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Series consists of records pertaining to Gentles’ teaching duties as a professor of history at York University. Includes course syllabi, lecture notes, exam and essay questions, roll books, correspondence with students, reference letters, and other material.

Series consists of pamphlets and other publications collected by Pocock and relating to various aspects of the peace movement and other social concerns.

Series consists of records documenting Simpson's mentoring work in the 1990s, through the mentoring group at the International Institute for Innovation (Triple i), then the Global Mentoring Team of Axia/Lifeskills International, and most recently, the Innovation Expedition. Simpson's work included projects with corporate, non-profit, government and individual clients such as James Orbinski of Doctors Without Borders. The records in this series include Powerpoint presentation print-outs, overhead transparencies, clippings, magazines, correspondence and memoranda. There are also knowledge products such as workshop manuals, toolkits, workbooks and "mind thumpers" of the Innovation Expedition -- concise learning resources focused on a particular topic. The second part of the series consists of theme files. These were resource files used by Simpson to create mentoring toolkits in the mid-1990s and cover\ business, economical and innovation issues such as education, change management, strategic planning and the new knowledge economy. The theme files contain articles, papers, reports, speeches, publications, clippings, toolkits, exercises and tools, presentations, overhead transparencies, notes, University of Western Ontario course syllabi and papers, memoranda, and cartoons. Some theme files relate to specific projects, such as AVCO and the Canada-Kenya Executive Management Program.

Series contains knowledge products (learning tools) created by Simpson as a partner in AXIA NetMedia and Innovation Expedition in the 1990s, as well as secondary resource materials and operational records documenting his work in knowledge management. The Innovation Expedition defined knowledge management as "a comprehensive approach for linking an organization's strategic plan, people skills, information base, operational (business) processes, and information and communication technologies." The records in the series include "travel guides" to aspects of the knowledge economy, workbooks, and basic and customized toolkits (compilations of a variety of resources to help people improve their knowledge, skills and personal competencies). Toolkits contain process maps, conceptual frameworks, success stories, how to's and other resources. Innovation Expedition's unique tools include Diagnostix(TM), group dialogues, "reflective resources," implementation tools, assessment tools, simulations, games, case studies, and challenge papers. In addition to workbooks, toolkits and travel guides, record types in the series include articles and papers, memoranda, correspondence, overhead transparencies, presentation slides (Microsoft PowerPoint print-outs), clippings, project progress tables and product lists, notes, drafts, and book chapters. The records also include project files and documents from partnerships with Bayer Healthcare, Textron, Alberta Economic Development, Human Resources Development Canada (HRDC) and the Knowledge Works(TM) initiative in London, Ontario. Elements of AXIA's business highlighted in the records include the AXIA Performance Centre and its Design Centre; the "knowledge products project" of 1995; the Global Mentoring Team; AXIA's online assessment, mentoring and learning management systems -- KMAP and PDS; and the Renaissance Leadership Program piloted in 2008.

Series consists of newspaper and magazine clippings, journal articles, certificates, transcripts, conference programmes, posters and notices, sheet music and flyers. These records pertain to Mandel’s academic and other career accomplishments, his teaching at Osgoode Hall Law School, his writing and the publication of his books, his political activism, as well as his personal life, including written tributes to his parents and his activities as a singer and performer of opera and Yiddish music.

Series consists of files pertaining to Mandel’s work as a political activist. These records document the nature and breadth of Mandel’s involvement with issues including prison reform, abortion rights, the US invasion of Nicaragua, Israel and Palestine, the NATO bombing of Yugoslavia, and the wars in Afghanistan and Iraq. Mandel’s advocacy work as a lawyer and his involvement with legal cases and submissions to boards of inquiry and/or commissions are also documented in this series. Records in this series include correspondence, research materials, legal documents, newspaper clippings, press releases, speaking notes and petitions.

Series consists of index cards created by Janice Newton while conducting graduate research at York University. These cards were likely repurposed and augmented as she later adapted her PhD dissertation into a monograph. They contain biographical information on individuals, primarily women, who were active on the political left circa 1892 to 1920, as well as miscellaneous research notes, bibliographical references, and correspondence.

Series consists of records pertaining to Mandel’s activities during his tenure as a professor at York University’s Osgoode Hall Law School from 1974 to 2013.

