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The series consists of the administrative files of 'What', including financial statements and budgets, records of expenses, contracts, advertising information, clippings, correspondence, press releases and other material related to the ongoing operation of the magazine; submissions which includes typescript copies of stories sent to 'What', story ideas, writers' invoices, 'What' guidelines and writer's files which are a series of files arranged alphabetically which contain correspondence, stories and clippings pertaining to particular authors.

The series consists of correspondence, research material, notes, contracts, and manuscript and typescript drafts of Sherman's plays including "A Place Like Pamela," "Three in the Back, Two in the Head," "The League of Nathans," "Patience," "To Cry is Not So," "What the Russian's Say," "Field," "The Merchant of Showboat," "Quirt," "Reading Hebron," "The Retreat" and "It's All True," "An Acre of Time," "The Brothers Karamazov," "The Message," and others. It also includes copies of scripts containing revisions made during the production of his plays, correspondence and financial records related to these productions, and programs and reviews of the rehearsals and performances of these works. The series also includes correspondence, story ideas and outlines, proposals, research material, contracts, and typescript draft scripts for radio and television programmes including "P.M.O.", "National Affairs", "The Hard Wood," "Graf," "ReGenesis," "Afghanada," "Rosendorf Quartet," "Galileo," "Badlands," "After the Orchard," "Between Two Worlds," "Jonestown," "Murdoch Mysteries," "Zone of Separation," "Wrecking Ball," "Abbatoir," "Flashpoint," "Mind," "Last Hope," "The Rules," "Invectus," "Spadina," "Colder in the Suburbs," "Ronde-et-vous," "Blueprint," and "The Public Health," among others. The records pertaining to the production "Bloodletting and miraculous cures," based on the critically-acclaimed novel by Vincent Lam, are particularly comprehensive and include drafts, notes, correspondence, research files, and digital recordings of dailies, director's, producer's, and various other cuts of individual episodes. Among the earlier writings represented in this series can be found copies of essays, articles and plays written by Sherman during his years in the Creative Writing Program at York University as well as typescript copies and clippings of several of his articles and reviews which have appeared in The Globe and Mail, The Toronto Star, Books in Canada and other publications.

Series consists of listings and artist files related to the finalists in the Jean A. Chalmers Award for choreography, an award run by the Dance in Canada Association, and a video collection managed by the Sound and Moving Image Library (SMIL).

The series consists of Ernesto Vinci's general professional correspondence with the editors of publications, broadcasters, publishers, festivals, governments and schools, and associations. There are also birthday and greeting cards to Vinci. Later accessions include some personal correspondence between Vinci and his wife, and friends.

The series consists of Ernesto Vinci's diaries for the period (incomplete), as well as memoranda, address books and related material.

The series consists of single issues of performing arts newsletters, newspapers and magazines.

The series consists of Ernesto Vinci's notes and announcements of recitals given by his students as well as his lecture notes.

The series consists of reports and correspondence with the Banff School, music festivals, the Royal Conservatory, and related bodies.

The series consists of notes on teaching methods employed at the school, registration cards, staff lists, examination and marking schemes, attendance lists and alumni membership lists.

The series consists of scrapbooks, arranged by subject and organized chronologically, for recitals and opera (1945-1977); additional scrapbooks are arranged alphabetically by subject (literature, war, world events).

The series consists of personal photographs of Vinci and family and friends. Also included are photographs of Vinci and students at Banff and several unidentified photographs.

The series consists of Vinci's personal documents and correspondence related to his education and immigration to the United States as Ernst Wreszynski. Also includes newspaper clippings about Vinci and biographical sketches ready for publication. Later accessions include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

The series consists of programmes for concerts and recitals in several venues, as well as those for the University of Toronto, Faculty of Music concerts, Massey Hall, the Royal Alexandra Theatre, the Metropolitan Opera House (New York), and others.

The series consists of vocal and instrument catalogues from manufacturers and music publishers, Faculty of Music programmes, calendars, and related material.

