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Series consists of material created and gathered by GATT-Fly and ICCSASW, in relation to four International Sugar Workers Conferences. Files contain correspondence, reports and notes regarding travel arrangements, participants, expenses, and other elements of conference organization, as well as photographs taken at conferences. The First International Sugar Workers Conference was held in Trinidad in 1977. The Second International Sugar Workers Conference was originally scheduled to be held in Santo Domingo, Dominican Republic in November 1982, but had to be postponed due to complications with travel visas for delegates. It was rescheduled for February 1983 in Toronto, Canada. The second conference established the ICCSASW. The Third International Sugar Workers Conference was held in Santo Domingo in 1987. It was the largest event organized by ICCSASW, with delegates from five continents. The last in the series of four conferences was held in Sao Paulo, Brazil in 1993.

Series consists of material that documents Wiseman's finances and, as such, includes income tax returns including statements of all annual expenditures as well as documents related to her banking, records related to the sale of her family's home and other records related to her parents' finances. It also includes contracts and agreements reached between Wiseman and the Canadian Broadcasting Company and various publishers and material related to the finances of various members of her family.

Series consists of manuscripts, typescripts, and printed materials written by or about other writers. Much of the typescript material was given to Wiseman while she was an instructor at the Banff School of the Arts. It includes clean copies of work by Caroline Adderson, Carol Bolt, Marian Engel, Sylvia Fraser, Gary Geddes, Anne Michaels, Michael Redhill, Anne Carson and others. It also contains copies of articles or reviews written by or about other authors that were collected by Wiseman.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Wiseman and, in many cases, copies of letters written by Wiseman herself. It includes correspondence with friends, readers and fellow writers including Margaret Laurence, bill bissett, Don Coles, Marian Engel, Timothy Findley, Frances Itani, Jay McPherson, Mordecai Richler, Malcolm Ross, Jane Rule, Phyllis Grosskurth, Steven Heighton, Gwendolyn McEwen, Don McKay, Tillie Olsen, P.K. Page, Carol Shield and Christopher Wiseman among others.

Series contains various general information and correspondence related to sugar-producing countries, including notes, newspaper clippings, photographs, pamphlets and reports. Files are organized alphabetically by country name. Some photographs may be disturbing.

Series consists of labour contract booklets gathered at various meetings of U.S. sugar workers. The booklets give a good idea of the wages, benefits and contract language of the period.

Series consists of information related to ICCSASW’s work on various programs and projects for the benefit of the sugar workers. These included hosting visiting union staff at the Toronto secretariat, a documentation centre, exchanges among specific countries, building regional networks, etc. Files contain notes and correspondence, copies of labour agreements, minutes, reports, registration forms, newsletters and other program-related materials.

Series consists of correspondence and reporting from various funding bodies that provided financial support to ICCSASW. These organizations include overseas development agencies connected with Canadian and European church denominations, as well as secular agencies such as OXFAM and CUSO, and trade unions (humanity funds).

Series includes general correspondence on matters aside from ICCSASW’s main work program, such as enquiries, letters of support, exchanges of information, etc.

Series consists of lecture notes, reading lists, course outlines, and related material for courses taught at York in Philosophy (Modes of Reasoning, Medieval Philosophy, Phenomenology), Humanities, and Social Science, as well as Philosophy courses taught at the University of Illinois and Ohio State University

The series consists of chronologically arranged files of correspondence that document Wiseman's professional life and includes correspondence with publishers, grant applications and inquiries, letters of inquiry related to employment, material that documents her affiliation with various organizations such as ACTRA, The League of Canadian Poets and The Writers' Union of Canada, correspondence and material related to universities where she served as writer-in-residence, appraisals and recommendations for writers including Susan Musgrave, Joy Kogawa, Ruth Johnson and others and correspondence related to travel and to her tenure as an instructer at the Banff Centre.

The series consists of correspondence and other material that documents Wiseman's relationship to her family and, as such, contains copies of letters received by Wiseman as well as copies of letters sent by her to various members of her family including her husband, Dmitry Stone, her parents, Chaika and Pesach Waisman and her daughter Tamara Stone. It also contains medical records, marriage licenses, divorce papers, wills of various members of the family, photographs, memorabilia as well as collected correspondence exchanged between members of the Wiseman family but not necessarily about the author herself.

Series consists of field recording and research files pertaining to a variety of musical genres.