Series consists of video recordings of Maguire’s dancing and choreography, as well as audio recordings of the accompanying music used in rehearsal and performance.

Series consists of day planners maintained by Maguire pertaining to her personal and professional activities. Also part of this series is an address book.

Series pertains to the organization and development of the Inde Festival of New Music and Dance, which was created in 1985 by Maguire and ran until 1992. These records include correspondence, financial statements, photographs, press releases, programmes, grant applications, proposals, contracts, notes and promotional materials. Also included in this series are administrative files pertaining to Maguire’s subsequent organization, Inde Multidisciplinary Arts Projects.

This series consists of files created and accumulated by CSWS Ltd. about agency clients and prospective clients enquiring about the agency’s services. The types of records found in this series include correspondence, contracts, royalty statements, clippings, manuscripts (and manuscript samples), headshot photographs, curriculum vitae and biographical highlights sheets. The more well-known people represented in this series include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

Files 2012-066/001(05) to 2012-066/004(10) consists of research notes and drafts related to a research project by Matie Molinaro and Barbara Brescia about the painting Venus Disarming Cupid.

Files related to CSWS Ltd. client Marshall McLuhan and his estate can be found in Series S00667: Marshall McLuhan files.

Series consists of publications, presentation scripts, notes and other writings authored or co-authored by Eric Trist, bibiliographies of Trist's and others' works, and audio recordings of Trist and of conversations between Trist and Howard Perlmutter. Many of the publications in this series were used as source material for the book Social Engagement of Social Science: A Tavistock Anthology, edited by Trist (Tavistock, 1990). In such cases, this has been noted at the file level.

Records in this series document Larry Grossman’s work with the Ontario Progressive Conservative Party as a member of provincial parliament and party leader. Includes: campaign materials; opposition research; polling data; policy papers; debate briefing books and research; press releases; campaign schedules/itineraries; clippings; and party convention delegate reports.

The events covered include the 1977, 1981, 1985 and 1987 Ontario general elections; Grossman’s unsuccessful campaign for leader of the party in January 1985 and his successful campaign in November 1985.

Series consists of records relating to Simpson's involvement with the International Development Research Centre (IDRC) from 1972-1976, developing their program in education under the direction of Ruth Zagorin in the Social Sciences Division. Series includes minutes, reports, papers, notes, speeches, trip reports and other records documenting Simpson's work on international education projects for both adults and children, cooperation between private companies and educational institutions, and human resources development. Included in these IDRC records are those relating to Project IMPACT, one of IDRC's flagship projects. Project IMPACT was an action research project on the delivery of mass primary education, organized under INNOTECH, one of six regional centres operating under the umbrella of SEAMEO (Southeast Asia Ministers of Education Organization). The project was first tested in Indonesia and the Philippines and later tested in Jamaica, Liberia, Malaysia and Bangladesh. Records include correspondence, notes, workbooks (modules) used by students, progress reports, publications, planning documents and other records. Series also consists of records relating to Simpson's co-directorship of the Forum for International Activities (FIA), 1984-1987, a non-profit association of public and private organizations interested in advancing the Canadian capacity to respond to requests from other countries for human resource development support. Records include papers, correspondence and planning documents. The series also consists of conference materials, reports and correspondence relating to international health efforts, including meetings relating to creating a Canadian University Federation of International Health. Series also includes various general articles on international development issues, publications and brochures from other development organizations, and travel material and notes from trips.

Series consists of records relating to Simpson's efforts to promote learning and leadership development, including general resource material, toolkits, articles, and theme files.

Series also includes course descriptions, notes, correspondence, committee minutes and other records relating to Simpson's work at the Ontario Institute for Studies in Education (OISE) in the late 1960s and early 1970s.

Series also documents Simpson's efforts to develop the Centre for International Business Studies (CIBS) at the University of Western Ontario in the late 1980s, including preliminary plans, correspondence, program and conference material, resource material, speeches, and project records. In particular, many files relate to CIBS partnerships with Chinese educational institutions and the Institute for International Business Communication (IIBC) in Japan, in particular relating to their Corporate Communications Seminars.

Series also consists of correspondence, speeches, planning files and notebooks related to Simpson's term as Vice President and Director of the Banff Centre for Management in Alberta, including the Banff Centre's relationship with the Prosperity Secretariat.

Series also includes records relating to Axia's efforts at leadership development, via the School for Change Leaders/Agents and Athabasca University in the late 1990s.

