced by the first regular Board of Governors in December 1959 through Order-in-Council appointments. The following served on the organizing committee: A.R. Hackett, A.D. Margison, J.R. (Roby) Kidd, T.R. Louden, E.T. Alberts, S.H. Deeks, N.T. Berry, A.G. Lascelles, A.D. McKee, P.R. Woodfield, and Air Marshall W.A. Curtis.

The Latin American Working Group (LAWG) was an independent, grassroots organization in Toronto, Canada, which carried out Canadian-Latin American solidarity activities from 1966-1997. Formed in response to the military coup and invasion of the Dominican Republic by the United States of America in 1965, LAWG's mission was to educate Canadians, develop solidarity links between Canadians and the peoples of Latin America, and advocate for an independent Canadian foreign policy. LAWG carried out activist research regarding the roles played by Canadian corporations and government aid policies in Latin America by working closely with union, churches, non-governmental organizations and academics in the North and the South hemispheres committed to human rights and social justice. It contributed to the creation and work of the Taskforce on Churches and Corporate Responsibility, the Inter-Church Committee on Human Rights in Latin America (ICCHRLA), the Central American Policy Alternatives (CAPA), the Roundtable for Peace, Mission for Peace, Canada-Chile Solidarity, Tools for Peace, Linking Ontario and Central American in Labour Solidarity (LOCALS), Common Frontiers, and other initiatives aimed at changing Canadian foreign policy. LAWG worked with several Canadian trade union humanity and social justice funds to facilitate north-south educational tours involving workers, teachers, Christians, health workers, and those from other sectors, as a way of deepening Canadians' understanding of, and mutual solidarity with, others living in this hemisphere. LAWG worked to provide insights into the reality of Latin America that it felt was not being provided by either the Canadian government nor mainstream media. Its first-hand information and primary research was published in its newsletter "the LAWG letter," "the Central America update," "LAWG labour report," and several books critically examining the role of Canadian corporations such as Falconbridge and INCO in Latin America. Over its 30 year existence, LAWG played a significant role in influencing Canadian public opinion, and that of churches, trade unions, and government policy-makers in relationship to Latin America. There is no connection between this group and the group with the same name in the United States.

Augusta Boulton (nee Latter) was born on Orillia, Ontario. She and married Charles Arkoll Boulton in 1874 and removed to Manitoba where he farmed. Boulton was a soldier and participated in the Riel Rebellion (1870) on the Loyalist side. He also raised a troop, known as 'Boulton's Rangers,' which participated in the Northwest Rebellion of 1885 at the Battle of Frog Lake and later in the capture of Big Bear. He was appointed to the Senate in 1889.

Ruth Dworin is a freelance bookkeeper, arts administrator, artistic produces, and tour organizer. After meeting Lucia "Kim" Kimber and Kathy Lewis at the 4th National Women's Music Festival in Champaign-Urbana in 1977 and several more events, the three women established Women's Music Archives as a non-profit organization based at Kimber's home in Fairfield, Connecticut in the fall of 1978. The WMA served "the primary function of the Women's Music Archives is to collect and preserve, for herstorical listening and research purposes, all types of materials related to women's music." The bulk of the collection focused on "woman-identified, woman-made music, primarily, though not exclusively feminist and lesbian in orientation" that "evolved as a definite entity" beginning in the early 1970s.

Dworin then founded Womynly Way Productions in September 1980 and directed the arts organization which produced concerts and events featuring women from all over North America in music, theatre, dance, and comedy until 1990. Dworin also produced the LEAF Roadshow, a cross-Canada tour featuring over fifty performers in 1989.

After consulting since 1984, Dworin established Creative Consulting in 1991 to address the administrative needs of the arts community, and to provide computer training for artists and arts administrators. She is now a bookkeeper for the Chocolate Woman Collective (formed in 2007), an interdisciplinary, cross-cultural, and inter-generational collective, comprised of senior Indigenous artists, scholars, and their collaborators to research and create the theatrical performance.

O.R. Lundell (1932-1999) was a professor and university administrator. Born in Revelstoke, British Columbia, he was educated at Queen's University and received his PhD. in physical chemistry from the Massachusetts Institute of Technology in 1958. His first teaching position as a professor of science was at the Royal Military College in Kingston. In 1961, Lundell was appointed as the founding chemistry professor at York University. He served as the Associate Dean from 1964 until 1973 and then as the second Dean of the Faculty of Science for an additional ten years until 1982. In addition, he sat on the building committee of the Chemistry and Computer Science Building and for many years as a member of the Atomic Energy Control Board. In recognition of his accomplishments, Lundell was bestowed a University Professorship in 1984 and posthumously named to the York University Founders Honours Society in March of 2000.

Ellen Baar (d. 1998) was a professor at York University in the Division of Social Science. After completing Grade 12, Baar attended Mount Holyoke College in Massachusetts, and the University of Michigan where she studied international relations and psychology. Soon after, she worked at the Mental Health Research Institute, and the Institute for Social Research before returning to school in 1961 to study international relations at Northwestern University and social psychology at the University of Michigan graduate school. Baar left Michigan in 1964 to begin a family but returned to teaching and research at York in 1971 where she worked until her death in 1998. She taught the course 'Canadian Problems' and her research covered a variety of topics, such as environmental regulation, studied from the perspective of social organization. To facilitate this research, Baar was a corresponding member of numerous federal and Greater Vancouver Regional District environmental and air quality committees. Books edited or authored by Baar include "Social Conflict and Environmental Law: Ethics, Economics and Equity," and "Inventory of Regulatory Approaches to Achieving Compliance." Baar was also very active in the York community and the York University Faculty Association on matters related to equity and fairness. She served YUFA for over 15 years on a wide range of issues including pay equity, financial analysis and the strike of 1997. In addition, she sat on the Joint Pay Equity Committee from its formation in 1993 and the Joint Study Committee for Affirmative Action for Women. She was the author of their final report in 1987. To honour her life and achievements, the Ellen Baar Award in Social Science was created in 1998.

Margaret E. Beare was a joint-appointed professor at Osgoode and York University in the Department of Sociology. Her research interests included policing, transnational crime and enforcement, money laundering and research related to the functioning of the criminal justice system. She had standing at the 1996 Commission of Inquiry into Certain Events at the Prison for Women in Kingston (Arbour Commission) to investigate certain events at the Prison for Women, Kingston Ontario which took place in 1994, and received all the documentation generated by the commission in the course of its investigations.

Jonathann Lynn was the producer and host of "Highway 10", a weekly music series on Rogers Television, for thirteen years.

The Canadian Science and Technology Historical Association was established in 1980 to promote an interest in the scientific and technological heritage of Canada, through production of a scholarly journal, Scientia Canadensis, and the sponsoring of biennial conferences. Its membership is largely drawn from the fields of academe and government.

Isadora Duncan (1877-1927) was an American dancer whose teaching and performances helped free ballet from its conservative restrictions and spurred the development of modern expressive dance. She was among the first to raise interpretive dance to the status of creative art.

The Canadian Society for the History and Philosophy of Science/Société canadienne pour l'histoire et philosophie des sciences (CSHPS/SCHPS) has a mandate to connect scholars in the interdisciplinary study of all aspects of science. It publishes a newsletter, Communiqué, and its annual conference takes place within the Congress of Social Sciences and Humanities.

Lynn Crosbie, writer and educator, was born in Montreal. She attended Dorval High School and Dawson College in Montreal before moving to Toronto, where she attended York University, obtaining a BA in English and Sociology in 1986 and an MA in English in 1987. Crosbie then attended the University of Toronto, earning a PhD in English in 1996. Her PhD thesis is entitled “Contextualizing Anne Sexton: confessional process and feminist practice in the Complete Poems”. Crosbie has been an instructor at the Ontario College of Art and Design/OCAD University, the University of Toronto, the Art Gallery of Ontario, the University of Guelph and York University, teaching courses in English literature, creative writing, and popular culture.

Crosbie began her literary career writing poetry. Her first book of poetry, Miss Pamela’s Mercy, was published in 1992, followed by VillainElle (1994), Pearl (1995), Queen Rat (1998), Missing Children (2003), Liar (2006), and The Corpses of the Future (2017). Her books of prose and fiction include Paul’s Case (1997), Dorothy L’Amour (1999), Life Is About Losing Everything (2012), Where Did You Sleep Last Night (2015), and Chicken (2018). She co-wrote Phoebe 2002: An Essay in Verse (2003) with Jeffery Conway and David Trinidad, and she is the editor of The Girl Wants To: Female Representations of Sex and the Body (1993) and Click: Becoming Feminists (1997).

