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Series consists of records documenting the WECT project's efforts to market and promote itself and the encyclopedia. Includes newsletters, subject files on launches, summaries, and sample entries and layouts.

The series consists press photos of actors, artists, theatre companies and festivals received by Friedlander during the course of her work as a theatre critic and writer.

Series consists of draft versions of Wicks’s autobiography, “Master of None: The Story of Me Life,” first published by McClelland and Stewart in 1995, drafts of other published booklets, and two short stories published in magazines. Several of the draft booklets contain original drawings by Wicks. Included is a copy of “Dear Canada,” a collection of artwork and writings by Canadian schoolchildren selected by Ben Wicks.

Series consists of day planners used by Wicks to record names, daily appointments and phone numbers pertaining to his personal and professional activities. Also consists of notebooks containing research notes and contacts, and small journals documenting travels in countries outside of Canada.

Series consist of bound books in which Knowlton Nash made handwritten notes regarding his meetings and other engagements. The appointments provide an overview of Nash's professional network of connections within the broadcast industry.

Series consists of records created and accumulated by Marilou McPhedran during and after her tenure as corporate director of women's health partnerships at Women's College Hospital from 1994 to 1996. The records in this series pertain predominantly to a reproductive technologies project focused on provision of access to methotrexate, a non-surgical aborticant, and to health-related conferences attended by McPhedran. Files include correspondence, conference materials, memoranda, newspaper clippings, notices, reports, brochures, and electronic documents.

Series consists of correspondence and reporting from various funding bodies that provided financial support to ICCSASW. These organizations include overseas development agencies connected with Canadian and European church denominations, as well as secular agencies such as OXFAM and CUSO, and trade unions (humanity funds).

Series consists of the professional correspondence created and received by Knowlton Nash during his career as a journalist, and his involvement with several educational and philanthropic organizations. Topics include: contractual arrangements for work as a freelance journalist; Nash's relationship with the Financial post from 1959 to 1968; story ideas on American affairs submitted to Maclean's; readers' reactions to his newspaper columns; Nash's contractual relationship with the CBC as its Washington correspondent; view reaction to his coverage of fighting in the Dominican Republic in 1965; requests from many organizations for Nash to assist in fundraising, usually by donating a tie that can be auctioned, or to attend charitable events; election coverage in Canada, particularly in response to accusation of partisanship on the part of Nash and the CBC; attitudes toward public and private broadcasters; reaction of viewers to a wide range of issues and news stories, such as nuclear disarmament, abortion, and the Meech Lake Accord; Nash's involvement with the University of Regina's School of Journalism and Communications, and the Canadian Organization for Development through Education (CODE); viewers' reactions to episodes of Witness hosted by Nash during the early 1990s, particularly Brain sex and Whale wars; honorary degrees from the University of Toronto and Brock University; public reaction to CBC news coverage in light of budget cuts in 1990; events in South Africa, 1990; editorial perspectives expressed by on-air journalists when covering international events, and the impact of interviewing styles; other CBC personalities, particularly Barbara Frum and Peter Mansbridge; viewers' ideas for game shows and news stories (often involving government conspiracies); Nash's work as a Director of the Gordon Sinclair Foundation; the Americanization of vocabulary and pronunciation; the challenge of reporting stories involving science and technology; requests for Nash's views and expertise on broadcasting issues, such televising appeals in the Supreme Court of Canada, 1997; and the publics reaction to Nash's books. Much of this correspondence pertains to the publics concern regarding editorial positions taken by the CBC in its coverage of national and international issues. Nash replied to many of these letters, and the copies of his outgoing correspondence usually indicates his discussion of these concerns with colleagues at the CBC, and includes an explanation of the broadcaster's approach.

Series consists of records documenting the activities of each volume's editorial boards as well as the activities of the executive editor working with the boards. Includes correspondence, appointments to the boards, and subject files.

Series consists of organizational records, promotional material, correspondence and programmes for on-going programming administered by Desh Pardesh committees and staff, including: film retrospectives; industry-related workshops; community conferences; the publication of the Desh Pardesh zine, 'Avec Pyar'; memorials for Desh Pardesh participants; theatre tour productions and other events sponsored or co-sponsored by Desh Pardesh.

The series consists of subject files created and compiled by Bernard Zukerman including diaries, income tax returns, financial statements, memorabilia and other material.

Series primarily consists of recordings submitted by artists.

Series consists of sound recordings kept by Campbell. These include recorded music sent to Campbell and a copy of Travels with Aunt Jane as well as a copy of the Canadian and Japanese releases of Anne of Green Gables : the hit musical.

Series consists of a home movie from a Pakistani-Indian family featuring a trip to Delhi to attend a family member's wedding. Footage captured by Mariam Zaidi.

Series consists of records pertaining to the work of Rahder and Associates for this project on behalf of women’s shelters in Durham Region and the Counties of Peterborough, Victoria, Haliburton, and Northumberland to identify under-served and marginalized women in their communities. Records in this series include proposals, correspondence, a contract, notes, meeting agendas, questionnaires, budgets, progress reports, research materials, training materials, executive summaries, strategic plans, and the project’s final report. Also included are records pertaining to the creation of a facilitator’s guide by Rahder and Associates for a YMCA anti-racist training program.