Series consists of files comprised of correspondence, articles, photographs, ephemera and other materials created, accumulated and grouped together by Jeanne Randolph and organized by date. These files pertain to Randolph's personal and domestic life, her activities as a writer, lecturer and critic, as well as her work as a psychiatrist.

Series predominantly consists of personal photographs of Jeanne Randolph, her family and friends, as well as travel and landscape photographs taken by Randolph. Also included are photographs accumulated by Randolph of the work of artists including Joanne Tod, Spring Hurlbut, Susan Kealey, Fastwurms, Andy Fabo, Sue Coe, and Steve Higgins.

Items in this series include video recordings of Jeanne Randolph's performances/lectures at the Banff Centre for the Arts, the Mendel Art Gallery and the Dunlop Art Gallery, as well as audio recordings of lectures by Thomas Pepper and Richard Purdy and art videos by Fastwurmz.

Series consists of records including correspondence, curricula vitae and biographical materials, journal articles, brochures and notices, photographs and research files, created and/or accumulated by Jeanne Randolph pertaining to her personal life, applications for arts grants, subject-based research, travel, and her involvement with a variety of arts organizations, galleries and events.

Series consists of records created and accumulated by Silverman in Guyana in 1966 while working on her MA thesis, entitled “Deviance and conformity in a Caribbean mining town”, which explored male juvenile delinquency in the bauxite mining town of Mackenzie (now Linden). These records document Silverman’s research methods and the aggregation of data acquired. Records include police and probation records, field and interview notes, reports, completed questionnaires, card indices, crime and employment statistics, an aerial photograph of Mackenzie, a research proposal, copies of Silverman’s completed thesis, and audio recordings of interviews.

Series consists of records created and accumulated by Flemington in his work with Religious Television Associates (RTA). RTA was founded as a production and consultation entity by the United, Anglican and Roman Catholic churches in 1964 and joined for a time – or on a per-project basis – by the Baptist, Presbyterian and Lutheran churches and other faith communities.

Records in this series include: correspondence; meeting minutes; files related to Flemington’s work as a producer on the CTV show Spectrum (1965-1968); research notes, correspondence and briefs related to RTA’s advocacy work on behalf of Interchurch Broadcasting/Interchurch Communication (ICC), including a study on cable television and community; production notes for a radio and television advertising campaign to raise funds for world development work on behalf of the Interchurch Campaign Committee; research and production files related to Flemington’s films on the topic of international development including three films about Southeast Asia for the CBC television show Man Alive: “How Long Does It Take a Tree to Grow Here? (Philippines), “No Way To Say No” (West Irian, Indonesia), and “They’ll Tell Me When the Tread’s Gone” (Malaysian territory in Borneo); research and production files for films about Japan: "Deep Currents Moving" (for the United Church of Canada) and "To Remember the Fallen" (for CBC’s Man Alive); correspondence, research notes, and draft scripts for two films about Brazil co-produced between RTA and Danchurchaid: “The Journey: From Faith to Action” and “People of No Interest”.

Also included are records related to the founding of Agency Film Seminar, an international group of filmmakers and producers for church agencies, brought together by RTA, Danchurchaid (Denmark), the World Council of Churches, and the World Association for Christian Communication. Flemington was the founding secretary/communicator.

This series consists of correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera created and accumulated by CSWS Ltd. as agents of Marshall McLuhan and his estate. CSWS Ltd. began representing Marshall McLuhan around 1970.

The records in this series document the close working relationship and friendship between Matie Molinaro and the McLuhan family (especially her friendship with his spouse Corinne McLuhan) in managing Marshall McLuhan’s legacy, “brand”, and the rights to his work subsequent to his death in December 1980.

Files from accession 1990-018 include: correspondence of Marshall McLuhan, which was utilized in a published correspondence volume, edited by his wife Corinne and Matie Molinaro, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); galleys of McLuhan works ('Laws of the media,'); correspondence and reports of the Centre for Culture and Technology at the University of Toronto; lecture invitations; various television and film proposals, scripts, and related correspondence, as well as material about McLuhan (books, articles, newspaper clippings, etc), and the 'Management game,' which includes a sample deck of cards used in the game as well as orders for the game.

