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The fonds consists primarily of approximately 50 letters written to Mrs. Thomas Shore, and one to Jennie Shore. Most of the letters were written by Mrs. Shore's son Charles W. Shore, and about thirteen of these were sent to Mrs. Shore by her cousin, Andy Bach. There are also about a dozen letters of recommendations for Ivan Bradshaw Miles Barr.

Fonds consists of textual records about the life of George E.A. Reid, including birth, baptismal, and death certificates, high school yearbooks, personal correspondence, and personal papers from throughout adolescence and adult life, as well as material relevant to his professional working life. The records also include information about his family, including the diary writings of his mother, Bessie Ellis Reid, and his wife, Olive Reid. Fonds also consists of correspondence sent between family members and received by family members. Also included are 12 large scrapbooks containing cards, photographs, newspaper clippings, and other material created by, collected and arranged by George E.A. Reid and family. Also included in the fonds are Reid's personal and family photographs and various forms of Reid's artwork and music, including drawings, sketches, paintings, graphic print artwork, and some original musical compositions. The fonds also contains 35mm and large-format colour transparencies taken by George E.A. Reid of the family and flower gardens, as well as a binder containing original animation cells from "Life with Cecil" (1960), a short film animated by Reid, and other artwork including hand-painted cartoon movie title stills, sketches on tracing paper, and other hand-drawn cartoons. Also, there are 18 8mm film reels of home movies and family trips, as well as 2 audio cassettes that include Dianne Reid's interview with George's older brother Ted, and a recorded musical collaboration between George E.A. Reid and his youngest daughter, Stephanie.

A book and pamphlet collected by George E. A. Reid through his schooling and work and donated with the fonds have been added to Special Collections, and are accessible through York University Libraries' catalogue.

Fonds consists of diaries and approximately 150 letters of Gordon Stepler written during World War I and sent to his parents and sister. Also included are postcards, a discharge certificate, a photograph album and other photographs, a pay book, leave passes and other ephemera, as well as letters to Gordon Stepler's family from friends of Gordon Stepler and articles by Dorothy Stepler regarding her brother's participation in World War I, and pamphlets related to World War I and World War II.

Fonds consists of correspondence between Captain James R. Allan and Vivien Beer of Strathroy, Ontario before Captain Allan, was killed; press clippings and photographs of Captain Allan and Private Walter Beer while serving in World War I and scenes of various members of the Beer family.

Fonds consists of three series: diaries recorded in bound journals kept by Mackenzie during his adolescence and adult life; manuscripts of three works of non-fiction; and photo albums and passports of his family,and his life and travels overseas. Mackenzie recorded extensively on local and international political and social events. In his youth, Mackenzie was preoccupied with fascist and socialist movements in Europe. In later life, he became concerned with the influence of American foreign policy and its impact on Canadian sovereignty. His diaries also reflect his interest in films and the theatre, with entries on the deaths of his favourite actors and actresses and frequent entries on the various films and plays he attended in Toronto and abroad. He also wrote about the tours and activities of various royal families, and chronicled his own travels throughout the world in detail, including his extended stays in Australia and England. Mackenzie kept meticulous notes on his employment history and living environment. He also recorded details of his writing activities and his efforts to publish and support himself through writing. Mackenzie kept entries on his social activities in the gay community of Toronto, his relationships with other men, and later in life, his reflections on gay marriage, same-sex legal rights, the AIDS crisis, and the rights of gay couples to adopt and raise children.

Fonds consists of personal diaries, teaching notes and writing, performance and family memorabilia, diplomas, correspondence, sheet music, photographs and audio recordings pertaining to the personal life and professional career of Peggie Sampson, including her early activities as a music student, her work as a professor of music, and her performances on the cello and viola da gamba. These records also document her associations with early teachers Guilhermina Suggia, Donald Francis Tovey, Nadia Boulanger and Pablo Casals, as well as her work with the Manitoba University Consort during the 1960s and the Quatre en Concert in the 1970s. The personal diaries in the fonds span Sampson's time in Edinburgh and London during World War II to her immigration to Canada in 1951 to teach at the University of Manitoba and her employment at York University from 1970 to 1977.

The fonds consists of a typescript carbon copy of Robert Laird Borden's dairies for the period, 1912-1922. This covers the war years, the passage of the War Measures Act, the introduction of income tax in Canada, the organization of the Union government, and related topics.

The fonds consists of raw material collected for the York-Timmins Project conducted by a team of researchers led by Gold in 1981 and represent some 8000 hours of field work. Other team members included James DiGiacomo, Kathy Pirie, Peter Vasiliadis, Tanya Basok, A. Stewart, Lawrence Lam, and Michael Korovikin.

Original interviews were recorded although many were done without recording, notes only being taken. The tapes were not kept in order to honour promises made to the interviewees, however, detailed transcripts and edited transcripts of all tapes and notes were made and these include consistent marking of pauses, inflection and mood. Individuals from the following cultural and ethnic groups were interviewed: "pioneers" of the Porcupine Camp (Timmins and South Porcupine area); organizers of the Workers Cooperative (Ukrainian, Finnish, and British settlers); French-Canadian settlers and parish leaders; English mine settlers (both mine workers and managers); Italian settlers and community leaders; Chinese settlers and community leaders; Jewish settlers and community leaders; miscellaneous others.

In addition, there are photocopies and typed excerpts of articles from the 'Porcupine advance,' [newspaper] dealing with ethnic relations in the region, 1912-1950, and photocopies and typescripts of articles and essays dealing with ethnic communities in Timmins. There is also a photocopy of a mine company payroll for the year 1941.

Fonds consists of a single letter from Frederick Debartzch Monk, Conservative Party member of the House of Commons and Minister of Public Works in the Borden government to Boucher de la Bruere on political questions of the day (1911).