The series consists of programmes, pamphlets and notes for examinations, concerts and single performances, for the Faculty of Music, the Banff Centre, Dalhousie University musical auditorium, Royal Conservatory performance night, Toronto Symphony Orchestra, the Modern Library, Teatro Alla Scala, the New Music Concerts and others.

Series consists of Jarrell's professional correspondence and memoranda, including incoming letters and copies of his outgoing correspondence. These records pertain to Jarrell's work as a York University faculty member, his research and writing projects, his work as the editor of "HSTC Bulletin" (later "Scientia Canadensis"), and his participation as a member of the Canadian Science and Technology Historical Association (CSTHA). Some items in this series are photocopies, and some items have been marked according to subject by Martha Jarrell.

Series consists of records pertaining to Jarrell's various academic research and writing projects, including his book "Educating the Neglected Majority". Records include notes, lists, statistics, draft articles and manuscripts, bibliographies, copies of membership lists and directories, reproductions of archival records, publications, photographs, and Jarrell's research index cards, organized by research subject. Also included in this series are textbooks written and used by Jarrell to teach his classes at York University.

Series consists of records pertaining to Jarrell's work as a professor and administrator at York University. Records include course syllabi and handouts, examinations and assignments, lecture notes, course evaluations, presentation slides, handbooks, a student cookbook, correspondence, reports, photographs, applications, and forms.

Series consists of a variety of records, including files pertaining to Jarrell's involvement with the Markham Environmental Alliance, his academic publishing company, Scientia Press, and his university education at Indiana University and the University of Toronto. Records include financial statements, correspondence (including printed e-mail), newsletters, agendas, notices, pamphlets, membership lists, notebooks, essays, book reviews, and photographic slides.

The series consists of research files, correspondence, drafts of scripts, casting lists, crew lists, publicity materials, and photographs relating to various television dramas produced by Bernard Zukerman. Projects documented include: "And Then You Die", 1986; "Skate!", 1987; "The Squamish Five", 1988; "Love and Hate: the Story of Colin and JoAnn Thatcher", 1990; "Dieppe", 1994; "Million Dollar Babies", 1994; "Net Worth", 1995; "The Sleep Room", 1998; "Revenge of the Land", 2000; "Heart: The Marily Bell Story", 2001 and others.

The series consists of scripts written by others and sent to Bernard Zukerman for his consideration.

The series consists of subject files created and compiled by Bernard Zukerman including diaries, income tax returns, financial statements, memorabilia and other material.

The series consists of audio visual recordings pertaining to Bernard Zukerman's television productions and including awards submissions, promotional videos, audition tapes, final broadcasts and ohter types of material.

Series consists of materials related to Madeleine Boss Lasserre’s career and interests as a music educator of children and adults in Toronto, Ontario. Most of the material was created between 1925 and 1977, while Lasserre was actively employed with the Margaret Eaton School and the Toronto Conservatory of Music. A small subset of the records were created outside of this time period. Records include: Dalcroze teaching and demonstration notes and diagrams; correspondence with colleagues and students; material pertaining to general early childhood education; and material related to the administration and promotion of courses in Dalcroze Eurhythmics. Series contains notes and notebooks, pamphlets, programmes, correspondence, and clippings, as well as photographs of Lasserre and other members of the Dalcroze and music communities.

Series consists of dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Selma Odom from 1972 to 2008. Materials represent dance performances, events, and venues primarily in North America and Europe, with strong representation of the Toronto dance scene.

Series consists of proprosals and appraisal reports for the graduate program offered by York University, Department of Dance.

Series consists of personal and professional correspondence with leading scientists, mathematicians and education specialists from across Europe and North America. As Wittenberg did not maintain copies of his letters, for the most part the series only contains the incoming letters. The series includes correspondence with scholars such as Paul Bernays, Alexander Calandara, Tatiana Ehrenfest Afanasyeva, Ferdinand Gonseth, Ahron Katchalsky (Katzir), Thomas Kuhn, Imre Lakatos, Georges Polya, Michael Polanyi and many other colleagues and acquaintances. There are several files pertaining to Wittenberg’s involvement with councils, associations and other initiatives that aimed to promote mathematical and scientific education across Canada and North America. The series also contains materials of more personal nature pertaining to matters such as trips, children schools, post-Holocaust restitution claims, and involvement in Canadian Jewish community life.

