Showing 843 results

Scope and content: Series consists of records documenting the work Simpson categorized as "strengthening and creating cultures of innovation." The series documents the founding and development of the Innovation Expedition, from its origins as the International Institute for Innovation or Triple i at the Banff Centre for Management, to its association with AXIA NetMedia from 1996 to 1999, and then its emergence as an independent company after 2000. The series consists of draft and final reports, concept papers, presentation diagrams and overhead transparencies, clippings, articles, book chapters, conference materials, booklets, brochures, toolkit elements, government publications, meeting and conference agendas, notes, speeches, correspondence, memoranda and newsletters. The records include general secondary resources on innovation including the following topics defined by the donor: innovations in education; measurement innovation; performance improvement toolkits; non-profit work; and understanding innovation. There are examples of innovation projects with which Simpson was involved, including the Science Council, IE's Global Innovation Congress, Textron, Banff Centre programmes, London Investment in Education Council (LIEC), Miles Canada (Bayer Pharmaceuticals), and EKS strategy of Germany. There are also several theme files which may have originated with the Mentoring records in S00508 but have been kept with this series as received by the donor; and collected reports, usually by the government, on Alberta. Records pertaining to the Alberta Roundtables and the Towards 2000 Together initiative include participant lists, working papers, final reports, preparatory readings and backgrounders on each roundtable issue. There is also material on the Premier's Conference on the Alberta's Economic Future in May 1992 (the culmination of the roundtables); and the Advisory Committee on Alberta's Economic Future (or multi-stakeholder advisory committee) of which Simpson was vice-chair following the roundtables. Records of the Triple i document its formation; strategic planning; initiatives and programs, including the genesis and launch of the Innovation Expedition; promotion; writings; and partners.

Series consists of records documenting Simpson's involvement in two major issues: the Vietnamese Boat People and refugee crisis of the late 1970s-early 1980s, and the fight against modern-day slavery in the 2000s. In the late 1970s, Simpson chaired the Mission and Services committee of the Metropolitan United Church in London, Ontario. He led the congregation's efforts to support the many refugee families who settled in London and to raise funds to sponsor additional families. Records relating to this work include the text of speeches Simpson made to the congregation, reports, correspondence, news clippings, research, newsletters of the United Nations Refugee Agency, and memoranda. More recent records pertain to Simpson's mentoring support role with the Harriet Tubman Institute for Research on the Global Migrations of African Peoples at York University. The Tubman Institute worked with the Schulich Business School of York University and other international partners to form a coalition to deal with social injustices, such as forced labour, in the global supply chain. Simpson provided guidance during the planning of an international forum "Bearing Witness, Ending Slavery" which was to be held (but did not end up taking place) in Newport, Rhode Island, in April 2009. For the Tubman Institute, the project was related to its research grant from the Social Sciences and Humanities Research Council (a Major Collaborative Research Initiative, or MCRI). These records consist of correspondence, the MCRI proposal, an MCRI milestone report, a "Process planning memo," and other planning documents for the Newport event. Series also includes a "Critical issues document" on the proposed Cross Cultural Learner Centre on the African diaspora.

Series consists of audio cassettes and videocassettes, primarily of Larry Grossman’s media appearances and interviews on television and the radio. Also included are 3 videocassettes of Grossman family home movies and 3 audio cassettes related to the book by Peter Oliver "Unlikely Tory : the life and politics of Allan Grossman" (Toronto : Lester & Orpen Dennys, 1985).

Series consists of lecture notes, syllabi, reading lists, articles, and other materials pertaining to courses taught by Trist over the course of his career as an academic.

Series consists of records that pertain to the production of "For the record" television drama series. Records include correspondence, memoranda with CBC officials and colleagues, reports regarding the series' objectives and mandate, analysis of audiences and feedback ratings broken down by age and gender, meeting notes, handwritten script ideas and notes, copies of scripts, story proposals, press releases, promotional material and newspaper clippings. The series also includes files for several episodes that contain background research into production subjects, correspondence from viewers about episodes, budget estimates and resource requisition forms, various production-related schedules, and call sheets. Series also contains one file with photographs and six videocassettes of fourteen episodes.

Series consists of records created by Sig Gerber as a result of his work as a producer with the Canadian Broadcasting Corporation (CBC). These records include training manuals, booking calendars, show run-downs, production files, reports on broadcasting policy, press releases, producers' and directors' magazines, internal CBC memoranda and correspondence, program outlines, reports, promotional materials, scripts, photographs, and newspaper clippings about programs produced by Gerber. Also included in this series is a file of ephemera and photographs from Gerber's time at CHUM radio station in Toronto, where he worked before he joined the CBC.

Series consists of textual records and audiovisual materials pertaining to Gerber’s work as a trainer and educator in television journalism and production for the CBC Training and Development Department and for Ryerson University’s School of Journalism. Subject areas taught include investigative journalism, reporting for television, and television documentary. Included in this series are CBC training manuals, Gerber’s course lecture notes, handouts and outlines, and videocassettes containing sample news footage and clips, mostly from the CBC, used in his training sessions and courses. Lecture notes from talks given by Gerber as a guest speaker and/or workshop leader are also part of the series.

Series consists of records pertaining to Maguire’s activities as a dancer, choreographer, teacher and arts organizer. These records, which include grant applications, photographs, letters of agreement, correspondence, proposals and notes, document Maguire’s work as an instructor in dance in the Faculty of Fine Arts at the York University, her independent choreography and dance projects, and her involvement with community arts education and dance instruction.

Series consists of records created and accumulated by Silverman primarily between 1969 and 1970, when she conducted field research in Bush Lot, Guyana, for her PhD thesis entitled “Resource change and village factionalism in an East Indian community, Guyana”. The results of this research were also published in her book, Rich people and rice: factional politics in rural Guyana, 1900-1970. This ethnographic and historical research examined local-level politics and the effect of economic resources on politics in Bush Lot, an East Indian rice-farming community on the coast of Guyana. These records document Silverman’s approach to research, which included casual conversation, participant observation, attendance at political events, formal interviews, primary source research and household surveys, and her process of aggregating the resulting data, as well as providing a comprehensive history of the village of Bush Lot and its inhabitants in the early- to mid-20th century. The records in this series are notes, copies of village council minutes and letter books, court documents, surveys and household questionnaires, government reports, census records, audio recordings, interview transcripts and notes, card indices and computer printouts, research reports, maps of Bush Lot and greater Guyana, correspondence, and a copy of Silverman’s PhD dissertation.