Crosbie, also a prolific writer on popular culture, started freelance writing in the early 1990s. She has written features, reviews and columns for magazines, newspapers and literary journals including Maclean’s, the National Post, Fashion, Flare, This Magazine, Hazlitt, Quill and Quire, The Walrus, NOW, Saturday Night and Zoomer. Between 2002 and 2012, Crosbie’s column, “Pop Rocks”, appeared in the Globe and Mail’s Arts Section. She also wrote a column, “Critical Mass”, for the Toronto Star between 2000 and 2004 and a television column in Eye Weekly between 1999 and 2001.

Crosbie's story "The High Hard Ones", published in Saturday Night magazine, won the National Magazine Awards’ gold award for best fiction story in 2000, and her article "Lights Out", published in Fashion Magazine, won the silver award for best short feature in 2009. Her book, Where Did You Sleep Last Night, was shortlisted for the 2016 Trillium Book Award.

The York University Archives ephemera collection is an assembly of documents that have been accumulated over the years by archives staff.

Professor Fothergill is a playwright, critic and theatre historian. His drama "Detaining Mr. Trotsky", about the internment of Leon Trotsky in a prison camp in Nova Scotia in April 1917 (Canadian Stage Company, Toronto, 1987), won a Chalmers Award and several Dora nominations. "Public Lies" (Tarragon Theatre, Toronto, 1993), also nominated for a Chalmers Award, addresses issues of truth, propaganda and media manipulation by dramatizing episodes in the Canadian career of John Grierson, documentary film pioneer and founder of the NFB. "Borderline", set in a refugee camp on the border of Rwanda and Tanzania, won second prize in the 1999 Herman Voaden Canadian Playwriting contest and was professionally workshopped under the direction of Bill Glassco. It was mounted at Toronto's SummerWorks theatre festival in 2004. Rob Fothergill's most recent play is "The Dershowitz Protocol", an examination of the ethics of torture in the context of the current 'war against terror'. "The Dershowitz Protocol" was presented at the SummerWorks festival in 2003 and received its U.S. premiere at the Downstairs Cabaret Theatre in Rochester, New York, in June 2006. Other writings include "Private Chronicles" (Oxford 1974), a critical study of English diaries, and a chapter on Radio and TV Drama in Volume 4 of the "Literary History of Canada" (University of Toronto Press, 1990). Teaching dramatic literature and criticism, Professor Fothergill was a long-time member of the English Department at York University's Atkinson College before joining the Department of Theatre in the Faculty of Fine Arts 1994. He served as Chair of the Theatre Department from 1994 to 1999.

The Canadian Association of Latin American Studies (CALAS) was founded at York University on 12 June 1969. In 1976, CALAS became the Canadian Association of Latin American and Caribbean Studies (CALACS). The Association was the first Canadian organization to bring together scholars and activists from around the world engaged in teaching and research on on Latin America and the Caribbean, with a focus on expanding the study of Latin America and Caribbean in institutions of higher education. The Association holds an annual Congress and has published an interdisciplinary journal, the Canadian Journal of Latin American and Caribbean Studies, since 1976.

Douglas V. Verney was born in Liverpool, England in 1924. He obtained his B.A. in 1948, his M.A. in 1949 at Oxon and subsequently graduated from the University of Liverpool with a Ph.D. in 1954. He was a professor at Atkinson College, York University from 1961. Professor Verney began his academic career as a lecturer in Helsinki, Finland in 1948. The following year he was an assistant lecturer at the university of Liver pool and subsequently became a full lecturer from 1951 to 1961. In 1961 he became an Associate Professor and was also acting Dean at Atkinson College, York University. He became a Full Professor and, in 1962, Chairman of the department of Political Science at York University, a position he held until 1967. Professor Verney has published numerous articles and conference papers, as well as six books: 'Parliamentary reform in Sweden 1866-1921'(1957), 'Public enterprise in Sweden' (1959), 'The analysis of political systems' (1959), 'Political patterns in today's world' (1968), 'British government and politics: life without a declaration of independence' (1976), 'Three civilizations, two cultures, one state: Canada's political traditions' (1986).

John Warkentin is a geographer, teacher and photographer. Born at Lowe Farm, Manitoba, he received a Bachelor's degree from the University of Manitoba in 1948 and a PhD from the University of Toronto in 1961. He was an Assistant Professor of Geography at the University of Manitoba, engaged in research on the settlement and regional geography of Western Canada,and also taught briefly in Newfoundland and Greenland. In 1963 he became an Assistant Professor at York University. Dr. Warkentin taught at York University until he retired as Professor of Geography in 1993. He is a Fellow of the Royal Society of Canada, and an Officer of the Order of Canada.

Professor Warkentin is the author of "The Western Interior of Canada" (1964),and co-author with Dr. Richard I. Ruggles of "The Historical Atlas of Manitoba", published by the Manitoba Historical Society. He has also published text books on the historical geography of Canada, and more recently on public monuments in Toronto.

Robert A. Lawson (1926-2019), production designer and teacher, was born in Toronto and attended Riverdale Collegiate Secondary School. Enlisting in the Canadian Army in 1944, he pursued studies at the Ontario College of Art through the Department of Veteran Affairs programme and graduated in 1950. After teaching and doing restoration work at the Toronto Art Gallery (now the Art Galley of Ontario) for five years, he pursued further conservation and restoration studies financed by scholarships both at the National Gallery in Ottawa, and in Istanbul on a Harvard scholarship. On his return from Turkey in 1954, Lawson began working in the paint shop of the Canadian Broadcasting Corporation (CBC) as a scenic artist painting scenery, furniture and props, was promoted to assistant designer in 1956, and designer in 1958. Lawson first designed for variety shows, but attracted particular recognition for his work in opera, ballet, operetta and plays, working closely with Norman Campbell during the heyday of live television performances at the CBC. He subsequently mastered the intricacies of designing for television film work in series such as The Road, Hatch's Mill, Wojeck and Quentin Durgens, M.P. During this period, Lawson, Campbell and colleague Joe Parkinson perfected the special effects Chroma-Key technique which facilitated the melding of two or more pictures into a single frame, resulting in invitations to lecture on the practice throughout North America. Lawson's work attracted Emmy nominations and other awards, and his professional expertise in all areas of production design was recognized in 1977 when he became the first designer elected to the Royal Canadian Academy of Arts. He is a founding member and past president of the Associated Designers of Canada. A self-taught photographer, Lawson acquired a habit of photographing the productions on which he worked, often developing his own photographs. In the process, Lawson created an invaluable archive documenting the early days of Canadian television. In 1980, Lawson was appointed as design and staging director for the CBC in British Columbia, Canada. He retired from the CBC in 1985 in the face of severe budget cuts that effectively closed the design department. Lawson died in Vancouver, BC on 5 August 2019.

Florence Philpott was a caseworker, community organizer, educator, and a leader in the field of Canadian social work. She was born in 1909 in Halton County, Ontario and earned a teacher's diploma from Northwestern University, Chicago in 1930, as well as a diploma in social work from the University of Toronto's School of Social Work in 1932. During her career, Philpott worked for various social service agencies in Hamilton, Ottawa, Winnipeg and Toronto. She was the Executive Director of the Toronto Social Service Council (1948-1963), and possessed a national profile in her field, contributing to special projects and to local and national committees and boards. She belonged to a network of women who were instrumental in formulating social welfare policies and creating leadership roles in the field of social work for Canadian women. Florence Philpott passed away in Toronto, Ontario in 1992.

Kennetha Rose O'Heany (nee Koch, then McArthur) is a ballet teacher who prepares dancers for the Royal Academy of Dance exams and auditions. Born in Kitchener, Ontario, on January 21, 1956, her family moved to Toronto where at age 15 she studied under Gladys Forrester who suggested a career in teaching.

In 1974, O’Heany moved to London, England to attend the College of the Royal Academy of Dancing. After graduating in 1978 with a L.R.A.D, A.l.S.T.D. (Nat.) and the inaugural Ivor Guest Dance History Award for her work on Jerome Robbins, O’Heany moved to Champaign-Urbana, Illinois to set up the RAD Majors Programme - the only RAD school in the area. She returned to Toronto in 1980 and taught at various dancing schools until 1985.

In 1980, O’Heany auditioned to teach a daily ballet class at York University but was denied because she had not attended university. She then registered for the Master of Fine Arts Programme (Dance) at York University with the permission of department chair Dianne Woodruff who allowed O’Heany to pursue her Masters without a tertiary degree due to her training in England. O’Heany was the first person in the Dance Programme ever granted this privilege as well as the first person allowed to pursue a M.F.A. in Dance on a part-time basis. O’Heany attained her M.F.A. in 1985 with the thesis topic "Ballet in England at the turn of the century leading to the foundation of the R.A.D., including a video reconstruction of the first RAD Elementary examination syllabus." Her writings on dance history are available in The International/Oxford Encyclopaedia of Dance, the New York Public Library, and various research libraries.