Files from accessions 2010-040 and 2012-066 include: public appearance requests; requests for permission to cite and republish the work of McLuhan; research material and drafts for the book, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); correspondence and reports related to the preparation, negotiations and acquisition of the McLuhan Papers by the Public Archives of Canada in 1984; correspondence with communication scholars and co-authors of works with Marshall McLuhan, including Bruce R. Powers, Barrington Nevitt, and W. Terrence Gordon; reprint agreement in 2001 and related correspondence with Mo Cohen of Gingko Press of Berkeley, California which led to renewed interest in Marshall McLuhan’s work; correspondence related to the planning of the Toronto International McLuhan Festival of the Future in 2004.

Also included are files about several members of the McLuhan family, including Elsie McLuhan (mother), Corinne McLuhan, and children Eric, Michael, Teri, and Mary.

Series pertains to Rahder’s role as a faculty member in the Faculty of Environmental Studies at York University, specifically her work on strategic planning, curriculum development and faculty interest clusters. Also included are records documenting her involvement with York University sustainability initiatives. Files in this series consist of correspondence, memoranda, e-mail, research materials, notes, reports, strategic plans, meeting agendas and minutes, workshop materials, newsletters, papers, and presentation slides (printouts).

Series consists of Gilbert’s papers and notes from undergraduate courses taken at the City University of New York (Hunter College) and from his graduate studies at the State University of New York (SUNY) at Buffalo and the University of Waterloo. Also included in the series are personal ephemera from this period and copies of letters pertaining to the formation of the journal “Telos” at SUNY Buffalo.

The series consists of course/lecture notes, research materials, correspondence, course syllabi, teaching proposals, course evaluations, official York University publications and other material related to Powe's instruction of courses at York University and Humber College, his position as Academic Advisor at Winter's College, the completion of his PhD, his applications for tenure and promotion, and his work as coordinator of the Creative Writing Program at York University. Also documented in this series are Powe's activities while a visiting scholar at IN3, University of Catalunya, Barcelona.

The series consists of material which documents Powe's personal life and his relationship with his family. It includes correspondence, photographs, legal and medical records and other collected ephemera.

Series contains collected and accumulated academic literature, newspaper clippings, and correspondence pertaining to areas of research interest.

The series consists of journals kept by the author as well as loose material found in journals such as correspondence, notes, fragments of stories and other items. It contains notebooks, bound or unbound, in which Wiseman kept ideas for stories and works as well as drafts of her work, drawings and other thoughts from her daily life. It also includes address books kept by Wiseman over several years.

The series consists of clippings, correspondence, minutes and other material regarding Wiseman's participation in the artist's group Loons. Formed in November 1982, Loons was an initial group of nineteen poets, novelists, composers, painters and sculptors who met informally for a period of about three years to discuss how their respective arts could act as an influence on each other. In addition to Wiseman, it counted Murray Adaskin, Elizabeth Smart, Phyllis Webb, Earle Birney, Timothy Findley, Vera Frenkel, George Johnston, Gwendolyn McEwen, Anne Michaels, P.K. Page and others among its memberhship.

Series contains essays from his Oxford undergraduate days as well as notes and essays from Northwestern University (Master's degree), and typescript copies of his doctoral thesis at the University of Illinois, 1953.

Series consists of listings and artist files related to the finalists in the Jean A. Chalmers Award for choreography, an award run by the Dance in Canada Association, and a video collection managed by the Sound and Moving Image Library (SMIL).

Series consists of Crosbie’s incoming personal and professional correspondence as well as copies of some of her outgoing correspondence. Correspondents include Al Purdy, Michael Holmes, Tony Burgess, Steven Heighton, Bruce McDonald, Jeffery Conway, David Trinidad, David McGimpsey, Michael Turner and others. Photographs included with correspondence are also part of this series.

Series consists of records pertaining to Crosbie’s work as a university professor and writing instructor. The records in this series are notebooks, lecture notes, correspondence, course descriptions and syllabi, assignments, student evaluations, and samples of her students’ projects.

Series consists of notes pertaining to enrolment processes and statistics, advisory information, etc.

Series consists of records documenting Herzberg's development of the block scheduling system.

Series consists of records documenting his application in 1983 and some of the activities during that year.

Series consists of records documenting Herzberg's battle for promotion.

Series consists of memorabilia, records documenting Herzberg's speech at a retirement party, and continuing dialogue with TAs via the "Stats Forum", an early version of a blog.

