Showing 282 results

Item consists of a Barbadian- and Guyanese-Canadian family's home movie featuring two adults and a baby in the kitchen, children and adults dancing, a child unwrapping Christmas presents and playing with a doll, children riding bicycles and playing on swing sets, the family driving in a car, and snowy streets with adults shovelling and children playing.

Donor(s) and project contributed description follows: "Its 1972 in Sydney, Nova Scotia. Shot on 8mm film, Mike Nobrega, his brother Richard, and aunt Beryl are seen inside their home and backyard on Tupper Street.

Mike was born in Toronto, and moved to Nova Scotia when he was young. His father is from Guyana and mother is from Barbados. The community around where he grew up was very diverse, including people from the Ukraine, Poland, Carribean, Italy. Many came to work in steel and coal mines."

Item consists of a Black-Canadian family’s home movie featuring a child brushing the teeth of a younger child. Footage also features children playing on a swing set in a park, a boy riding a bicycle and a girl riding a tricycle, and playing on a slide.

Donor(s) and project contributed description follows: "Daily life in Montreal, Quebec. This footage shows Heather trying to teach her younger sister Hazel how to brush her teeth. Heather describes this footage as "normal kids doing normal things." Heather recalls playing at the park across from her family home a lot and riding their bikes. She describes the home in this footage as her "first family home in Montreal," located on Couvrette Street in St. Laurent, which is a borough in Montreal, Quebec."

Item consists of two girls in matching outfits dancing to the "Eye of the Tiger" with dolls as props.

Project and donor(s) contributed description follows: "We’re in a suburban backyard in Ottawa, ON and it’s summer time in 1984. Sonia, age 4 and her younger sister, age 2 are playing with a swing set and an inflatable tipi likely from Canadian Tire. The inflatable has a small hole to pop your head in, and has imagery of the trope of the "Indian" and the "cowboy." This was strange for Sonia to see when revisiting the footage, because this type of imagery likely wouldn’t be sold anymore.

She and her sister are singing songs in Japanese (her mother’s mother tongue) and Marathi (her father’s mother tongue). The Japanese songs are ones she still recalls and sings to her own children. The Marathi songs are familiar, and Sonia recalls her father teaching them to her, but she doesn’t remember their titles, or know what they mean.

Sonia grew up in Ottawa, and moved to Toronto as an adult. Although she was the minority in school as one of two non-white children, she doesn’t remember feeling out of place. Her parents said that other children called her "blacky" but she doesn’t recall this happening.

In relation to Home Made Visible, Sonia says, "The process of drawing out pieces of history and indicating its value, [and] that it deserves to be preserved is incredible""

Item consists of a Filipino-Canadian family's home movie featuring children interacting with the camera and two women in the background setting a picnic table for a barbecue in the backyard.

Item consists of a Japanese family's home movie featuring a woman washing dishes and boy working at a table.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a child lighting diyas for Dwali.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of a Japanese family's home movie featuring footage of a program, individuals entering a building, and an individuals at a microphone.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring a car driving downtown of a town.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Jamaican-Guyanese family’s home movie featuring two women and a girl dancing; panning shots of the garden, street, and views of the city; and the family chatting around a table in the backyard with music playing in the background.

Project and donor(s) contributed description follows: "'The year is 1990, and the Burke Family is on vacation in Bristol, England. This is filmed where Leah's father, Sam grew up. All of Leah's aunts and uncles had houses in the same neighbourhood, and this is a family reunion of sorts. Here, Leah, age eight or nine, dances to ska and lovers rock with her mother, Rita and Great Aunt Sweeney, while her dad is seen off in the background, and her older brother, Jason, films.

Her dad has roots in Jamaica and her mother has roots in Guyana. At different points in their lives both immigrated to England, and later met each other there. Her parents then set off to Canada during the Pierre Trudeau years in 1972 to raise a family. The Burkes now call many places home.'"

Item consists of an Indian family’s home movie featuring people exiting a home, driving away, and a toddler playing in the snow with two adults.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."

Item consists of an Indian family’s home movie featuring a fall landscapes with colourful trees, and several people gathered around a picnic table to barbecue and eat with a river in the background.

Donor(s) and project contributed description follows: "The following clips are from 1969-71. The reels start in the winter of 1970/71 north of Montreal, at Laurentian Mountains, a known good skiing place. Bala Nundy lived in Montreal at the time just before he got married in 1971. When Bala moved to Montreal he didn’t have any family there and his close friends became his family. Here they rented a cottage for a weekend trip. Since they are all from hot countries without snow they got excited and took many pictures.

The next scenes overlook downtown Montreal; Mont Royal, Jack Cartier Bridge, horse driven buggies, etc. The 8mm footage is sped up like a Chaplin film.

In the next scene, his future wife’s family and their friends appear. This is also in the Laurentian Mountain area in the winter of 1971.

Then there is a clip of Bala downhill skiing for the first time, he hoped that this would make his grandkids laugh in the future. This was taken in 1968 in Chicopee hill near Kitchener, ON.