Records in this series document Grossman’s political career as a member of provincial parliament for the riding of St. Andrew-St. Patrick and Cabinet minister in the governments of Premier Bill Davis. Includes: correspondence, subject files, meeting minutes, research notes, briefing notes, reports, clippings.

Series consists of records related to Peter Flemington’s work with the Rosewell Group, an independent collaboration amongst four friends (Peter Flemington, Doug Barrett, Des McCalmont, and the Hon. David MacDonald) who responded to the 1983 CRTC Call for Applications for a religious multifaith television service. Initially, their work centered on exploring the options and possible initiatives for Interchurch Communications. The Rosewell Group’s work leads to the creation of the Canadian Interfaith Network (CIN) in 1984, with the Rosewell Group continuing as the research arm of CIN to assist and guide it through the application process with the CRTC. This would lead to the creation of VisionTV in the fall of 1986.

The records in this series document the extensive preparation and research undertaken before the successful transition towards VisionTV.

Records include: meeting minutes; briefs; memos; policy and programming documents; correspondence; research notes; and CRTC applications and submissions.

Series consists of records of the Canadian Law and Society Association retained by Maura Matesic in her role as treasurer, including: newsletters, conference programs, bylaws, minutes of meetings, financial reports, budgets, and documents dealing with its incorporation, journal, website, committees, and the Task Force on the Canadian Common Law Degree.

Series consists of five video reels featuring Forer’s lectures on various aspects of cell division, produced by Glen-Warren Productions Limited and aired as five episodes of CTV’s University of the Air television program in 1978.

The series consists of notebooks and journals kept by Powe in which he documented his thoughts and reflected on both his personal life and on works in progress. Also included are calendars on which Powe recorded appointments and other scheduled events.

Series contains drafts, manuscripts, correspondence, and research material pertaining to the publication of articles and reports.

Additional material regarding articles and published reports; including research data, drafts, and correspondence can be found in associated files in the Research series and the Lectures, Conference and Workshop Presentations series.

Background research and literature may also be found in the Subject Files series.

Correspondence pertaining to articles and published reports may also be located the Professional and Professorial series.

Series contains drafts, manuscripts, correspondence, and research material pertaining to the lectures, conferences, and workshop presentations.

Additional material regarding presentations, including research data, drafts, and correspondence can be found in the Research series.

Background research and literature may also be located in the Subject File series.

Related correspondence may also be found in the Professional and Professorial series.

Series contains documents related to James' professional interactions (community service, honours and awards, and correspondence) and professorial engagement (course development; graduate student supervision on topics such urban education, sports, practitioner research, and race and diversity; and university service).

His community service includes involvement with the Anti-Discriminatory Advisory Group; UNICEF: discrimination against ethnic minorities, immigrants, and indigenous peoples; Toronto District School Board (TDSB); Toronto Police Services; and the Youth Challenge Fund.

Professorial documents include syllabi, lecture notes, proposals, letters of recommendation, and submitted thesis and dissertations. A substantial portion of the teaching material focuses on James’ teaching and research in Sweden. Additional information regarding teaching and research in Sweden may be found in the Research and Publications series. James' scholarship and additional records related to community services primarily arranged in the Articles and Published Reports, and Lectures, Conference and Workshop Presentations series.

Additional correspondence can be found in the Books; Articles and Published Reports; Lectures, Conference and Workshop Presentations; Research; Subject Files; and York Centre on Education and Community series.

Series contains typescripts of Harris' thesis on Giovanni Gentile, as well as typescripts, corrected drafts, galleys and page proofs of 'Hegel's development' (vols. I and II), 'Between Kant and Hegel: texts in the development of post-Kantian idealism,' (a series of lectures translated and annotated by Harris and George di Giovanni), and for 'Origins and legacies'. There are also typescripts and drafts of translations of works by Hegel ('Difference between Fichte's and Schelling's system of Philosophy,', 'Faith and knowledge', 'Encyclopedia of logic,' ). In addition, there are photocopies of Harris' revision of 'Lectures on the philosophy of religion'. The fonds also includes typescripts and drafts of several articles by written by Harris on Hegel, Croce, Hume, and copies of typescripts and off-prints of reviews written by Harris.

Series consists of correspondence with other philosophers, individuals, several educational institutions as well as learned societies (Hegel Institute of America), publishers, and letters of recommendation.

Series consists of field recording and research files pertaining to a variety of musical genres.

Series consists of records created and accumulated by Pat Fleisher between 1977 and 2008. The records in this series pertain to Pat Fleisher's involvement with the administration, curation and promotion of a number of ongoing group art shows, as well as art shows featuring her own photography. Documented in this series is Fleisher's work for annual group shows including the Art Expo Toronto, the Toronto Indoor Art Show, and the Artfocus Fall Annual Artists' Show, as well as solo shows she curated for herself and for other artists at Sassafraz Restaurant, Cantine, Starbucks, and Holy Blossom Temple in Toronto. Files in this series consist of correspondence, notices, flyers, pamphlets, photographs, computer disks, press releases, and posters.

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Consists of Herzberg's files related to his research on the memoir he wrote about his mother, astrophysicist Luise Herzberg. Records include research notes, book proposal, correspondence with relatives, colleagues, publishers, photocopies of certificates, translations, genealogical notes, photocopies of original diaries, letters, etc., working files and a few photographs.

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Series consists of materials related to Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time period. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Series contains notes and notebooks, pamphlets, programmes, correspondence, and clippings, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

The series consists of audio visual recordings pertaining to Bernard Zukerman's television productions and including awards submissions, promotional videos, audition tapes, final broadcasts and ohter types of material.