Series consists of research and course notes and lecture materials.

Series consists of research and course notes, lecture materials, outlines, quizzes, correspondence.

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

Series contains textual records and photographs pertaining to Sternberg's personal life, including medical information and personal correspondence. Included in the series is a file of Sternberg's correspondence with Canadian experimental artist and art educator Michael Fernandes.

Series consists of material that documents Coles work as a literary editor and critic and includes contracts, correspondence, course timetables, critiques of students' work and other material that documents his tenure as poetry editor of "The May Studio" at the Banff Centre for the Fine Arts. It also includes drafts of works by other writers sent to Coles for his comments and criticism including manuscripts of work by Michael Redhill, Stephanie Bolster, Richard Sanger, Mark Sinnett and John Bemrose, among others, as well as material that demonstrates Coles' work as poetry judge of the Canadian Literary Awards and the CBC Literary Awards. This material consists of submissions bearing notes and comments by Coles.

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Series consists of correspondence created and maintained by Pat Fleisher between 1965 and the late 2000s. The correspondence in this series pertains to Fleisher's personal and professional life, including issues regarding her magazine publishing work, art shows, letters of recommendation, her family, and a wide variety of other topics. Files in this series also include photographs, newspaper clippings, press releases, and financial statements.

Series primarily consists of selected monologues and other pieces of theatre used by Christie while teaching acting at Ryerson Polytechnic Institute. It also consists of programmes, posters and other material related to theatre productions by Christie's students and lecture notes, course outlines and resource material related to Christie's teaching subjects.

Series consists of contracts signed by Christie for engagements in theatre, television, radio and advertising as well as copies of Christie's income tax returns for the years 1937 to 1986.

Series consists of records created and maintained by Pat Fleisher pertaining to her four art publications: Art Magazine (1969-1982), Artpost (1983-1992), Artfocus (1992-2004), and City Art (2004-2005), as well as her website, Artfocus Online (1996-2009). These records document Fleisher's work in the production of these publications, including magazine printing, article research and creation, procurement of advertisements and subscriptions, and magazine finances. Files in this series consist of correspondence, article drafts, photographs, artist bios and CVs, grant applications, invoices and financial statements, notes, art show notices, and audio cassettes. Also included in this series are copies of Society of Canadian Artists (SCA) newsletters from 1965 to 1968, edited by Fleisher.

Series consists of master recordings for the Music Gallery's record label.

Series consists of correspondence, invoices, expense accounts, banking statements, cheque receipts, yearly auditors' reports, budgets, bankruptcy records and policy manuals related to the financial activities of Desh Pardesh.

Series consists of contact lists of members, participants, performers and supporters of Desh Pardesh as well as fund raising planning documents, promotional flyers, mailing packages, and member cards for various fund raising, membership and support campaigns for Desh Pardesh.

Series consists of media articles and news clippings related to Desh Pardesh participants and events, as well as catalogues, resource directories, periodicals and newsletters used by Desh Pardesh staff for reference purposes. Also includes a list of books, magazines and directories presumably the resource library maintained by Desh Pardesh.

Series consists of video cassettes and audio cassettes submitted to Desh Pardesh for consideration, including material from: film makers; spoken word and performance artists; comedians; dancers and choreographers; musicians and vocalists. For the most part, these tapes contain audition material, and it does not appear these materials were actually used or screened in the Desh Pardesh festival proper.

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Series consists of proprosals and appraisal reports for the graduate program offered by York University, Department of Dance.

Series consists of Wittenberg's hand-written notes and course work from his time as a student at the Eidgenössische Technische Hochschule Zurich (Swiss Federal Institute of Technology in Zurich).

Series consists of typescript and manuscript drafts of poems written by bissett, many of which include original bissett drawings or sketches in the margins. There are also copies of bissett's published works including 'Pomes for yoshi,' 'Space travl,' 'Wuns I saw it raining frogs' and others, art work by bissett including sketch pads, paintings, loose sketches, drawings and doodles as well as material exhibited in galleries. The series also includes posters and flyers publicizing new bissett publications, bissett readings or art exhibitions. There are also several examples of publications that contain reviews of bissett's poetry and/or interviews with him as well as anthologies in which either his poetry or art was published. The series also contains financial records related to bissett's professional life and work including book contracts, grant applications and reports to the Canada Council and to the Ontario Arts Council.

