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Accession consists of records from the Dean's Office and includes minutes (1969-1979), subject files (1968-1979), printed material, press clippings, reference files, scripts, and photographs of exhibits.

Accession consists of and pertains to subject files (1968-1980), space allocation, curriculum, graduate programs in the faculty (1969-1982), printed material (1968-1979), and photographs.

Accession consists of records from the Office of the Dean.

Accession consists of day books (1970-1988); chronological day files (1973-1977); speeches (1968-1973) delivered while working for the CBC and the CRTC; personal administrative files and correspondence while chairman of the CRTC and during his tenure at the Banff School of Fine Arts.

Series includes personal and professional correspondence, drafts of articles and radio plays and draft and manuscripts of plays and novels written by Boyle, photographs, sound and audio visual recordings.

Accession consists of records documenting Powe's writing career in the 1990s and 2000s, particularly the writing, editing, publication and promotion of his novel "Aldershot 1945" and the reprint and stage productions of "The Aberhart Summer", as well as records pertaining to his freelance work for Powe Communications and his personal life and family. Records in this accession include manuscripts and other draft writing, photographs of Powe and his family, research files, notebooks and day planners, memorabilia (including newspaper and magazine clippings), printed e-mail and correspondence, posters, drawings, scrapbooks and videocassettes.

Accession consists of records mainly pertaining to Joyce Wieland's personal life and family. Records include photographs of Wieland, Michael Snow, Phyllis Lambert, Pierre Elliot Trudeau, friends and family; photographs of scenery and landscapes; correspondence; personal ephemera including identity cards and birth certificates; Wieland's astrological chart; a photo album created by Phyllis Lambert for Wieland's 60th birthday in 1990; a wall hanging entitled "Ode to Joyce" featuring circular embroidered pieces with symbols and expressions relevant to Wieland's life; newspaper clippings of articles by Wendy Michener; and a catalog for "In search of the far shore: the films of Joyce Wieland" (Canada House, Jan.-Feb. 1988).

The accession consists of research files, taped interviews and successive drafts of scripts and transcripts prepared for 15 programmes in the CBC radio series, Ideas. There is also his dramatization of Herman Maximov's 'The Ultimate Threshold' prepared for CBC's Vanishing Point.

Accession includes meeting notebooks (1993-1998) and production materials for "Perfect Machines: The Loom", "It ain't Kansas: The myth of New York City" and cassette tapes for other CBC Ideas series programmes.

Consists of records of writer and Dean of Fine Arts at York University, Seth Feldman. Includes research materials and drafts for book on Soviet filmmaker Vertov and research materials, audio cassettes, and draft scripts for two 'Ideas' programs on CBC Radio: Dogs and We, The Animals.

Consists of records pertaining to Seth Feldman's documentary "Hunting for Robin Hood", part of the CBC's Ideas programme, including research material, drafts, and scripts.

Consists of additional material in the Seth Feldman fonds including notes, research material and drafts of the Ideas program, "The Case of the Harvard Mouse" co-written by Feldman.

Accession consists of records created by Seth Feldman in the course of his activities as a professor of film studies, including research files, course files, copies of graduate theses and dissertations with which he was involved, correspondence with colleagues, notebooks, and material regarding his involvement with productions of TV Ontario and the Canadian Broadcasting Corporation.

Accession consists of research notes, news articles, drafts of scripts for radio shows and screenplays, and correspondence regarding Professor Feldman's involvement with CBC Radio's Ideas and other creative works, as well as training material for Pro Tools software and documents regarding conference participation.

Accession consists of textual and audiovisual material related to Seth Feldman's an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries, including syllabi, assignments, research files, publications, drafts, and taped interviews; and research materials relating to Feldman's work on Dziga Vertov.

Accession 2001-036 consists of correspondence, financial documents and research files for several Rhombus productions including those concerning Weill, Falla, Shostakovich, Ravel and Schoenberg.

Accession 2008-056 is an accrual to the Rhombus Media fonds and consists of master negatives of some of its finished works, together with textual, photographic, graphic and prop materials relevant to the film production process and the wider context of the company’s activities.