The series consists of personal and administrative files of Open College created and/or accumulated by Margaret Norquay including clippings, student packages, contracts, correspondence, notes, diaries, journals, reports and minutes from various projects and memorabilia documenting her role as its founder and as a professor. Series also includes drafts and scripts for Norquay's course "Ethnic Relations in Canada : Understanding People of Another Culture" and audio recordings, transcripts and notes from interviews conducted by Norquay with various ethnic groups as a part of her course work.

The series consists of applications, reports, working papers, notes, drafts, correspondence, newsletters, minutes, notebooks, members submissions, audio and video recordings of workshops, and other material created and/or accumulated by Norquay while she served as chair and member of the committee.

The series consists of briefs, memos, questionnaires to teachers, bulletins, statistics, minutes, notices, correspondence, reports and other material related created and/or accumulated by Norquay while she was a member of the Social Planning Council: Community Committee on Immigrant Children.

Series consists of project and writing files that are not specifically Open College files, or other named projects. These files are primarily related to Norquay's interests in adult education, cross-cultural interaction and communication, communication styles, diversity training and management styles, and include workshop notes and course handouts, correspondence, guides, exercises and quizzes, assessment tools, reference materials, readings, and reports either written by or accumulated by Norquay.

Series consists of files related primarily to Norquay and her family. Records include her grandfather's notes for his Saturday Night Debating Society activities, her father's Sunday Bible talks, letters to and from her husband, parents and grandparents, records pertaining to Norquay's military service during and after World War II (Canadian Women's Army Corps), a scrapbook created by Norquay as a child, dance cards, some photographs, Norquay's creative writing notes and drafts of her family memoirs, diplomas, family genealogical clippings, Norquay's husband's Chelan Mission Field notes as a new United Church minister, correspondence with friends and admirers, and miscellaneous memorabilia.

Series consists of records created and accumulated by Pat Fleisher between 1977 and 2008. The records in this series pertain to Pat Fleisher's involvement with the administration, curation and promotion of a number of ongoing group art shows, as well as art shows featuring her own photography. Documented in this series is Fleisher's work for annual group shows including the Art Expo Toronto, the Toronto Indoor Art Show, and the Artfocus Fall Annual Artists' Show, as well as solo shows she curated for herself and for other artists at Sassafraz Restaurant, Cantine, Starbucks, and Holy Blossom Temple in Toronto. Files in this series consist of correspondence, notices, flyers, pamphlets, photographs, computer disks, press releases, and posters.

Series consists of files containing correspondence, financial records, memos, legal documents and other material related to Christie's involvement with Jane Mallet and Associates, the production company for which Christie was a partner along with Jane Mallet and Don Harron. It contains a considerable amount of correspondence between Harron and Christie related to the staging of various productions including Earle Birney's "Turvey" and to Chrisite's portrayals of Sir John A. MacDonald as part of the Canadian Centennial Commission's celebration of the centenary.

Series consists of correspondence received by John Smith during the course of his career as a director and producer and business records of Smith's company, Dunany Productions Inc., including copies of year end files.

Series consists of orchestral scores used by the Rex Battle Orchestra. Music sheets contain the parts for various instruments, sometimes featuring Battle's writing or notes.

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Series consists of letters of recommendation written by Herzberg.

Series consists of manuscript drafts, correspondence with publishers, notes, reviews and publicity material.

Series consists of bulletins and research reports written by Herzberg. The files also contain correspondence with Fellegi, who subsequently became the Chief Statistician of Canada.

Series consists of records documenting Herzberg's battle for promotion.

Series consists of a variety of records pertaining to Scheier's childhood, her family, her education, her personal life, and her career. These records include newspaper clippings, correspondence and forms, resumes, photographs, diaries and notebooks, books written by family members, high school and university lecture notes and essays, and objects including baby shoes, Scheier's smoking pipe, and a collection of political pins.

This series consists of audio cassette recordings containing personal interviews, reports, and presentations on topics related to Cuba and Latin America. An accompanying handwritten list by John D. Harbron contains notes about all of the recordings.

Series contains records related to John D. Harbron as an author of several books: Communist Ships and Shipping (1962), Canada Without Quebec (1977), the Canadians: C.D. Howe (1980), the Longest Battle: the RCN in the Atlantic 1939-1945 (1993), Canadian Yesterday (2001).

A significant portion of records pertain to Trafalgar (1988) and This Is Trudeau (1968). Records include manuscript drafts, correspondence, research, photos, artwork, reviews, and notes on the production, promotion, and reception of the books.