Series consists of audio recordings of the CCMC's bi weekly performances and includes recordings by such musicians as Peter Anson, Paul Dutton, John Kamevaar, Nobuo Kubotu, Allen Mattes, John Oswald, Michael Snow, Casey Sokol and Jack Vorvis, among others.

File consists of recordings (preservation copies and broadcast copies) of "The Dini Petty Show" episodes.

The series consists of scripts written by others and sent to Bernard Zukerman for his consideration.

The series consists of Vinci's personal documents and correspondence related to his education and immigration to the United States as Ernst Wreszynski. Also includes newspaper clippings about Vinci and biographical sketches ready for publication. Later accessions include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

Series consists of records pertaining to the finances and financial management of the CIBPA Toronto from 1952 to 1999, including its office expenses, bank accounts and mortgages, membership fees, employee salaries and charitable donations. The records in this series include correspondence and notes, as well as ledgers, invoices, audited and pre-audit financial statements, auditor reports, balance sheets, cash flow projections, account activity detail reports, monthly trial balances, reconciliation summaries, cheque register reports, general ledger journal reports, accounts receivable journals, sales journal reports, accounts payable journals, purchase journal reports, cash receipts reports and cash transaction journals.

The series consists of clippings of articles written by Friedlander covering a number of subjects and written for newspapers, magazines, newsletters and other publications.

Series consists of photographs in negative and print formats primarily pertaining to the personal life of George Reid and his family. Photographs in this series document Reid's childhood and adolescence in Shawville, Quebec; his service in the Canadian Forces during World War II; his marriage to Olive Wilson; their family life with children Peter, Dianne and Stephanie Reid; travel and family trips; social gatherings with family and art school friends; and work colleagues from Rous and Mann and C.F. Houghton. Also included in this series are early photographs of Reid's father, Edward Reid.

Series contains miscellaneous records created and used by ICCSASW including Reg McQuaid

Series consists of scripts written by others and sent to John Smith in the course of his film making career presumably for his consideration as a director or producer.

Series consists of research and course notes, lecture materials, outlines, quizzes, correspondence.

Series contains recordings of various performers. Live performances includes performances at the National Women's Music Festival, Berkeley World Music Festival, and the Michigan Women's Music Festival. Recordings also refer to Womynly Ways Productions which is a non-profit organization producing professional concerts, dance, comedy and theatrical performances featuring primarily women artists.

Series consists of point form speeches written by Wicks addressing topics covered in his published books, research material for books or worldly events including prisoners of war in Vietnam, and records pertaining to Wicks’s investiture in the Order of Canada in 1986.

Series consists of video recordings of episodes from the “Ben Wicks” television show that aired on the Canadian Broadcasting Corporation (CBC) from 1979-1981. In the series, Ben Wicks interviews famous people, politicians and people with unique jobs. Each episode contains drawing lessons from Ben Wicks and two, two minute commercial breaks with a black screen. The interviews were conducted over several years in the mid to late nineteen seventies. The series also contains videocassettes for several of Wicks’s literacy projects, a recorded speech he made at an award function, and a brief recording of Mila Mulroney discussing the success of the Canadian Children’s Fund fundraising campaign and book, “Dear World.”

Series consists of records created and accumulated by Marilou McPhedran in her capacity as a consultant to Homewood Health Care, a company providing behavioural, addiction and psychiatric services. The records in this series pertain to McPhedran's contract with Homewood, her participation in company meetings and a roundtable for Homewood employees based on a paper titled "Quest for empathy: human health in the post-deficit society." Files in this series include research notes, correspondence, memoranda, briefing notes, draft documents, reports, pamphlets, presentation slides (paper format), annual reports, invoices, conference materials, and journal articles.

Series consists of home movie videos from a Pakistani family in Toronto and includes footage of the subway, visits to Ontario Place, a relative's wedding, breakfast, and Ridley college. Footage captured by Shaheen Khan.

The series consists of research files, time lines, successive drafts of scripts with revisions, casting lists, publicity films and other material relating to films produced and/or directed by John Smith including "The Boys of St. Vincent", "Dieppe", "Dangerous Minds", "A Cool Dry Place", "Random Passage" and "Prairie Giant : The Tommy Douglas Story" among others as well as numerous minor productions such as the award winning films as "Bargain Basement" (1976), "Revolution's Orphans" (1979) and "First Winter" (1980).

Series consists of information related to ICCSASW’s work on various programs and projects for the benefit of the sugar workers. These included hosting visiting union staff at the Toronto secretariat, a documentation centre, exchanges among specific countries, building regional networks, etc. Files contain notes and correspondence, copies of labour agreements, minutes, reports, registration forms, newsletters and other program-related materials.

Series consist of video cassettes of films screened at the Desh Pardesh festival or an affiliated event; commercial shorts created specifically for the festival; and audio and video recordings of various events, workshops and performances at Desh Pardesh.