Accession consists of business records of The Isaacs Gallery (TIG) (1942-1991), consisting of correspondence, exhibition, catalogues, mailings, financial records (1984-1986); artist files (1961-1988), consisting of correspondence, biographical sketches, press clippings, and other material relating to artists represented by Isaacs (e.g., Dennis Burton, Graham Coughtry, William Kurelek, Michael Snow, and Joyce Wieland) and some who were not represented by him; artist portfolio files (1955-1988), consisting of press clippings and catalogues of their works; and promotional files (ca. 1960-1989) relating to the Isaacs Gallery.

Accession consists of correspondence, audio tape interviews and biographical information on William Kurelek and other artists; Isaacs Gallery Artist files (7 reels 35 mm microfilm).

Accession consists of artists correspondence, and correspondence and documentation for miscellaneous special shows.

Accession consists of files from the Isaacs Gallery including records of bills paid, artists' files, correspondence, Inuit files/Inuit London, photo portfolios and artists' books, and several works of art.

Accession consists of correspondence and artists' files from the Isaacs/Inuit Art Gallery and the Isaacs Gallery, brochures form the Inuit Gallery of Eskimo Art, newspaper clippings documenting Isaac's career as an art dealer, floor plans for the Isaacs Gallery at 832 Yonge Street and drafts of 'Isaacs seen: 50 years on the art front, a gallery scrapbook' (2005).

Accession consists of slides providing an overview of Isaac's gallery exhibits over the decades. Most of the slides are shots of artists' works and are annotated with the artist's name, the title of the work, the date the work was created, the medium used, and the dimensions.

Accession consists of photographs, books, correspondence and notes created and compiled by dance, choreographer, Paul James Dwyer.

Accession consists of 27 publications, photographs, correspondence and notes created and/or compiled by dancer, choreographer Paul James Dwyer.

Accession consists of material related to Isadora Duncan and to Dance Oremus Danse as well as professional correspondence, press kits, photographs, artist's portfolios and other material.

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse's tour of Japan and to various dancers and/or dance companies as well as other material related to Dwyer's career, choreographer and writer.

Accession consists of dance programs, personal and professional correspondence, subject files related to Dance Oremus Danse, and to various dancers and/or dance companies as well as other material related to Dwyer's career as a dancer, choreographer and writer.

Accession consists of correspondence with several individuals involved in the international dance community on topics that include research on teh career of Isadora Duncan, the purchase of Lillian Loewenthal's collection by York University Libraries, the Howard Holtzman collection, and the memorial performance for Hortense Kooluris in October 2007. Accession also includes performance programmes and other promotional literature from a wide range of organizations involved with dance, baroque music, and opera.

Accession consists of records created by Paul James Dwyer during his work with Dance Oremus Danse, including programmes from performances of dance, theatre, and classical music, notes and reference material on fundraising in the arts sector, and operating files for his dance company.

Accession consists of programmes for events held by cultural organizations, including the Toronto Symphony Orchestra, dance and theatre companies, and photography exhibitions sent to or collected by Paul James Dwyer in connection with his work as founder of Dance Oremus Danse.

Accession consist sof the records of P.J. Dwyer and Dance Oremus Danse, including correspondence, notes, and other documents relating to Dwyer's trip to Japan in November 2010 to give a performance and master class on Isadora Duncan for the Tokyo Dance Association of Advanced Professional Training Colleges, and programmes, newsletters, brochures, and other ephemera for cultural events held in Ontario.

Accession consists of financial records from Dance Oremus Danse including donation receipt books, dance programmes, as well as related ephemera, including a mounted poster.

Accession consists of lecture notes and course syllabi for courses taught by Panitch throughout his career, research files (particularly pertaining to the monograph “The Making of Global Capitalism”, co-authored with Sam Gindin), articles and papers authored by Panitch, drafts, significant graduate student papers submitted to Panitch, and letters of reference he wrote on their behalf.

Accession consists of records documenting Leo Panitch's scholarly work and academic career. These records include research materials, notes, correspondence, speaking notes, draft articles, essays and other manuscripts, and conference materials pertaining to Panitch's work from the 1970s to the early 2000s, including preliminary writing and research for The Making of Global Capitalism. Also included are correspondence, manuscripts and other material pertaining to his tenure as editor of the Socialist Register, as well as notes and papers written during his undergraduate degree at the University of Manitoba, notes and examinations from his graduate coursework at the London School of Economics (LSE), and research materials and correspondence relating to his PhD dissertation, also at the LSE. Accession also includes a series of headshot photographs of Panitch.