Then to frozen Lake Erie, and a park in Galt, Ontario (later became Cambridge, Ontario).

Now Bala’s daughter Smita says, ‘You’ll often find her dad sitting down and going through old photos.’ He is known for sharing pictures at family get-togethers and is inspired by his grandkids. He has thousands of pieces of materials and started filming in 1965."

Item consists of an Eritrean family's home movies featuring a family eating a meal together and discussing a Portuguese related class assignment.

Project and donor(s) contributed description follows: "Lu Asfaha’s family begins the day by preparing their home roasted coffee for the Jebana (coffee pot) on the Assumption of St. Mary. Raised in a family of Christian Orthodox, Lu grew up taking the day off to observe this religious holiday with her family. Food, drinks and even a custom cake is ornamentally laid out to celebrate the day. Lu can be seen animatedly gesturing to the camera as she talks to her uncle behind the camera, a common occurrence in their home movies.

The only footage selected that did not take place on the Assumption of St. Mary is a typical family dinner of the Asfaha eating Injera and Tsebhi from a large dish. Common to many cultures from across the African continent, her family can be seen eating by hand, enjoying the flavourful dish. The adults appear to handle the spice level better than the children.

When asked about her identity, Lu speaks of the unique experience of being Eritrean in Toronto. Being from an East African identity that has a significantly smaller population compared to the Somali and Ethiopian one, the specific social location of Eritreans tends to be either rendered invisible or lumped in with the dominant East African identities represented in the city."

Item consists of a Japanese family's home movie featuring a family at a table eating a meal and a boy in a high chair, and also includes the family sitting on a couch.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring a picnic at a park with individuals sitting, chatting, and eating at a picnic table. Footage also includes captures individuals kayaking and enjoying the lawn near the lake.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Black-Canadian family’s home movie featuring adults and children preparing a BBQ and children playing at La Fontaine Park.

Donor(s) and project contributed description follows: "Heather describes her home video footage as "[my family] just going about our daily lives in Quebec." Footage from the mid or late-1970s, shows Heather – at maybe six or seven years old - with her family having a picnic in Montreal’s La Fontaine Park. Her older brother, Herbert, was around ten or eleven years old. Her sister Hazel was maybe five. They used to go on family picnics almost every weekend in various city parks, where they would BBQ and have sandwiches and play games, or go swimming depending on the park. Every summer the Seaman family also held an annual picnic in their backyard, and invited neighbours, relatives and friends. Heather adds: "Our parents wanted to open us to other cultures and experiences - to experience other people. We used to go to our Jewish friends’ houses and our Greek friends’ houses. We used to have picnics all the time in our backyard." Their French Canadian and Italian friends and neighbours would also attend parties and picnics at their home."

Item consists of a Hong Kong-Chinese family’s home movie.

Project and donor contributed description follows: "A clip documenting the Red Packet (hóngbāo) ceremony taking place at Mr. Wong’s 70th birthday celebration in 2002.

During this ceremony family members were called up in a particular order to accept a red envelope of money from Mr. Wong.

Deanna Wong, Mr. Wong’s daughter who found and digitized this video, recalls that family members were called up according to age and lineage.

For example, Mr. Wong’s siblings would be called first, followed by their children and grandchildren. In this video Mr Wong's eldest son, Terry was called first, and then, since their middle son Ted was not present, Deanna, the youngest of the three, came next. Following her came Terry's kids from eldest to youngest. And since Deanna nor Ted had children at the time, the eldest cousin and his wife, and their kids etc followed.

As the eldest of 13 siblings, Mr. Wong would have had many envelopes to hand out!

Originally from Hong Kong, Mr. Wong came to Canada to study engineering at McGill University in the mid-1950s, where he met Deanna's mother.

Mrs. Wong's father, Deanna maternal grandfather, immigrated to Canada in 1921 and paid the $500 head tax in order to enter the country. Mr Wong's father, Deanna’s paternal grandfather, was a doctor specializing in acupuncture, which was illegal in Canada at the time, so he settled in California. Now his family lives around the world, including the United States, Singapore, Japan, and in various places in Canada. This milestone birthday presented a great opportunity for a family reunion. And to accommodate everyone, this celebration took place in the home of Deanna’s eldest brother and Mr. Wong’s eldest son, Terry.

Now a longtime resident of Toronto, Deanna calls Winnipeg home where she and her two brothers grew up. Although they were one of the few families of colour around, she remembers her neighbourhood and her experiences fondly. Her parents, particularly her mother, worked hard to build a Chinese community where the children could have Chinese friends and be exposed to their culture. They started a Mandarin school, even though Cantonese was their mother tongue, and began a summer camp.

Family and community come together again at this celebration, one of many for the Wong family."

Item consists of a Pakistani-Canadian family's home movie featuring a family barbeque, children playing at a park, and a wedding reception.