Series contains proposals, grant applications, reports, data, and administrative documents related to James’ research projects. A significant portion of the series pertains to the following two projects:

The “Bridging the Solitudes” project ([2001?]-2005) examined the racial, ethnic, cultural and financial barriers faced in post-secondary education by students from traditionally marginalized groups. Thirty students participated at York University and Seneca College during the project and regularly met during the ‘common hour’ to discuss their ongoing experiences, expectations, and aspirations for university and life.

The “Racism, Violence and Health Project” (2002-2007) was a $1.25 million study funded by the Canadian Institute for Health Research. Over 900 individuals participated in the study through surveys, in-depth interviews, two-year micro-ethnographies, annual community forums, and smaller community meetings. The goal of the project was to determine perceptions of both global and racism-related stress in the Indigenous African Nova Scotian community, the Caribbean Canadian community in Toronto, and the African immigrant community in Alberta; and to document the first voice accounts of Black men, their families, and communities about their experiences of violence (including the violence of racism). The research team comprised of Dr. Wanda Thomas Bernand (leader), Dr. Dave Este, Dr. Carl James, Dr. Akua Benjamin, Dr. Carol Amaratunga, Dr. Fred Wien, research trainees, and collaborators (including the Health Association of African Canadians, Nova Scotia Association of Black Social Workers, Victoria Road United Baptist Church, Women's Health in Women's Hands, Tropicana Community Services, Calgary African Community Association, Calgary Immigrant Aid Society, Edmonton Immigrant Association, Calgary Catholic Immigration Society, and Calgary African Caribbean Advisory Council).

Publications based on research findings may be found in the Books; Articles and Published Reports; Lectures, Conference and Workshop Presentations series.

Background research and literature can also be located in the Subject File series.

Related correspondence may also be found in the Professional and Professorial series.

The series contains John D. Harbron's published and unpublished writings, including articles, essays and story proposals. Article clippings and correspondence are available from Business Week, as well as film scripts written for the National Film Board, speeches, editorials, and selected Thomson column clippings. Also included is the complete record of Dr. Harbron's column in The Miami Herald (1969-1999), the longest continuous column to date on Canada in American newspapers, concentrated on Canada's various relations with the USA, Latin America, and Canada-Cuban relations, and readers' correspondence. Articles written for Canadian newspapers, such as The Globe and Mail (1960s-1990s), The Financial Post (1950s-1970s), and The Toronto Telegram, also form part of this series. The series also includes articles written for Christian Science Monitor, the New York Times, and various other American newspapers. As well, the series includes several tear sheets of articles by Harbron from Spanish publications. The articles in this series cover a wide range of topics in Canadian business and politics, as well as international affairs, with articles about Europe, USA, Cuba and Latin America.

Series contains documents related to James' professional interactions (community service, honours and awards, and correspondence) and professorial engagement (course development; graduate student supervision on topics such urban education, sports, practitioner research, and race and diversity; and university service).

His community service includes involvement with the Anti-Discriminatory Advisory Group; UNICEF: discrimination against ethnic minorities, immigrants, and indigenous peoples; Toronto District School Board (TDSB); Toronto Police Services; and the Youth Challenge Fund.

Professorial documents include syllabi, lecture notes, proposals, letters of recommendation, and submitted thesis and dissertations. A substantial portion of the teaching material focuses on James’ teaching and research in Sweden. Additional information regarding teaching and research in Sweden may be found in the Research and Publications series. James' scholarship and additional records related to community services primarily arranged in the Articles and Published Reports, and Lectures, Conference and Workshop Presentations series.

Additional correspondence can be found in the Books; Articles and Published Reports; Lectures, Conference and Workshop Presentations; Research; Subject Files; and York Centre on Education and Community series.

Series consists of personal and professional correspondence sent and received by Alison Pick. These records include handwritten letters and greeting cards but are predominantly e-mail correspondence. Most of the e-mail correspondence in this series was exchanged between Pick and a number of other Canadian writers and poets, her editor, literary agent and publishers. These records pertain to personal topics as well as Pick's literary career, including the writing, editing, publication, promotion and sale of Pick's 2010 novel, "Far to Go", her 2014 memoir, "Between Gods", and her 2017 novel, "Strangers with the Same Dream".

Series consists of four day planners used by Alison Pick between 2005 and 2008, as well as two childhood journals from 1988 and 1989.

The series consists of research files, time lines, successive drafts of scripts with revisions, casting lists, publicity films and other material relating to films produced and/or directed by John Smith including "The Boys of St. Vincent", "Dieppe", "Dangerous Minds", "A Cool Dry Place", "Random Passage" and "Prairie Giant : The Tommy Douglas Story" among others as well as numerous minor productions such as the award winning films as "Bargain Basement" (1976), "Revolution's Orphans" (1979) and "First Winter" (1980).

