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Fonds consists of personal and professional correspondence, clippings, programmes and related material that document Grossman's career as a dancer with the Paul Taylor Dance Company as well as the founding of the Danny Grossman Dance Company. It also includes contracts, grant applications and other financial records, citizenship papers, passports and other collected ephemera.

Consists of Dosman's project records and research files pertaining to his critically-acclaimed biography of Raul Prebisch. There are project correspondence files including photographs, notebooks, letters and notes from Prebisch's widow, interview files, and secondary biographies; special correspondence files between Prebisch and his colleagues and contemporaries; unpublished transcripts of Prebisch's "conversations" with colleagues; tributes on the occasion of Prebisch's death; manuscript drafts; copies of Prebisch texts and writings; considerable rare secondary source material from Argentina, Chile and other South American countries, CEPAL, critics and scholarly papers; correspondence files; government documents; office correspondence between CEPAL Santiago to Washington (primarily when David Pollock was Director of the Washington office of CEPAL during the period when Prebisch was resident in Washington and advisor to Enrique Iglesias, Executive Secretary of CEPAL); World Bank library documents; IMF library documents; UNCTAD correspondence and documents; Prebisch's office correspondence files; press clippings; and other material.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

The fonds consists of material created and/or accumulated by Nelles during the course of his career as a professor, scholar and writer and includes notes, drafts and correspondence related to a number of his books including "The Art of Nation Building", Social History Series of Canada, "The Politics of Development", "Private Property and Community Property", and "Southern Exposure"; material that documents his work on the Ontario Seismic Data Improvement Project, the Task Force on Resource Centres at York, the Ontario Council on University Affairs as well as his work on various editorial boards and research projects.

Fonds consists of notes, edited manuscripts, and research materials related to various published and unpublished works by Hédi Bouraoui, including “La Tour CN,” “La Pharaone,” “Musocktail,” and “Bangkok Blues.” It includes personal and professional correspondence, as well as clippings about Bouraoui and reviews of his work. Also included are several sound and audiovisual recordings of poetry and novel recitals, conferences, and interviews.

Fonds consists of material that documents Ellenwood's career as an academic, translator and writer.

Fonds consists of material which documents Panitch's long standing interest in British and Canadian labour history including notes, drafts and other material related to his PhD thesis "UK Labour and Incomes Policy" and to his books "The Assault on Trade Union Freedoms: From Consent to Coercion", "The End of Parliamentary Socialism" and “The Making of Global Capitalism”. It also includes research files related to the British Labour Party, new labour left, the Canadian State, political economy and political power, labour in Canada and corporatism, as well as notes and essays from his undergraduate and graduate education, and files pertaining to his editorial work for the Socialist Register.

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.