Series consists of a series of photographic prints, news clippings and printed illustrations of individuals whose likeness was published in the Toronto Telegram. This could include birth, death, marriage, graduation announcements, as well as individuals documented by the newspaper at local events, celebrations, and political, social and organizational activities. Individuals can be ordinary citizens, celebrities, politicians, criminals, socialites, scientists, military personnel, nurses and medical staff, social workers, members of fraternal organizations, clergy and religious, social activists, protesters and others.

Series consists of photographs of or by Alison Pick, taken in the 1990s and 2000s. These photographs pertain to canoe trips taken by Pick; her attendance at literary workshops, writing retreats and readings; publicity photographs; research for her book "The Sweet Edge"; and social gatherings with Canadian writers including Michael Crummey, Michael Winter, Christine Pountney, Steven Heighton, David Seymour, Karen Solie, and many others.

Series consists of files related to George E.A. Reid's personal life, including material relevant to his adolescent, teenage and adult years. Material related to Reid's academic life includes classroom lecture notes, yearbooks, and some textbooks used by Reid. Correspondence pertains to Reid's professional activities, as well as the activities of his family including his parents, his brother, his wife, and children.

Series consists of personal and family movies.

Series consists of correspondence sent and received by Robert Greer Allen pertaining to his personal life and to work-related topics. Correspondents documented in this series include writer Earle Birney, theatrical agent Elspeth Cochrane, Rita Greer Allen, British television executives Cecil Clarke and Michael Berry, and others.

Series consists of personal and professional memorabilia accumulated and maintained by Robert Greer Allen from his childhood to his retirement from the Canadian Broadcasting Corporation (CBC) in 1990. These records include childhood photographs and a scrapbook, a short story published in a high school literary journal, his Trinity College yearbook, family artifacts, military manuals, a journal, broadcasting awards and other items pertaining to his career as a television producer, as well as items commemorating his retirement.

Series consists of pieces of art created by Rita Greer Allen, including illustrations and drawings from the 1940s as well as sketches, drawings and paintings from the 1970s and 1980s. Also included in this series are files maintained by Rita pertaining to her art practice, art research, exhibitions, art and pottery workshops and classes. The items in this series include sketches in charcoal, pastel, ink and pencil, watercolour paintings, mixed media collages, sketchbooks, notebooks and notes, art show booklets, pamphlets, newspaper and magazine articles, and postcards. Many sketches in this series were likely used in the creation of Greer Allen's figurative raku pottery and sculpture.

Series consists of records pertaining to Rita Greer Allen's career as a freelance researcher, screenwriter, producer and broadcaster for Canadian radio and television between the 1940s and the 1970s. The records in this series include scripts written by Rita, research materials, notes, newspaper clippings, interview transcripts, correspondence, photographs and production materials used in the creation of and pertaining to programs for Canadian Broadcasting Corporation (CBC) radio and television and for the National Film Board of Canada (NFB). Also included in this series are manuscripts for Greer Allen's chapter written for the Marion Woodman book "Leaving my father's house: a journey to conscious femininity"(1993). Programs documented in this series include "As children see us", a CBC radio program; "Barometer rising", a CBC radio adaptation of Hugh MacLennan's novel that was later written as a television script; educational radio plays for in-school listening, created for the Departments of Education of the Provinces of British Columbia and Ontario in co-operation with the CBC and for the British Broadcasting Corporation (BBC); CBC television programs "CBC Thursday night", "Of all people", and "Take 30"; original television drama "The raku fire" (1976); as well as many one-off drama adaptation or documentary projects for radio and television. Many radio scripts written in the 1940s were co-authored with Rita's husband, Robert Greer Allen, and correspondence and writing by Robert appear in some files in this series.

Series includes includes appointment books (1958-1978), calendars (1970-1972), a cash book (1942-1948) and day timers (1987-1998).

Series contains announcements and articles concerning Applebaum's life and work, and related material, arranged by subject (dance, festivals, film, music, opera, theatre, Stratford).

Series consists of audio discs of Applebaum's works, including glass discs, some with Applebaum playing the score, many for which there are also scripts in Series 1. The recordings include, 'Coal face,' 'Dollar dance,' 'Thirteen platoon,' 'Welcome soldier,' 'Juno and the paycock,' 'The rape of Lucretia,' and other titles. In addition, there are recordings that formed part of Applebaum's private collection.