Series consists of materials pertaining to Wittenberg’s life as an academic. While the Laval University-related materials consists mostly of course work and administrative matters, the York University files reflect a much more active and engaged involvement in University life and in questions of institutional governance and vision.

Series consists of Wittenberg's hand-written notes and course work from his time as a student at the Eidgenössische Technische Hochschule Zurich (Swiss Federal Institute of Technology in Zurich).

Series consists of Wittenberg’s research output – books, articles, conference papers, book reviews, in both published and draft forms - from 1951 to posthumously published materials. Materials are written in German, French and English and for the most part pertain to the need and the ways to treat mathematical education as a foundational element within any humanistic education system.

This series consists of John D. Harbron's personal correspondence from during his professional career as a journalist, author, and academic. This series also contains correspondence received from family and friends. Included are letters on naval and defence affairs, Latin American affairs, letters-to-the-editor, as well as photographs and newspaper clippings.

This series consists of John D. Harbron's original notes, several notebooks and booklets, writing plans, index cards, and sample chapters for books and articles.

Also included are class notes and memorabilia from the University of Toronto and the University of Havana; cheque stubs and freelancing schedules; and material from his naval career including Royal Roads University.

The series contains John D. Harbron's published and unpublished writings, including articles, essays and story proposals. Article clippings and correspondence are available from Business Week, as well as film scripts written for the National Film Board, speeches, editorials, and selected Thomson column clippings. Also included is the complete record of Dr. Harbron's column in The Miami Herald (1969-1999), the longest continuous column to date on Canada in American newspapers, concentrated on Canada's various relations with the USA, Latin America, and Canada-Cuban relations, and readers' correspondence. Articles written for Canadian newspapers, such as The Globe and Mail (1960s-1990s), The Financial Post (1950s-1970s), and The Toronto Telegram, also form part of this series. The series also includes articles written for Christian Science Monitor, the New York Times, and various other American newspapers. As well, the series includes several tear sheets of articles by Harbron from Spanish publications. The articles in this series cover a wide range of topics in Canadian business and politics, as well as international affairs, with articles about Europe, USA, Cuba and Latin America.

This series contains John D. Harbron's reseach and resources, including notes, reports, essays, various publications and newspaper clippings, covering topics related to Cuba and Latin America. Harbron's files concentrate on various aspects and the affairs relating to pre-revolutionary Cuba, revolutionary Cuba, and post-revolutionary Cuba, and Latin America. There are several files with research on Canada-Cuba and Canada-Latin America relations. The files in this series also contain correspondence, photographs, items from a trade development mission to Cuba, and information on Cuban exiles and armed forces, and Latin America's military forces.

This series consists of audio cassette recordings containing personal interviews, reports, and presentations on topics related to Cuba and Latin America. An accompanying handwritten list by John D. Harbron contains notes about all of the recordings.

Series contains records related to John D. Harbron as an author of several books: Communist Ships and Shipping (1962), Canada Without Quebec (1977), the Canadians: C.D. Howe (1980), the Longest Battle: the RCN in the Atlantic 1939-1945 (1993), Canadian Yesterday (2001).

A significant portion of records pertain to Trafalgar (1988) and This Is Trudeau (1968). Records include manuscript drafts, correspondence, research, photos, artwork, reviews, and notes on the production, promotion, and reception of the books.

Series contains textual records created and accumulated by John D. Harbron's father, Tom Habron, and mother, Sarah Lilliane Peace, in their roles in the military as a doctor and dietician. Records in the form of correspondence, newspaper clippings, notes, reports, and ephemera include documentation on promotion within the military, the medical corps and military hospitals, war and remembrance files, nutrition in military diets, and wartime food production in Canada.

This series contains the personal and professional papers of Sheila Harbron, which were collected and prepared by her in her capacity as President of the Etobicoke Branch of the Canadian Federation of University Women, 1966-1967, and President of the Governor Simcoe Branch of the United Empire Loyalists' Association, 1989-1992. This series includes the personal papers, correspondence, family and genealogical research, and photographs, of the Buck, Harbron, Hardy, Lester, Matheson, Ryerson families.