Series consist of video cassettes of films screened at the Desh Pardesh festival or an affiliated event; commercial shorts created specifically for the festival; and audio and video recordings of various events, workshops and performances at Desh Pardesh.

The series consists of research files, correspondence, drafts of scripts, casting lists, crew lists, publicity materials, and photographs relating to various television dramas produced by Bernard Zukerman. Projects documented include: "And Then You Die", 1986; "Skate!", 1987; "The Squamish Five", 1988; "Love and Hate: the Story of Colin and JoAnn Thatcher", 1990; "Dieppe", 1994; "Million Dollar Babies", 1994; "Net Worth", 1995; "The Sleep Room", 1998; "Revenge of the Land", 2000; "Heart: The Marily Bell Story", 2001 and others.

Series consists of job advertisements, correspondence, job applications, employee evaluations, legal documents, working files, and resumes for Desh Pardesh staff members, as well as correspondence and administrative records related to the Desh Pardesh offices located at 401 Richmond Street, Toronto, Ontario.

Series consists of production files, computer disks, audio and video cassettes, and other audiovisual media pertaining to completed film and music projects created by Larry Weinstein. Projects documented include the following:

1. All that Bach (1985): Records pertaining to the 1985 TV movie All That Bach, directed by Larry Weinstein.
2. Beethoven’s Hair (2005): Records pertaining to the production, release, and reception of the 2005 documentary film Beethoven's Hair, directed by Larry Weinstein and co-produced by Weinstein, Jody Shapiro, and Jessica Daniel. Also includes records related to the interactive new media site of the same name (www.beethovenshair.ca), a project produced collaboratively by Rhombus Media and Xenophile Media. Records include notes, correspondence, reference and research material, proposals, scripts, treatments, applications, agreements, cast and crew records, music and interview recordings, video recordings, award and festival records, press and reviews, photographs, and other material.
3. Burnt Toast (2005): Records pertaining to the 2005 television opera Burnt Toast, a series of comedic shorts written and directed by Larry Weinstein. Includes notes, correspondence, proposals, overviews, scripts, budgets, call sheets, sound recordings, set drawings, schedules, cast and crew records, storyboards, sheet music, promotional material, festival records, and other material.
4. Concerto! (1993): Records pertaining to the 1993 television series Concerto! co-directed by Larry Weinstein, Niv Fichman, and Barbara Willis Sweete. Includes schedules, minutes, synopses and other material
5. Devil’s Delight (2010): Records pertaining to the 2010 short film Devil's Delight, for which Larry Weinstein was the executive producer. Includes notes, correspondence, reference material, synopses, funding applications, agreements, casting records, and schedules.
6. For the Whales (1989): Records pertaining to the 1989 documentary For the Whales, directed by Larry Weinstein, featuring artists such as John Cage, Margaret Atwood, Bill Reid, and others. Includes notes, interview transcripts, sheet music, photographs, reviews and other material.
7. Greta Kraus [198-?]: Records pertaining to the 1980s Arts Council short Greta Kraus, created by Larry Weinstein. Includes notes, reference material and photographs.
8. Hong Kong Symphony: Heaven-Earth-Mankind (1997): Records pertaining to the 1997 documentary Hong Kong Symphony: Heaven-Earth-Mankind, directed by Larry Weinstein and featuring a performance by cellist Yo-Yo Ma. Includes notes, correspondence, scripts, proposals, photographs, press, and festival records.
9. Inside Hana’s Suitcase (2009): Records pertaining to the production, release and reception of the 2009 documentary Inside Hana's Suitcase, directed and produced by Larry Weinstein. Includes research and reference material, correspondence, production notes, scripts, budgets, proposals, agreements, schedules, casting records, interview transcripts, promotional and educational material, press and reviews, film festival records, and other material. Records also include photographs and video recordings pertaining to the film, including stock and raw footage, dailies, and animation samples.
10. Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993); Concierto de Aranjuez (1993): Records pertaining to two films directed by Larry Weinstein on the life and music of Joaquin Rodrigo: Shadows and Light : Joaquin Rodrigo at 90 (1993) and Concierto de Aranjuez (1993). Includes notes, correspondence, scripts, photographs, press, festival and award records, and other material.
11. Making Overtures: The Story of a Community Orchestra (1985): Records pertaining to the 1985 short documentary film Making Overtures: The Story of a Community Orchestra, directed by Larry Weinstein. The film was nominated for an Oscar for best documentary short in 1986. Includes scripts, reviews, credits, and music cues.
12. Manuel de Falla: Master Peter’s Puppet Show; Nights in the Garden of Spain; When the Fire Burns [198-?]: Records pertaining to three films created in the 1980s by Larry Weinstein about the Spanish composer Manuel de Falla: Nights in the Gardens of Spain, Master Peter's Puppet Show and When the Fire Burns. Includes notes, correspondence, reference material, outlines, photographs, promotional material, reviews, and other material.
13. Mozartballs (2006): Records pertaining to the 2006 TV movie Mozartballs, directed by Larry Weinstein. Includes notes, correspondence, research materials, proposals, stock footage records, cast and crew records, sheet music, audio recordings, interview transcripts, press and reviews, festival and workshop records, and other material.
14. Mulroney: The Opera (2011): Records pertaining to the musical film Mulroney: The Opera, directed and co-produced by Larry Weinstein. Includes agreements, lists, and press.
15. My War Years: Arnold Schoenberg (1992): Records pertaining to the 1992 film My War Years: Arnold Schoenberg, directed by Larry Weinstein and co-written by Weinstein and Thomas Wallner. Includes research and reference material, correspondence, scripts, music cues, credits, photographs, press and reviews, award and festival records, and other material.
16. The Radical Romantic: John Weinzweig (1990): Records pertaining to the 1990 TV documentary The Radical Romantic: John Weinzweig, written and directed by Larry Weinstein. Includes notes, correspondence, reference material, scripts, photographs, and other material.
17. Ravel (1987): Records pertaining to the 1987 documentary Ravel, written and directed by Larry Weinstein. Includes notes, correspondence, outlines, budgets, scripts, reference material, photographs, festival records, press, and other material. Also contains some material related to the 2001 film Ravel’s Brain.
18. Ravel’s Brain (2001): Records pertaining to the production, release and reception of the 2001 film Ravel's Brain, written and directed by Larry Weinstein and co-produced by Weinstein, Pierre-Olivier Bardet, and Niv Fichman. Includes notes, correspondence, research materials, scripts, treatments, agreements, fundraising records, interview transcripts, schedules, call sheets, travel records, drawings, prop and costume records, casting and location material, sheet music, audio recordings, photographs, promotional material, festival records, press and other material.
19. Satie and Suzanne (1994): Photographs pertaining to the 1994 film Satie and Suzanne.
20. September Songs: The Music of Kurt Weill (1994): Records pertaining to the production, release, and reception of the 1994 tribute film September Songs: The Music of Kurt Weill, directed by Larry Weinstein and co-written by Weinstein and David Morton, as well as to the film's 1997 soundtrack of the same name released by Sony Classical. The film and soundtrack feature performances by Lou Reed, Teresa Stratas, Elvis Costello, Nick Cave, William S. Burroughs, and others. Records include reference and research material, notes, correspondence, outlines, casting records, sheet music and song lyrics, set drawings, mockups, promotional material, festival records, licensing agreements, distribution records. File also includes sound recordings and photographs taken while on the set of the film.
21. Solidarity Song : The Hanns Eisler Story (1995): Records pertaining to the production, release and reception of the 1995 documentary film Solidarity Song: The Hanns Eisler Story, written by Larry Weinstein and Thomas Wallner. Includes notes, correspondence, research material, sheet music, scripts, schedules, photographs, audio recordings, financial records, casting material, distribution records, promotional material, press and reviews, award and festival records, and other material.
22. Stormy Weather: The Music of Harold Arlen (2003): Records pertaining to the production, release and reception of the 2003 tribute film Stormy Weather: The Music of Harold Arlen, directed by Larry Weinstein and co-produced by Weinstein, Daniel Iron, and Niv Fichman, as well as to the film's 2003 soundtrack of the same name released by Sony. Records include research and reference material, notes, correspondence, historic and contemporary photographs, proposals, treatments, budgets, casting and talent records, audition footage, archival footage, schedules, call sheets, sheet music, album mockups, audio mixes and other sound recordings, press and reviews, festival records, and other material.
23. Toothpaste (2002): Records pertaining to the 2002 short comedic film Toothpaste, directed by Larry Weinstein, starring Barbara Hannigan, Mark McKinney, and Doug MacNaughton. Includes notes, correspondence, proposals, scripts, budgets, agreements, sheet music, photographs, press and reviews, award and festival records, and other material.
24. Toscanini in His Own Words (2009): Records pertaining to the production, release and reception of the 2009 TV movie Toscanini in His Own Words, directed by Larry Weinstein and co-written by Weinstein and Harvey Sachs. Includes reference and research material, notes, correspondence, proposals and treatments, scripts, contracts and agreements, budgets, production schedules, promotional material, press and reviews, and other material. Also contains photographs, sound recordings and video recordings, including rushes, archival footage, and casting material.
25. Tuscan Skies: Andrea Bocelli (2001): Records pertaining to the 2001 TV special Tuscan Skies: Andrea Bocelli, directed by Larry Weinstein and co-written by Weinstein and David Mortin. Includes correspondence, reference material, synopses, scripts, call sheets, lyrics, music cues, photographs, award and festival records, and other material.
26. The War Symphonies: Shostakovich against Stalin (1997): Records pertaining to the production, release and reception of the 1997 film The War Symphonies: Shostakovich against Stalin, directed by Larry Weinstein and co-written by Weinstein, David New, and Gemma van Zeventer. Includes notes, correspondence, research material, scripts, overviews, budgets, photographs, promotional material, interview transcripts, casting records, sheet music, award and festival records, press and other material.
27. Wrath (2011): Records pertaining to the 2011 short film Wrath, directed by Larry Weinstein as part of Seven Sins film project. Includes correspondence, synopses, licensing agreements and other material.
28. The 13th Man (2012): Records pertaining to the research and production of a short documentary, which was an episode in the series Engraved on a Nation, produced by Frantic Films, directed by Weinstein and broadcast on TSN. Focuses on the fan
    culture surrounded the Saskatchewan Roughriders and the 2009 Grey Cup loss to the Montreal Allouettes. Includes research material, detailed and annotated transcripts, casting records, correspondence and shot lists.