Donor(s) and project contributed description follows: "At four years old, Noor is in Canada visiting her family to attend a relative’s wedding. After seeing the clip, she noticed her cousins are only speaking to her in Urdu. When she asked them why they weren’t speaking in English, she was told they thought she couldn’t speak English. Noor attended an International English primary school in Saudi Arabia with children from English speaking countries. The footage cuts to a night time gathering. Noor is dressed up with her family attending a relatives wedding. Children and adults can be seen mingling and dancing around."

Item consists of a Japanese family's home movie predominantly featuring Ferris wheels and a helicopter at a fair.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Chinese-Canadian family’s home movie documenting a birthday.

Project and donor(s) contributed description follows: "It’s June 1993. Kristina Wong and her family celebrate her older sister Kathleen’s 5th birthday in their family home in Scarborough, Ontario. Visible here are Kristina’s Aunt Linda, Aunt Lai, her other sister, Melissa in teal and her cousins: Bethany, Eric, Matthew and Steven. Her mom, Lin is in the bright pink shirt opening the cake. Her father, Michael films behind the camera. About a minute in Kristina appears as a baby in pink."

Item consists of a Chinese-Canadian family’s home movie documenting Christmas celebrations.

Project and donor(s) contributed description follows: "It’s Dec 30th, 1994 the day after Kristina Wong’s first birthday. She celebrates with her dad, mom and two sisters in Scarborough, Ontario. Kristina recalls that growing up in Scarborough in the 90s, ‘everyone was an immigrant. To me, I lived beside Pacific Mall so everything was very Asian growing up so I felt more Canadian than Chinese versus the opposite.’’"

Item consists of a Chinese-Canadian family’s home movie documenting Christmas celebrations.

Project and donor(s) contributed description follows: "It’s Christmas eve, December 24th, 1994 at Kristina Wong’s family home in Scarborough, Ontario. Kristina Wong is about to experience her first Christmas. In the film you can also see her dad and her two sisters. Her mom is filming. Kristina recalls how her parents filmed a lot of her and her siblings growing up and stopped by the time she reached her teens."

Item consists of a home movie featuring fish in a tank.

Project and donor(s) contributed description follows: "At the Long family’s home in Agincourt, Scarborough is a very large tank of goldfish.

Since Cindy was very young when moving to Canada, she identifies more with having immigrant parents than being an immigrant herself. Cindy had a lot of friends that shared similar cultural backgrounds, and experiences as the community of Agincourt where she lives is largely Chinese, East and South Asian, and Tamil."

Item consists of a Filipino-Canadian family's home movie featuring three men fishing, celebrating, reeling in, and gutting fish on the boardwalk.

Item consists of a Japanese family's home movie featuring flowers growing on the side of a house, a garden, and flowers in a vase.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Japanese family's home movie featuring flowers growing on the side of a house.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a Anishinaabe family's home movie.

Donor(s) and project contributed description follows: "A protest against the First Nations Governance Act (FNGA) at Parliament Hill in 2003. FNGA was a legislation that the government was trying to impose on First Nations that would overstep their jurisdiction to First Nations relations, impeding their rights as sovereign nations in very much the same type Indigenous people had with the White Paper, it could lead to a slippery slope of further government control over our nations.

Various Chiefs across Canada organized this protest that gathered quite a lot of support across First Nations. This was part of a caravan to Ottawa and take place in Toronto, ON.

Chief Roberta Jamieson, the chief of Six Nation, is talking about the FNGA can negatively affect the community. Beside her is another respected leader Roger Obonsawin shared a few words among well-known community members. Rebeka and David travel in their van and on their way stops in a Mohawk community, Tyendinaga where they are hosted.

They arrive in Ottawa and people from across Canada came and in the end there are people the legislation was thrown out. They succeeded.

The National Chief Matthew Coon Come gave a speech on Parliament Hill. The National Chief spoke out a lot at that time against the Federal government. Many social organizations were afraid of having their funding pulled but it was really good to be apart of something larger, bringing people across the country together.

As young Indigenous people in Toronto they formed the Coalition of Indigenous Sovereignty, including allies, supported by unions and grassroots organizations, met regularly to oppose this legislation. ‘It’s pretty inspiring to review that part of our lives. It captured a moment in time in Toronto for our family that was very special with us. It reflects where our communities were at.’

(4)
Rebeka and her family take a road trip to relatives in the states of David Shilling's in their old van. They were excited to cross this huge bridge into the states. His cousin plays with their kids.

There was a gathering to honor the live of the late Anishnaabe [Rodney Bobiwash] from the Mississaugas nations up north and [Kim Pernel Dominco]. Rodney was a professor at the University of Toronto and used to be the director of First Nations House. He worked international solidarity with Indigenous people in the South, and he had been support the work of [Kim penrecl Dominico] from Colombia. They had been working had together to bring light to the damning of a river on traditional territories. It was during the Free Trade Agreement summit happening in Montreal. Unfortunately, [Kim] was targeted and disappeared. It was devastating.