The series consists of personal and professional correspondence including manuscript and typescript copies of letters received by Powe, copies of letters written by Powe, as well as printed copies of incoming and outgoing e-mail. It includes correspondence with friends, students, publishers, fellow writers and academics, among them R. Murray Shafer, Don DeLillo, Gary Geddes, Susan Swan, John Ralston Saul, Joe Keogh, John Robert Colombo, Eric McLuhan and Pierre Trudeau. Series also consists of subject files containing clippings, publicity material, audio recordings, video cassettes, photographs, brochures, notes and other material pertaining to speaking engagements, conferences such as the "Trudeau Era Conference" and "Rethinking McLuhan", and York University's Living Literacies Initiative, Foundation and Endeavour (LLIFE).

The series consists of material which documents Powe's personal life and his relationship with his family. It includes correspondence, photographs, legal and medical records and other collected ephemera.

The series consists of research material, notes, drafts and manuscripts of Powe's published and unpublished works including his books "A Climate Changed" (1984), "Noise of Time" (1989), "A Tremendous Canada of Light" (1993), "Outage: A Journey Into Electric City" (1995), "The Solitary Outlaw: Trudeau, Lewis, Gould, Canetti, McLuhan", "Mystic Trudeau" (1997), "Towards a Canada of Light" (2006), "These Shadows Remain" (2011), his 2009 PhD thesis, "Apocalypse and alchemy: visions of Marshall McLuhan and Northrop Frye", the reworked and published version of his PhD thesis, "Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy" (2014), "Where Seas and Fables Meet" (2015), and "Decoding Dust" (2016). It also includes drafts and/or printed copies of numerous reviews, essays and articles written by or about him, and drafts pertaining to the "Opening Time: On the Energy Threshold" collaborative project. Series also includes correspondence with publishers and fellow writers such as Irving Layton, Hugh Kenner and J.G. Ballard in reference to his work, publicity material for several of his books, and copies of journals and magazines in which Powe's work appeared.

The series consists of course/lecture notes, research materials, correspondence, course syllabi, teaching proposals, course evaluations, official York University publications and other material related to Powe's instruction of courses at York University and Humber College, his position as Academic Advisor at Winter's College, the completion of his PhD, his applications for tenure and promotion, and his work as coordinator of the Creative Writing Program at York University. Also documented in this series are Powe's activities while a visiting scholar at IN3, University of Catalunya, Barcelona.

The series consists of copies of published works inscribed by their respective authors.

The series consists of notebooks and journals kept by Powe in which he documented his thoughts and reflected on both his personal life and on works in progress. Also included are calendars on which Powe recorded appointments and other scheduled events.

Series consists of correspondence, clippings, journals, notebooks, photographs, publications, ephemera, day planners, address books and other material documenting Swan's personal life and interests, in particular her early years as a student at Havergal College, as well as files pertaining to Swan's family. Some notebooks contain notes on Swan’s writing projects as well as personal diary entries.

Series consists of personal and professional correspondence and e-mail, sent and received by Swan.

Series pertains to Swan's work as an instructor at York University and her tenure process, her position as the Millennial Robarts Chair in Canadian Studies for 1999-2000, her work for the Writers' Union of Canada, and her public lectures. Records in this series include course materials, teaching proposals, official York University publications, and lecture notes.

Series consists of drafts and proofs of articles, poems, plays, short stories, essays and novels written by Swan, including "Unfit for Paradise", "The Biggest Modern Woman of the World", "The Last of the Golden Girls", "The Wives of Bath", "Stupid Boys Are Good to Relax With", "What Casanova Told Me", "The Western Light" (previously titled "Black Ships" and "The Hockey Killer"), and "The Dead Celebrities Club". Series also includes research material and notes pertaining to Swan's writing projects, correspondence with publishers and collaborators, lecture notes pertaining to Swan's book tours, promotional material for several of her books, as well as screenplays for the proposed and/or produced films of "The Biggest Modern Woman of the World" and "The Wives of Bath".