Series consists of records that resulted from Ruth Dworin's activities as a music promoter, queer activist, community organizer and business manager, as well as her personal life and interests. Records includes correspondence, diaries, calendars, files related to her production company, Womynly Way, and files related to her work as business manager of This Magazine and Canadian Woman Studies.

Series contains recordings of various performers. Live performances includes performances at the National Women's Music Festival, Berkeley World Music Festival, and the Michigan Women's Music Festival. Recordings also refer to Womynly Ways Productions which is a non-profit organization producing professional concerts, dance, comedy and theatrical performances featuring primarily women artists.

Series consists of a variety of records pertaining to Scheier's childhood, her family, her education, her personal life, and her career. These records include newspaper clippings, correspondence and forms, resumes, photographs, diaries and notebooks, books written by family members, high school and university lecture notes and essays, and objects including baby shoes, Scheier's smoking pipe, and a collection of political pins.

Series consists of 144 notebooks created by Barry Callaghan to record his creative ideas for poems, articles, and books, and reflections on social and professional events involving family, friends, and other authors. In addition to handwritten text, the notebooks contain many printed photographs pasted onto pages or inserted loosely, occasional sketches by Callaghan, and textual documents from various events inserted at related passages.

The series includes notes, drafts and resource material related to Norquay's M.A. Thesis, "A Study of a Community Recreation Council as an Agent of Social Change" as well as the completed thesis, original correspondence, photographs and clippings created and/or accumulated while Norquay was recreation director of the Dunville Recreational Council. Series also includes minutes of that council. Norquay's thesis was successfully submitted to the University of Toronto in partial fulfillment of her Master's degree but at the direction of her thesis supervisor was not deposited in the University of Toronto library on the grounds that it would be considered libelous.

The series consists of subject files on various aspects of the project, copies of action plans and progress reports, contracts, correspondence, memorandum, reports, course outlines, minutes, notebooks, journals, publications and student assignments created and/or accumulated by Norquay while she participated in the project.

The series consists of applications, reports, working papers, notes, drafts, correspondence, newsletters, minutes, notebooks, members submissions, audio and video recordings of workshops, and other material created and/or accumulated by Norquay while she served as chair and member of the committee.

The series consists of briefs, memos, questionnaires to teachers, bulletins, statistics, minutes, notices, correspondence, reports and other material related created and/or accumulated by Norquay while she was a member of the Social Planning Council: Community Committee on Immigrant Children.

Series consists of project and writing files that are not specifically Open College files, or other named projects. These files are primarily related to Norquay's interests in adult education, cross-cultural interaction and communication, communication styles, diversity training and management styles, and include workshop notes and course handouts, correspondence, guides, exercises and quizzes, assessment tools, reference materials, readings, and reports either written by or accumulated by Norquay.

Series consists of notes, board minutes, reports and a set of oversize photographs of participants and their activities.

Series consists of correspondence, financial and legal documents, and other material gathered by Sheldon and Judy Godfrey as a research collection to support their work on Jewish families in Canada. The original documents are frequently supplemented by the Godfreys' research notes. Topics include the interconnected financial affairs of many of these families, particularly their involvement in the fur trade in Montreal and near the Straits of Michilimakinac, and their involvement in cultural and political affairs, such as the launch of the "National magazine" and the marketing of Gerald Hart's book, "The fall of New France," between its publication in 1888 and 1916. In addition to documentation on several families in Montreal, Quebec, Trois-Rivieres and Riviere-du-Loups, the series includes records of families and businesses in Toronto, including stationery and a small group of building permits issued by the city between 1899 and 1900. The series features correspondence between John A. Macdonald and George Benjamin (member of parliament for North Hastings) between 1857 and 1864 that offers private observations on political developments, and invitations and correspondence sent to Earl Rowe, Lieutenant Governor of Ontario, that provide a glimpse of Jewish activities in the province between 1964 and 1984.

Series consists of finished and draft copies of speeches, conference materials, press releases and other promotional material, and some correspondence pertaining to Armstrong's involvement as a presenter for conference panels, keynote addresses, public presentations, and workshops.

Series consists of correspondence, research notes, papers prepared for the Human Rights Commission, and media coverage pertaining to Armstrong serving as an expert witness on women’s work, in particular on cases related to pay equity, before bodies ranging from the Federal Court to the federal Human Rights Tribunals and the Ontario Pay Equity Tribunal.