Series consists of roughly chronological files containing financial statements, season reports, contract with performers, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs, and other material related to the activities and the performances of the Music Gallery.

Series consists of records created and maintained by Pat Fleisher in her capacity as a founding member and treasurer of the Canadian branch of the International Association of Art Critics (AICA). These records are primarily notices and correspondence sent to members, but some files pertain to Fleisher's role in collecting membership dues for Canadian members and her travel to London to attend the 2000 AICA Congress. Files in this series also include a copy of a letters patent, grant application materials, a constitution and by-laws, and photographs.

Series consists of photographs created and maintained by Pat Fleisher from the 1930s to the late 2000s. The photographs in this series were largely created by Fleisher, though some portraits of Fleisher and her family were created by others, and document Fleisher's work as an artist and as a magazine editor. Fleisher's art photographs were often taken on her travels and focus on the streets and scenery of cities around the world, particularly Toronto and New York. Many photographs in this series depict art galleries, artists and art shows, which were often taken for the purpose of publication in Fleisher's magazines. Also included in this series are personal photographs of Fleisher and her family.

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Series consists of production files and film elements of the 1991 documentary directed by Larry Weinstein and produced by Rhombus Media about the life and music of Spanish composer Manuel de Falla (1876-1946). Includes performances by Teresa Berganza, Justino Diaz, the Orchestre symphonique de Montreal, and Charles Dutoit. Filmed in Spain and Argentina.

Series consists of two scripts and one oversize European poster of the 2004 feature film “Clean” written and directed by Olivier Assayas
The film follows the efforts of Emily Wang (Maggie Cheung) to rebuild her fractured life after the death by overdose of her washed-up rock star lover Lee Hauser (James Johnston), and her imprisonment on charges of drug possession. She returns to Vancouver where her son Jay lives with Lee’s parents Albrecht (Nick Nolte) and Rosemary (Martha Henry).

Series consists of scripts, posters and audiovisual material of Toronto casting interviews, a promotional kit and a Turkish dub of the film “Snowcake”. Directed by Marc Evans, “Snow Cake” is a story of love and the unorthodox friendship that develops between an autistic woman Linda (Sigourney Weaver) and Alex Hughes (Alan Rickman) who is responsible for the death of her daughter. Also stars Carrie Ann Moss. Co-Produced by Rhombus and Revolution Films.

Series consists of original film and audio footage, including masters and news clippings of the 90 minute documentary directed by Kevin McMahon “An Idea of Canada”. The documentary follows Governor General Adrienne Clarkson across the country during her summer 2002 tour. Officially a trip to celebrate the fiftieth anniversary of her position, what Clarkson discovers during her visit to a string of tiny aboriginal outposts in the north is a post-modern Canada struggling to integrate cultural tradition with the wired world. A coproduction between Rhombus Media and the National Film Board.

Series consists of a production binder, original film footage, promotional documents and production masters of 52 minute televised concert performance by Aselin Debison, a young singer from Cape Breton. The project was also known in the early stages as “Glace Bay Girl”. With a Nova Scotian harbour as background, the concert, directed by Barbara Willis Sweete, was broadcast in 2002, and co-produced by Rhombus and Topsail Entertainment Productions.

Series consists of production notes, promotional material, production stills and original film and audio elements of the 2000 production reinterpretation of Mozart’s “Don Giovanni”. Directed by Barbara Willis Sweete, the 55 minute production presents the opera from the perspective of Don Giovanni’s servant Leporello, employing a ‘film within a film’ framework to reveal his master’s true identity. Starring the Russian baritone Dmitri Hvorostovsky, the production reveals the dark side of the opera with a provocative ending. Co-produced by Rhombus, CBC, Bravo Canada, Channel 4 Television and Thirteen/WNET.

Series consists of scripts for all six episodes, production notes, media clippings, production stills and original film and audio elements as well as stock footage relating to “Foreign Objects”, a miniseries broadcast on CBC, based on Ken Finkleman’s popular series “The Newsroom”. Finkelman reprises the role of George, a documentary filmmaker, who is forced to confront issues of evil, greed and the human condition (despite his preference for less complex commercially lucrative projects) in a series of six 30 minute episodes which aired on CBC in 2001. Particular material focuses on civil war in Kosovo, Western culture’s fixation on media and… Includes stock footage from CBC, the National Archives and other sources. Co-produced by Rhombus, Showcase Television and the CBC.