Series consists of correspondence, minutes of meetings, press releases, broadsheets, newsletters, publications, manuscript notes, drafts of speeches delivered by Pocock as well as notes and drafts of other writings, memoranda and other material which documents Pocock's involvement with the peace movement, her activities as a refugee worker and, to a lesser extent, her career as a jewellery maker. Series contains files of material which document Pocock's activities with the American Friends Service Committee, the Canadian Council of Churches, the Canadian Friends Service Committee, the Inter-Church Committee for Refugees, the Peace Brigade, Project Ploughshares and Voice of Women.

Series consists of files maintained by Nancy Pocock and pertaining to her work as a refugee case worker. Files contain applications and testimonies of individuals and families applying for refugee status in Canada, correspondence with government bodies and other individuals and organizations concerned with the status of refugees as well as background information on respective applicants and/or their country of origin. The files have been arranged alphabetically by name of applicant or country of origin.

Series consists of journals containing Pocock's observations and ideas, diaries which were maintained to record important dates and/or appointments, and notebooks in which ideas and thoughts were kept in point form. Also included in the series are address books, sketch books, and account books and order books from Pocock's jewellery business.

Series consists of correspondence between Pocock and her family including correspondence exchanged between Pocock and her husband Jack while he was serving in the Second World War. It also includes newspaper clippings relating to Nancy Pocock and to various members of her family, legal documents, a series of baby books pertaining to family members and kept by Pocock, journals of various family members, letters of condolence on the deaths of Jack and Nancy Pocock, photographs and other ephemera pertaining to the family.

Series consists of correspondence, minutes of meetings, press releases, broadsheets, newsletters, publications, notes, memoranda, journals, newsletters, publications, photographs, newspaper clippings and other material which illustrates Pocock's interest in Vietnam and her visits to the country.

Series consists of photographs, video cassettes, audio cassettes and audio reels documenting several aspects of Pocock's career including video footage of the ceremony at which she received the Order of Ontario and sound recordings of a number of programs on which Pocock appeared as a guest.

Series consists of pamphlets and other publications collected by Pocock and relating to various aspects of the peace movement and other social concerns.

Series consists of the agendas, minutes and administrative records and reports of the Desh Pardesh Board of Directors.

Series consists of agendas, minutes, submissions, evaluations and biographical information created and accumulated by members of the programming committee of Desh Pardesh, in the course of their activities soliciting, evaluating and organizing workshops, seminars, dance, music and theatre performances, literary readings, art exhibits and film screenings.

Series consists of organizational records, promotional material, correspondence and programmes for on-going programming administered by Desh Pardesh committees and staff, including: film retrospectives; industry-related workshops; community conferences; the publication of the Desh Pardesh zine, 'Avec Pyar'; memorials for Desh Pardesh participants; theatre tour productions and other events sponsored or co-sponsored by Desh Pardesh.

Series consists of administrative records, correspondence, festival programmes, press releases, advertisements, promotional materials, flyers, postcards, bookmarks, pamphlets and posters created and distributed by the publicity branch of the Desh Pardesh Programming Committee and the Desh Pardesh Board of Directors.

Series consists of government documents, pamphlets, manuals and information booklets, application reports, proposals and budget reports related to government grants to support, supplement and off-set the costs of organizing and presenting the Desh Pardesh festival and other affiliated Desh Pardesh activities, as well as paying staff salaries. Files have been organized by Desh Pardesh staff based on the main funding organization, namely: the Ontario Anti-Racism Secretariat; the Canada Council; individual and independent funding foundations; the Ministry of Culture; the Ontario Arts Council; the Ontario Women's Directorate; the Toronto Arts Council; and the Trillium Foundation.

Series consists of correspondence, invoices, expense accounts, banking statements, cheque receipts, yearly auditors' reports, budgets, bankruptcy records and policy manuals related to the financial activities of Desh Pardesh.

Series consists of contact lists of members, participants, performers and supporters of Desh Pardesh as well as fund raising planning documents, promotional flyers, mailing packages, and member cards for various fund raising, membership and support campaigns for Desh Pardesh.