The fonds consists of material that documents Moore's activities as actor, writer, critic, educator and public servant. It documents his careers with the Canada Council, the British Columbia Arts Council, the Canadian Broadcasting Corporation (CBC), the New Play Society, 'Spring Thaw' and the Charlottetown Festival, and includes correspondence, manuscripts, scores, minutes of meetings, speeches, reports, clippings, photographs and other audio-visual materials.

Fonds consists of material which documents Joyce Wieland's career as an artist and filmmaker.

Consists of Dosman's project records and research files pertaining to his critically-acclaimed biography of Raul Prebisch. There are project correspondence files including photographs, notebooks, letters and notes from Prebisch's widow, interview files, and secondary biographies; special correspondence files between Prebisch and his colleagues and contemporaries; unpublished transcripts of Prebisch's "conversations" with colleagues; tributes on the occasion of Prebisch's death; manuscript drafts; copies of Prebisch texts and writings; considerable rare secondary source material from Argentina, Chile and other South American countries, CEPAL, critics and scholarly papers; correspondence files; government documents; office correspondence between CEPAL Santiago to Washington (primarily when David Pollock was Director of the Washington office of CEPAL during the period when Prebisch was resident in Washington and advisor to Enrique Iglesias, Executive Secretary of CEPAL); World Bank library documents; IMF library documents; UNCTAD correspondence and documents; Prebisch's office correspondence files; press clippings; and other material.

Fonds consists of personal files containing correspondence, articles, photographs, certificates, etc. relating to Ernest Bartlett’s family and career with the Toronto Telegram.

Fonds consists of textual and audiovisual materials pertaining to Seth Feldman’s work as an academic and professor of film studies, university administrator, film critic, and writer and presenter of radio documentaries. These records are research files, taped interviews, successive drafts of scripts, transcripts, and recordings of programmes produced for the CBC radio series “Ideas” and his dramatization of Herma Maximo’s “The Ultimate Threshold”, prepared for the CBC radio programme “Vanishing Point”. Also included are film-related subject files maintained by Feldman; notebooks and research notes; material related to the Film Studies Association of Canada; course materials, notes, lecture recordings, correspondence, and student papers pertaining to Feldman’s work as a professor and Dean of Fine Arts at York University; drafts of a screenplay inspired by the George James Grinnell book “A Death on the Barrens”; a collection of film magazines; copies of recent films produced in Turkey; copies of films directed by Allan King; and research materials relating to Feldman’s work on Dziga Vertov.

Fonds consists of Endicott's detailed and extensive research files and drafts pertaining to his books; learning and teaching files; academic correspondence; occasional papers and presentations; and other material. Files are arranged in series as defined by him prior to donation.

The fonds consists of correspondence of James Mavor with colleagues as well as press clippings relating to a Balkans Crisis in 1908.

Fonds consists of records created and accumulated by John D. Harbron, his wife Sheila E. Harbron, and some other members of their extended family. The collection mainly consists of John D. Harbron's correspondence, newspaper articles, and his personal, professional, and academic research and writings about Cuba and Latin America. The files also include essays and speeches by Harbron, as well as correspondence with editors and dignitaries, both national and international. The fonds also includes a large number of articles written by John D. Harbron for Canadian and international publications. The files belonging to Sheila Harbron contain personal records as well as genealogical research files, which include records and photographs tracing the Buck, Harbron, Hardy, Lester, Matheson, and Ryerson families.

Additionally, John D. Harbron's Cuban and Latin American book and pamphlet collection has been added to the Special Collections.

The fonds documents Terence William Barker’s activities as minister in the Jehovah Church. These records include material related to the Assemblies of the Jehovah's Witnesses (1961-1972); correspondence, reports and newspaper clippings concerning the issue of blood transfusions; the disassociation of Barker from the Witnesses; and records of his ministry with 'Watchtower' magazine. There is also material on the Process Church of the Final Judgement, which consists of correspondence between Barker and other members, records of the Toronto chapter steering committee, contact list of Ontario members and followers, copies of articles for publication in their journal, and a typewritten copy of an unpublished article by Barker, 'Is the Process Church of the Final Judgement Christian? A possible approach' [1971?]. Included in the fonds are speeches delivered while he was engaged in the Jehovah Witness program and talks on religious topics, copies of the 'Yearbook of the Jehovah's Witnesses,' (1945-1976); several editions of 'New World translation of the Holy Scriptures,' (1955-1970), several Witness tracts, incomplete runs of 'Awake,' (1949-1984) including bound volumes (1961-1972), 'Informant,' (1949-1954), 'Kingdom ministry,' (1957-1972), and 'The watchtower,' (1936-1984, incomplete run) and bound copies (1961-1972 - complete runs). In addition, there are reports of the Assembly of Jehovah's Witnesses (1946-1969), as well as song books, pamphlets and related material. For the Process Church of the Final Judgement, there are copies of 'Foundation,' and pamphlets including 'The Processeans,' [newsletter] (1972-1974). Also included is a photocopied (corrected in hand) typewritten manuscript by Barker of 'The time of the end: on the trail of the Final Age: Victorian to Aquarian' (1971-1973) and a photocopied, typewritten manuscript of Barker's 'The king of the North and the king of the South: apocalypticism and international politics' (1972-1975), both of which were unpublished.

Fonds consists of records pertaining to the life and work of Canadian-Scottish Jazz musician and Toronto Jazz Festival founder, Jim Galloway. Records include those pertaining to his early life in Scotland, his work as a booking agent and radio host with CKFM, his administrative roles with the Toronto Jazz Festival, and his life as a performing saxophonist. In addition to the administrative contracts, correspondence, notes, travel records, gig and festival memorabilia, sheet music, and other records pertaining to Galloway's career, the fonds includes extensive audio recordings of Galloway's radio show, Toronto Alive, as well as various other recordings created or compiled by Galloway throughout his career.

Fonds consists of correspondence of Albert Edward Kemp with political colleagues, government and parliamentary business. There is also financial material relating to Kemp Manufacturing Co., 1909-1923, including financial statements.