Series consists of manuscript notebooks and diaries created and compiled by Larry Weinstein over the course of his career.

Series consists of miscellaneous images created or compiled by Larry Weinstein for a variety of projects over the course of his career.

Series consists of records from Lewis's work as vice president of content creation at Rogers Media Inc., including correspondence, notes and research files, meeting minutes, strategic planning files, corporate and budget documents, content development planning and reports, audience research files, press clippings, annual reports, and five optical discs containing textual records.

Series consists of research files, reports and various other material including journal, newspaper and magazine articles, consumer and marketing information, maps, and miscellaneous reports, as well as political campaign flyers and pamphlets.

Series consists of material related to Hoffert's technological and theoretical interests including material pertaining to work begun at the National Research Council on music created using computer technology and carried out with a number of companies concerned with audio data and interactive technology. It contains business and research plans, copyright and legal materials, correspondence, reports, memoranda and other material for companies including McLeyvier, DHJ Research, Marquis Music, Time Out for Fun and the Cultech Research Centre, a project based at York University intended to investigate digital content use by residents in a housing development in suburban Toronto.

Series consists of performance programs and reviews of the Danny Grossman Dance Company and other dance companies, such as The Paul Taylor Dance Company.

Series consists of video tape cassettes of the company's performances, rehearsals, television broadcasts, and an interview (performances and commercials). Included are performances of La valse, Bella, Hot house, Inching, Triptych, Memento, Ces plaisirs, Totem, and others. The videos come in half-inch and three-quarter inch VHS format, and half-inch Beta max format.