O’Heany opened her ballet school doncespoce in 1985 and later founded a ballet company, dancecorps (later after winning registration as a charitable organization, the Toronto Ballet Ensemble). In 1990, the Vaganova Choreographic Institute and Kirov Ballet in St. Petersburg, Russia invited O’Heany to study differences in teaching methodologies.

She closed doncespoce in 1997 to pursue future endeavours outside dance. She also stepped down as CEO of the Board of Directors of the Toronto Ballet Ensemble (which ceased to exist in 1997) and soon afterwards resigned from the Company altogether.

Up until December 1998, O’Heany was the inaugural head of the RAD Studies for the new George Brown College Diploma Programme in Dance, where Bengt's company is Artist-in-Residence. Since 1999, O’Heany has been a teacher of RAD at institutions such as Pegasus Dance Center, and also taught master classes at the Conservatory of Dance and Music, and the Squamish School of Fine Arts. O’Heany currently teaches at the Oakville Ballet.

The Portguese Canadian History Project is a non-profit community outreach organization that aims to democratize and preserve the collective memory and historical knowledge of Portuguese immigrants and their descendants in Canada. Incorporated in 2008, Dr. Gilberto Fernandez and Dr. Susana Miranda founded the project, and were later joined by Dr. Raphael Costa and Dr. Emanuel da Silva.

In September 2009, PCHP partnered with the Clara Thomas Archives & Special Collections to facilitate the donation of archival records from individuals and organizations associated with Toronto's Portuguese community. In November 2015, the PCHP became associated with the Robarts Centre for Canadian Studies at York University, which hired Gilberto Fernandes as a postdoctoral visitor.

The Rendezvous Club of Toronto, a social club for retired teachers, was formed in 1937. The goal of the organization was to provide a way for members to maintain friendships made during the teaching years through social activities. The group's constitution details the duties of the executive, including liaising with the Women Teachers' Association of Toronto, and maintaining and documenting the history of the organization.

Alexander Israel Wittenberg (10 February 1926 - 19 December 1965) was a teacher, researcher and Professor of mathematics and mathematical education.
Wittenberg was born in Berlin in 1926 to a family of Russian Jewish immigrants. The family escaped Germany immediately after the 1933 Nazi rise to power and found refuge in neighbouring France. In 1942 the Wittenberg family was forced to flee once again, this time to Switzerland. Although uprooted, Wittenberg continued pursuing his education and in 1957 completed his doctorate at the renowned Eidgenössische Technische Hochschule Zurich (Swiss Federal Institute of Technology in Zurich) under the guidance of mathematicians Ferdinand Gonseth and Paul Bernays. During the post-war years Wittenberg taught math at several Swiss high schools, developed an interest in mathematical education and started his own family after marrying Marlyse Wittenberg, nee Marx.
In 1956 Wittenberg accepted the role of associate professor at the University of Laval in Quebec and relocated to Canada together with his young family. In 1963 he arrived at Toronto after being offered to join the newly established York University as a professor in the mathematics department. Proficient in German, French and English, he published his research in all three languages – altogether authoring five books and more than thirty articles, reviews and public addresses. As well, Wittenberg was an active participator in various contemporary debates regarding educational policies in North America and Europe – many times translating and informing different audiences about developments taking place in other countries. He was also actively engaged in non-academic discussions about high school and post-secondary education and advocated the crucial importance of advancing mathematical and scientific knowledge. In 1965 he was diagnosed with a brain tumor and died that same year at the age of 39.

bill bissett (1939- ), poet, artist and musician, was born in Halifax and educated at the University of British Columbia where he received his B.A. in 1956. He founded Blewointment Press in 1962 as a medium for young poets and published several of his own volumes under its imprint. bissett is the author of several books of poetry including, Fires in the temple (1966), Nobody owns the earth (1972), Medicine my mouths on fire, (1974), Canada gees [sic] mate for life (1985), and Inkorrect thots [sic] (1992). bissett has held several solo art exhibits in Vancouver, Toronto and London (Ont.). In addition, he has recorded several albums with his band The Luddites including Luddites (1988), Shining spirit (1989), and Luddites dreemin uv th nite [sic] (1991).

John Kastner was a documentary filmmaker, producer, writer, actor and director. Born in Toronto, Canada, he began his career as a professional child actor and appeared in many TV and radio programs, including the CBC drama "The Offshore Island". He also produced, directed and wrote for a variety of television programs, including game shows ("Photo Finish"), variety shows ("Street Comedy", "Ask a Silly Question" and "90 Minutes Live") and a children's comedy ("Just Kidding"). Kastner is best known as an award-winning writer, producer and director of television documentaries for the CBC and CTV. These documentary projects predominantly pertain to prisoners, Canada's prison and parole systems as well as the personal struggles of those with life-threatening illnesses. Kastner's documentaries include "Prison Mother/Prison Daughter" (1986), "Romance with a Rapist" (1997), "Hunting Bobby Oatway" (1997), "House of Secrets" (1997), "Rage Against the Darkness" (2004), "Monster in the Family" (2006), "Monster in the Family: The Struggle Continues" (2007), "Life With Murder" (2010), "NCR: Not Criminally Responsible" (2013), and "Out of Mind, Out of Sight" (2014). He received Emmy Awards for three feature-length documentaries, "Four Women" (1978), "Fighting Back" (1982) and "The Lifer and the Lady" (1986). Kastner has also written, produced and directed a number of comic documentaries, including "Ask a Silly Question" (1998), "Somebody's Gotta Do It" (1999), "Chickens are People Too" (2000), and "Sinner in Paradise" (2007). He died on 21 November 2019.

Ernesto Vinci (1898-1983), teacher and singer, was born in Gnesen, Prussia (now a part of Poland) as Ernst Wreszynski. Raised as a Reform Jew by father Adolf Wreszynski and mother, Anna Kalinski, he used the surname Wygram professionally during his time in Germany and in Milan, Italy. The evidence is that the surname Vinci was adopted as a professional name in Italy and was used to distinguish his singing persona from his medical career in North America. It is doubtful that he used the names Vinci or Wygram to disguise a Jewish background, since all early correspondence and documents, including immigration records, bear his given name. However, his son was unaware of his Jewish heritage until 1999. Vinci was educated in Berlin (medical degree, 1924) and in Milan (second medical degree, 1933). He began voice training as a medical student and by 1936 was employed as a professional baritone in Italy and Switzerland. In 1939 he emigrated to Canada and took a position with the Halifax Ladies College and Conservatory of Music. In 1945 he joined the Faculty of Music, University of Toronto, and the Royal Conservatory of Music, later adding the Banff School of Fine Arts to his teaching schedule. In his capacity as a voice teacher, Vinci trained some of the best-known singers in Canadian opera (Portia White, Joan Maxwell, Andrew MacMillan, Patricia Rideout). He introduced opera to Alberta and Nova Scotia and he was responsible for programming opera for servicemen during World War II. He retired from the University of Toronto and the Royal Conservatory in 1979 and moved to Shediac, New Brunswick. He died in Moncton in November, 1983.

Wolsak and Wynn Publishers Ltd. was founded in 1983 by Maria Jacobs and Heather Cadsby to publish poetry. Among the first authors published by Wolsak and Wynn were Martin Singleton, Polly Fleck, Richard Lush, Marvyne Jenoff and George Miller. It published only one book in its first year -- an anthology of poems on the topic of jealousy entitled "The third taboo" -- but has now published 104 titles including six nominees for, and two winners of, the Governor General's Award for poetry. It has published works by Carol Malyon, Michael Redhill, Stan Rogal and A.F. Moritz, among others. Wolsak and Wynn is a member of the Literary Press Group of Canada.

Michael Posluns is a journalist and researcher. He was born in Canada in 1941 and educated at York University (M. E. S. 1993 and Ph. D. 2002). Posluns has conducted research, written reports, briefs and monographs on behalf of and about First Nations in Canada and the United States. He has served as a parliamentary adviser to the Assembly of First Nations, the Native Indian Brotherhood, the Dene Nation and other bodies. Posluns' doctoral dissertation is entitled 'The Public Emergence of the Vocabulary of First Nations Self-Government' and he is co-author with George Manuel of 'The Fourth World: An Indian Reality' (1974) and with David Nahwegahbow and Douglas Sanders of 'The First Nations and the Crown: A Study in Trust Relationships' (1983) and "Voices of the Odeyak (1993).