Fonds consists of research files, correspondence, scripts, production notes, budgetary material, promotional campaigns, awards, posters and assorted film, music, photographic and graphic material related to Larry Weinstein's creative process as a writer, documentary film director, and producer.

Fonds documents Jeanette Heller's activities as a dancer and career in entertainment with records primarily pertaining to her life as a Roxyette (Rockette), USO troupe dancer during World War II and the Korean War, and employee of many dance companies including the American Repertory Theatre Group. Records consist of photographs, newspaper clippings, programmes, annotated maps, correspondence, contracts, and a collection of Jewish recipes.

The fonds consists of correspondence of George James Rogers, financial records, audio reels, films, and related visual materials used in presentations by the Canadian Economic Foundation (CEF), the American Economic Foundation (AEF) and American Free Enterprise Productions. There is also material relating to Rogers' public relations work with Canadian General Electric.

The fonds consists of the records of David Bakan pertaining to his work as a York University professor and academic. Included are manuscript drafts and other writing, correspondence, notes, lecture notes, research materials, sound recordings, and teaching files.

Fonds consists of correspondence, personal files, photographs and writings by Elizabeth Kilbourn, as well as records related to her community involvement and her professional activities as a priest in the Anglican Church of Canada. The fonds includes family records, photographs and correspondence relating to her parents, William Kilbourn (her first husband) and their extended family, her memoirs, and the writings of her second husband, Richard Mackie.

Fonds consists of records pertaining to the writing and literary activities of poet Laurence Hutchman. These records, which include poetry drafts and manuscripts, notebooks, research materials, correspondence, memorabilia, photographs and audio cassettes, document Hutchman’s work as a poet, editor, interviewer and professor of English.

The fonds consists of Margaret Norquay's records pertaining to her graduate studies, her work with the Open College project, and to her community involvement with several committees and organizations, as well as personal files related to her family. The fonds is arranged in the following series:

Fonds consists of records pertaining to the life and work of social scientist Eric Trist. Records include photographs and textual material pertaining to Trist's early life and education in Dover, England, student records from his time at Cambridge and Yale Universities, and material related to his career as a theorist and academic in the fields of psychology and organizational development. These latter records consist of publications, presentations and other writings authored or co-authored by Eric Trist, records pertaining to Trist's teaching career in both the United States and Canada, and material related to the Tavistock Institute of Human Relations, of which Trist was a founding member.

Fonds consists of research material, notes, drafts, edited manuscripts, and proof pages for M.G. Vassanji's novels, collections of short stories, and non-fiction; scripts for an unfinished television project, "The Abdullah quartet"; unpublished drafts of poems and fragments of stories; research material on politics, religion, violence, and society in India from historical and contemporary perspectives, and arrangements for Vassanji's visits to India; drafts of his articles for Maclean's on social unrest in Africa; and drafts of his lectures on writing, cultural identities, and diversity given in Canada and Great Britain. The fonds includes professional correspondence with publishers and others, copies of articles related to his work, memorabilia about his literary career, publicity material related to his writing and to awards, and correspondence regarding his work as a teacher of writing. The fonds also contains material regarding his academic and professional activities as a nuclear physicist including course outlines, notes, essays, and offprints of articles authored or co-authored by Vassanji.

Fonds consists of correspondence, photographs, diaries, a scrapbook, college yearbooks and transcriptions of oral interviews created and accumulated by members of the Lennox family including husband and wife Fannie Jane Evangeline Watt and William James Wilfred Lennox, and their children William, John Watt Lennox and Elizabeth Lennox Locke.

The majority of archival material relates to John Watt Lennox (1920-1943), who was killed in action in WWII. Correspondence is accompanied by detailed inventory and contextual information compiled by Elizabeth Lennox Locke and her nephew Dr. John Lennox.

The fonds consists of minutes of the Ruskin Literary and Debating Society (1909-1993) [incomplete], reports of the critic (1920-1983), constitutions and by-laws, correspondence, invitations, lists of officers and members (1964-1991) [incomplete], financial records (1964-1979), histories of the Society, lists of prize winners, programmes of events (1904-1988) [incomplete], banquet programmes, and memorabilia, including photographs of meetings and members, the Society stamp and related objects.

Fonds consists of publications, professional and personal correspondence, reports, newspaper and magazine articles, pamphlets, greeting cards, postcards, photographs, conference papers, seminar papers, student evaluations, meeting minutes, memos, research articles, curriculum vitae and publications list, and unpublished manuscripts. The fonds documents Mohr's work in the fields of psychiatry, law reform, legal education, criminal justice in Canada, family equality, sentencing standards, and more. The fonds includes: handwritten letters written in German by Mohr to his wife and family during the 1950s when he moved to Canada, as well as letters written in German by friends; draft manuscripts and articles from his colleagues; meeting minutes and memos from law reform organizations; printed online articles about the Law Commission of Canada and its work; correspondence with members of law reform organizations of the Law Commission of Canada regarding reports and upcoming policies. Mohr visited many other universities for lectures, seminars and conferences, in addition to participating in professional organizations. Fonds includes his papers used at these events such as 'Clinical Judgements and Citizen Reviews and the Children's Act,' the 'International Congress on Law and Psychiatry,' and 'National Consultation on Sentencing.' Fonds includes a collection of papers and reports on subjects about the Max Planck Institute, feminism, postmodernism and the law, rhetoric language and the law, psychiatry and medical works, law and theory, and criminal law. Fonds also includes physical and electronic versions of Mohr's unpublished manuscripts, as well as electronic versions of some of Mohr's outgoing correspondence.

The fonds consists of audio recordings of, and notes relating to, interviews conducted by David Coombs with founding members of York University, particularly relating to McLaughlin College, and with K.H.M. (Michael) Creal and Harold I. Schiff regarding their roles on the Search Committee for a President of York University in 1969-1970; correspondence between Coombs and Prof. George Tatham, Master of McLaughlin College; and letters, photographs, ephemera, and a vaudeville script entitled "Inbad the Sailor" performed by Arthur Huston, Coombs's step-grandfather.