Series primarily consists of letters, cards, and printed emails written to Danny Grossman on a personal nature from industry professionals and friends, family, mentors, and former company members. Some files are subject files containing only photos, newspaper clippings and/or works created by the individual.

Business correspondence is located in this series include letters of support, thanks, and congratulations for the company. Some letters written on behalf of the company are primarily letters of recommendation for dancers. Additional business correspondence is located in the organisation records series.

Series consists of records pertaining to administrative operations including development (correspondence, donor and marketing research, and grant applications), promotional material (programs, newspaper clippings, announcements, newsletters, magazine articles, press releases), and activism in the dance community through professional associations, government councils, and conferences (correspondence, transcripts, and speeches).

Additional business correspondence is located in the correspondence series. The public engagement series contains documents generated from organising to tours and documents from grants that funded specific repertoires.

Series consists of reviews, previews, and photographs of Danny Grossman Dance Company as well as notices of the Paul Taylor Dance Company and the Toronto Dance Theatre, two companies in which Grossman was a dancer prior to 1975.

Series primarily consists of incoming correspondence to Hutchman from friends, colleagues, publishers and other writers. Correspondents include Margaret Avison, Brian Bartlett, Clark Blaise, Robert Bly, Roo Borson, Fred Cogswell, Barry Dempster, Louis Dudek, Gary Geddes, Ralph Gustafson, Don Hensley, George Johnston, P.K. Page, Al Purdy, James Reaney, and many others. A number of these letters concern interviews conducted by Hutchman with prominent Canadian poets, later published in his non-fiction book, In the Writers' Words: Conversations with Eight Canadian Poets. Some files consisting of Hutchman’s outgoing correspondence are also included in this series, and many files consist of printed e-mail correspondence created and maintained by Hutchman.

Series consists of materials accumulated by Hutchman primarily pertaining to his early life, family, travels and career as a poet. These records include an award certificate, posters and notices for his poetry readings, newspaper and magazine clippings featuring his published poems, essays and reviews about his work, notes from presentations given, ephemera, and copies of publishers’ catalogues featuring his books. Included in this series are personal photographs of Hutchman, his family and friends, as well as other poets and writers.

Series consists of pro-life literature and other records pertaining to Gentles’ research on bioethical issues, primarily abortion and assisted suicide. Also includes administrative and research records related to the deVeber Institute for Bioethics and Social Research (formerly the Human Life Research Institute), a pro-life think-tank of which Gentles is Vice-President and Research Director. Contains notes, correspondence, drafts, articles, clippings, meeting minutes, agendas, reports, financial statements, and other material.

Series consists of photographs, video cassettes, audio cassettes and audio reels documenting several aspects of Pocock's career including video footage of the ceremony at which she received the Order of Ontario and sound recordings of a number of programs on which Pocock appeared as a guest.

Series consists of Axelrod's high school, undergraduate and graduate school essays, speeches, drafts of articles written for student newspapers and other materials that document his involvement with student organizations including the Council of the York Student Federation, the Ontario Federation of Students and the Ontario Union of Students, as well as his research interest in post-secondary education and the student union movement. These records include publications, papers, articles and news releases.

Series consists of records documenting Axelrod's career as a university professor and administrator. Many records pertain in particular to his role as Dean of the Faculty of Education at York University between 2001 and 2008, as well as his work on committees (Ontario Association of Deans of Education, Ontario Confederation of University Faculty Associations). Included are correspondence, job applications, course outlines and student evaluations for courses taught by Axelrod, copies of research grant applications, past tenure files, photographs, reports, speeches, assessments, conference materials, newspaper and magazine articles.

Series consists of handwritten drafts and typed manuscripts of three works of non-fiction, based on diary entries, written by Mackenzie.
The first manuscript Aussies and Englishmen, a travel memoir, was submitted for publication in 1966. The second manuscript The English Canadian Nation, a historical reflection of the role of English-speakers in Canada from the age of the Vikings to the twentieth century was written and submitted around 1990. The third manuscript Watching the Neighbours Next Door based on extractions from his journals regarding American politics was submitted for publication in August of 1996.

Series consists of twelve photo albums created by Lloyd Mackenzie and seven of his Canadian passports. Photographs document Lloyd Mackenzie's childhood and adolescence in Toronto, as well as some photographs of his parents, family and friends; his military service as a clerk during World War II; his daily life, friendships and living arrangements in Toronto, England and Australia; and his extensive travels within Canada, the United States, Europe, the Mediterranean, the Caribbean and Australia.

The series consists press photos of actors, artists, theatre companies and festivals received by Friedlander during the course of her work as a theatre critic and writer.

The series consists of correspondence, notes, clippings and other material which documents the career of Friedlander's father Curt Borchardt, himself a theatre critic.

The series consists of correspondence, notes, order forms, ticket agreements and other material related to the Theatre Club.

Series consists of documents created or accumulated by Knowlton Nash in the course of his work with the Canadian Broadcasting Corporation. The records are generally arranged in chronological order (files with the title, "CBC," in the file list), but many documents were pulled together into subject files on a particular topic. The series includes letters and memoranda involving programming and journalism issues, including the evolving nature of television news coverage, the impact of ratings, and journalistic appointments, as well as mementos from political conventions covered by Nash. These records cover a wide range of topics, including: contract negotiations between Nash and the CBC; Nash's proposals for changes to news reporting; the CBC Correspondents Association; the federal government's control over news coverage during the October Crisis, 1970; protection of sources, including legal action against Nash; the impact of controversial programs, such as the hearings over "Air of death" that dealt with air pollution in 1967 to 1968, and libel actions involving various CBC correspondents; the departure of Lloyd Robertson for CTV News in 1976; the policy governing access by prime ministers to the CBC for broadcasts; Nash's statement to the Canadian Radio and Television Commission regarding the CBC's application to renew its license in 1978; the action by the Canadian Union of Public Employees against the CBC and Knowlton Nash in an attempt to stop journalists from reading the news on television, 1978 to 1980; development of The National and The Journal and the move of nightly news to 10:00 p.m.; Nash's decision to step down as Chief Correspondent in 1988 and his retirement in 1992; news specials on the 50th anniversary of D-Day in 1994; presentations to the CBC Board of Directors on the future on television news reporting during retreats from 1996 to 2001; and an unpublished manuscript on the news show, The Fifth estate. The series also includes several published reports on the CBC, its history, mandate, policies, and future.