James Tenney (1934-2006), composer and educator, was born in Silver City, New Mexico and grew up in Arizona and Colorado where he received his early training as a composer and pianist. He was educated at the University of Denver, the Juilliard School of Music and Bennington College where he received his BA in 1958. He received an MMus from the University of Illinois in 1961. His teachers included Chou Wen-chung, Kenneth Gaburo, Lejaren Hiller, Lionel Nowak, Carl Ruggles, Edward Steuermann and Edgard Varese. As a performer, he was the co-founder and conductor of the Tone Roads Chamber Ensemble in New York City from 1963-1970 and has performed with the ensembles of John Cage, Philip Glass, Harry Partch and Steve Reich, among others. He has long been interested in the field of computer and electronic music and, as such, worked with Max Matthew and others at the Bell Telephone Laboratories in the early 1960s to develop programs for computer sound-generation and composition. He is the author of numerous articles on musical acoustics, computer music, musical form and musical perception and is the author of "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form," (1964, 1988), and "A history of consonance and dissonance," (1988). He taught in the Music Department at York University in Toronto, ON from 1976 until 2000 after teaching New School for Social Research, the California Institute for the Arts and other American schools. Tenney is a modern composer of orchestral, chamber, vocal, piano and electroacoustic music with over fifty works completed including "Quintext : five textures for string quartet and bass," "Sonata for ten wind instruments," and "Clang for orchestra." He has collaborated with Carolee Schneemann and Stan Brakhage on film projects and is an expert on the music of Conlon Nancarrow. He has also been commissioned by several organizations for compositions, has released several recordings of his compositions and arrangements and published numerous scores. Up to the time of his death on 24 August 2006, he was the Roy E. Disney Family Chair in Music in the School of Music at the California Institute of the Arts.

Norman Kenneth Campbell, composer, director and producer, was born in Los Angeles, California on 4 February 1924. He was raised in Vancouver, British Columbia where he attended the University of British Columbia, earning a degree in mathematics and physics. After graduation, Campbell was hired by Canada's meteorological service, but left in 1948 to join CBC Radio Vancouver where he was a director of variety programs. Campbell also composed music, including the signature song for the "Juliette show." In 1952, Campbell joined CBC Television as a director and producer and is credited with the CBC's first broadcast, a program entitled "Let's see." While Campbell worked in many genres, his specialty was comedy, musicals and the performing arts. He was responsible for the broadcast of ballets, operas, and other stage productions, including performances from the Stratford Festival. In addition, Campbell worked on projects for American television, such as performance specials for entertainers like Diana Ross and Frank Sinatra and sitcoms like "All in the family" and "The Mary Tyler Moore show." Campbell is, perhaps, best known for composing the music for "Anne of Green Gables : the musical," which is still performed at the Charlottetown Festival in Charlottetown, Prince Edward Island. Campbell's work was recognized nationally and internationally, winning a Gemini for "The pirates of Penzance" (1986), two international Emmys for "Cinderella" [ballet] (1965) and "Sleeping Beauty" [ballet] (1972), and the Prix René Barthélemy (Monte Carlo International Television Festival) for "Romeo and Juliette" [ballet] (1966). His contributions to arts in Canada were also recognized where he was named a member of the Royal Canadian Academy in 1975 and he received the Order of Canada in 1979. Norman Campbell died of a stroke on 12 April 2004 in Toronto, Ontario.

Excalibur is a student newspaper at York University that started in 1964 and has been autonomous since 1966.

Lynn Gehl is an Algonquin Anishinaabe-kwe from the Ottawa River Valley, Ontario, Canada. She describes herself as a learner-researcher, thinker, writer, Black Face blogger, and she has been an Indigenous human rights advocate for 27 years. Lynn works to eliminate the continued sex discrimination in the Indian Act, and she is also an outspoken critic of the contemporary land claims and self-government process. She has a doctorate in Indigenous Studies, a Master of Arts in Canadian and Native Studies, and an undergraduate degree in Anthropology. She also has a diploma in Chemical Technology and worked in the field of environmental science for 12 years in the area of toxic organic analysis of Ontario’s waterways. While advocating for change is currently part of what she does, she is also interested in traditional knowledge systems that guide the Anishinaabeg forward to a good life.

Robert Lewis, writer, editor and media strategist, grew up in Montreal, Quebec. Upon graduating with an English degree from Loyola College in 1964, Lewis worked as a reporter for The Montreal Star. Lewis soon became a reporter and bureau chief for Time Magazine, covering news in Montreal (1967-1969), Ottawa (1969-1971), Boston (1971-1972), and Toronto (1972-1975). In 1975, Lewis joined Maclean's Ottawa bureau, becoming Maclean's managing editor in 1982, and editor-in-chief from 1993 to the end of 2000. Lewis conceived notable features for the magazine, including the award-winning annual university rankings and honour roll issues, and he led Maclean's into online publishing. Lewis's work has been recognized by the Canadian Journalism Foundation, the Society of Magazine Editors, and the National Magazine Awards. In 2001, Lewis joined Rogers Media Incorporated as vice president of content development. Since his retirement in 2008, Lewis has worked as a freelance editor and media consultant. Lewis is a member of York University's Board of Governors and chairs its Community Affairs Committee. Lewis is also a founding member of the Canadian Journalism Foundation and acts as chair of the Board of Directors.

Selma Landen Odom is a dance historian and writer. Formally educated in English Literature, Theatre History, and Dance Studies, Odom earned her BA from Wellesley College, MA from Tufts University(1967), and PhD from the University of Surrey(1991). She was recruited to teach in the Department of Dance at York University in 1972 and became the founding director of the University’s MA and PhD programs in Dance and Dance Studies—the first programs of their kind in Canada. Her research interests include dance, music, education and gender studies. She has maintained a long-term research focus on Dalcroze Eurythmics, a kinaesthetic practice that takes the body as the source of musical understanding. The topic forms the basis of Odom's Master’s and PhD dissertations, numerous articles in publications such as American Dalcroze Journal, and an anticipated monograph. In addition to this work, she has published articles and encyclopedia entries on the lives of Mary Wood Hinman, Madeleine Boss Lasserre, and Saida Gerrard, and other subjects. She is co-editor of Canadian Dance: Visions and Stories(Dance Collection Danse, 2004) and technical editor of Adventures of a Ballet Historian: An Unfinished Memoir, by Ivor Guest(Dance Horizons, 2011). Odom is a member of the board of Dance Collection Danse and a regular contributor to The Dance Current. In 1998, she was awarded the Faculty of Graduate Studies Teaching Award at York University. Odom retired to Emeritus status in the early 2000s. She continues to teach graduate seminars and to fulfill a post as an Adjunct Associate of the Centre of Drama, Theatre and Performance Studies at the University of Toronto. In 2010, the Selma Odom Lecture Series was inaugurated at York University to honour her contribution to Dance scholarship and teaching.

In the summer of 1970, the Marlborough Avenue Ratepayers' Association, a part of the Avenue-Bay-Cottingham group, began a dispute with Marathon Realty Corporation over the building of the York Racquets Club on Marlborough Avenue. The boundaries of the dispute widened when it was learned that Marathon planned to build Summerhill Square, a combined retail and residential complex on land it owned in the area. Marathon later sold the property and the Square was not built. Jack Granatstein, a professor of history at York University, was a Director of the Avenue-Bay-Cottingham Ratepayers' Association in 1969, president in 1971, and a prime mover in the Marlborough Avenue Ratepayers' Association. His description of the dispute is contained in his book, 'Marlborough marathon: one street against a developer', (1971).

Dee G. Appley (1922-2000) She served the University from 1967 until her retirement in 1980. She was director of York University's psychological services department, in Toronto, Canada, from 1963 to 1967 and directed training at the University's Counseling Center from 1967 to 1969. She also worked at Southern Illinois University at Carbondale, Connecticut College for Women, Smith College, and the College of William and Mary in Williamsburg, Va. She received master's and doctoral degrees from the University of Michigan, having done undergraduate work at the City College of New York and the University of Denver. Her academic interests included the changing attitudes of women and men toward work and marriage and collaborative models of human organization. She was an associate editor of the Journal of Applied Behavioral Science and of the Journal of the Canadian Association of Student Personnel Services, and she co-authored a book on T-groups and therapy groups. She served on the board of directors of the Interamerican Society of Psychologists and was president of the Canadian University Counseling Association. A member of the International Council of Psychologists and Sigma Xi, she was also a Danforth Associate. Her many civic roles along Route 2 included serving as a director of the Franklin Medical Center, Greenfield's All Souls Church, the Academy at Charlemont and the Arms Library in Shelburne Falls. She chaired the Shelburne Housing Authority, was president of (Franklin) County Visiting Nurse and Health Services, served on the advisory committee of the Area Council on Aging, and helped found the Greenfield Community Meals Plan. She had just completed a term as secretary of the Retired Faculty Association. As a photographer and artist, she showed her work in several area exhibitions. She also acted in and directed amateur theater productions.