The fonds mainly documents Ernesto Vinci's career as a singer and his activities as a voice teacher at the Halifax Ladies College and Conservatory of Music, the University of Toronto, and at the Royal Conservatory of Music in Toronto. Records found from 1999 onwards are of the more personal variety and include personal and family correspondence between Vinci and his wife, and Vinci and his parents and parents-in-law, and other relatives during the 1930s as they tried to escape Germany. There is some correspondence regarding Vinci's efforts to sponsor his sister-in-law and niece after the Second World War.

Fonds consists of records pertaining to Frank Barrett's work as a university professor and his research and writing in the field of geography. These records include undergraduate and graduate essays, published papers, drafts, presentations, grant files, research materials including reproductions of maps and atlases, photographs, audio cassettes, videocassettes, teaching files, course notes, correspondence, raw data and questionnaires from Barrett's housing studies, as well as Atkinson College Geography department newsletters. The fonds also includes correspondence, book proposals and prospectus, drafts, and reviewers' comments for Barrett's "Disease and Geography: The History of an Idea".

Fonds consists of Morris's teaching notes; research notes on Canadian filmmakers and Canadian film topics reviews of Morris's books, notes and research files for his book David Cronenberg : A delicate balance; Canadian Encyclopedia of Film files; Film Studies Association of Canada files; original notes, documents and correspondence pertaining to Canadian film in the 1960s; CBC minutes from the 1930s; research material on John Grierson; files on individual Canadian films; notes on his archival research; nots of public film archives in Canada; misc files on Canadian film topics; annotated research files on the Canadian film industry, Canadian film personalities, bureaucrats, independent films, documentaries, censorship, exhibitions, the National Film Board; Canadian film research reports (1939-1953); masters papers by students doing research on Canadian cinema; research file on Nell and Ernest Shipman; John Grierson research files; research files on Canadian television and on the CBC.

The fonds consists of letterbooks of Albert Edward Taylor for the period, 1892-1901 when he was practising law in Aurora, Ontario.

Fonds contains correspondence relating to Nancy Pocock's career as a refugee worker, peace activist and jeweler as well as material relating to the Pocock family, to her personal life and publications and pamphlets collected by Pocock over the course of her career. While there was no discernable order overriding the entire fonds, a filing system was maintained for parts of certain series.

The fonds is arranged in the following series:

The fonds consists of drafts of published and unpublished poems, plays, stories, and novels, including those written for creative writing courses taken at York, drafts of poems written for her published poetry collections 'How to Draw Blood from a Stone,' 'Confessions of a Fertility Expert,' 'Pretending to Die,' 'Live Coverage,' 'Successful Tragedies: Poems 1998-2010' and 'Traumatology'. Also included is correspondence, research files, notes, and drafts related to Uppal's two novels 'The Divine Economy of Salvation' and 'To Whom it May Concern.' The fonds also includes the edited drafts of submissions and correspondence related to 'Uncommon Ground: A Celebration of Matt Cohen'. Files in the fonds also pertain to Uppal's work preparing anthologies as editor for 'The Exile Book of Poetry in Translation: Twenty Canadian Poets Take on the World' and 'The Exile Book of Canadian Sports Stories.' Records in this fonds also include personal and professional correspondence, drafts of plays, files regarding literary activities, including grant applications, personal appearances at conferences and events to promote publications, editorial work, writing workshops, and literary ephemera such as posters, programmes, flyers, catalogues and T-shirts. The fonds also includes teaching evaluations filled out by Uppal's students at York University, as well as literary works, stories, examinations, and final project submissions by graduate students whose work was supervised by Priscila Uppal.

Fonds consists of the research files and reference material used by Frances Dafoe in her capacity as a costume designer for theatre, television production, performances and figure skating competitions.

The fonds consists of material which documents both Christie's acting and pedagogical careers as well as material related to his family and personal life. Includes correspondence and subject files, photographs, playbills, scripts and production files, books, plays and reference materials, financial records, sound recordings, and scrapbooks containing reviews. The fond is arranged in the following series:

Fonds consists of Lindstrom's professorial and scholarly research files throughout her career, as well as records documenting her academic activities. Research files pertain to her publications and monographs such as "Defiant Sisters : A Social History of Finnish Immigrant Women in Canada, 1890-1930" (both the English and Finnish editions), and "From Heroes to Enemies : Finns in Canada, 1937-1947," as well as book chapters, articles, papers, presentations and lectures, and her involvement with the National Film Board production "Letters from Karelia," and subsequent research. The research files span the activities of Finnish and Finnish-Canadian organizations across the political spectrum, such as the Finnish Organization of Canada (left wing), and Loyal Finns in Canada (right wing). Records include oral history interviews (audio cassettes and transcripts), research notes, clippings, a significant and extensive number of photograph and letter collections passed down through generations of Finnish Canadians, diaries, correspondence, publication drafts, academic and professorial notes, microfilm of Finnish language newspapers published in Canada and archival records, financial records of Finnish-Canadian organizations such as newspapers and post-World War II relief funding bodies, scrapbooks, photocopies of rare and unusual documents such as two volumes of a Soviet register of Finnish War Crimes, a list of persons found in the mass grave at Karhumaki, and Soviet lists of North American Finns who journeyed to Karelia to help build a socialist utopia there, academic and professorial files, publicity files, files pertaining to her work with the School of Women's Studies, and her own papers as a university student. The fonds also includes letters written by Lindstrom as a newly-arrived teenaged immigrant to Canada to her best friend in Finland; many of these letters were published in Finnish with English translation in 'Letters from an immigrant teenager' in 2012.