The series consists of research files, correspondence, drafts of scripts, casting lists, crew lists, publicity materials, and photographs relating to various television dramas produced by Bernard Zukerman. Projects documented include: "And Then You Die", 1986; "Skate!", 1987; "The Squamish Five", 1988; "Love and Hate: the Story of Colin and JoAnn Thatcher", 1990; "Dieppe", 1994; "Million Dollar Babies", 1994; "Net Worth", 1995; "The Sleep Room", 1998; "Revenge of the Land", 2000; "Heart: The Marily Bell Story", 2001 and others.

The series consists of audio visual recordings pertaining to Bernard Zukerman's television productions and including awards submissions, promotional videos, audition tapes, final broadcasts and ohter types of material.

Series consists of scripts, multilingual translations, media coverage reports, photographs and the central prop for “The Red Violin”, arguably, Rhombus’ most ambitious and successful production to date. Written by Don McKellar and directed by Francois Girard, The Red Violin features scenes in French, English, Mandarin, Italian and German, requiring significant translation and subtitling.
Filmed on location in Chicheley Hall and Oxford in England, China, Cremona, Italy, Vienna, Austria and Montreal, the film traces the life and travels of the famous ‘red violin’, from its creation in 17th century Italy by the master Nicolo Bussotti (Carlo Cecchi), through it’s exodus from an 18th century Austrian monastery to 19th century Oxford, Cultural Revolution-era China to a Montreal auction house, where an appraiser (Samuel L. Jackson) and conservator (Don McKellar) try to establish its authenticity and provenance.
The film features actors Jean-Luc Bideau, Jason Flemyng, Sylvia Chang, Julian Richings and Colm Feore. Violin solos used in the musical score were performed by Joshua Bell.

The Red Violin received significant critical acclaim. The film swept the 1999 Genie Awards, picking up trophies for art direction (Francois Séguin), cinematography (Alain Dostie), costume design (Renée April), musical score, sound (Claude La Haye, Jocelyn Caron, Bernard Gariépy Strobl, Hans Peter Strobl), best screenplay (Don McKellar and Francois Girard), direction (Froncois Girard) and best motion picture. For the Jutra Awards of 1999, the film also took awards in the areas of art direction, best cinematography, editing (Gaétan Huot), best supporting actor (Colm Feore) score, sound, screenplay, direction, and best film.

It also won the 2000 Oscar for best original musical score (John Corigliano).

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Series consists of miscellaneous images created or compiled by Larry Weinstein for a variety of projects over the course of his career.

Series consists of correspondence received by Scheier and copies of her outgoing correspondence pertaining to personal and professional topics. Much of the correspondence is exchanged between Scheier and her family members.

Series consists of material that documents Moore's academic career and courses of study at the University of Toronto and includes essays, notes, and exams as well as material that documents his interest in student theatre. It includes various student publications and contains copies of 'The Twig' and 'The Undergraduate.' It also contains material related to his tenure as a professor at York University in Toronto and includes correspondence relating to the Theatre Department and to the Faculty of Fine Arts, copies of minutes of the University Senate and other bodies within the University on which Moore sat, scripts and musical scores for 'Review of revues,' a Theatre Department production of satirical sketches based on 'Spring Thaw' (1977), as well as rare photographs of theatre productions at York.

Series consists of historical publications and newspapers preserved by Knowlton Nash because of the historical significance of their date or content. It includes memorial issues of American and Canadian newspapers and magazines related to the assassinations of John F. Kennedy and Robert F. Kennedy, the moon landing, the deaths of American presidents and Canadian prime ministers as well as early Canadian newspapers from the nineteenth century and newspapers published during World War II. Also included are three Christmas issues of English illustrated newspapers and a 1939 publication regarding the Royal Visit to Canada.

Series consists of records pertaining to the CIBPA Toronto's election dinner meetings held in May or June, often in conjunction with the association's annual general meeting, to elect members to the association's board of directors. These records document organization and planning for these events, membership attendance and instructions for voting. Files in this series consist of notices, ballots, newsletters, correspondence, nominations forms, financial statements, guest lists, sign-in sheets, scripts, candidate biographies and survey forms.

Series consists of newspaper clippings, some arranged chronologically, others by subject (Stratford, Canadian League of Composers), as well as printed material, correspondence, speeches, sketches, scores, drafts, catalogues and calendars of festivals. There are also programmes for performances, which are arranged by cultural activity (dance, music, theatre, etc). There are printed materials, including periodicals, arranged by title, including 'Bulletin from the Canadian Conference of the Arts,' 'Artscanada','Canadian composer,''Musicanada,' and reports of cultural institutions and agencies, and academic and government studies, including those in which Applebaum was a participant. Also included are records related to the creation of his last opera Errowhon (1996-1999).

Series consists of correspondence, minutes of meetings, press clippings, contracts, and reports relating to associations in which Applebaum was involved such as Canadian Music Centre (1967-1994), Chamber Concerts Canada (1988-1989), Canadian League of Composers (1976-1996), National Arts Centre (1967-1996) and SOCAN (1990-1994).