Series of consists of programmes, clippings, promotional material and/or audio recordings of Tenney performing his own compositions or performing work by others. It also includes material related to performances of Tenney's compositions by other ensembles with, in many cases, James Tenney conducting.

Series consists of biographical and administrative records pertaining to the life and achievements of Luigi Nasato. Includes: plaques and certificates; birth, marriage, citizenship, immigration and other governmental records; communion and educational documents; biographical statements and resumes; personal and professional correspondence; clippings and articles about Nasato and kin; Nasato's obituary; and other material.

Series consists of clippings, art prints and art reproductions compiled by Luigi Nasato for reference or inspiration over the course of his career. Primarily includes graphic material collected from various English-language and Italian serial publications.

Series consists of photographs of, by or collected by George Papadatos and pertain to events held by the Toronto Greek-Canadian community during the 1970s TO 1990s, such as musical performances, dances, the Toronto coffee house scene, political meetings and rallies, parades. Some photographs relating to the Trojan Horse coffee house can also be found in the scrapbook in 2014-044/001(10). 

Series consists of Greek language newspapers, magazines and journals accumulated by George Papadatos primarily during his time in Canada and relating to his work as a journalist and editor as well as to his interest in politics and his position as an active member of the Greek Canadian community cultural and political scene. The majority of the newspapers in the series were produced by and for the Greek Canadian community in Toronto and include a number of political and satirical publications as well as ones providing local news. Series includes issues of the newspaper Metanastis (The Immigrant), owned and produced by Papadatos, as well as Ta Nea, to which he contributed articles and served as editor for a time. A number of the newspapers in the collection were published by Deca printing house (owned by Dimitrius Aivalis) who played an important role in the Toronto Greek Canadian community as printer of many publications and ephemera relating to cultural and political, anti-dictatorship, events. Series also includes a variety of publications relating to the Greek diaspora across Canada and globally, including a few English-language publications that contain articles relating to Greek politics and culture, particularly items relating to the Trojan Horse coffee house. 

Series consists of research notes, reports, academic papers and dissertations, meeting notes, books, presentation slides, speeches, correspondence, and exhibition text. It is arranged by research focus as compiled by the creator in the process of writing the book "By Us! For Us!" The focus of the first section is the history of the Jane-Finch neighbourhood from the first Indigenous settlements to the development of housing and infrastructure by settler Canadians. The second section focuses on demographic information about Jane-Finch through census results and academic research into the construction and development of housing in Jane-Finch. The third section focuses on the diversity of community residents and the socio-economic impacts that governing policies and public perception have had on their lives. The fourth section focuses on youth experiences and includes community-based programming for anti-drug and crime prevention initiatives for this age group. The fifth section focuses on assessments of the Toronto Metropolitan Police’s actions and residents’ resistance to cuts in community services, 1997 amalgamation of the City of Toronto and the Toronto Strong Neighbourhoods Strategy. The sixth section focuses on community organizations and community voices. The seventh section focuses on community-based initiatives to improve infrastructure and the standard of living and the community’s relationship with York University and its researchers. The eighth section includes books and a videocassette tape of the movie Teen Moms: Our Stories, produced by the Black Creek Community Health Centre.

The series consists of notes, drafts, proofs and cover art for his books Tales from Firozsha Baag, Such a Long Journey, A Fine Balance and Family Matters and the screenplay, production files, correspondence and promotional material related to the film adaptation of Such a Long Journey.

Series consists of audio-visual recordings and some audio elements of television episodes in various formats. Records include tape inventories, rundowns and cue sheets. The series also includes recordings pertaining to specials, video yearbooks, Live at the Bayview, the Comedy channel, etc.

Series consists of meeting minutes and community affairs planning reports.

Series consists of correspondence, notes, ephemera, address books, files pertaining to family and friends, legal documents, unpublished work, and published articles by or about Robert Lewis. Many of the drafts, edits and final versions of speeches written and given by Lewis are included in the series.

Series consists of 174 bound notebooks with Lewis's handwritten notes, twelve daily planners, and one address book. The notebooks appear to be related to Lewis's reporting research while following Canadian politics, and reporting on political figures, candidates, and elections, and include his observations, research, and quotes. The planners include working and scheduling notes, and some loose documents tucked inside the books.