Fonds consists of records of the Toronto Musicians' Association and records from Samuel Levine, President Emeritus of the association. Union records include minutes of meetings; photographs of conductors, singers, and dancers; promotional material for concerts; newspaper clippings; financial records; registers of members; bound copies of "Crescendo," the local's newsletter; tariff of fee booklets; member directories; and a "black ball" voting box. Levine's records include documents concerning the activities of the Toronto Musicians' Association, the Toronto Symphony Orchestra and the Organization of Canadian Symphony Musicians, including daily diaries (1959-1967 and 1988), bargaining agreements, tariff of fees booklets, and conference material (programmes, buttons, and a sewing kit). Some records also pertain to Levine's membership in the American Federation of Musicians.

The fonds consists of material documenting Ben Wicks’s work as a cartoonist, author, public speaker, television personality, humanitarian, and journalist. The records include material related to published books and booklets, original drawings and cartoons, research files, speeches, scrapbooks and clippings, diaries and day planners, published books, and audio recorded oral histories with members of the Jewish diaspora that immigrated to Israel during the 1920s – 1950s. Also included are records pertaining to Ben Wick’s investiture into the Order of Canada and episodes of “Ben Wicks,” an interview format television show that aired on the Canadian Broadcasting Corporation (CBC) channel in the late seventies, early eighties. 

The fonds consists of business receipts of Henry Gilchrist and family members, correspondence from Manitoba College, a genealogy of Henry McCuaig and Janet Calder (Gilchrist ancestors), photographs of Mrs. Henry Gilchrist and of Reverend James Archibald Hume Pue-Gilchrist, and related material.

The fonds includes extensive correspondence dealing with Callaghan's personal and family relationships, as well as his active involvement with an international community of poets, writers, and artists. Teaching files include course outlines, essay topics, reading lists and bibliographies on North American and Russian literature, examination questions, and notes regarding his teaching methods at York University from 1970 to 2003. Journalism files include research materials and interview transcripts and deal with his travels with Pierre Elliott Trudeau in 1968, the crisis involving the Front de liberation du Quebec and implementation of the War Measures Act in 1970, culture, politics and economics in Quebec, and Callaghan's works of political and social commentary for CTV and CBC. The records of Exile Editions make up a significant portion of the fonds, and include manuscripts for books, page proofs, and correspondence. These files show the creative process in considerable detail, and in particular Callaghan's work as an editor and translator. Administrative records for the publisher consist of catalogues, promotional material, writers' guidelines, grant applications, financial documents, and reviews of publications. Callaghan's endeavours as a travel journalist are documented through research notes, manuscripts for articles, correspondence, and promotional literature from various attractions at the locations he visited, including museums, theatres, and tracks for horse racing, 1978 to 1995. Manuscripts and annotated page proofs for Callaghan's Hogg poems, short stories, novels, memoir, and non-fiction trace the development of these works, and in particular his skill and attention to detail as a wordsmith. Callaghan's involvement with radio and television is represented by a variety of sound and moving image recordings, including audiotapes of his interviews with Brownie McGhee and Sonny Terry, videotapes of his television shows for CTV's "W5" and CBC's "Weekend," and original film pertaining to the war in Palestine in 1970, his interview with Angela Davis in 1972, youth culture in California in 1974, John Updike, and "The blues." The fonds also includes considerable material created by or involving Morley Callaghan, including literary agreements, royalty statements, stories by and about Morley Callaghan, manuscripts for several books published by Exile Editions ("Joy in heaven," "The lost and found stories," "The man with the coat," and "A passion in Rome") that provide an understanding of the close working relationship between Morley and Barry Callaghan, letters of sympathy and funeral notices following Morley's death in 1990, and scripts for the CBC movie, "Hemingway vs. Callaghan," 2002-2003. Also included are subject files including literary memorabilia and honorary degrees received.

The fonds consists of photocopies of a series of letters from Charles Arkoll Boulton to his wife Augusta, during the period of the Northwest Rebellion, 1884-1885.

The fonds consists of records created by Sydney Eisen in his capacity as a professor and university administrator in the Department of History and Humanities at York University as well as is research pertaining to Victorian Studies and Frederic Harrison, and involvement with the Victorian Studies Association of Ontario and the Centre for Research of Latin America and the Caribbean. Types of records include subject files, academic and professional correspondence, course outlines, lecture notes, research notes, committee minutes, and student references.

Fonds consists of records documenting Bruce Allen Powe's work as a writer of fiction, reviews and articles, his work as Executive Director for the Ontario Liberal Association, and his public relations career and freelance work for Powe Communications. Records include journals, day planners, notebooks, correspondence and e-mail, research files, scrapbooks, manuscripts and other draft writing, and career-related memorabilia. Also included in the fonds are family photographs and personal memorabilia; Powe's M.A. diploma, thesis and related research files; files, memorabilia and photographs pertaining to his World War II military service; and photographs, memorabilia and other records pertaining to Powe's trip to Ghana in March 1957 as associate private secretary to the Canadian Minister of Mines and Technical Surveys.

The fonds documents the journalistic activities of the "Toronto Telegram" and its predecessor, the "Evening telegram". The fonds includes photographs, scrapbooks and clippings.

This finding aid is a work-in-progress and will be updated as additional series are listed and indexed.

Fonds consists of correspondence of Emma Martin Sullivan, Adelaide Township, Ontario, and includes letters from her sister in Kansas, her brother, Neal, in Saskatchewan, and her aunt, Elizabeth Munson, in Maple Grove, Ontario.

Fonds consists of registers of British vessels employed in the coasting trade on Canada's Atlantic coast. One volume records vessels that arrived at Bridgetown, Nova Scotia, between 1876 and 1906, and the other volume lists vessels that departed from this port between 1876 and 1910. The registers include date of entry, rig and name of vessel, the master's name, port of departure or destination, whether the vessel was carrying cargo or ballast, and the number of tons and crew permitted under transire or coasting license.