Series consists of agendas, minutes, submissions, evaluations and biographical information created and accumulated by members of the programming committee of Desh Pardesh, in the course of their activities soliciting, evaluating and organizing workshops, seminars, dance, music and theatre performances, literary readings, art exhibits and film screenings.

Series consists of material that documents Tenney's ongoing academic and professional interest in the field of music including material that documents his years as a professor of music at York University. It includes research material consisting of clippings, notes, drafts of articles and other material related to the the work of fellow composers such as John Cage, Edgard Varese, Harry Partch as well as Conlon Noncarrow. It also contains material that documents his interest in musical theory including drafts of articles written by Tenney as well as material related to his books "META-HODOS : a phenomenology of 20th century musical materials and an approach to the study of form" and "A history of 'consonance' and 'dissonance.'"

Series consists of original film elements of “The Lanza Sessions”, a 2000 celebration of the work of popular operatic singer Mario Lanza. Directed by David Mortin, the 55 minute television special features archival footage, interviews with contemporaries and performances by Richard Margison, (as the voice of Lanza), soprano Cassandra Riddle, and Tom Burlinson (portraying Lanza’s friend Frank Sinatra). Co-produced by Rhombus, Lanza Music Ltd. And Chairman Robert Girdwood.

Series consists of video recordings of Crosbie appearing on a variety of television programs in promotion of her books or as a guest panelist, as well as audio recordings of radio interviews with or literary readings by Crosbie. Included in the series are audio recordings of her interview with Al Purdy in January 2000.

Series consists of material that documents Moore's long standing affiliation with the Canada Council and includes council by-laws, agendas for general meetings, committees and sections such as the Audit Committee and the Advisory Arts Panel. It also includes minutes of general meetings including those of the Executive Committee (1974-1983), the Arts Committee (1974-1977) and the Humanities and Social Science joint meetings, among others. In addition, there is correspondence, arranged alphabetically by individual author and/or institution including the Canadian Cultural Institute in Rome to External Affairs and the Federal Cultural Policy Review Committee to Public Relations. There are also speeches and reports (alphabetically arranged), printed material, press releases, catalogues, photographs and other material that document Moore's work with the Canada Council. It also contains minutes, reports, clippings, correspondence and other material that documents his service on the British Columbia Arts Council.

The series consists of personal and professional correspondence, research material, interview transcripts, newspaper clippings, drafts of speeches and lectures given by Friedlander, copies of resumes, material related to the Sears Ontario Drama Festival and other material which documents Friedlander's career as a theatre critic and writer and which illustrates her involvement in the arts community in Ontario.

Series consists of personal and professional correspondence including copies of letters received by Tenney from friends and colleagues including Carolee Schneeman, Lionel Nowak, John Pierce, Morton Feldman, John Cage, Steve Reich, Warren Burt, Phil Corner, Malcolm Goldstein, Edgard Varese, Stan Brakhage, Peter Garland and Gayle Young, among others. It also includes correspondence generated in his various professional capacities at educational institutions such as Yale University, the Polytechnic Institute of Brooklyn and Bennington College as well as correspondence, which documents his relationship and work with Bell Telephone Laboratories in developing programs for computer sound-generation, the Institute for Studies in American Music, the Canadian Music Centre and musical organizations or institutions.

Series consists of copies of drafts and completed copies of Tenney's musical scores in various formats including manuscript and computer generated form. Among the compositions included in the series are "Poem for flute," "Sonata for 10 wind instruments," "Canon for bass quartet," "Thirteen ways of looking at a blackbird," "Quiet fan for Erik Satie," "Essay # 3 for string orchestra," "Quintext," and "Changes : 64 studies" among others.

Series consists of records that document Don Simpson's work through the Innovation Expedition (IE), mentoring both public sectors and private organizations in their transformation processes. Transformation processes were usually an application of IE's Challenge Dialogue System and included such things as consultation; strategic planning; continuous improvement; leadership development; searching for innovations in systems, networks and operations; organizational integration; professional development; knowledge management; and personal mentoring. Tools used by Innovation Expedition in their projects included customized toolkits, presentations, workshops, retreats and conferences. Simpson mentored transformations in the agriculture sector, human resources sector, health sector, and departments of the Alberta government. He worked with Alberta's agriculture and food industry on AgSummit, a five-month consultation process for agriculture stakeholders addressing concerns, current issues and emerging opportunities. In the health sector, Simpson guided discussions of the future of health care and long term care, and was involved with international organizations including the Council on Health Research for Development (COHRED), Essential National Health Research (ENHR), Asian Health Research Forum and Coalition for Global Health Research. Africa-based health groups included AfriAfya, a consortium of health non-governmental organizations, for which Simpson has been a key advisor and supporter since its formation in 2000; AMREF, the African Medical Research Foundation; AfHRF, the African Health Research Forum; and the Triple A Health Alliance of AMREF, AfriAfya and Action Africa Help International (AAH-I). Work in Canada included collaborations with Educating Future Physicians for Ontario (EFPO) and the Centre for Global Health at the University of Ottawa. In government, Simpson worked with the Alberta Agricultural Research Institute and Alberta Economic Development. In the corporate world, he was a mentor and facilitator in the transformation work of Canadian Oxy Occidental Petroleum Ltd; AVCO Financial Services of Canada and later its parent company, Textron; Bayer Pharmaceuticals (formerly Miles Canada); Alberta Science Research Authority (ASRA); Maple Leaf Foods; and AVAC Ltd, which represents Alberta's "agri-value industry." A significant portion of the records in the series pertain to Simpson's project with Textron: a Fortune 100 company with divisions in aircraft, finance, automotive and industrial products, Textron engaged IE from 1996 to 1998 with developing and running leadership forums, a professional development program for its Internal Consultants, mentoring Director of Change Pat Tod, and creating the Textron Global Operations Improvement Centre (GOIC). The records in the series are comprised of the contents of resource, planning and program binders, articles, notes, correspondence, reports, memoranda, presentation slides (print-outs of Microsoft PowerPoint), overhead transparencies, newsletters, workshop packages and support materials, business plans, challenge papers, critical issues documents, IE "travel guides," toolkits and backgrounders. There are also the contents of many project or client binders created over the course of a project. These project records may consist of any or all of the following: client information, work-tracking records, meeting notes, invoices, budget materials, contracts, correspondence, internal memoranda and background information. In addition the series contains four sound recordings from the Bayer Health Congress in 1996, and a CD-ROM presenting the continuous improvement vision for Textron.