Shortly after that Rodney passed away due to complications with diabetes. They had his funeral at the Native Canadian Centre in Toronto, hundreds and hundreds of people came out. A Mayan group performed a beautiful dance in his tribute. At the time they felt very fortunate to be able to document things for their communities and to have that proof of gatherings and also for their family.

(5)
In the late nineties and early 2000s Rebeka’s brother and dad at the cabin for the summer. They had a huge catch and had a big fish fry and invited friends over. They made fried bread and lightly battered fish. Rebeka recalls that it was a lot of work to get the line ready, and to fillet it and to bred it, but it was heavenly to have."

Item consists of a Japanese-Canadian family's home movies filmed in the 1960s.

Donor(s) and project contributed description follows: "In the summer of ’65, Naomi and Akemi run around a sprinkler and play in a wading pool in their backyard. Three year old Naomi, in the red bathing suit, two year old Akemi in the blue bathing suit and their four month old brother, Steven are recorded by their father Doug on the sunny Vancouver summer afternoon."

Item consists of a home movie featuring several children playing with cars.

Project and donor(s) contributed description follows: "In China, Cindy’s parents met a couple on the train when on their way to an interview to apply to come to Canada. Perchance, Cindy and the same couple’s kids ended up attending the same school and kindergarten class in Canada. The families moved to Canada within months of each other and became very close. They lived together in adjoining units during their first two years in Canada. This video documents the housewarming get together after the families got separate places. Seen here are four girls playing together in her friend’s basement.

Since Cindy was very young when moving to Canada, she identifies more with having immigrant parents than being an immigrant herself. Cindy had a lot of friends that shared similar cultural backgrounds, and experiences as the community of Agincourt where she lives is largely Chinese, East and South Asian, and Tamil."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring an adult in the pool and a child watching.

Donor(s) and project contributed description follows: "Robert, Shanti’s nephew swings 2-year-old Layla around on his family’s farm in Puslinch. Ten years older than Leyla and an only child, he cherished the weekend and summer visits from his younger cousin.

Her mother was an active swimmer in her youth and was excited to take up her old hobby on the family farm. Layla gestures to her grandmother in the pool who is clearly enjoying her self. Smiling brightly and leisurely swimming around she tells Layla how cold the pool is and not to come in."

Item consists of a Japanese family's home movie featuring a photograph of grandparents holding a baby.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl wearing fairy princess costume singing a song and an adult wearing a witch costume.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Eritrean family's home movies featuring a cake with "Happy St. Mary Day" text decoration, children sitting on a couch eating cake, and a child dancing in front of the camera.

Project and donor(s) contributed description follows: "Lu Asfaha’s family begins the day by preparing their home roasted coffee for the Jebana (coffee pot) on the Assumption of St. Mary. Raised in a family of Christian Orthodox, Lu grew up taking the day off to observe this religious holiday with her family. Food, drinks and even a custom cake is ornamentally laid out to celebrate the day. Lu can be seen animatedly gesturing to the camera as she talks to her uncle behind the camera, a common occurrence in their home movies.

The only footage selected that did not take place on the Assumption of St. Mary is a typical family dinner of the Asfaha eating Injera and Tsebhi from a large dish. Common to many cultures from across the African continent, her family can be seen eating by hand, enjoying the flavourful dish. The adults appear to handle the spice level better than the children.

When asked about her identity, Lu speaks of the unique experience of being Eritrean in Toronto. Being from an East African identity that has a significantly smaller population compared to the Somali and Ethiopian one, the specific social location of Eritreans tends to be either rendered invisible or lumped in with the dominant East African identities represented in the city."

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item contains a sound recording of an interview conducted by the Home Made Visible with a project participant.

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a woman holding a newborn and a child asking to hold the baby.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a woman holding a newborn

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a man holding a newborn and three men sleeping on the couch.

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of a home movie featuring a girl riding a horse on a trail with footage zooming on the horses hooves.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie following a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie following a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie featuring a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie featuring a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie featuring a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie following a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a home movie featuring a girl riding a horse on a trail.

Project and donor(s) contributed description follows: "Cindy’s dad is filming her at the age of 8 horseback riding at Algonquin Park during her family’s first visit. Since then, her family has developed a love of camping, and now camps in Ontario’s provincial parks a few times a year."

Item consists of a Chinese-Russian family's home movie featuring a snowy house with Christmas decorations on the lawn. Project and donor contributed description follows: "George Chan filmed Christmas decorations in town, day and night."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl giving a woman a hug.

Donor(s) and project contributed description follows: "Shanti’s sister’s farm is a treasured place in their family’s collective memories. With 90 acres of land, the farm was a beloved retreat to the country for the Toronto family. In the footage, Leyla can be seen showing her picked grapes to her mother. Above them, Shanti’s mother picks grapes from their pergola.

Having recently started ballet classes, Leyla is wearing a pink ballet outfit complete with her own tutu. Endured by her outfit and feeling affection, Leyla is hugged by her grandmother.