The fonds consists of Donald Mackenzie's ledgers, day books, and account books for Mackenzie & Rogerson, merchants in Woodbridge, Ontario (1875-1904), and correspondence, petitions, registers, license records and related material for the West Riding of York Liquor License Inspector, 1877-1927.

The fonds consists of records relating to the Canadian Poetry Association, League of Canadian Poets and the HMS Press, as well as personal papers and manuscripts of Wayne Scott Ray.

The fonds consists of correspondence, notes, a scrapbook, publications and galley proofs of publications, both by Richard Henry Tawney and by the Workers' Educational Association. For Tawney there are notes on a book about the economic thinker Henry George (which was apparently never written), chapters in typescript and handwritten for 'Equality,' and page proofs for 'Twentieth Century socialism,' as well as articles and reviews (in typescript and handwritten and published) for 'The highwayman,' (publication of the Workers' Educational Association), correspondence with colleagues in adult education and history, and a scrapbook of newspaper clippings with some handwritten correspondence, relating to the Tawney family in England and India. For the Workers' Educational Association there are galleys of articles, and related correspondence for 'The highwayman'. There is also material of a general nature, including reports, correspondence and conference proceedings, and articles related to the education of trade unionists.

Fonds consists of more than 60 letters, newsletters, poems, and greeting cards written by Margaret Laurence to Ian and Sandy Cameron, as well as a copy of Laurence's will. The correspondence discusses Laurence's work as a writing instructor and speaker at the University of Toronto, her relationship with other Canadian writers and Clara Thomas, her move from Toronto to Lakefield, and her involvement with the Writers' Union of Canada conference in Ottawa in November 1973. Laurence comments extensively on her own works and her efforts to encourage other writers (including Ian Cameron), her efforts to produce a recording of songs with her lyrics and Cameron's musical score to accompany "The diviners," the film contract based on this novel, and her elation at winning the Molson Prize in 1975. The correspondence also discusses her divorce from Jack Laurence, her relationship with her children, and her views on social and generational change. The correspondence is accompanied by nine vinyl recordings given by Laurence to the Camerons that feature European classical music, African palm wine music, and Ghanian highlife music. The fonds also contains five letters from John Ruskin, the Victorian writer and art critic, to Kate Towney and Arbuthnot Cameron, 1865-1867, regarding Towney's marriage and financial affairs, mineral collecting, and ideas from Ruskin's book, "Modern painters." These letters are accompanied by notes and transcripts, as well as a letter written in 1907 regarding the Ruskin correspondence.

Fonds consists of a photocopy of a typescript and photographs of the history of the Schreiber family.

Fonds consists of nine handwritten notebooks containing the sermons written by William Clark for services held in several locations throughout Canada West (later Ontario), including Blenheim, Burford, Plattsville, Port Dover, and Toronto. The sermons created during the 1870s were written in Baldwinsville and Greenpoint, which were likely communities on Long Island, New York. Each sermon begins with a title and the underlying biblical text, and often include the numbers of the hymns sung during the service.

Fonds consists of: a ticket to the gallery of the United Kingdom's House of Commons issued by John Bright, 15 Feb. 1855; a cyanotype print of an unidentified mine in England; 48 letters written to publisher Elliot Stock by various correspondents including Sabine Baring-Gould, Walter Besant, Ford Madox Brown, William Francis Cowper-Temple, Austin Dobson, James Anthony Froude, William Ewart Gladstone, Edmund Gosse, Andrew Lang, John Morley, William Morris, John Henry Newman, Arthur Penrhyn Stanley, and Theodore Watts-Dunton; and a letter from journalist Henry W. Nevinson to Ronwen Stock, 26 Aug. 1936, regarding his book, Running Accompaniment: Autobiographic Reminiscences (1936) and her appointment in Toronto.

The fonds consists of a single, four page letter, dated 1855 November 16, addressed to Father, Mother, Brothers & Sisters, describing Thomas Adams' trip from Straffordville to Toronto in November, 1855.

Fonds consists of correspondence, brochures, clippings from newspapers and magazines, curriculum vitae, reports, original artwork, photographs (black and white prints and colour transparencies), financial records, speeches, exhibit catalogues, typographical research files, audio recordings, appointment diaries, awards, and design objects created or accumulated by Allan Fleming during his career as a graphic designer, teacher, and administrator. Topics of these records include: previous generations of his family in Scotland; his secondary school education; his years in England working with English typographers; his marriage to Nancy Chisholm; their relationship with Richard Outram and Barbara Howard; work at Cooper & Beatty Ltd., MacLaren Advertising, University of Toronto Press and other firms; the work of typographers such as Eric Gill and Carl Dair; Fleming's work for a wide variety of corporate clients (including Ontario Hydro, Trent University, the Hudson's Bay Company, Gray Coach, the Canadian Broadcasting Corporation, Canadian National Railway, Massey College, and the City of Toronto); television scripts; book and stamp design; his involvement in design juries; exhibitions of his work; book collecting; his declining health after a heart attack in 1971; and his death in 1978.

The fonds consists of records of Harry J. Pollock pertaining to his interest and involvement in theatre and to his research on James Joyce. The fonds includes correspondence and clippings, manuscripts, audio tapes, photographic materials, video cassettes, graphic and cartographic materials.

The fonds consists of material which documents Williamson's career as a fine arts bibliographer, librarian and instructor along with associated professional and scholarly activities. It includes correspondence and reports prepared for collection acquisitions (e.g. Germain Bazin library, archives and postcard collection), other library initiatives, interactions with various library departments, and departments in the Faculty of Fine Arts including visual arts, dance, and theatre; material related to her work on YUFA, PLAYU (Professional Librarians Association of York University), the Librarians' Group, and other York University and library committees; exhibition catalogues, monographs, articles and conference presentations authored by Williamson; and research materials, grant files and teaching files.
The fonds also includes a collection of letters and photographs that Williamson sent home during her stay at various summer camps between 1940 and 1951, material related to the Moore Park Ratepayers' Association, and a collection that Williamson acquired consisting of 63 photocopied letters from literary and artistic figures in Canada such as Susanna Moodie and George Munro Grant, addressed to Louisa Murray (1818-1894), literary critic and writer on feminist issues.