Series consists of translations, production notes, research materials and original film and audio elements of the Niv Fichman-directed musical documentary special featuring Marcelo Alvarez, an Argentine accountant, whose meteoric rise to the stage after winning a song contest. In “Marcelo Alvarez : In Search of Gardel”, Alvarez returns to Argentina to perform and record the tango music of legendary crooner, Carlos Gardel. Includes some archival footage. Co-produced by Rhombus, Sony Classical, La Sept Arte and NHK. The film won an award at the International Film and Video Award.

Series consists of research notes, photographs, correspondence, production notes, film and audio elements of the documentary “Ravel’s Brain”. Written and directed by Larry Weinstein, “Ravel’s Brain” is described as a “musical/visual tone poem” exploring the final five years of composer Maurice Ravel (1875- 1937), who due to the degenerative brain conditions of aphasia and apraxia, was
able to produce music but not write it down or perform it. The project was initiated in early 1998 by Weinstein but was not completed until 2000, due to resistance from the Ravel estate.

Featuring the performances of the WDR (Sinfonieorchester des Westdeutschen Rundfunks) Symphony Orchestra and Radio Choir of Cologne, the film features interviews with Ravel’s colleagues, archival footage of his home in Montfort- l’Amaruy and his birthplace of Basque Ciboure. The bulk of the work was filmed on location in Marrakesh, a source of inspiration to Ravel.

The documentary featured staged dramatic scenes in which Thierry Costa played Maurice Ravel, Richard Cowan as Dr. Clovis Vincent and Jacques Dewitt as
Léon Leyritz. Some elements of the film may be reused from an earlier Rhombus production “Ravel”.

The project received three Gemini awards in 2002, best picture editing in a comedy, variety or performing arts program (for David New) and best sound in the same category (for Lou Solakofski, Peter Cook, Goro Koyama, David McCallum, and Jane Tattersall) and best production design (for Ambre Fernandez). It also received awards for best direction at Toronto’s Hot Docs festival and other international documentary film festivals.

The series consists of personal and professional correspondence, publicity material, copies of articles written by or about Clark including correspondence with Steven Heighton, Wallace King, Greg Gatenby, Joe Kertes, Catherine Bush, Katherine Govier, Leone Rooke, Diane Shoemperlen and others.

Series consists of materials used for the creation and defence of Stephen Endicott’s doctoral thesis on British imperialism in China in the 1930s. It includes interviews conducted during his two-year stay in London and extensive documentation from both governmental and business sources. These sources reveal the intense friction between a cautious Foreign Office (Sir John Simon) and a bold Exchequer (Neville Chamberlain) over what course of action should be taken in East Asia during those volatile years and the success of the large and powerful British capitalist and financial interests (Asiatic Petroleum Company [BP/Shell Oil], Imperial Chemical Industries, Hongkong & Shanghai Banking Corporation [HSBC] et al in the China Association) in pushing a forward policy in China despite the growing displeasure of a heavily armed Japan.

Series consists of personal and professional memorabilia accumulated and maintained by Robert Greer Allen from his childhood to his retirement from the Canadian Broadcasting Corporation (CBC) in 1990. These records include childhood photographs and a scrapbook, a short story published in a high school literary journal, his Trinity College yearbook, family artifacts, military manuals, a journal, broadcasting awards and other items pertaining to his career as a television producer, as well as items commemorating his retirement.

Series consists of records that resulted from Ruth Dworin's activities as a music promoter, queer activist, community organizer and business manager, as well as her personal life and interests. Records includes correspondence, diaries, calendars, files related to her production company, Womynly Way, and files related to her work as business manager of This Magazine and Canadian Woman Studies.