At almost 4 years old, Layla and her grandmother are preparing the lights (diyas) for Diwali. In the Caribbean, the diyas would be lit outside the home, but since the family lived in an apartment the practise was kept to inside the home. Carefully, Leyla is guided in helping her grandmother. Her mother was a retired nurse to prepare for the holiday. Leyla grew up watching her grandmother during her daily prayers and helping on Diwali.

In rare form, Shanti is in front of the camera. As the family documenter, Shanti is usually the one behind the camera. Dressed as a witch, Shanti can be seen posing with her daughter who decided to go as a fairy princess this year before their evening of trick-or-treating."

Item consists of an Indian family’s home movie.

Project and donor contributed description follows: "The children are reciting; reciting a shopping list, nursery rhymes like "itsy bitsy spider," and their ABCs. The video letter of the boys learning to write and spell is a way to build and maintain a relationship with their grandmother from afar."

Item consists of an Indian family’s home movie.

Project and donor contributed description follows: "The children are practicing Urdu by reciting what they know: a well-known Indian nursery rhyme about a thirsty crow, and a biryani song that the family made-up because the boys found it amusing. The video letter of the boys practicing Urdu is a way to build and maintain a relationship with their grandmother who doesn’t speak English."

Item consists of an Indian family’s home movie.

Project and donor contributed description follows: "Muslim by faith, the children practice memorizing the Quran in Arabic. Their parents teach them to recite one line at a time to ensure that they learn at a young age. They know that seeing this would bring their grandmother joy and make her proud. The video letter is a way to connect with her through these recitations of a shared faith as she doesn’t speak English."

Item consists of an Iranian-Canadian family’s home movie featuring landscapes, cityscapes, and heritage sites in Iran.

Project and donor contributed description follows: "Both Bita and her father, Abbas, contributed to this write up. Bita felt protective of her family and their image,  and chose to contribute a clip that didn’t centre people but a place. The scenery itself is a beautiful valuable contribution of a country in flux.

In 1998, Abbas visits Iran with his daughter Bita for the first time in sixteen years since moving to Canada. Bita at the time was a shy eight year-old and recalls that she didn’t speak for the first three weeks of the trip and that this was her first time leaving Canada.

In this clip Abbas is alone behind the camera capturing historical sites. He was prompted to take this trip because an Iranian friend in Vancouver couldn’t go home and asked him to make these movies of Cyrus the Great, Isfahan, etc. and to bring them back to show on local Persian TV. He did end up making these movies on a miniDV camcorder but never did give them to his friend.

The clip starts out at night time in Shiraz, with the Takht-e Lamshid built for Cyrus the Great. Then moves on to Isfahan, the "Great Mosque" that in farsi they call the Shah Mosque based in Naghsh-e Jahan Square. Abbas recalls at the time wondering how locals knew he hadn’t been living their for 16 years. People could tell that he had left and was living somewhere else. For Abbas, these clips show a country rich with stories and pride.  

After years of searching for these tapes, they found them again in the summer of  2018 the night before Bita returned to Iran for the second time in her life."

Item consists of a Japanese-Indian family's home movie of children playing Jeopardy.

Project and donor(s) contributed description follows: "We’re in a suburban backyard in Ottawa, ON and it’s summer time in 1984. Sonia, age 4 and her younger sister, age 2 are playing with a swing set and an inflatable tipi likely from Canadian Tire. The inflatable has a small hole to pop your head in, and has imagery of the trope of the "Indian" and the "cowboy." This was strange for Sonia to see when revisiting the footage, because this type of imagery likely wouldn’t be sold anymore.

She and her sister are singing songs in Japanese (her mother’s mother tongue) and Marathi (her father’s mother tongue). The Japanese songs are ones she still recalls and sings to her own children. The Marathi songs are familiar, and Sonia recalls her father teaching them to her, but she doesn’t remember their titles, or know what they mean.

Sonia grew up in Ottawa, and moved to Toronto as an adult. Although she was the minority in school as one of two non-white children, she doesn’t remember feeling out of place. Her parents said that other children called her "blacky" but she doesn’t recall this happening.

In relation to Home Made Visible, Sonia says, "The process of drawing out pieces of history and indicating its value, [and] that it deserves to be preserved is incredible""

Item consists of a Guyanese family’s home movie featuring what appears to most likely be Kaieteur Falls. Footage zooms out from the falls to a landscape shot, cuts to men walking in the Amazon, cuts to several shots of the falls and the valley below, and ends with the three men at the river bed.

Item consists of a Guyanese family’s home movie featuring what appears to most likely be Kaieteur Falls and Orinduik Falls. Footage consists of a close up of the top of the falls; a close up of the middle section of the falls; another view of the falls, the river below, and a rainbow; a landscape shot of the falls from a far away plane window which is covered in water droplets alongside views of the winding river; three men walking on a trail; and a close up of a quickly moving river and rapids.

Item consists of a Guyanese family’s home movie documenting what appears to most likely be a trip to Kaieteur Falls and includes footage from the plane's windows flying to and over the falls.