Series consists of job advertisements, correspondence, job applications, employee evaluations, legal documents, working files, and resumes for Desh Pardesh staff members, as well as correspondence and administrative records related to the Desh Pardesh offices located at 401 Richmond Street, Toronto, Ontario.

Series consists of media articles and news clippings related to Desh Pardesh participants and events, as well as catalogues, resource directories, periodicals and newsletters used by Desh Pardesh staff for reference purposes. Also includes a list of books, magazines and directories presumably the resource library maintained by Desh Pardesh.

Series consists of video cassettes and audio cassettes submitted to Desh Pardesh for consideration, including material from: film makers; spoken word and performance artists; comedians; dancers and choreographers; musicians and vocalists. For the most part, these tapes contain audition material, and it does not appear these materials were actually used or screened in the Desh Pardesh festival proper.

Series consist of video cassettes of films screened at the Desh Pardesh festival or an affiliated event; commercial shorts created specifically for the festival; and audio and video recordings of various events, workshops and performances at Desh Pardesh.

Series consists of personal and professional correspondence consisting of manuscript and typescript copies of letters received by Axelrod and, in many cases, copies of letters written by Axelrod himself.

Series consists of Axelrod's high school, undergraduate and graduate school essays, speeches, drafts of articles written for student newspapers and other materials that document his involvement with student organizations including the Council of the York Student Federation, the Ontario Federation of Students and the Ontario Union of Students, as well as his research interest in post-secondary education and the student union movement. These records include publications, papers, articles and news releases.

Series consists of records documenting Axelrod's career as a university professor and administrator. Many records pertain in particular to his role as Dean of the Faculty of Education at York University between 2001 and 2008, as well as his work on committees (Ontario Association of Deans of Education, Ontario Confederation of University Faculty Associations). Included are correspondence, job applications, course outlines and student evaluations for courses taught by Axelrod, copies of research grant applications, past tenure files, photographs, reports, speeches, assessments, conference materials, newspaper and magazine articles.

Series consists of records pertaining to the research, writing, editing, publication and promotion of Axelrod’s books, including his PhD thesis, "The economy, government and the universities of Ontario, 1945-1973”, which was republished as "Scholars and dollars: politics, economics and the universities of Ontario, 1945-1980", "Making a middle class: student life in English Canada during the Thirties", "Transitions: schooling and employment in Canada" (co-editor with Paul Anisef), "The promise of schooling: education in Canada, 1800-1914", "Youth, university and Canadian society: essays in the social history of higher education" (co-editor with John G. Reid), "Opportunity and uncertainty: life course experiences of the class of '73" (co-writer with Paul Anisef), "Values in conflict: the university, the marketplace and the trials of liberal education" and "Knowledge matters: essays in honour of Bernard J. Shapiro" (editor), as well as his various articles, reviews, conference papers, and commentaries. Records in this series are research materials, correspondence, draft manuscripts, audio recordings, photographs, interview transcripts, book proofs, reader reports, publishing contracts, speaking notes and promotional materials.

Series consists of chronologically arranged agendas.

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Series consists of agendas, minutes of meetings, notes, correspondence, catalogues and other material that documents Sheard's work as an editor of Coach House Press. Included are correspondence and other material with Margaret Atwood concerning the writing and publishing of her novel "Good Bones".

The series consists of research material, notes, manuscript and typescript drafts and proofs related to stories, essays, articles and book reviews written by Sheard, to her novels "Almost Japanese", "The Swing Era", "The Hypnotist", "Krank: love in the new dark times", and to her play "The House Guest". It also includes correspondence with publishers and publicity material for several of her works.

This series consists of files created and accumulated by CSWS Ltd. about agency clients and prospective clients enquiring about the agency’s services. The types of records found in this series include correspondence, contracts, royalty statements, clippings, manuscripts (and manuscript samples), headshot photographs, curriculum vitae and biographical highlights sheets. The more well-known people represented in this series include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

Files 2012-066/001(05) to 2012-066/004(10) consists of research notes and drafts related to a research project by Matie Molinaro and Barbara Brescia about the painting Venus Disarming Cupid.