Series of consists of programmes, clippings, promotional material and/or audio recordings of Tenney performing his own compositions or performing work by others. It also includes material related to performances of Tenney's compositions by other ensembles with, in many cases, James Tenney conducting.

Series consists of records related to Peter Flemington’s work with the Rosewell Group, an independent collaboration amongst four friends (Peter Flemington, Doug Barrett, Des McCalmont, and the Hon. David MacDonald) who responded to the 1983 CRTC Call for Applications for a religious multifaith television service. Initially, their work centered on exploring the options and possible initiatives for Interchurch Communications. The Rosewell Group’s work leads to the creation of the Canadian Interfaith Network (CIN) in 1984, with the Rosewell Group continuing as the research arm of CIN to assist and guide it through the application process with the CRTC. This would lead to the creation of VisionTV in the fall of 1986.

The records in this series document the extensive preparation and research undertaken before the successful transition towards VisionTV.

Records include: meeting minutes; briefs; memos; policy and programming documents; correspondence; research notes; and CRTC applications and submissions.

Series consists of legal documents relating to the various court cases in the aftermath of the 1983 shooting and the prosecution of those involved; and the Ontario Human Rights Commission case against Famous Players Inc. in 1998. It includes transcripts, witness statements, photographs, and correspondence.

Series consists of personal and professional correspondence consisting of manuscript and typescript copies of letters received by Axelrod and, in many cases, copies of letters written by Axelrod himself.

Series consists of production notes, correspondence, production stills, candid photographs on location and original film elements of the documentary “Crossing Bridges”. When Israeli-born Maestro Pinchas Zukerman and Canada’s National Arts Centre Orchestra embarked on a concert tour of the Middle East, it was to be a triumphant homecoming for Zukerman, as well as his first-ever performance in an Arab country. Instead the latest out break of Middle East violence resulted in the cancellation of several planned activities including a concert in Jordan and master classes in the Palestinian town of Ramallah. Mozart’s 41st Symphony, commonly known as The Jupiter, provides the musical backbone for this provocative and emotional documentary. The National Arts Centre Orchestra’s spectacular Tel Aviv performance of the piece, serves as a counterpoint to the escalating chaos in the region. Co-produced by Rhombus, the CBC, and Bravo Canada.

Series consists of production notes, promotional material, production stills and original film and audio elements of the 2000 production reinterpretation of Mozart’s “Don Giovanni”. Directed by Barbara Willis Sweete, the 55 minute production presents the opera from the perspective of Don Giovanni’s servant Leporello, employing a ‘film within a film’ framework to reveal his master’s true identity. Starring the Russian baritone Dmitri Hvorostovsky, the production reveals the dark side of the opera with a provocative ending. Co-produced by Rhombus, CBC, Bravo Canada, Channel 4 Television and Thirteen/WNET.

Series consists of scripts for all six episodes, production notes, media clippings, production stills and original film and audio elements as well as stock footage relating to “Foreign Objects”, a miniseries broadcast on CBC, based on Ken Finkleman’s popular series “The Newsroom”. Finkelman reprises the role of George, a documentary filmmaker, who is forced to confront issues of evil, greed and the human condition (despite his preference for less complex commercially lucrative projects) in a series of six 30 minute episodes which aired on CBC in 2001. Particular material focuses on civil war in Kosovo, Western culture’s fixation on media and… Includes stock footage from CBC, the National Archives and other sources. Co-produced by Rhombus, Showcase Television and the CBC.

Series consists of material that documents Hoffert's involvement with the band Lighthouse from its inception to the present and contains musical scores and hand written lyrics for many of their songs including "Sunny Days". It also consists of photographs, press clippings, promotional material and legal records pertaining to the band.

Series consists of original, handwritten compositions by Hoffert and musical arrangements written by him for other musicians. The files also include additional material that supported the writing of the respective musical project including screenplays, time and cue sheets, correspondence and other material and demonstrate Hoffert's work in various genres such as film, television, musical theatre and concert music.

Series consists of audio recordings of bissett's poetry readings as well as recordings of bissett's musical activities with his band The Luddites.

Series consists of incoming and outgoing correspondence created and maintained by a variety of officers of the Toronto CIBPA, including association presidents (A.W. Santamaura, Manlio d'Ambrosio, Vito Giovannetti, Clement Nusca, Elio Rosati, Roy Orlando, E.G. Faludi, Remi di Carli, N.L Lorenzetti, Roldano Dalla Rosa), and general managers (Robert Dante Martella, Paul Uguccioni, Joyce Frustaglio). These records document a wide variety of topics, including letters of congratulations and thanks, invitations to dinner meetings and promotion of special events, communications with association membership, fundraising, and incoming requests for assistance. Files in this series also consist of newspaper clippings, photographs, newsletters, budgets, minutes, invoices, balance sheets and notes.

Series consists of annual reports of Herzberg's professional activities; correspondence with the departmental chair, dean, and other faculty members; the faculty strike of 1996/1997; efforts over 20 years to restrict smoking at York; and other topics.

Series consists of the agendas, minutes and administrative records and reports of the Desh Pardesh Board of Directors.