Item consists of a Guyanese family’s home movie featuring what appears to most likely be Kaieteur Falls and includes footage of a plane, people walking through the Amazon and looking at the habitat, and a lookout with a scenic view of Kaieteur Falls and the valley below.

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "At nine-year-olds, Abhirami Balanchandran visits Sri Lanka for two months with her family for the second time. Here her and her family join several other Tamils come to witness Thuku Kavadi] where a person’s back is pierced with hooks hanging from a pillar, with no harness or anything else holding them up. It looks like you're flying. Abhi recalls asking her mom, ‘How do they do that?’ and her mom told her people train for months with such deep meditation that they transcend pain from their bodies. Sometimes they are suspended for as long as two hours. This ritual is also a part of the ceremonial festival Thaipusam for Murugan, the God of War."

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "At nine-year-olds, Abhirami Balanchandran visits Sri Lanka for two months with her family for the second time. It was 2003 and during the civil war so it required multiple checkpoints before she was able to reach her hometown of Jaffna located in the north. They visited for Thaipusami, where she witnessed Kavadi for the first time. Kavadi is a ritual done for the Murugan, God of War where the back is pierced with several hooks while people partake in ceremonial dance. It was traditionally done for both sacrifice and preparation for war. It was Abhi’s first time witnessing something like that from her community which was definitely a cultural shock. ‘It was jarring, fascinating and beautiful.’ So much has changed since this video was taken and looking back at the footage of what Jaffna looked like has skewed her idea of what home looks like."

Item consists of a home movie captured by an African Nova Scotian/Indigenous Black family featuring celebrations and interviews about Kwanza, New Years, and a Christmas tree lighting.

Project and donor(s) contributed description follows: "At Auburn Highschool in North Preston, Nova Scotia, LaMeia Reddick attended an applied broadcast journalism class, where she had the opportunity to learn and explore directing, interviewing, production and editing.

The school had its own news station, and LaMeia could nurture her interest in recording stories of african canadian content. The stories students recorded would be broadcast for the school. In the footage, LaMeia documents a big Kwanzaa celebration at the Halifax Public Library, a large and diverse gathering of people of African diaspora, from various backgrounds, faiths, cultures, and ethnicities. The celebration includes performances with drums, song and dance. LaMeia interviews Tracey Jones about the meaning, origin, and seven principles of Kwanzaa.

Karen Hudson, the principal at Auburn Highschool was influential to LaMeia, and continues to make a long lasting impression on the culture and students at the school. She has introduced African enrichment to the school’s programs, including afrocentric math class, which helps black students excel at math. She continues to be an important role model and won the top principal in Canada award. LaMeia had a really positive experience at the school; having a black female principal as well as the courses available to her contributed to her future successes and set her up on the right path. "Having a school that valued your cultural experience and taught me about it, provided me with opportunities to nurture that part of myself, as well as understand my identity which [teenagers] are in the process of formulating."

The footage is a testament to how hard Principal Karen Hudson worked to introduce African culture to kids. LaMeia is interested in sharing the footage with Karen, and would like to interview her now. Karen and LaMeia live in neighboring communities, North Preston and Cherry Brook, which are large Indigenous and Black communities in Canada."

Item consists of a Moroccan family's home movie featuring two children and a woman entering the park to ride the carousel, bumper cars, and ferris wheel amongst many other children’s rides. Footage contains a 360 degree cityscape views of the Jacques-Cartier bridge, Longueuil, and Montreal (including the Olympic Stadium).

Donor(s) and project contributed description follows: "A couple take their young daughter down to La Ronde on a warm sunny afternoon. Opened since 1967, this amusement park continues to be a popular family attraction during the summer season and a common childhood experience for many Montrealers. Yousra remembers going to the park with her family every couple of years and the excitement this visit would bring. She recounts how they"would be out from the day until night".

When asked about her memories of the day, Yosura remembers most clearly the bumper cars and atmospheric nostalgia of being in that place. Like many families with home movies on older formats, she grew up seeing the tapes throughout the years, but stopped once her family no longer had a VHS player. Born and raised in Montreal, but with Moroccan heritage Yousra describes herself as being"someone with two identities [we] are culturally bilingual… I try to define myself and not let others define me.""

Item consists of a Tamil family’s home movie.

Project and donor(s) contributed description follows: "It’s 1997 and four-year-old Abhirami Balanchandran is being taught how to read by her mom. In her family home at Markham and Eglinton in Scarborough, Ontario, her mom goes through the alphabet with her one by one. Abhi looking back sees her funny facial expressions and sees a ‘very inquisitive, more playful version of herself…. It’s a sweet reminder.’"

Item consists of a Guyanese family’s home movie filmed by Shenaz Baksh in 2005. Clip features employees at their desks working and drinking beers. Recording also features the CN tower with cranes and construction of Liberty Village in the foreground.