Series consists of original film elements of “The Lanza Sessions”, a 2000 celebration of the work of popular operatic singer Mario Lanza. Directed by David Mortin, the 55 minute television special features archival footage, interviews with contemporaries and performances by Richard Margison, (as the voice of Lanza), soprano Cassandra Riddle, and Tom Burlinson (portraying Lanza’s friend Frank Sinatra). Co-produced by Rhombus, Lanza Music Ltd. And Chairman Robert Girdwood.

Series consists of manuscripts, typesets, cover art, research materials, photographic prints and negatives, correspondence and notebooks. Series documents how Rachel Zolf researched, wrote and edited her poetry. Series also contains information about Zolf's efforts to have her work funded and published. In addition, series includes reviews of Zolf's published works. Correspondence includes letters written by or to Rachel Zolf on the subject of her poetry. Correspondents include Di Brandt, Betsy Warland, Beverley Daurio, Nathalie Stephens, Margaret Christakos, M.NourbeSe Philip, Erin Moure and Charles Berstein.

Series consists of agendas, minutes, submissions, evaluations and biographical information created and accumulated by members of the programming committee of Desh Pardesh, in the course of their activities soliciting, evaluating and organizing workshops, seminars, dance, music and theatre performances, literary readings, art exhibits and film screenings.

Series consists of correspondence, invoices, expense accounts, banking statements, cheque receipts, yearly auditors' reports, budgets, bankruptcy records and policy manuals related to the financial activities of Desh Pardesh.

Series consists of video cassettes and audio cassettes submitted to Desh Pardesh for consideration, including material from: film makers; spoken word and performance artists; comedians; dancers and choreographers; musicians and vocalists. For the most part, these tapes contain audition material, and it does not appear these materials were actually used or screened in the Desh Pardesh festival proper.

Series consist of video cassettes of films screened at the Desh Pardesh festival or an affiliated event; commercial shorts created specifically for the festival; and audio and video recordings of various events, workshops and performances at Desh Pardesh.

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Series consists of Wittenberg’s research output – books, articles, conference papers, book reviews, in both published and draft forms - from 1951 to posthumously published materials. Materials are written in German, French and English and for the most part pertain to the need and the ways to treat mathematical education as a foundational element within any humanistic education system.

Series consists of seven audio reels containing lectures titled 'Education: the unfulfilled promise' which were broadcast on CBC Radio, as well as eight other audio recordings associated with Wittenberg’s research.

The series consists of audio visual recordings pertaining to Bernard Zukerman's television productions and including awards submissions, promotional videos, audition tapes, final broadcasts and ohter types of material.

Series consists of materials related to Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time period. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Series contains notes and notebooks, pamphlets, programmes, correspondence, and clippings, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

The series consists of subject files created and compiled by Bernard Zukerman including diaries, income tax returns, financial statements, memorabilia and other material.

Series consists of records created or accumulated by Harvey Cashore and used in the writing of his 2010 book, "The Truth shows up : a reporter's fifteen-year odyssey tracking down the truth about Mulroney, Schreiber and the Airbus scandal." These records, organized and interfiled by date, document the extent and scope of Cashore's research into the Airbus affair which began while he worked in Ottawa as the research associate to investigative journalist John Sawatsky during the 1980s, and continued into the 1990s and 2000s while authoring two books on the Airbus affair and producing several award-winning documentaries on this topic for the CBC's "The Fifth Estate" television program. The series includes: records pertaining to the activities and finances of German businessman Karlheinz Schreiber and his accountant, Giorgio Pelossi; a complete record of Schreiber's Zurich bank accounts, including code-names and rubriks, into which millions of dollars of secret Airbus commissions flowed in and out; Schreiber's personal handwritten daytimers from 1987 to 1996 describing key players in the affair and meetings in Canada and Germany; hundreds of interviews with politicians, bureaucrats, air industry executives, "spin doctors," and other insiders, accompanied by verbatim transcripts; a meticulous record of dozens of interviews with Karlheinz Schreiber conducted over 12 years; documents from a lawsuit brought by Schreiber against Cashore and the CBC in 1996 and 1999 (Schreiber would later pay CBC's legal costs); records pertaining to former Prime Minister Brian Mulroney's 1996 lawsuit against the Canadian government; and testimony from the 2007 House of Commons Standing Committee on Access to Information, Privacy and Ethics and the 2009 Oliphant Commission. The files in this series include correspondence, memoranda, research notes and chronologies, interview notes and transcripts, government documents obtained through access to information requests, court documents and transcripts, newspaper and magazine articles, photographs, and audio cassettes. Also included in the series are manuscripts for "The Truth shows up."