Files related to CSWS Ltd. client Marshall McLuhan and his estate can be found in Series S00667: Marshall McLuhan files.

This series consists of general correspondence files kept by the agency. The bulk of the files consists of enquiries about their services, rejections, and requests for public speakers.

This series consists of book manuscripts; film, television and theatre scripts; and musical scores submitted to CSWS Ltd. by clients and prospective clients.

This series consists of records created and accumulated by CSWS Ltd. in relation to management of the day-to-day operations and business of the agency. Files include: correspondence (inquiries, invitations); union files (ACTRA, Writers Guild of Canada, Writers Guild of America); template contracts/agreements for writers, actors, and speakers; mailing lists; information about conferences, seminars and book fairs; and subject and clippings files, primarily on the topic of copyright.

Also included are the office’s Diaries and Day Books from 1951-1965, which provide a daily record of incoming and outgoing correspondence, phone calls, and notes about day-to-day business.

This series consists of assorted printed material collected by the agency. It includes publishers’ catalogues, clippings about clients and prominent industry figures, pamphlets, periodicals and theatre programmes.

This series consists of records relating to CSWS Ltd. founder Matie Molinaro. The records in this series provide insight into Molinaro’s early life growing up in New York, her student days at Barnard College, and her work as a war correspondent during the Second World War. Types of records in this series include personal memorabilia, correspondence, writing samples, clippings, and biographical material.

This series consists of correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera created and accumulated by CSWS Ltd. as agents of Marshall McLuhan and his estate. CSWS Ltd. began representing Marshall McLuhan around 1970.

The records in this series document the close working relationship and friendship between Matie Molinaro and the McLuhan family (especially her friendship with his spouse Corinne McLuhan) in managing Marshall McLuhan’s legacy, “brand”, and the rights to his work subsequent to his death in December 1980.

Files from accession 1990-018 include: correspondence of Marshall McLuhan, which was utilized in a published correspondence volume, edited by his wife Corinne and Matie Molinaro, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); galleys of McLuhan works ('Laws of the media,'); correspondence and reports of the Centre for Culture and Technology at the University of Toronto; lecture invitations; various television and film proposals, scripts, and related correspondence, as well as material about McLuhan (books, articles, newspaper clippings, etc), and the 'Management game,' which includes a sample deck of cards used in the game as well as orders for the game.

Files from accessions 2010-040 and 2012-066 include: public appearance requests; requests for permission to cite and republish the work of McLuhan; research material and drafts for the book, “Letters of Marshall McLuhan” (Toronto: Oxford University Press, 1987); correspondence and reports related to the preparation, negotiations and acquisition of the McLuhan Papers by the Public Archives of Canada in 1984; correspondence with communication scholars and co-authors of works with Marshall McLuhan, including Bruce R. Powers, Barrington Nevitt, and W. Terrence Gordon; reprint agreement in 2001 and related correspondence with Mo Cohen of Gingko Press of Berkeley, California which led to renewed interest in Marshall McLuhan’s work; correspondence related to the planning of the Toronto International McLuhan Festival of the Future in 2004.

Also included are files about several members of the McLuhan family, including Elsie McLuhan (mother), Corinne McLuhan, and children Eric, Michael, Teri, and Mary.

Series consists of correspondence and clippings concerning various theatres and theatre companies in Canada and in other countries (Abbey Theatre-Dublin, Royal Shakespeare Company), and with playwrights and authors (Samuel Beckett, Brendan Behan, Anthony Burgess, Ezra Pound). There is also correspondence. official records and some clippings relating to the James Joyce Society of Canada (including accounts, lists and financial material), and with organizers of James Joyce Symposia (York University, Trieste, Dublin, Paris). There is material relating to productions of Pollock's works ('Giacomo de Trieste', 'Night boat from Dublin', 'Ulysses in Nighttown'). There is also some correspondence and related material concerning Temple Sinai (Toronto) and Pollack's travels (Soviet Union, Italy, Japan, Cuba). In addition, there are theatre programs from several theatres in Canada (Hart House Theatre, O'Keefe Centre, Royal Alexandra Theatre, Stratford).