Fonds consists of research notes, newspaper clippings, reports, publications, correspondence, and photographs pertaining to Portuguese emigration and the Portuguese experience in Canada compiled by Professor Higgs in connection with his scholarly work and teaching on Portuguese history and his collaborative work with Grace Anderson.

The fonds consists of correspondence to Paul Sullivan from family members, including 22 letters from cousin Vernon Sullivan written between 1911-1915 and describing the daily life, concerns, and opinions of a young man first as a farm worker, and then teacher, on the prairies immediately prior to enlisting to fight in World War I at the age of 16. There are also ca. 40 letters from brother Edgar Sullivan written between 1914-1943 describing the life of a homesteader who has moved to Saskatchewan to homestead and operate a business during difficult economic times. The fonds also includes diaries (1915-1971), municipal tax notices (1886-1961), personal correspondence, family wills, deeds and mortgages (from 1848), some business papers, 4 newspapers, a child's book, ca. 15 photographs and 3 business ledgers (1934-1950). The letters are arranged chronologically.

The fonds consists of annual reports of the Consumers' Gas Company (1849-1925) [incomplete], minutes of the Board of Directors' meetings (1947-1925), minutes of special Board meetings, taken from the secretary's and president's notes and agendas; minutes of the Finance Committee (1852-1874), of the Works Committee (1853-1873), and of selected meetings of the Executive Committee (1805-1909). As well, there is a run of 'Street lamps' [publication] (1887-1906).

Fonds consists of the professional records of Knowlton Nash including: research notes, taped interviews, manuscripts, correspondence, publicity material and speeches regarding books written by Nash, including his unpublished memoir; print media articles about the CBC and Canadian journalism; newspapers articles by Nash for the British United Press wire service, and freelance columns and articles that were published in The Vancouver sun, Windsor star, and the Financial post; the newsletter, Washington thru Canadian eyes that was written and published by Nash while working as a freelance journalist in the United States; files on broadcast journalism and various projects at the CBC; daily appointment books; and correspondence regarding Nash's awards and retirement. The fonds also includes video cassettes and teaching material for CBC-TV's education program, News in review; notes and scripts for special news broadcasts on significant public events, including economic summits, the Quebec referendum, the repatriation of the Constitution, and Canadian and American elections; correspondence with viewers, colleagues at the CBC, and people with various organizations regarding editorial policies, coverage of major stories, speaking engagements, and Nash's involvement with educational and philanthropic organizations.

The fonds partially documents Fernand Ouellet's research and writing activities for the period 1956-1984. It mainly includes correspondence, notes, manuscripts and archival material collected in the course of his research.

The fonds documents John Tupper Saywell' university career as well as his research activities in the field of the Canadian political history. The fonds consists of his professorial files, 1969-1979; sound recordings and transcripts, 1935-1961; his photograph collection; research files, [198-]; and political cartoons, [183-]-1993.

The fonds consists of a leather bound handwritten collection of essays by Charles Nesbit, 'Lectures on logic,' delivered in April-August, 1791, presumably at Dickenson College, Carlisle, Pennsylvania.

The fonds consists typescripts of articles, with editorial corrections in red ink and pencil, galleys, artwork (maps, graphs, diagrams, etc.), correspondence, and related material for production and publication of the Cartographica journal. In addition, there are administrative records, including invoices, addresses of subscribers and editorial members, renewal notices and related material.

Fonds consists of records pertaining to research and administrative work performed by Janice Newton in her capacity as a PhD student and, later, faculty member in the Department of Political Science at York University. These records, which date from the 1970s until 2014, document research performed by Newton as she completed her 1987 doctoral dissertation and adapted this dissertation into a monograph in 1995, as well as her work as chief editor of the 2001 publication Voices in the Classroom. The records also document research and administrative tasks performed by Newton in her role as a contributing faculty member within the Department of Political Science at York University. Included in the fonds are research materials, correspondence, scrapbooks, administrative records, audio and video recordings, and photographic prints and negatives created or accumulated by Newton.

Fonds consists of records created and accumulated by the Canadian Speakers' and Writers' Service Ltd. over the course of over 50 years as a literary agency and management company for writers, public speakers, and actors.

The bulk of the records consist of client files which includes correspondence to and from clients; correspondence with publishers, media, sponsors of talks, radio and television producers; publicity material relating to clients including resumes, headshot photographs, schedules, travel arrangements; newspaper clippings; reader's reports; royalty statements; and contracts. There are also audio cassettes and video cassettes of interviews and recordings of the work of some CSWS clients. Notable clients include: Earle Birney, Arthur Black, Harry Boyle, Adrienne Clarkson, Sorel Etrog, Don Harron, Lynn Johnston, Paul Kligman, Mavor Moore, Lister Sinclair, Harry Somers, Ben Wicks, and Chris Wiggins.

There are also general correspondence files, business records (including office diaries for the period, 1951-1965), manuscripts (from clients and unsolicited), and print materials (publishers' catalogues, anthologies of plays, newsletters, copies of labour agreements between the Canadian Broadcasting Corporation and ACTRA, and clippings). There is a series of records related to CSWS Ltd. founder, Matie Molinaro, documenting her early life in New York and her work as a war correspondent during the Second World War. Also included is a series devoted to records related to Marshall McLuhan and his estate, long-time clients of CSWS Ltd, which includes correspondence, contracts, notes, drafts, clippings, offprints, photographs, and ephemera.

Fonds consists of records documenting Doob’s activities as a professor at York University and scholar of medieval studies, dance, and medicine. A small amount of personal memorabilia and ephemera of her early life related to her education are included.