Series consist of bound books in which Knowlton Nash made handwritten notes regarding his meetings and other engagements. The appointments provide an overview of Nash's professional network of connections within the broadcast industry.

Series consists of historical publications and newspapers preserved by Knowlton Nash because of the historical significance of their date or content. It includes memorial issues of American and Canadian newspapers and magazines related to the assassinations of John F. Kennedy and Robert F. Kennedy, the moon landing, the deaths of American presidents and Canadian prime ministers as well as early Canadian newspapers from the nineteenth century and newspapers published during World War II. Also included are three Christmas issues of English illustrated newspapers and a 1939 publication regarding the Royal Visit to Canada.

Series primarily consists of George Papadatos’ professional records pertaining to his various activities as an engaged member of the Toronto Greek-Canadian cultural and political community, including materials relating to his involvement with organizations such as the Greek-Canadian Cultural Association, the Greek-Canadian Cultural Workshop of Toronto, the Greek Community of Metropolitan Toronto, the Greek-Canadian Democratic Organization and the Hellenic Canadian Organization, amongst others. Series also includes records relating to Papadatos teaching career at Scarborough College (University of Toronto), employment assisting new Greek immigrants at Eastminster Community Services and activities performed as a music promoter and as owner of the Trojan Horse café. Series includes correspondence, legal and business documents, reports, meeting minutes and agenda, news clippings, scrapbooks, writing and research materials such as journal articles, papers, newsletters, proposals, government and education-related documents, pamphlets and brochures. While consisting predominantly of collected ephemera, file 2014-044/001(04) also contains a number of professional records relating to political organizing.  Very few personal records are included, however the series does contain some records relating to Papadatos’ immigrant status and employment. Other items relating to personal events such as invitations to his birthday party and to a farewell event prior to his return to Greece in 1984 can be found in 2014-044/001(02) and 2014-044/001(06).  

Series consists of promotional materials and ephemera relating to Toronto Greek-Canadian community political and cultural events organized or attended by George Papadatos during his time in Toronto.  Series includes materials relating to the coffee house scene in Toronto; concert tours featuring Greek musicians, for which Papadatos acted as promoter; political events by various pro-democracy groups such as PAK, EAM and Rigas Fereos; theatrical events; exhibitions and cultural festivals (such as The Images of Greece festival, organized by Papadatos); as well as Annual Dances and sporting events. Materials include posters, event tickets, invitations, flyers and programmes. Some items of ephemera can also be found in 2014-044/001(05), 2014-044/001(10) and 2014-044/001(12).

Series consists of records documenting the business activities of the WECT office, as well as the project's accounting. Includes letters patent and charitable status documentation, contracts with authors, editors and office staff, contracts with York University and the projects sponsoring organizations, publishing agreements, staff files, research files, budgets preparation files and audited financial statements.

Series consists of records documenting the WECT project's efforts to market and promote itself and the encyclopedia. Includes newsletters, subject files on launches, summaries, and sample entries and layouts.

Series consists of photographic prints and negatives, with some accompanying textual records, created or compiled by Luigi Nasato over the course of his life and career as an artist. Primarily includes photographs of works of art, some of which were created by Nasato himself, as well as family and travel photographs. Series also contains computer printouts of works of art, as well as postcards and other graphic material.

Series consists of files documenting Reid's political career during the 1965 federal and the 1967 and 1971 Ontario provincial election campaigns. Includes election posters, press releases,newspaper clippings, correspondence, etc. Series also consists of material from Liberal Party of Canada and the Ontario Liberal Party, including reports, press releases, minutes of meetings of the Young Liberals, newsletters and related material. Finally, the series also consists of records documenting his career at Queen's Park, including correspondence with constituents and government members, civil servants and Ministers dealing with constituents' problems, petitions, copies of government reports and studies, newspaper clippings, copies of bills, including Reid's Bill 182, "An Act to Provide for Data Surveillance",(1970), with correspondence and research material relating to the issue of privacy of computer records.

Series consists of sound recordings pertaining to Air Farce radio shows. Series also includes master recordings, and recordings pertaining to audio merchandise.

Consists of ratings information and audience research tracking the popularity of Air Farce radio and television programs.

Series consists of records pertaining to gigs outside the regular broadcast season. For example, Live at the Bayview; stage show scripts; "symphony show" files including orchestral scores; tribute events; Farce Stage tour, etc.

Series consists of wardrobe continuity reference photographs for the television series, and for Farce Films. Most photographs are Polaroids. Photographs are arranged primarily chronologically by broadcast season.

Series consists of draft versions of Wicks’s autobiography, “Master of None: The Story of Me Life,” first published by McClelland and Stewart in 1995, drafts of other published booklets, and two short stories published in magazines. Several of the draft booklets contain original drawings by Wicks. Included is a copy of “Dear Canada,” a collection of artwork and writings by Canadian schoolchildren selected by Ben Wicks.

Series consists of audio recorded interviews with members of the Jewish diaspora that immigrated to Palestine during the 1920s – 1950s from countries around the world including Germany, South Africa, New York and Poland. Reference is made to a world event an individual was involved in or the place(s) they came from and the year they immigrated. The interviews were used in Ben Wicks’s published book “Dawn of the Promised Land.” Other material includes interviews for the Ben Wicks television show and humorous stories told by Wicks.

Series consists of day planners used by Wicks to record names, daily appointments and phone numbers pertaining to his personal and professional activities. Also consists of notebooks containing research notes and contacts, and small journals documenting travels in countries outside of Canada.