Project and donor(s) contributed description follows: "Liberty Village in 2005 was a rapidly changing place, and Shenaz Baksh, equipped with a brand new Super 8 camera decided to document it. The community had changed so much and by the brief shots of construction seen outside her office window, would only continue to change more. This gave Shenaz all the more reason to archive her workplace of five years. Nearing 15 years later, Shenaz's coworkers marveled less at how spaces change over time, like Shenaz had intentioned, but more at their youthful appearances."

Item consists of a Guyanese family’s home movie on black and white footage featuring wide and panning shots of market stalls, mid and close shots of merchant interactions with customers, and tracking shots of customers walking through the market.

Project and donor(s) contributed description follows: "As a child, Shenaz wandered Mahaica Market with her mother shopping for the weeks groceries. As an adult and as a filmmaker, Shenaz wanted to capture her childhood memories and archive the vendors in the market. For Shenaz, recording her trip back to her childhood community had less to do with being Guyanese and more to do with being a filmmaker and an artist."

Item consists of an Ojibwe family’s home movie featuring adults and children talking and posing for multiple wedding photographs.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring many individuals sitting with food and drinks at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera spanning across the room to reveal a decorations and children choosing their seats at the table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman bringing food to a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the bridal party seated at a table.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children walking across the frame and the wedding couple tasting their cake.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring children pulling another child off their seat in the foreground and children dancing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the DJ and individuals on a stage with music playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man sitting down at a table, pulling out a cigarette, and waving to the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a man and child dancing with disco lights in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movies featuring a child and a woman standing by a window, with another woman dancing across the frame of the footage. The Macarena song is playing in the background.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring two adults posing for a photograph.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a woman sitting on a chair who stands up to walk away, the camera then zooms in to a man standing in the background and zooms out to a child walking across the frame.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring multiple generations sitting, standing, and waiting.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and a man walking towards the camera.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring a bride and groom standing in front of the officiant. flanked by a man in a suit and a woman in a blue dress. The groom is stating his declaration of no legal impediment to marriage and the bridge is giggling.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the officiant congratulating the couple, the ceremonial kiss, and an applause.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the camera zooming in to a woman wearing a blue dress.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Ojibwe family’s home movie featuring the wedding couple walking out of frame, while the woman in a blue dress and child walk into the frame. Footage is slightly out of focus.

Donor(s) and project contributed description follows: "On December 1, 1995, Star Nahwegahbo’s uncle and aunt, Mark and Florence, get married in Sudbury or Espanola, Ontario. These clips capture their wedding and reception; and the personalities of Star’s family shine through; we see her grandmother, grandfather and great grandfather, her aunt giggling at her own wedding as the priest fumbles on their names, and children running and dancing in the Aundeck Omni Kaning First Nation community centre.

Star was around the age of 12 or 13 and recalls avoiding the camera. Around that time she had just moved from Sudbury to Aundeck Omni Kaning First Nation, and had difficulty with the large cultural shift. Star felt she didn’t yet have a language to speak to her identity or community dynamics due to colonization.

Upon sharing the clip with her family members, Star’s family was moved to see family that had since passed. It was Star’s first time seeing the footage, and "it was nice to see everybody so young, celebrating, having a good time."

As an artist, Star participated in the Project because she felt compelled to push back against the colonial gaze. She wanted to have more representation through her own family’s lens and to have footage and imagery for the younger generation to access, to highlight the celebration and positive times for her community."

Item consists of an Indo- and Black-Caribbean family’s home movie featuring a girl sitting next to a hospital bed and saying "she’s so beautiful."

Donor(s) and project contributed description follows: "Shanti has recently given birth to her second child, Rohan on April 8th 2001 at Scarborough Grace General Hospital. Her mother (a nurse herself) supported Shanti during the delivery. Leyla, the oldest and only child for the first 6 years of her life meets her younger brother for the first time on video.

Born closer to Easter, the rest of the family is able to travels down to meet the new member of the family. Robert who is now 16 is meeting his youngest cousin for the first time."

Item consists of a Black-Canadian family’s home movies featuring crowds and performers at Montreal Carifiesta parade. Participants in costumes are playing mas, marching with a masquerade band. Several carnival bands - made up of dozens and sometimes hundreds of participants, wearing themed costumes created by various Caribbean designers and assembled by volunteers - would dance and perform for crowds and a group of judges (who would select and later announce the best mas band) at a local stadium, before the masquerade bands would make their way through downtown streets. In the 70’s and 80’s, the Carifiesta parade would mainly make its way along Ste-Catherine Street in Montreal, before the parade was moved to nearby René Lévesque Boulevard in later years.

Donor(s) and project contributed description follows: "This footage was shot in the mid-1970’s and marks one of the first Montreal Caribbean Carnival celebrations in the city. Heather’s parents, Richard and Althea Seaman, brought her and her siblings, Hazel and Herbert, to see their first few parades as spectators. In later years, the family was occasionally involved as participants – whether helping to create costumes, build floats or march in the annual parade. The summer event was established to celebrate and showcase the Caribbean culture and heritage of immigrants, who were born on one of the diverse islands of the West Indies or those who had ancestry there. While Caribbean immigrants in Toronto started their carnival celebration - Caribana - in 1967, to mark Canada’s centennial celebration, Montrealers held their first Carifiesta parade and festival in July 1975."