Fonds consists of files from various positions Lewis held throughout his career, including correspondence, research documents and clippings covering a wide range of political issues, draft articles, and notes from his reporting days for Time Magazine and Maclean's, as well as editorial planning and management-related operational files from Maclean's. Also included are correspondence files, reports, budget files and strategic planning documents from his content development position with Rogers Media. The fonds also contains minutes and notes from York University's Board of Governors committee meetings. Personal files and speeches, including notes and drafts, are also part of the fonds, which includes 187 notebooks and planners used by Lewis for his research, note-taking, and scheduling. Press and magazine clippings that Lewis collected from various print and online publications are dispersed throughout the fonds. The fonds includes episodes of Maclean's and OMNI television, and other moving image recordings on videocassette.

Fonds consists of copies of published and unpublished papers, journal articles, conference papers and reviews written by Lessem, course material, a copy of his M.Litt thesis, "The Style and Structure of Frescobaldi's Keyboard Ricercari and Fantasias", and other material that documents his career as an academic.

Fonds consists of a handwritten poem entitled, Letter to Dave Meltzer.

The fonds consists of a typescript of Le Goff's 'Vannes and its region...,' published by Oxford, 1981.

Fonds consists of musical recordings on one 1/4" audio reel, performed by Deva Prasad Das on vocals and mardal with Shankaran on flute. These performances were intended to accompany the Deba Prasad Das style of Odissi dance. Consists of three separate performances: "Nindata Chandana" Abhinaya, Ashtapadi (an expression-based dance); "Natangi" and a Boomija folk dance from Orissa. These recordings were made to accompany performances by Sukanya Rahman.

Also includes four VHS recordings of performances by Rahman in various venues in the 1990s.

The fonds consists of records created by James Laxer in his capacity as a student, writer, and activist. Fonds includes some of Laxer's high school debate speeches, MA and PhD research, professional correspondence, Waffle records, political reports, research notes, newspaper columns, book proposals, and drafts of articles and book manuscripts for both published and unpublished material including 'Leap of faith,' 'Decline of the superpowers,' 'The undeclared war : class conflict in the age of cyber capitalism,' 'Stalking the elephant : my discovery of America,' 'The border : between uneasy neighbours,' 'Red diaper baby : a memoir of childhood in the age of McCarthyism,' The Groundwork guides to 'empire','oil', and to 'democracy,' 'The Acadians : in search of a homeland,' 'Jamais Provence,' 'Mission of folly,' 'Beyond the bubble : imagining a new Canadian economy,' 'Tecumseh and Brock : the war of 1812,' 'A house divided : watching America's descent into civil conflict,' 'Playing for a continent,' and 'Paris days : in a time of crisis.' It also includes correspondence and draft scripts for his films, 'The CCF-NDP : building Jerusalem' and 'Reckoning,' printouts of his personal blog postings, and replies to his freedom of information requests to various security agencies.

Fonds consists of records pertaining to the personal life of Jeanne Randolph and to her work as an art theorist and psychiatrist. These records, which date from the early 1940s to 2014, document Randolph's relationships with friends, family and colleagues as well as the progression of her medical career, her art writing and lecturing. Included in the fonds are correspondence, photographs, research materials, draft manuscripts, notes, journals, day planners, personal memorabilia and ephemera created and accumulated by Randolph, as well as photographs and memorabilia pertaining to the early life of Randolph's mother, Elizabeth Bryant Randolph, and the Bryant and Randolph families.

The fonds consists of a diary of E.C.A. Gordon and account book for work in the shipyards at Galatea, Constantinople, for the year 1856. The accounts are kept in piastres [Spanish currency] and British pounds.

Fonds consists of a scrapbook containing letters and autographs from men and women such as W.L. Courtney, J.M. Wilson, F. Max Muller, Sir John Burke, W.J. Courhope, E. Curtius, John Cam Hobhouse, Admiral J. Jervis, B. Jowett, A.H. Sayce, and W.A. Wright; poems by Federico Garcia Lorca, Cecil Day-Lewis, and Wilson Pugsley MacDonald; press clippings for the Mid-Canada Development Conference; a bound manuscript by E.B. Sorge; letters written by Robert White Creeley, Dennis T. Patrick Sears, Edith Sitwell, Arthur S. Hamilton, Eugene A. Moxley, Arthur Chute Dent, Esther and Abraham Rattner, Francis Turner Palgrave, Robert Taylor, and Clement King Shorter; the will of William Crysall; the journal of Florence Alice Sitwell; sketches by Arthur S. Hamilton; a scrapbook of photographs and letters by Frederick H. Evans; a short essay on Roy Campbell by John Gawsworth; a Kingston Preparative Meeting of Men Friends minute book; a L'Académie française medal; a silk screen poster for The Escstasy of Rita Joe ; a manuscript of “Apollo Tree” by Miriam Waddington; and a list of Livingston and similar names from 1871 Census of Ontario.

Fonds consists of the personal and professional records of broadcaster, television personality and talk show host Dini Petty, including broadcast and preservation tapes of episodes of "The Dini Petty Show" (1989-1999), audience member waiver contracts, binders listing episode information and promotional photographs of Dini Petty with various guests including local, Canadian and international celebrities, public figures, journalists, actors, musicians, artists, politicians and performers. Also includes Petty's personal family records, memoirs, documentation and photographs related to her training as a helicopter pilot, her work as a journalist and on-air personality at CITY TV, promotional photographs, news clippings and magazine articles, CVs, promotional material and production tapes for documentaries on incest, "Having a Baby" and other news casts and television documentaries. Also includes drafts, promotional materials, illustrations and other content related to Petty's children's book "The Queen, The Bear and the Bumblebee", script and production material related to Petty's one woman show, contracts and tapes of Petty's work on Pear's shampoo commercials, poetry, biographical information and legal documents related to lawsuits with Air France as well as plaques, awards and tributes.