The PCDA (1959-2007) was a Toronto based anti-fascist organization, composed of political exiles and other oppositionists of the Salazar/Caetano dictatorial regime in Portugal. The PCDA was very active in the Toronto, especially during the years leading up to and immediately after the Carnation Revolution of 1974 in Portugal. Besides engaging in political activism, locally and abroad, the PCDA also invested a great deal in cultural development, bringing important artists and intellectuals from Portugal and organizing high-cultural activities for the members of the Portuguese community of Toronto.

The Professional Librarians' Association of York University was established in 1970. The objectives of PLAYU were to support and improve library service to the York community, to foster professional development of the librarians, and to promote the interests of its members. Membership was open to all professional librarians on campus, the Director of Libraries and all those who reported to that officer. The Association had a President, Vice-President, Secretary and Treasurer, and an annual meeting. The Association played a role in establishing the professional status of librarians on campus. Librarians were placed on par with faculty and they were eventually admitted to the York University Faculty Association. With the development of the Library Council in 1976 and in the light of the librarians' membership in YUFA, the reasons for PLAYU's existence disappeared and the organization was disbanded in 1975.

The York University Faculty Association was established in 1962 as the voice of faculty in University affairs, but it was not until 1974 that YUFA became the authorized bargaining agent for York University faculty members and librarians, as designated by the Collective Agreement. The Association elected officials include the Chairperson, Vice-Chairperson for Organization, Vice-Chairperson for External Affairs, Recording Secretary,Information Officer, and Treasurer. They are elected annually. In addition, there are appointed officers, the Grievance Officer, the Organizing Officer, and the Negotiating Officer, and representatives from the several constituencies (all faculties and the Library). Appointed officers serve a two-year term. The Association 's Executive Committee consists of all the officers, the past Chairperson, and the Chairperson of the Contract and Grievance Committee, and has general oversight of the Association between general meetings.

The Association has three standing committees: Contract and Grievance Committee, which reports to the Executive on specific grievances, oversees the election of local stewards and their handling of grievances, monitors the application of the Collective Agreement, hears reports and supervises the work of the Grievance Officer and the Organizing Officer. The Negotiating Committee is responsible for the drafting of the provisions of the Collective Agreement in cooperation with the Executive and Contract and Grievance Committee, presenting this positions to the membership for approval, negotiating the terms of the Collective Agreement, and appraising the membership of the proceedings of negotiations. The Nominating Committee is responsible for securing nominations for all elected positions, and for membership on committees.

Local stewards are elected for each constituency, one steward for every thirty-five members. There must be a minimum of four general meetings yearly, at least one of which is designated the Annual Meeting. The Executive and Contract and Grievance Committee shall meet six times yearly.

Shauna Singh Baldwin (1962-), author and radio producer, was born in Montreal, Quebec and holds an M.B.A. from Marquette University in Milwaukee, Wisconsin, and an M.F.A. from the University of British Columbia. She has worked as a radio producer and e-commerce consultant but is best known as a writer of novels and short story collections. Her fiction and poetry have been widely published in literary magazines and anthologies in Canada, the United States, and India. Her first novel, "What the Body Remembers", was published in 1999 and received the 2000 Commonwealth Writer's Prize for Best Book in the Canada-Caribbean region. It has been translated into more than a dozen languages. Her second novel "The Tiger Claw" (2004) was a finalist for the 2004 Giller Prize. Her third novel "The Selector of Soul" was published in 2012. She was awarded the 1996 Friends of American Writers Award for her collection of short stories "English Lessons and Other Stories" published in 1996. She is also the co-author of "A Foreign Visitor's Survival Guide to America," published in 1992, and is author of "We Are Not in Pakistan: Stories" published in 2007. Baldwin’s stage play “We Are So Different Now” was published in 2011 and premiered on stage in 2016.

Edward Arthur Beder (1895-1978), political activist and author, was born in London, England in 1895 and subsequently emigrated to Canada where he established himself in business. In 1932, he became involved with the founders of the Co-operative Commonwealth Federation (CCF), at a time when he was writing for the 'Canadian forum'. He served as chairman of the Organization Committee for Ontario, organized the CCF Club in Toronto and other parts of the province and served as Vice-President of the first Ontario Provincial Council of the CCF. Beder also served as Secretary of the Canadian League Against War and Fascism and was Secretary of the Socialist Party of Canada (Ontario Section). Beder also lectured for the Workers' Education Alliance.

The Avenue-Bay-Cottingham Ratepayers' Association (Toronto) was established in the 1960s as an advocacy group. It operated under various designations until 1970 when it acquired its present name. In the summer of 1970, the Marlborough Avenue Ratepayers' Association, a part of the Avenue-Bay-Cottingham group, began a dispute with Marathon Realty Corporation over the building of the York Racquets Club on Marlborough Avenue. The boundaries of the dispute widened when it was learned that Marathon planned to build Summerhill Square, a combined retail and residential complex on land it owned in the area. Marathon later sold the property and the Square was not built. Jack Granatstein, a professor of history at York University, was a Director of the Avenue-Bay-Cottingham Ratepayers' Association in 1969, president in 1971, and a prime mover in the Marlborough Avenue Ratepayers' Association. His description of the dispute is contained in his book, 'Marlborough marathon: one street against a developer', (1971).

Noelle Boughton is an author and freelance writer who has published articles for a variety of Canadian publications including 'The Beaver', 'Canadian Business', 'Canadian Living', 'Chatelaine', 'Maclean's', 'the United Church Observer', among other serials. She was born and raised in Manitoba and holds a BA from the University of Manitoba and a Bachelor of Journalism (Hons) from Carleton University. Boughton's book 'Margaret Laurence : a gift of grace ; a spiritual biography' was released in 2006. She is currently working on a novel (with a working title of 'Jack-in-the-Box') which was a Chapters/Robertson Davies Prize semi-finalist and a University of Toronto School of Continuing Studies/Random House of Canada Award finalist.

George Williams Brown (1894-1963) was a Canadian historian, educator, and editor. Born in Glencoe, Ontario, Brown received his B.A. from Victoria College, University of Toronto in 1915 and a M.A. and PhD from the University of Chicago in 1924. After teaching at the University of Michigan in 1924, he returned to the University of Toronto the following year and remained as a professor in the Department of History until his retirement in 1962, and became Professor Emeritus in 1963. Brown served as editor of the 'Canadian Historical Review' (1930-1946), and the University of Toronto Press (1946-1953). He was the founding general editor of the 'Dictionary of Canadian Biography', remaining in this position until his death in 1963. He also served as honorary editor of the Royal Society of Canada, where he was also elected a fellow in 1945, and as honorary editor on the editorial committee of the Canadian Social Science Research Council.

Brown was also a prolific writer and the author of several books and articles dealing with Canadian history, Canadian-American relations and Canada's role in the world. Among his titles were, 'Readings in Canadian History' (1941), 'Building the Canadian Nation' (1942), and 'Canada' (1950), for which he served as general editor.

Terence William Barker was a teacher and minister in the Jehovah Witness Church in Toronto (1962-1972), and later joined the Process Church of the Final Judgement. At Magdalen College, Oxford University, he conducted studies on apocalyptic sects and gnosticism. The Process Church was founded in 1963 as a prophetic sect under the leadership of Robert de Grimston, and was virtually defunct by 1978.

[from Wikipedia entry]

James Beveridge (August 12, 1917 – February 16, 1993) was a Canadian filmmaker, author and educator. Beveridge was a pioneering filmmaker at the fledgling National Film Board of Canada (NFB) and rose to become Head of Production and Executive Producer at the NFB in postwar years.