Series consists of records created and accumulated by Theresa Burke in her role as a producer for the CBC program The Fifth Estate. These records pertain to the family history of Gerry Clark, son of Sanford Clark, the Saskatchewan-born boy involved in the Gordon Stewart Northcott serial murders in California. The files in this series consist of copies of court transcripts from the 1929 murder trial of Gordon Stewart Northcott as well as copies of Northcott's prison correspondence and appeal documents. Other records in this series are interview transcripts and notes, correspondence, travel itineraries, production materials, newspaper articles, and notes pertaining to Burke's research about Gerry Clark, who was considered a possible suspect in the 1962 murder of Alexandra Wiwcharuk. The materials in this series may be connected to Burke's work as producer for Fifth Estate documentaries about Wiwcharuk's murder, "Death of a beauty queen" and "The girl from Saskatoon."

File consists of records created and accumulated by Theresa Burke as a researcher for director John Kastner's 2010 documentary, "Life with Murder". The records in this series document Burke's research about Mason Jenkins, convicted of the 1998 murder of his sister in Chatham, Ontario. These records include copies of Jenkins' prison files and outgoing correspondence, police transcripts, newspaper articles, journal articles, audio cassettes, police interrogation videos, a contact list and a book.

File consists of a variety of records created and accumulated by Theresa Burke in her role as a producer for the CBC television program "The fifth estate". These records pertain to a number of documentary projects created and aired by "The fifth estate" as well as research topics not produced by "The fifth estate". Textual records in this series include copies of court documents, correspondence, contact lists, medical records, photographs, scripts, interview notes and transcripts, and journal and newspaper articles. These textual records relate to Burke's research projects on various subjects such as oil production, fugitive Jaroslav "Jerry" Ambrozuk, possible wrongful convictions, Karla Homolka, child chess players Jeff and Julia Sawrer, eco-terrorism, Tvind schools, and Canadian murder convicts Atif Ratay and Sebastian Burns. Audiovisual materials in this series include copies of completed "Fifth estate" and other CBC documentaries and video materials acquired for research purposes, in video cassette and DVD-R formats.

Series consists of research materials accumulated by Theresa Burke pertaining to the 1994 murder conviction of Kevin MacKinnon, the legal case against him, and his claim of innocence. These records include legal and court documents, correspondence, newspaper articles, and photographs.

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about the spouses of prisoners, "The devil you know" (Feb. 2011). These records document research about the subjects of the documentary, the organization of interviews, and the construction of a final program script. The records in this series include correspondence, notes, draft scripts, interview transcripts, legal and court documents, photographs, and newspaper and journal articles.

Series consists of records created and accumulated by Theresa Burke during the production of a CBC "Fifth estate" documentary about shaken baby syndrome, "Diagnosis murder" (Jan. 2012). These records primarily document the legal case of Jeffrey Smith and the death of his infant daughter, as well as research about controversy concerning the diagnosis of shaken baby syndrome. The records in this series include court transcripts and legal documents, medical records, draft scripts, correspondence, interview notes, and newspaper and journal articles.

Series consists of records pertaining to a Fifth Estate program titled "A state of denial: the Bill Sampson story" (2002), about the arrest and detention of Canadian William Sampson in Saudi Arabia, on which Theresa Burke worked as a producer. The records in this series, many of which were obtained through Access to Information requests made by Burke, are copies of federal government correspondence, interview transcripts, correspondence, newspaper articles, a video cassette, and digital photographs. These records document the government and public response to Sampson's incarceration as well as Burke's research and interview work for the program.

Series consists of records created and accumulated by Theresa Burke pertaining to her employment at the Canadian Broadcasting Corporation (CBC). The records in this series document Burke's progression from contract researcher to permanent staff producer for "The fifth estate" as well as the nature and extent of her research and production work. Also included are records documenting her participation in CBC professional training courses, labour union agreements and other human resources topics. These records include contracts, correspondence, memoranda, income tax forms, benefit forms, booklets, handbooks, course materials, and production credits.

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

Series consists of historical and bibliographic information on the company, the school, and individuals employees.

Series consists of press releases, newsletters, press kits, correspondence and other material used in promoting TDT productions and in promoting the Toronto Dance Theatre itself.

Series consists of minutes of meetings and agendas for projects directly related to the Toronto Dance Theatre Board of Directors and some of its committees. Series may also include budgets and some School material.

Series consists of applications prepared by the TDT for submission to the Canada Council for grants to support its general operations, to earn funding for its tours or to receive financial assistance for specific projects. Series also includes budgets, post-performance stage managers reports and correspondence related to the grant applications. (Copies of Canada Council applications may appear in the General Manager's and Engagement Files.)

Series consists of completed grant applications prepared by the TDT for submission to the Toronto Arts Council, Metro Toronto Cultural Affairs and to various Provincial and Federal Ministries for general operations grants, tour funding and targeted grants as well as post-performance stage managers reports and related correspondence.

Series consists of 30 posters which have been labeled and described.

Series consists of scripts, cue sheets and correspondence, in some cases, for film, stage and radio productions for which Applebaum was to compose the music. These include 'Ballade' a musical play by Arthur Samuels (1968), 'The fool killer,' (c. 1961), 'Three sisters,' (Stratford production, 1976), and others. Also includes scripts of poems.

Series contains minutes of meetings of the Advisory Committee on Cultural Policy (1979-1980), including agendas, background material, reports, and policy papers and submissions from staff on issues such as funding for the arts, marketing, and related topics. There is also material from the Planning Committee (1981-1982), and the full committee (1981-1982), which includes minutes, correspondence, agendas, and briefing notes from public hearings in several cities across the country, arranged by city. There are also submissions from individuals and organizations appearing before the Committee, and these are also arranged by city in which they were presented. In addition, there is material on international aspects of the arts, arts administration, broadcasting, the role of government in the arts, and related subjects. There is a copy of the final report, 'Report of the Federal Cultural Policy Review Committee,' (1982) as well as drafts. There are also newspaper clippings regarding the Committee, its work, and meetings across the country.