Series consists of administrative records, correspondence, festival programmes, press releases, advertisements, promotional materials, flyers, postcards, bookmarks, pamphlets and posters created and distributed by the publicity branch of the Desh Pardesh Programming Committee and the Desh Pardesh Board of Directors.

Series consists of production binders, musical scores, production stills and original film and audio elements (including a colour-corrected master) of the 2000 performance piece “The Four Seasons” directed by Barbara Willis Sweete. The 56 minute ballet, set to Vivaldi’s score and choreographed by James Kudelka, featured performances by the principal dancers of the National Ballet of Canada, including Rex Harrington.

Series includes records from the formational years of ICCSASW, primarily materials gathered by ICCSASW's parent institution, GATT-Fly, an overseas development agency of the Canadian churches for global economic justice. Series includes research materials pertaining to the sugar industry, such as material about the Food Prices Review Board and the Tariff Board hearings, gathered by food industry analyst Brewster Kneen in his research for “The Economy of Sugar," published in June 1971 by CENSIT (Centre for the Study of Institution and Theology). These research materials were given to Reg McQuaid in 1973 and include correspondence, memoranda, minutes and news clippings.

Series consists of government documents, pamphlets, manuals and information booklets, application reports, proposals and budget reports related to government grants to support, supplement and off-set the costs of organizing and presenting the Desh Pardesh festival and other affiliated Desh Pardesh activities, as well as paying staff salaries. Files have been organized by Desh Pardesh staff based on the main funding organization, namely: the Ontario Anti-Racism Secretariat; the Canada Council; individual and independent funding foundations; the Ministry of Culture; the Ontario Arts Council; the Ontario Women's Directorate; the Toronto Arts Council; and the Trillium Foundation.

Series consist of day planners used by Robert Greer Allen to record names, daily appointments and phone numbers pertaining to his personal and professional activities. Also included is an undated address and phone book.

Series consists of photographs belonging or taken by Shah. They include photographs and negatives of the Caribana mas parades and costumes created by Shah throughout the years, as well as other Carnivals and Mas parades across Canada, New York, and Trinidad and Toabgo. The series also consists of personal photographs of Shah’s family and friends.

Series consists of an Indo-Afro-Carribean family’s home movies featuring visits to a family farm and the birth of a younger brother.

Series consists of home movies from Colombian and Indonesian-Canadian family documenting a family party and a picnic at the Scarborough Bluffs beach. Footage captured by Fariden Piedrahita.

Series consists of a variety of records pertaining to Scheier's childhood, her family, her education, her personal life, and her career. These records include newspaper clippings, correspondence and forms, resumes, photographs, diaries and notebooks, books written by family members, high school and university lecture notes and essays, and objects including baby shoes, Scheier's smoking pipe, and a collection of political pins.

Series consists of correspondence, invoices, expense accounts, banking statements, cheque receipts, yearly auditors' reports, budgets, bankruptcy records and policy manuals related to the financial activities of Desh Pardesh.

Series consists of contact lists of members, participants, performers and supporters of Desh Pardesh as well as fund raising planning documents, promotional flyers, mailing packages, and member cards for various fund raising, membership and support campaigns for Desh Pardesh.

Series consists of media articles and news clippings related to Desh Pardesh participants and events, as well as catalogues, resource directories, periodicals and newsletters used by Desh Pardesh staff for reference purposes. Also includes a list of books, magazines and directories presumably the resource library maintained by Desh Pardesh.

Series consists of video cassettes and audio cassettes submitted to Desh Pardesh for consideration, including material from: film makers; spoken word and performance artists; comedians; dancers and choreographers; musicians and vocalists. For the most part, these tapes contain audition material, and it does not appear these materials were actually used or screened in the Desh Pardesh festival proper.

Series consists of records created and accumulated by Theresa Burke in her role as a producer for the CBC television program The Fifth Estate. The records in this series pertain to a 2001 documentary, titled "Terror", on the subject of the terrorist attacks of September 11, 2001. These records, which include interview transcripts, production materials, correspondence, research materials, notes, newspaper articles, and copies of court documents, document Burke's research and interviewing work and the process of assembling the stock footage and other visual components for the program. Research materials pertain to the individuals involved, U.S. foreign policy, the post-attack investigation, as well as the psychology and financial backing of the perpetrators.

Series consists of records relating to Simpson's efforts to promote learning and leadership development, including general resource material, toolkits, articles, and theme files.

Series also includes course descriptions, notes, correspondence, committee minutes and other records relating to Simpson's work at the Ontario Institute for Studies in Education (OISE) in the late 1960s and early 1970s.

Series also documents Simpson's efforts to develop the Centre for International Business Studies (CIBS) at the University of Western Ontario in the late 1980s, including preliminary plans, correspondence, program and conference material, resource material, speeches, and project records. In particular, many files relate to CIBS partnerships with Chinese educational institutions and the Institute for International Business Communication (IIBC) in Japan, in particular relating to their Corporate Communications Seminars.

Series also consists of correspondence, speeches, planning files and notebooks related to Simpson's term as Vice President and Director of the Banff Centre for Management in Alberta, including the Banff Centre's relationship with the Prosperity Secretariat.