Series consists of handwritten drafts, typescripts, editorial comments and correspondence, photocopies, promotional material and research notes, for several of Pollock's works including 'After the funeral,''Gabriel,' 'Yes, I will yes', 'Up from the pedestal' and unpublished works including his Soviet journal.

contain slides that were used in Pollock's productions and include stills of street scenes in Ireland, Italy, Paris, that have relevance for Joyce's works. Also included are portraits of personalities of the early twentieth century, intertitles, drawings
and prints (the Seven Deadly Sins, religious images, Joycean characters), posters of World War One, and similar material. As well, there are hundreds of slides that were used in Pollock's productions which are primarily identified by the names of the plays, 'Night boat from Dublin,' and 'Giacomo de Trieste'.

Two videocassettes pertain to a trip to Japan by Pollock and the third pertains to a production, 'Portrait of the artist - is there one who understands me?'.

Series contains audio tape reels of interviews Pollock conducted with members of Joyce's family and associates, interviews with members of the Abbey Theatre and with Irish critics and writers, recordings of the proceedings of the James Joyce Symposium at York University (1970), and copies of Canadian Broadcasting Corporation programmes concerning James Joyce ('Tuesday Night', a Joyce Documentary, and others). There are recordings used in Pollock's productions including 'Giacomo de Trieste,' 'Ulysses in Nighttown,'(music, sound effects, etc).

Series consists of photographs of actors and scenes from Pollock's productions, 'Yes, I will yes', 'Ulysses in Nighttown,' as well as photographs of Pollock and members of the Joyce family in Trieste, Toronto and Dublin. As well there are newspaper clippings (photographs) that accompany articles on Pollock from Toronto newspapers, and a poster from the Canadian premiere of 'Ulysses in Nighttown'.

Series contains fifteen watercolours from the play 'Night boat to Dublin,' collectively titled 'Cat and devil' by Jane Golden; posters advertising Joyce symposia at York University, Dublin, Trieste and other sites, and related Joycean celebrations; and posters advertising Pollock's productions. In addition, there are four scrapbooks of press clippings on the theatre that include notices of Pollock's productions, as well as other material.

Series contains maps of Dublin from the Ordnance survey as well as maps of Dublin from the General Post Office Directory. As well, there are copies of the 'Dublin almanac and general register of Ireland', (1847), and several copies of 'Thom's official directory,' for the period (1852-1950).

Series includes records from the formational years of ICCSASW, primarily materials gathered by ICCSASW's parent institution, GATT-Fly, an overseas development agency of the Canadian churches for global economic justice. Series includes research materials pertaining to the sugar industry, such as material about the Food Prices Review Board and the Tariff Board hearings, gathered by food industry analyst Brewster Kneen in his research for “The Economy of Sugar," published in June 1971 by CENSIT (Centre for the Study of Institution and Theology). These research materials were given to Reg McQuaid in 1973 and include correspondence, memoranda, minutes and news clippings.

Series consists of material created and gathered by GATT-Fly and ICCSASW, in relation to four International Sugar Workers Conferences. Files contain correspondence, reports and notes regarding travel arrangements, participants, expenses, and other elements of conference organization, as well as photographs taken at conferences. The First International Sugar Workers Conference was held in Trinidad in 1977. The Second International Sugar Workers Conference was originally scheduled to be held in Santo Domingo, Dominican Republic in November 1982, but had to be postponed due to complications with travel visas for delegates. It was rescheduled for February 1983 in Toronto, Canada. The second conference established the ICCSASW. The Third International Sugar Workers Conference was held in Santo Domingo in 1987. It was the largest event organized by ICCSASW, with delegates from five continents. The last in the series of four conferences was held in Sao Paulo, Brazil in 1993.

Series consists of material relating to ICCSASW’s various committees. The ten-member Steering Committee was to meet annually and the Executive Committee was to meet on an ad-hoc basis. The Advisory Management Committee assisted on budgeting matters. Files contain committee meeting reports, resolutions, budgets, photographs, notes and some correspondence.