Series consists clippings, note books, journals, photographs, publications, ephemera and other material which documents bissett's personal life and interests including his material that documents his years as an undergraduate at the University of British Columbia. It includes collected memorabilia such as buttons and name plates, identification cards and expired passports, a vest worn by bissett when giving poetry readings, tee shirts designed by bissett and a rattle used in poetry readings.

Series consists of pieces of art created by Rita Greer Allen, including illustrations and drawings from the 1940s as well as sketches, drawings and paintings from the 1970s and 1980s. Also included in this series are files maintained by Rita pertaining to her art practice, art research, exhibitions, art and pottery workshops and classes. The items in this series include sketches in charcoal, pastel, ink and pencil, watercolour paintings, mixed media collages, sketchbooks, notebooks and notes, art show booklets, pamphlets, newspaper and magazine articles, and postcards. Many sketches in this series were likely used in the creation of Greer Allen's figurative raku pottery and sculpture.

Series consists of records created and maintained by Rita Greer Allen pertaining to a wide range of subjects concerning her personal and professional interests, including research materials, newspaper clippings, correspondence, notes, notebooks, income tax returns, scripts, photographs, catalogues and brochures.

Series consist of day planners used by Robert Greer Allen to record names, daily appointments and phone numbers pertaining to his personal and professional activities. Also included is an undated address and phone book.

Series consists of personal and professional memorabilia accumulated and maintained by Robert Greer Allen from his childhood to his retirement from the Canadian Broadcasting Corporation (CBC) in 1990. These records include childhood photographs and a scrapbook, a short story published in a high school literary journal, his Trinity College yearbook, family artifacts, military manuals, a journal, broadcasting awards and other items pertaining to his career as a television producer, as well as items commemorating his retirement.

Series consists of press, correspondence, and other material related to the career of Larry Weinstein, Rhombus Media and other subjects not falling within the purview of any specific project. Also includes records pertaining to master classes, juries and workshops in which Larry Weinstein was a participant.

Series consists of general correspondence created or compiled by Larry Weinstein between 1980 and 2014, as well as material pertaining to an honorary doctorate awarded to Rhombus Media principals Niv Fichman, Larry Weinstein, Barbara Willis Sweete, and Sheena MacDonald in 1998.

Series consists of manuscript notebooks and diaries created and compiled by Larry Weinstein over the course of his career.

Series consists of miscellaneous images created or compiled by Larry Weinstein for a variety of projects over the course of his career.

Series consists of correspondence and cards received by Rita Greer Allen as well as copies of her outgoing correspondence and photographs. Much of the correspondence in this series is personal in nature, organized by the surname of the correspondent. Correspondents include Earle and Esther Birney, theatrical agent Elspeth Cochrane, Reva and Leonard Brooks, members of the Weyman family, Jack Shadbolt, Hugh MacLennan, Lady Susan Tweedsmuir, Charles Wassermann, and many others.

Series consists of meeting minutes and community affairs planning reports.

Series consists of 174 bound notebooks with Lewis's handwritten notes, twelve daily planners, and one address book. The notebooks appear to be related to Lewis's reporting research while following Canadian politics, and reporting on political figures, candidates, and elections, and include his observations, research, and quotes. The planners include working and scheduling notes, and some loose documents tucked inside the books.

Series contains documents generated from performances, including educational initiatives, performed primarily in Toronto and tours across Canada and the north-eastern United States. Also, includes work by other choreographers produced by the company. Series consists of programming targeting primary and secondary schools in the form of curricula, teaching materials, educational marketing kits, feedback forms. Majority of records refer to Noondance and Curriculum in Motion educational initiatives.

Documents include itineraries, newspaper clippings, correspondence, programs, press releases, grant applications, contracts, feedback/participant surveys, and lobby displays. Few choreographic notations appear in this series (those that appear are in the Benesh Movement Notation (BWN) style).

Additional material related to the company's public engagement can be found in the correspondence and organisational records series. Aside from lobby displays, research and creative material used to develop repertoires do not appear in this series.