Series also includes records relating to Axia's efforts at leadership development, via the School for Change Leaders/Agents and Athabasca University in the late 1990s.

Series consists of certificates of appreciation and membership from organizations such as The National Organization of Child Care Worker Associations Inc., The Christian Festival, The Board of Governors of Humber College of Applied Arts and Technology, The Coalition for Gun Control, the Canadian Criminal Justice Association, and a certificate of appreciation from the African National Congress signed by Nelson R. Mandela in 1995. Series includes reports, meeting minutes, research updates, memoranda, notes and articles from organizations such as the Vanier Institute of the Family, the Law Commission of Canada, the Round Table on Citizen Agency, Big Brothers of Canada, and the Church Council on Justice and Corrections, as well as correspondence between officials of the institutions and Mohr. Included in the series is the report, "Restorative justice discussion paper" from 1999, and a signed letter from Prime Minister Pierre Elliott Trudeau acknowledging receipt of Mohr's paper, "The politics of the family and the family in politics."

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Series consists of job advertisements, correspondence, job applications, employee evaluations, legal documents, working files, and resumes for Desh Pardesh staff members, as well as correspondence and administrative records related to the Desh Pardesh offices located at 401 Richmond Street, Toronto, Ontario.

Series consists clippings, note books, journals, photographs, publications, ephemera and other material which documents bissett's personal life and interests including his material that documents his years as an undergraduate at the University of British Columbia. It includes collected memorabilia such as buttons and name plates, identification cards and expired passports, a vest worn by bissett when giving poetry readings, tee shirts designed by bissett and a rattle used in poetry readings.

Series consists of records created and accumulated by Marilou McPhedran relating to METRAC, its mandate and its activities. Records in this series document a number of METRAC's projects in the 1990s, including its involvement with the May-Iles inquest and other legal cases, public safety audits for the Royal Bank and the Toronto Transit Commission, an Ontario Women's Justice Network project, and the production of METRAC publications on stalking and domestic violence. Also included in this series are McPhedran's subject files regarding violence against women and children, METRAC administrative files, and files pertaining to meetings of METRAC's board of directors, on which McPhedran served as a member and/or chair during this period. Files in this series consist of correspondence, minutes, budgets, reports, agendas, financial statements, legal documents, memoranda, newspaper and magazine articles, journal articles, handbooks and pamphlets, notes, mission statements, and work plans.

Consists of royalty statements, letters of permission, contracts, correspondence with agents and other material that documents financial transactions related to the sales and marketing of Mistry's work.

The series consists of copies of published works inscribed by their respective authors.

Series consists of Endicott’s research files pertaining to his books Red Earth: Revolution in a Sichuan Village (1988), and The Red Dragon: China 1949-1990 (1990). These files include interview transcripts, annotated photocopies of archival records, village account books (in Chinese with English translation), and interviews at the village, brigade, commune, and county levels; articles, clippings, chronologies, personality files, graphic material, pamphlets, project outlines, manuscript drafts, correspondence, conference papers, etc.

The series consists of correspondence, invitations, travel schedules, clippings and promotional material related to the publication of Mistry's work and to reading tours associated with it including his selection to the "Oprah Book Club". Series also includes material pertaining to the awards and nominations he received for his books.

Series consists of articles clipped from newspapers and magazines from across Canada, and either pasted onto loose leaf pages and kept in binders, or placed in file folders in approximate chronological order. The articles are often accompanied by letters, memoranda, and reports from CBC officials on related issues, as well as Knowlton Nash's research notes. While much of the material deals with Nash's career and information services at the CBC, many also deal with broader themes of broadcast journalism. Topics include: censorship and civil liberties, particularly in the context of cancellation of a program on the legacy of Vladimir Lenin and the coverage of separatism in Canada; the ratings contest between CBC and CTV; long-range planning for information programs at the CBC; the content and style of news broadcasts; possible interference by Secretary State Gerard Pelletier in CBC newscasts during the October Crisis of 1970; the resignation of Peter Trueman as the CBC's Director of News in 1971; objectives and goals of the CBC; the CBC's relationship with the children's program Sesame Street and the controversy over the program, All about women in 1972; cancellation of The Weekend in 1973, and Viewpoint in 1974; development of a series on Canadian prime ministers in 1973; CBC's production on the October Crisis, and the emergence of Adrienne Clarkson as a CBC television personality in 1975; Peter Gzowski's late-night talk show in 1977; the election of the Partie Quebecois majority government on 15 November 1977, which gave rise to discussions of the CBC's role and responsibilities in the context of the debate over national unity and Pierre Elliott Trudeau's order that the Canadian Radio and Television Commission probe allegations of bias at the CBC; statements to the CRTC during hearings for renewal of the CBC's license, and comments by Peter Kent that the Prime Minister's Office was influencing news coverage at the CBC in 1978; decisions by Peter Herrndorf and other CBC officials regarding The National, 1980; background research and arrangements for coverage of the wedding of Prince Charles and Lady Diana in 1981; and broadcast sovereignty.