When the Second World War broke out, Grierson sent Beveridge to Ottawa, to help establish the National Film Board of Canada. He was initially hired as a film cutter, then as an editor.[2] During the war, in various duties as editor, director and producer, Beveridge worked on more than 80 documentary films.[3] Films he directed, include The Voice of Action (1942), Banshees Over Canada (1943) and Look to the North (1944).[4]

Beveridge later became a war correspondent in the Royal Canadian Air Force, serving in Europe from 1944–1945. While working on the NFB documentary film, Inside Fighting Canada (1942), he had met fellow NFB colleague Jane Smart, also a director, scriptwriter and editor. Coming back to Canada after the Second World War, Beveridge married Jane Marsh (going by her married name, but divorced at the time), but their marriage was short-lived. [Note 1] According to Beveridge's daughter, he recounted that "I think Jane couldn't resist a man in an aviator's jacket. They had a brief and disastrous marriage after the war was over. When I once asked him about it, Dad told me that 'they were both too nutty' and so they went their separate ways."[4]

From 1947 to 1949, Beveridge was Head of Production and Executive Producer at the NFB. From 1951–1954, he was in charge of the European Office of the National Film Board, based in London. After 1954, Beveridge worked occasionally as an independent producer on contract to the NFB, before leaving the Board completely in 1962.[5]

Seeking work internationally, in 1954, Beveridge first began a project in India for the Burmah Shell Oil Company where he produced and directed 40 training films. In the same year, he had married Margaret Coventry, a colleague from his NFB days, and his son Alexander was born; Nicholas and Nina would follow. During his sojourn in India, his film,Himalayan Tapestry; The Craftsmen of Kashmir (1957) won the 1957 President's Gold Medal Award for Best Documentary Film.[5]

After a brief role as host and moderator on Lets Face It, the CBC public affairs television series in 1961, Beveridge became the Director, North Carolina Film Board where he produced 15 half-hour documentary and educational films from 1962–1964.[6]

Beveridge returned to Canada to head his own production company in 1965, producing a multi-screen presentation in the "Man in Control" theme pavilion at Expo 1967. From 1970, his filmmaking work again took him back to the Far East. While in Japan, Beveridge produced Hands (1975) for Mobil Sekiyu Oil Company, winning the Grand Prize, World Craft Council Film Festival, New York, 1975. Beveridge was also the scriptwriter on Transformations (1977) for Heavy Industries of India (Ministry of Industry, Government of India).[6]

Beveridge continued to be active as a filmmaker for the rest of his life, contributing as a screenwriter, consultant and advisor on a number of international projects. Increasingly, he collaborated with his wife, Margaret, on his many projects.[7][Note 2]

In 1970, Beveridge began teaching, as well as acting as a consultant to nascent rural television programs for UNESCO in India.[6] In the same year, he established the Department of Film at York University, Toronto and went on to launch the university's graduate film studies program, the first of its kind in Canada. While maintaining an active international career as a filmmaker, advocate and educator, he also taught at York University intermittently until 1987. During his tenure, Beveridge promoted joint ventures with India and developed a national program for adult literacy, sponsored by UNESCO.[9]

In recounting his work at the NFB and his close association with John Grierson, Beveridge was the author of John Grierson: Film Master (1978).[4] He was also the author of Script Writing for Short Films (1969) and co-author with Wilbur Lang Schramm, of Television and the Social Education of Women: A First Report on the Unesco-Senegal Pilot Project at Dakar, Issues 49-58 (1967). In 2006, Beveridge's life was made the subject of a film written and directed by his daughter, York alumna Nina Beveridge, entitled The Idealist: James Beveridge, Film Guru, which won the Platinum Remi Award for World Peace and Understanding at the 39th WorldFest-Houston International Film Festival.[9]

[1] Beveridge, Nina. "The early days." Beevision Productions Inc., 2006. Retrieved: April 19, 2016.
[2] McInnes, Graham. One Man's Documentary: A Memoir of the Early Years of the National Film Board. Winnipeg, Manitoba: University of Manitoba, 2004. pp. 214–215
[3] Lerner, Loren. Canadian Film and Video: A Bibliography and Guide to the Literature. Toronto: University of Toronto Press, 1997. p. 887.
[4] Beveridge, Nina. "My Father: The National Film Board of Canada." Beevision Productions Inc., 2006. Retrieved: April 17, 2016.
[5] Beveridge, Nina. "Burmah Shell Corporation, Bombay." Beevision Productions Inc., 2006. Retrieved: April 17, 2016.
[6] Beveridge, Nina. "James Beveridge Filmography and Credits." Beevision Productions Inc., 2006. Retrieved: April 21, 2016.
[7] Beveridge, Nina. "My mother." Beevision Productions Inc., 2006. Retrieved: April 21, 2016.
[8] Caterpuri, Sadhan Mullick. "Nina Beveridge." beevision.com, January 1, 2014. Retrieved: April 21, 2016.
[9] "A tribute to film guru James Beveridge." York University, October 10, 2007. Retrieved: April 19, 2016.

The Communist Party of Canada was founded in 1921 as a secret society and became a public party in 1924. Banned in 1940, it re-surfaced as the Labour-Progressive Party, returning to its proper designation in the latter part of the decade. Influential in trade unions, the Communist Party has had its greatest electoral successes in municipal politics, particularly in Winnipeg. It has suffered setbacks in the 1950s with the denunciation of Stalin and again in the 1980s with the decline of Communist parties in Russia and former Soviet-bloc countries.

Hartwell Bowsfield, archivist, professor and historian, was born on 7 July 1922 and educated at the University of Manitoba (B.A. 1948) and the University of Toronto (Ph.D. 1977). Bowsfield was the Provincial Archivist of Manitoba from 1952-1967, following which he became the first University Archivist of York University in 1970, a position he held until his retirement in 1988. In addition to his archival work, Bowsfield was a lecturer and an assistant and later an associate professor of history at York from 1970 to 1978. He also served as the first archivist of York University and lectured on archives administration at the Faculty of Library Science at the University of Toronto. Bowsfield is the author or editor of numerous publications including "The James Wickes Taylor Papers, 1859-1870" and "Louis Riel, Rebel of the Western Frontier" and has contributed articles on Western Canadian History to scholarly journals and to edited histories of Canada.

Seth Feldman (1948-) is a professor, writer, broadcaster and university administrator. Born in New York City, he received his B. A. from The Johns Hopkins University (1970) and Ph.D. from the State University of New York at Buffalo (1976). He taught film courses in the Department of English at the University of Western Ontario (1975-1983) and film and video studies at York University (1983-1988) before becoming Associate Dean of the Faculty of Fine Arts at York in 1988. Feldman was appointed as Dean in 1992, a position he held until 1998. He has held a University Professorship at York University since 2001. Feldman, who is a founder and past president of the Film Studies Association of Canada, is a much-published writer on national and international cinema and television. In particular, he has edited three anthologies on the subject of Canadian cinema and has written two books on the Soviet director Dziga Vertov. In addition, he is the author and broadcaster of more than 21 radio documentaries for the CBC Radio programme “Ideas” and “Vanishing Point”. His extensive arts and media commentaries have appeared regularly on the CBC and in the Globe and Mail. From 2000 to 2001, Feldman was Chair of the Robarts Centre for Canadian Studies at York University, and he has served as a Director of the Centre since 2003.

Stevie Cameron (1943-) is an investigative journalist and author. She was born in Belleville, Ontario and was educated at the University of British Columbia (B. A. 1964), University College, London England (1966-1968), and received chef training at the Cordon Bleu School in Paris (1974-1975). Cameron began her journalism career as a food writer, becoming the food editor at the Toronto Star in 1977. By the mid 1980s, she was covering political affairs for the Ottawa Citizen and was Weekly Ottawa Commentator both for CBC morning radio and for CBC TV's Newsday. She later became a national columnist for the Globe and Mail, host of CBC TV's The Fifth Estate, and contributing editor to Saturday Night Magazine. Cameron's monographs and investigative work about the backrooms and boardrooms of Ottawa and corporate Canada have earned her many honours and awards including Book and Author of the Year for ''On the Take' : Crime, Corruption and Greed in the Mulroney Years' (1994) from the Periodical Marketer's Awards (1995). 'Blue Trust: The Author, the Lawyer, His Wife and Her Money' (1998) won the 1998 Business Book of the Year Merit Award, and 'The Last Amigo : Karlheinz Schreiber and the Anatomy of a Scandal,' co-authored with Harvey Cashore (2001) also received the Best Crime Non-Fiction Book of the Year Arthur Ellis Award (Crime Writers' of Canada). Cameron earned the same Arthur Ellis Award for her most recent work 'On the Farm : Robert William Pickton and the Tragic Story of Vancouver's Missing Women' (2010); this work was also nominated for the 2011 Charles Taylor Prize for Literary Non-Fiction. She was named the Ryerson Journalism School's Atkinson Lecturer in 1995, and she earned the 1998 Quill Award from the Press Club of Windsor. Cameron has served as editor-in-chief of Elm Street magazine, a columnist with the Globe and Mail, a contributing editor to Maclean's, as well as a contributor to the Financial Post, Chatelaine and Canadian Living. Cameron has lectured on journalism at schools across the country. She is also known for her humanitarian work with the homeless. In 2004, she was recognized with an honorary Doctorate of Divinity from the Vancouver School of Theology.

The Co-operative Commonwealth Federation (CCF) was founded in Calgary in 1932 by a number of socialist, labour, agrarian, and co-operative groups with the aims of economic reform. With the signing of the Regina Manifesto (1933), the movement became an electoral political party and enjoyed great success in the province of Saskatchewan where it formed the provincial government for several years. The CCF also enjoyed limited success in Ontario (Official Opposition in 1943), as well as on the federal scene. In 1961, the CCF was succeeded by the New Democratic Party (NDP) after forming an alliance with the Canadian Labour Congress.