Item consists of an a Haitian Canadian family’s home movie featuring the family and their neighbours shovelling snow and digging out the street. Recording also features children playing in the snow and a tractor plowing the street. Video was filmed by André and Ginette Valcin.

Project and donor(s) contributed description follows: "On March 4th, 1971, Montreal saw the "Storm of the Century", a massive snowstorm brought 43cm of snow and 100/km winds to the city. It would take 41 years for this snowfall record to be broken. People lost electricity for as long as ten days. Nadine recalls living on St. Leonard and not being able to see through her patio doors and that the only people who could get around were emergency vehicles and snowmobiles. Of course this major setback meant snow days for everyone, and Nadine's parents and neighbours got to shovelling. In a predominantly Italian neighbourhood, Nadine suspects her family may have been the only Black family on this street. With no school, five-year old Nadine took pleasure in the Montreal pastime of building snow forts."

Item consists of an a Khmer-Krom family’s home movie featuring a birthday celebration.

Project and donor(s) contributed description follows: "The Truong/Tram family's home movie footage shot in VHS format on January 25th 1992, captures the 1-month old birthday party of their youngest son in Brantford, ON, shortly after moving from Hull, Quebec. A full and lively gathering, their celebration includes families chatting over a community meal, speeches, gift giving, dancing to 80's music, and loving footage of a peaceful baby enjoying the party. The Truongs/Trams are of Khmer-Krom ethnicity, translating to 'Khmer of the South'. The Khmer-Krom are an [unrecognised] Indigenous group and ethnic minority in the South of Vietnam. Many Khmer people who inhabited the same refugee camps in Vietnam later immigrated together to Canada. When the Truongs/Trams arrived in Hull, Quebec (now Gatineau, Quebec) in 1989, they were able to regularly connect with a Khmer community at gatherings like these. The Troung/Tram family have since relocated to Toronto ON where they continue to celebrate and take pride in their identity, and attend Khmer language and dance classes. The Khmer Buddhist Temple of Ontario in Hamilton remains central to them and their community. Mother, Trinh Nha Truong, was happy to share her footage with Home Made Visible because she wants to show other Canadians that ‘our people live in Canada too.'"

Item consists of an Argentine-Chilean family’s home movie featuring a child playing in his house and park; the first third of the clip consists of urban and rural landscapes.

Project and donor(s) contributed description follows: "Jean-Pierre Marchant's parents immigrated from South America in the early 1970s before he was born. His mother is from Argentina and his father is from Chile. Jean-Pierre was born in Vieux-Rosemont, Montreal, and spent the first year of his life there before they all moved to (what was then) the suburbs in Saint-Hubert, Longueuil, about 14 km from downtown Montreal. Jean-Pierre recalls day trips with his parents to the United States and Toronto. On this day, the family captures the roads and cityscapes of New Hampshire."

Item consists a home movie featuring a neighbour covered in snow and community members playing winter sports such as ice skating, tobogganing, and hockey.

Project and donor(s) contributed description follows: "Terry Watada became interested in his family history when he realized his parents were forced into internment camps by the Canadian government during World War II. The youngest of two boys and with an 18-year age gap, he only came to know this history in his late teens. The footage selected shows glimpses of Terry’s childhood and features community members with whom he grew up. A small clip shows Terry wearing his cub scout uniform. In 1959, he was eight-years-old and was part of the 45th cub scout "wolf pack"; he later became a scout until the age of 17.

The families on the farm near the beginning of the footage feature the Watada family visiting the Itos in Cooksville, Ontario. Mr. Ito had connections with Terry’s father when he lived in BC; Mr. Ito was a former employee of Matsujiro Watada. Because his father helped with the down payment of their farm, the Watadas would receive bushels of vegetables every season during Terry’s childhood.

A prominent feature of his childhood, Terry and his family attended organized community picnics along with other members of the Japanese Canadian community in Toronto. A game played was the catching of mochi balls. A coveted gift since the process to make it by hand was time consuming. The picnic near the end of the selected home movies depicts a Shinto lion dance (around 68’ or 69’). There were always religious undertones at these picnics, either Buddhist or Shinto along with the Obon festival that would take place every year. The religious undertone would shift as they became an event that no longer only catered to a Japanese audience."

Item consists of a home movie featuring an auditorium with a piano.

Project and donor(s) contributed discussion follow(s): "Cindy Long is practising piano at their home in Agincourt, Toronto. She took lessons at the New Conservatory of Music in Scarborough. She began group lessons at age 6, and continued to play through high school. Because she was given the choice to continue lessons or not (rather than being forced to practice as some of her peers did), she gained a love of piano and music that remains to this day."