Series consists of grant applications to the Canada Council, the Ontario Arts Council, the Metropolitan Toronto Arts Council, and the Toronto Arts Council, including general applications, funding for tours, targeted grants (Development workshops, Teacher training, Promotional video, specific purchases of equipment, etc). As well, there are applications for funds to the Ministry of Culture and Communications (Ontario) for tour monies, management development, money from the Half Back promotion, and applications for grants from the department of External Affairs (Canada) for offshore tours, the Department of Communications (Canada) for specific purcahses and related material.

Series consists of material that documents the early music career of Paul Hoffert and includes clippings, reviews and programmes of his early performances as well as a number of composition notebooks from his studies with Gordon Delamont and his contact book for Toronton musicians, organized by instrument. It also includes a complete five-volume set of "Modern Arranging and Composing" written by Delamont.

Series consist of appointment books kept by Paul Hoffert from 1969 to 1993 that record daily appointment and other engagements. It also includes hard copies of Hoffert's e-mail correspondence arranged by subject that cover his personal life, his business and musical careers as well as his administrative and academic activities.

Fonds consists of records created and accumulated by Barry Callaghan pertaining to his time teaching at York University.

Series consists of correspondence, notes and other material related to Paikin's enrolment to the University of Toronto as well as files related to many courses taken by Paikin including English, Canadian Studies, French, History, Latin and Philosophy. These files contain lecture notes, essays, course outlines and other material related to his studies. The series contains records of his early radio work at the University of Toronto where he was the play-by-play announcer for university hockey and football games and includes Paikin's notes and background material related to the University of Toronto Varsity Blues teams as well as an audio recording of a hockey game for which Paikin was an announcer. It also contains material related to his application to the broadcast journalism programme at Boston University and includes his MA Thesis proposal, correspondence with his advisors and drafts of his thesis on the Jane-Finch area of Toronto.

Series consists of material related to his work as producer of the documentaries "Return to the Warsaw Ghetto" about the 50th anniversary of the ghetto uprising, "A Main Street Man" about the life of William G. Davies, "Balkan Madness" about the break down of the former Yugoslavia, "Teachers, Tories and Turmoil" about the education reforms introduced in Ontario by the Mike Harris government and "Chairman of the Board: The Life and Death of John Robarts". As such, the it includes research material, drafts of scripts and production drafts and may include correspondence in the form of letters of congratulations, financial reports related to the production and other material.

Series consists of audio recordings made by Paikin that reflect his personal interests including recordings of professional sports game and of episodes of the television programme Star Trek. It also includes an audio cassette of a letter from Paikin and Nancy Nightingale composed in the form of a broadcast interview the speaks of Paikin's time living in Boston.

The series consists of clippings of articles written by Friedlander covering a number of subjects and written for newspapers, magazines, newsletters and other publications.

Series consists of videocassette recordings, scripts, teaching resource guides, and survey results for News in review, a subscription series of educational programs offered by the Canadian Broadcasting Corporation. Knowlton Nash hosted the monthly compendium of news stories covering national and international topics that focus on the social sciences, history, and media literacy, as well as episodes devoted to the Canadian landscape, the Meech Lake Accord, and Canada's relationship with the monarchy.

The series includes scripts prepared by Nash for his voice-over work as well as stories narrated by Nash.

Series consists of documents created or received by Knowlton Nash in his capacity as founding Chairman of the Canadian Journalism Foundation, an organization created in 1990 to promote excellence in journalism through education, dissemination of information, and recognition. These records trace the origins of the Foundation at the Niagara Institute in 1989, as well as its development until Nash left the Board of Governors in 2002. The files contain minutes of the Executive and Awards committees and the Board of Governors, financial statements, correspondence and reports that pertain to all aspects of the Foundation's activities, including strategic planning, fund-raising, and the recognition of outstanding Canadian journalists. The series concludes with a file devoted to the presentation of the Foundation's Lifetime Achievement Award to Nash in 2006.