Peter Morris, film studies pioneer, was born in Blackpool, UK in 1937. After completing a Bachelor of Science from the University of Nottingham in 1958 and a Masters of Science with a focus in chemistry from the University of British Columbia in 1961, his interest shifted to Canadian film.

Morris moved to Ottawa to become the founding curator of the Canadian Film Archives after a warehouse containing Canada's historic films burned down in 1967. He also taught at several universities including McMaster, Carleton, and the University of Ottawa. From 1976 to 1988, Morris accepted a position at Queen's University in the film department. During this time, he authored "The Film Companion" in 1984 and was praised by the francophone community for including French films in his book. Morris then accepted a position at York University in 1988 where he served as director of the Graduate Program in Film from 1991 to 1994, chair of the Department of Film from 1993 to 1996, and coordinator of the interdisciplinary Fine Arts Cultural Studies Program from 1999 to 2003 in the Faculty of Fine Arts. In 2002, Morris retired from the university at the rank of Professor Emeritus. Morris also served on the committee of the International Federation of Film archives from 1966 to 1969 and 1972 to 1973, was the founding president of the Film Studies Association of Canada, and the founding editor of the Canadian Journal of Film Studies from 1989 to 1993.

Morris authored many books including an English translation of Georges Sadoul's "Dictionary of Films and Dictionary of Film Makers" (1972), "Embattled Shadows: A History of Canadian Cinema 1885-1939" the first detailed history of Canadian cinema (1978), "The Film Companion" (1984) for which he was praised by the francophone community for the inclusion of French Canadian films, and "David Cronenberg: A Delicate Balance" (1994). He was working on a manuscript covering Canadian film and television from 1939 to 1968, when he died on 2 February 2011 in Hamilton, Ontario.

Mary Young Leckie was educated at York University where she studied Canadian film, Fine Arts and Canadian Literature. As a production manager/line producer, she has worked on film and television productions for CBC, NBC, PBS, Disney, TV Ontario, MGM and Orion. During the 1980's Leckie produced the TV series "Spirit Bay". Leckie's first independent film "Where the Spirit Lives" (1990) with Heather Goldin was the winner of over 30 international awards. She formed Tapestry Pictures Inc. with Goldin in 1999. Leckie's major production credits include the TV mini-series "The Arrow", the CBC performing arts series "Gzowski in Conversation", the films "Children of My Heart" (2000) and "By Jeeves" (2001), the CTV network movie of the week, "Tagged: The Jonathan Wamback Story" (2001) and the CBC television mini-series "Shattered City: The Halifax Explosion" (2003) and "Prom Queen : The Mark Hall Story" (2004). In February 2005, Leckie and her partner Heather Haldane relaunched Tapestry Pictures as Screen Door with an aim at increasing its domestic and international connections. Their first project "Spirit Bear : The Simon Jackson Story" was distributed in the United States by L.A. based MarVista Entertainment. Among Screen Door's development projects are the mini-series "Everest!", "Vengeance : The Donnelly Massacre," "Hockey Dreams," "MVP" and the documentaries "Labyrinth of Desire", "The Nut" and "Maple Leaf Up".

Daniel Cappon (1921-2002), psychiatrist and educator, was born in England on 6 June 1921. He graduated from the University of London in 1944, and was trained in medicine at St. Mary's Hospital in London. He oversaw a psychiatric hospital and medical division in the Far East from 1945 to 1948, treating repatriated prisoners of war in Burma and India. Cappon emigrated to Canada in 1950 following postgraduate work in psychiatry in the United Kingdom. He was first associate, later professor of psychiatry at the University of Toronto (1950-1969), and joined York University as a professor in the Faculty of Environmental Studies in 1970. He wrote several studies including "Toward understanding homosexuality" (1964), "Eating, loving and dying" (1975), and "Coupling" (1983). Cappon served as an analytical therapist in Toronto since 1950, was a founding member of the McLuhan Institute at the University of Toronto, and served as an architectural consultant on several projects including Expo 67 and the CN Tower. He died in 2002.

Harvey Cashore, journalist and writer, grew up near Vancouver, British Columbia. He moved to Ottawa in 1982 to attend Carleton University, graduating with a Bachelor of Journalism in 1987. In 1986, Cashore began working for author John Sawatsky on a book on the Ottawa lobbying industry, where he first began investigating the Airbus affair. In 1987, Cashore continued working with Sawatsky as a research associate on his book, "Mulroney : the politics of ambition." During the "Mulroney" project Cashore cultivated sources in the Prime Minister's inner circle, some of whom would prove valuable in later years as the Airbus story gained momentum. Cashore was hired as a researcher in the Ottawa bureau of the Canadian Broadcasting Corporation (CBC) in 1989, later returning to work on the Mulroney biography published in 1991. That year, he joined CBC's "The Fifth Estate" as a researcher, becoming an associate producer in 1993 and a producer in 1995. He also worked as producer and senior editor for the CBC's "Disclosure," a television series devoted to investigative journalism. Cashore now serves as senior producer for CBC News' Special Investigations Unit. Cashore's investigative work has garnered nominations and awards from the Canadian Association of Journalists, Investigative Reporters and Editors (IRE), the Canadian Bar Association, the Hillman Foundation, the Michener Awards Foundation, the Geminis and the Screen Awards. He is also the co-author (with Stevie Cameron) of "The Last amigo : Karlheinz Schreiber and the anatomy of a scandal" (2001), which received the Best Crime Non-Fiction Book of the Year Arthur Ellis Award (Crime Writers' of Canada), and author of "The Truth shows up : a reporter's fifteen-year odyssey tracking down the truth about Mulroney, Schreiber and the Airbus scandal" (2010).

David Coombs was a student at McLaughlin College from 1968 to 1977. He served on the first two college councils and the first presidential search committee to select a successor to Murray Ross, the first president of York University. In 1970, he prepared a history of the early years of the university and interviewed the founding members of the original McLaughlin College council.

Jean Gertrude "True" Davidson (1901-1978), author and politician, was born in Hudson, Quebec, attended Victoria College (Victoria University, Toronto) in 1917 where she earned her B.A., and received her M.A. from University of Toronto in 1925. Davdison was a school teacher, author of children's books, and an editor and sales agent for textbook publisher J.M. Dent and Sons. She was also a civic official prior to the start of her political career as a school trustee in East York, Ontario in 1947. She sat on the East York School Board for ten years and served as Alderwoman, Reeve (1960-1966), and mayor (1966-1971) on the East York Council for eleven years. Davidson was less successful in provincial politics, twice failing to win election as a Co-operative Commonwealth Federation (CCF) candidate in the 1950s, and as a Liberal candidate in 1971. Davidson was the author of several titles including, 'Canada in story and song,' (1927), 'Muses of the modern day and other days' (1931), and 'Golden strings,' (1973).

David Bakan (1921-2004), educator and author, joined the Department of Psychology at York University as a professor in 1968. He previously held positions at the University of Chicago (1961-1968), University of Missouri (1949-1961), and Ohio State where he received the PhD in 1948. He has served on the executive of many professional organizations including the American Psychological Association, the Advisory Board of the Canadian Council on Children and Youth, and in research and clinical bodies in Canada, the United States and Australia. He was the founding editor of the "Canadian journal of community mental health", and a consulting editor for several scholarly journals in the field of psychology. The author of several journal articles, he also wrote "Sigmund Freud and the Jewish mystical tradition" (1958, 1965) which has been translated into French and Italian, "The duality of human existence" (1966), "Slaughter of the innocents: a study of the battered child phenomenon" (1971, 1973), and "And they took themselves wives: on the emergence of patriarchy in western civilization" (1979). Bakan died in Toronto on 18 Oct. 2004.

Edgar J. Dosman (1941-) was born in Annaheim, Saskatchewan and earned his BA at the University of Saskatchewan and University of Munich in 1963. He was earned an MA from University College in 1965, and his PhD from Harvard University in 1970. Dosman began his teaching career as a special lecturer at the University of Saskatchewan in 1968 and went on to join York University's department of political science in 1970, being promoted to full professor in 1990. He is currently Professor Emeritus, and Senior Research Fellow in the Centre for International Security Studies (CISS) at York University. During his academic career he has served on numerous projects and committees, both at York and at other academic institutions. Throughout his career his research interests have focused on international development thought, Western hemisphere studies, Canadian foreign and public policy, and regional conflict management (Central America / southern Africa). Dosman has been internationally recognized for his biography of Raul Prebisch, "The Life and Times of Raúl Prebisch, 1901-1986" (2008), and lauded for his work in promoting academic and cultural ties between Canada and Latin America and the Caribbean. He was appointed a Member of the Order of Canada in 2015 for his studies in Latin American history and politics.