Series contains audio reels and audio cassettes of recordings of Applebaum's music, including 'Athabasca,' 'B.C. welfare music,' (1955), 'I, the diplomat,' (1956 - for United Nations Radio), 'Krieghoff,' (1955), 'The national dream,' (1973-1974), music for Stratford, for the CBC production "Purple playhouse" (several titles); sound recordings related to Applebaum’s activities as chairman of the Federal Cultural Policy Review Committee (1979-1984); recordings related to his activities as Jury member for the Opera America (1996); recordings of his music composed for various CBC shows, recordings of concert (and interviews) given at the occasion of Applebuam’s 80th birthday; and recordings of other composers’ music including the CBC Composer Series.

Series contains orchestra parts for film, television, theatre and other productions, including 'Twelfth night,' (1986), 'Glory enough for all,' (1988), 'The Masseys,' (1977-1978), 'Love of gardens' and several other titles.

Series consists of correspondence and cards received by Rita Greer Allen as well as copies of her outgoing correspondence and photographs. Much of the correspondence in this series is personal in nature, organized by the surname of the correspondent. Correspondents include Earle and Esther Birney, theatrical agent Elspeth Cochrane, Reva and Leonard Brooks, members of the Weyman family, Jack Shadbolt, Hugh MacLennan, Lady Susan Tweedsmuir, Charles Wassermann, and many others.

Series consists of records created and maintained by Rita Greer Allen that document the extent of her travels, primarily outside of Canada and mostly undertaken in the 1960s and 1970s. These records include correspondence, photographs, newspaper clippings, research materials, maps, notes, itineraries, stamps, brochures and pamphlets, postcards and airplane tickets. A number of Greer Allen's trips to Europe and Asia documented in this series were taken with the Canadian Women's Press Club.

Series consists of personal and professional correspondence sent and received by Alison Pick. These records include handwritten letters and greeting cards but are predominantly e-mail correspondence. Most of the e-mail correspondence in this series was exchanged between Pick and a number of other Canadian writers and poets, her editor, literary agent and publishers. These records pertain to personal topics as well as Pick's literary career, including the writing, editing, publication, promotion and sale of Pick's 2010 novel, "Far to Go", her 2014 memoir, "Between Gods", and her 2017 novel, "Strangers with the Same Dream".

Series consists of records accumulated by Alison Pick pertaining to her literary career, including reviews of her books, interviews she gave about her writing, items from literary events and workshops she attended, and awards she received. Some personal memorabilia is also part of this series.The records in this series are magazine and newspaper articles, book reviews, invitations, event programs and name tags, speaking notes, correspondence, e-mail, certificates and plaques, an audio cassette, compact discs, a DVD, medals, posters, a photograph, and Pick's high school yearbooks.

Series consists of material that documents Moore's academic career and courses of study at the University of Toronto and includes essays, notes, and exams as well as material that documents his interest in student theatre. It includes various student publications and contains copies of 'The Twig' and 'The Undergraduate.' It also contains material related to his tenure as a professor at York University in Toronto and includes correspondence relating to the Theatre Department and to the Faculty of Fine Arts, copies of minutes of the University Senate and other bodies within the University on which Moore sat, scripts and musical scores for 'Review of revues,' a Theatre Department production of satirical sketches based on 'Spring Thaw' (1977), as well as rare photographs of theatre productions at York.

Accession consists of records pertaining to the history and activities of St Mark's Coptic Orthodox Church in Toronto, including photographs documenting the role of Father Marcos A. Marcos and an article written by Father Marcos entitled "The Copts of Canada". Other records in this collection include event programs, pamphlets, booklets, photographs of special visits, and issues of church newsletters "Hosanna", "The Way", "The Word of Life", "The Building", and "Cathedral". Also included is a copy of a site plan of St. Mark's.

Series consists of records pertaining to the administration, activities, and interests of Egypt Migrations. These records document Egypt Migration’s transition from the Coptic Canadian History Project, involvement with outreach activities such as conferences and exhibits, and management of the project including incorporation, affliliations, banking resolutions, and member register.

Series consists of records created and accumulated by Marilou McPhedran pertaining to the activities of the Ad Hoc Committee of Canadian Women on the Constitution, a national non-profit organization of Canadian women's groups and individuals formed in January 1981 to ensure equality rights for women were included in the new Canadian Charter of Rights and Freedoms. Records in this series document McPhedran's involvement as co-founder, organizer and participant with the committee and its activities, including the National Workshop on the Charter in 1981; Conference of Canadian Women and the Constitution in 1982; Critical Perspectives on the Constitution in 1983; and the National Symposium on Equality Rights in 1985. Also documented in this series is the committee's re-emergence in the late 1980s and early 1990s to challenge constitutional amendments proposed in the Meech Lake and Charlottetown Accords, and to celebrate the 25th anniversary of the Ad Hoc Committee in 2006, commemorated with a conference, the Canadian Forum on Women's Activism. Files include reports, journal articles, newspaper clippings, notes, pamphlets, government publications, legal documents, transcripts, affidavits, grant applications, photographs, financial statements, memoranda, correspondence, day planners, and assorted ephemera.

Series consists of records created and accumulated by Marilou McPhedran relating to her involvement with the creation the Canadian Women's Foundation, founded to distribute funds to programs and projects assisting the self-reliance and economic independence of girls and women. The records in this series document the activities of the foundation in its first two years, particularly its board meetings and fundraising efforts to secure support from individuals, organizations and institutions, as well as McPhedran's work as interim director of the foundation in 1990. These records include correspondence, memoranda, minutes, questionnaires, notes, contracts, news releases, and invoices. Some records in this series were created by McPhedran's assistant for this project, Vicki Armstrong.

Series consists of records created and accumulated by Marilou McPhedran while executive coordinator of York University's National Network on Environments and Women's Health (NNEWH) from 2001 to 2003. The records in this series document McPhedran's participation in a number of NNEWH's initiatives, particularly the preparation of a report titled "Rural and remote women's health : research and policy directions" and the organization of conferences, focus groups and research pertaining to that project. Also included in this series are records pertaining to McPhedran's administrative work for NNEWH and her management of work plans, budgets, and personnel. Some of these records relate to McPhedran's departure from NNEWH in 2003. Files in this series include reports, pamphlets, journal articles, correspondence, financial statements, memoranda, minutes, work plans, agendas, newspaper clippings, conference materials, and presentation slides (paper version).