Series consists of research material, drafts and correspondence related to Knowlton Nash's published books, including "History on the run : trench coat memories of a foreign correspondent" (1984), "Times to remember : a Canadian photoalbum" (1986), "Prime time at ten : behind-the-camera battles of Canadian TV journalism" (1987), Kennedy and Diefenbaker : fear and loathing across the undefended border"(1990), "Visions of Canada : searching for our future" (1991), The microphone wars : a history of triumph and betrayal at the CBC" (1994), "Cue the elephant! : backstage tales at the CBC" (1996), "Trivia pursuit : how showbiz values are corrupting the news" (1998), and "Swashbucklers : the story of Canada's battling broadcasters" (2001). The series also includes research material related to an untitled work on World War II and several drafts of Nash's unpublished memoir, "A Fly on history's wall : a self-revealing portrait." Research material includes press clippings, photocopied monographs, CBC reports and memos, copies of archival documents and photographs from various institutions and hand-written notes. Early research files frequently include original scripts and copy-text composed by Nash while in the field, on assignment or anchoring a news program, as well as primary source material. These materials include carnival song lyrics distributed during Rio de Janeiro's 1966 carnival, political leaflets and press releases from the Dominican Republic civil war in 1965, and reporter's notes from the 1960s. Research material also includes correspondence with and original recordings on microcassette of interviews with various public figures in Canada, former CBC employees and media moguls which Nash used for several publications. Interviewed subjects include: Fred Davis, Mary DePoe, Max Ferguson, Mary Lou Finlay, Allan Fotheringham, Murray Frum, Vickie Gabereau, Bruno Gerussi, Frank Shuster, Clyde Gilmour, Robert Goulet, Jim Guthro, Peter Gzowski, Bill Harcourt, Nada Harcourt, Don Harron, Lorraine Thomson, Joan Tosoni, Alex Trebeck, Pamela Wallin, Al Waxman, Jack Webster, Brian Williams, Roy Wordsworth, Larry Zolf, Catherine McKinnon, Mavor Moore, Barry Morse, Anne Murray, Leslie Nielson, Sydney Newman, Gordon Pinsent, Harry Rasky, Lloyd Robertson, Paddy Sampson, Elaine Saunders, Frank Shuster, Lister Sinclair, Len Sarmer, Mark Starowicz, Jackie Burroughs, Roger Abbott, Alex Barris, Cameron Bell, Pierre Berton, Allan Byle, Lloyd Bochner, Dave Broadfoot, Don Brown, Lally Cadeau, June Callwood, Norman Campbell, Tom Curzon, Bill Cunningham, Cynthia Dale, Jimmy Dale, John Drewery, Ted Hough, Tommy Hunter, Carol Hyde, Steve Hyde, Frances Hyland, Norman Jewison, Juliette, Betty Kennedy, Harvey Kirck, Bill Longstroth, Donald MacDonald, Larry Mann, Peter Mansbridge, Ray McConell, Murray Brown, Francoise Bertrand, Douglas Bassett, Ivan Fecan, Michael Hindsmith, Finlay MacDonald, Michael McCabe, William McGregor, Trina McQueen, Ross McCreath, Ian Morrison, Bob Rabinovitch, Ted Rogers, and Moses Znaimer. Most of the recorded interviews are transcribed. Series also includes correspondence with publishers regarding the editorial process, publication, promotion, speaking tours and sales of Nash's published books.

Series consists of records documenting the activities of the WECT's International Executive Board and its Board of Directors. Includes correspondence, selected articles and clippings, subject files, reference files on other large encyclopedia projects, and agenda and minutes of board meetings and annual general meetings. Also includes records pertaining to the International Theatre Institute's and UNESCO's sponsorship of the project.

Series consists of a Black-Canadian family’s home movies featuring everyday life including Carifesta, picnics in the park, Halloween, Christmas, birthdays, and vacations to the Commonwealth of Dominica. Footage captured by Althea Joseph Charles Seaman and Richard C. Seaman (the donor's parents).

Series consists of home movie videos from a Pakistani family in Toronto and includes footage of the subway, visits to Ontario Place, a relative's wedding, breakfast, and Ridley college. Footage captured by Shaheen Khan.

Series consists of home movies from Colombian and Indonesian-Canadian family documenting a family party and a picnic at the Scarborough Bluffs beach. Footage captured by Fariden Piedrahita.

Series consists of a Indian-Canadian family's home movies documenting winter in the Laurentian Mountains, the cityscapes of Montreal, and skiing at Chicopee Hill.

Series consists of a home movie from an Iranian-Canadian family featuring footage of Baghdad. Footage captured by donor's father.

Series consists of a Filipino-Canadian family’s home movies featuring children playing, fishing on vacations, and playing tennis. Footage captured by Reginaldo Edralin.

Series consists of a home movie from a Moroccan-Canadian family documenting a day trip to La Ronde.

Series consists of home movie footage documenting a Chinese family in Vancouver celebrating multiple birthdays.

Series consists of an Iranian-Canadian family's home video of a father and daughter visiting Iran and includes footage of Shiraz, the Takht-e Lamshid, Isfahan, the Great Mosque (Shah Mosque), and Naghsh-e Jahan Square. Footage captured by Abbas Joudaki.