Sydney Eisen (1929 - ) is a professor, historian, and administrator. Born in Poland, he graduated from Harbord Collegiate Institute in Toronto in 1946. He received a BA. from the University of Toronto in 1950 and a Ph.D. from The Johns Hopkins University in 1957. He also attended Cornell University in 1950 and the London School of Economics in 1953. Dr. Eisen went on to faculty positions at Williams College from 1955 to 1961 and the City College of New York from 1961 to 1965. In 1965, Dr. Eisen served as a Visiting Associate Professor at the University of Toronto and joined York University's Department of History and Division of Humanities as an Associate Professor. He was a full Professor at York from 1969 until 1993 when he became a University Professor, retiring in 1995. Dr. Eisen also served as Acting Chairman of the Division of Humanities in 1967, Chairman of the Department of History from 1970 to 1972, Dean of the Faculty of Arts from 1973 to 1978, and was the founding Director of the Centre for Jewish Studies from 1989 to 1994. He has assisted in the establishment of a number of research centres including the Centre for Research in Latin American and Caribbean Studies, the Victorian Studies Association of Ontario and is also an active fellow of Vanier College. He is the author of numerous articles and books on European history and Victorian studies including "The Human Adventure: Readings in World History" (1964), and "Victorian Science and Religion: A Bibliography" (1994).

Dr. Eisen has been actively involved in Jewish day school education; he is a life member of the board of the Associated Hebrew Schools and of the Community Hebrew Academy. He was also involved in national education in the U.S.A. as President and Chairman of the Board of the National Humanities Faculty from 1976-1980. In recognition of his achievements, Dr. Eisen has been the recipient of a number of honours including a book prize established in the Faculty of Arts at York University in 1978, the Shem Tov Award from the Jewish Federation of Greater Toronto in 1988, a conference and Festschrift in 1994, the Ben Sadowski Medal (highest award for voluntary service) in 1995 and election to the York University Founder's Society in 1999. After his retirement he helped found a consulting firm, REF Consultants in Education, Inc. Sydney Eisen married Doris Kirschbaum in 1957. The couple has four children: Daniel, Robert, Sarah and Miriam.

Steve Paikin (1960-), journalist, producer and author, was born in Hamilton, Ontario and educated at the University of Toronto where he received his B.A., and Boston University where he received his M.Sc. in broadcast journalism. He has worked as a Queen's Park correspondent and anchor for CBLT, as host of a daily news program for CBC Newsworld, held reporting jobs for private radio and print media including the Hamilton Spectator and CHFI in Toronto, but is probably best known for his work with TVOntario. In September 2006, Paikin signed on with a new nightly current affairs program called "The Agenda with Steve Paikin." He began working at TVO in 1992 and was host of the political series "Between the Lines" from 1992 to 1994 and the Queen's Park magazine "Fourth Reading" from 1992 to 2006. In 1994, he became the co-host of the nightly current affairs programme "Studio 2." He began hosting "Diplomatic Immunity," a foreign affairs talk show on TVO in 1998. In addition to his work on television, Paikin has produced a number of feature length documentaries including "Return to the Warsaw Ghetto," "A Main Street Man," "Balkan Madness," "Teachers, Tories and Turmoil," and "Chairman of the Board: The Life and Death of John Robarts." Paikin is the author of "The Life: The Seductive Call of Politics" for which he interviewed numerous politicians at both the federal and provincial levels about their reasons for entering into politics, "The Dark Side: The Personal Price of Political Life," and "Public Triumph, Private Tragedy: The Double Lives of John P. Robarts." He has twice been nominated for a Gemini Award for his work as host of "Studio 2" and has won awards at a number of film festivals for his documentary on the Warsaw Ghetto.

Marshall Golden (1962-2010) was a lawyer, filmmaker, entrepreneur and digital media consultant. While a student in York University’s Department of Film, Golden wrote, directed and produced three award-winning documentaries: "Runaway" about teenage runaways, "The Silence Upstairs" about elder abuse and "The Best Kept Secret" about incest. After university, Golden went on to obtain a law degree, specializing in entertainment, immigration and criminal law, later working as a producer and researcher on current affairs television shows such as Studio 2, The Fifth Estate, and CBC Newsworld. In the 1990s and 2000s, Golden founded and operated a number of new media companies, including Nexus Interactive, Elevator News Network, and Digital Video Network. In the 2000s, Golden worked for internet,communications and technology companies such as Mediconsult.com, Telus Mobility, Microsoft Canada, and the Ontario Lottery and Gaming Corporation. In 2004, Golden founded Visica Inc., a company specializing in delivering TV content to hotels in the Greater Toronto Area for conventions, while providing digital media consultation services through Catalyst Consulting. Marshall Golden died suddenly 29 June 2010 at the age of 48.

John Newton Smith, filmmaker, was born in Montréal in 1943 and received a Bachelor of Arts from McGill University in 1964. He first became involved in film-making while working towards a Master's of Political Science when he created a film for the Canadian Broadcasting Corporation (CBC) with a fellow student in 1967. In 1968, Smith went to work for CBC Toronto as a researcher. One year later, he moved to Hobel-Leiterman Productions where he worked as a producer/director for several television series on the CTV network. In 1972 he joined the National Film Board (NFB) as executive producer of its television unit. With its closure in the mid-1970s, Smith turned his attention to drama and produced several films for the NFB. He directed and co-wrote "Dieppe" and "The Boys of St. Vincent" for which he received a Gemini Award for Best Direction in a Dramatic Program in 1994. More recently, Smith has directed films and television miniseries such as "Dangerous Minds" (1995), "Random Passage" (2002), "Prairie Giant : The Tommy Douglas Story"(2006), "The Englishman's Boy"(2008) and "Love & Savagery"(2009).

Smith has a long history of defending free speech and artists' rights. He protested the delay in broadcasting "The Boys of St.Vincent" fighting to expand the legal definition of freedom of expression for artists. He also fought efforts to have his miniseries "Prairie Giant : The Tommy Douglas Story" repressed, raising public awareness about de-facto censorship by CBC executives due to protests about the depiction of James Gardiner in the work.

Victor Feldbrill, conductor and violinist, was born on 4 April 1924 in Toronto, Ontario. He studied violin privately from 1936 to 1943 with Sigmund Steinberg, music theory with John Weinzweig in 1939 and conducting with Ettore Mazzoleni in 1942 to 1943. He was the conductor of the University of Toronto Symphony Orchestra from 1942 to 1943 and first conducted the Toronto Symphony Orchestra in 1943 at the invitation of Sir Ernest MacMillan. Feldbrill served in the Royal Canadian Navy during the Second World War and was stationed in London, England, where he furthered his studies in harmony and composition at the Royal College of Music and conducting at the Royal Academy of Music. Upon his return to Canada, he held the positions of concertmaster and assistant conductor (1945-1949) of the Royal Conservatory Symphony Orchestra and Opera Company and studied violin from 1946 to 1949 with Kathleen Parlow and received an artist diploma from the University of Toronto in 1949. During these years he also continued his studies in conducting at Tanglewood in the summer of 1947, and with Pierre Monteux in Maine in the summers of 1949 and 1950. He was a first violin with the Toronto Symphony Orchestra from 1949 to 1956 and with the CBC Symphony Orchestra from 1952 to 1956, which he also guest-conducted nineteen times. He founded the Canadian Chamber Players in 1952 and conducted them for several seasons in Hart House Sunday concerts and elsewhere. During the 1950s he also conducted for Ontario School Broadcasts and National School Broadcasts and freelanced as a violinist and conductor for many other CBC radio and TV programs. He was the founding conductor of the TSO's "Light Classics" series in 1972 and created the Toronto Symphony Youth Orchestra in 1974. Feldbrill has traveled widely as both a conductor and violinist. In 1979, he was invited to the Tokyo National University of Art and Music (GEIDAI), the first Canadian to be so honoured, and from 1982 to 1987, was the Principal Conductor of the Geidai Philhamronic. He also taught conducting at Geidai during this period and was made Professor Emeritus in 1987. In 1984, he became the first Canadian invited to conduct the Philippine Philharmonic in Manila. He has also visited China, the former Soviet Union and many other countries as guest conductor during his career. Feldbrill has won many awards for his work. In 1964, he became the first Canadian to receive the American Concert Guild Award for his encouragement of young performers and in 1967 became the first recipient of the Canadian Music Citation by the League of Canadian Composers. He was the recipient of the Roy Thomson Hall Award in 1985 and, in 1986, was made an Officer of the Order of Canada. In 1990, he was appointed Musical Director and Principal Conductor of Hamilton Philharmonic Orchestra. He received an honorary degree from Brock University in 1991. Feldbrill died on 17 June 2020.