Showing 804 results

Series consists of records created or accumulated by Harvey Cashore and used in the writing of his 2010 book, "The Truth shows up : a reporter's fifteen-year odyssey tracking down the truth about Mulroney, Schreiber and the Airbus scandal." These records, organized and interfiled by date, document the extent and scope of Cashore's research into the Airbus affair which began while he worked in Ottawa as the research associate to investigative journalist John Sawatsky during the 1980s, and continued into the 1990s and 2000s while authoring two books on the Airbus affair and producing several award-winning documentaries on this topic for the CBC's "The Fifth Estate" television program. The series includes: records pertaining to the activities and finances of German businessman Karlheinz Schreiber and his accountant, Giorgio Pelossi; a complete record of Schreiber's Zurich bank accounts, including code-names and rubriks, into which millions of dollars of secret Airbus commissions flowed in and out; Schreiber's personal handwritten daytimers from 1987 to 1996 describing key players in the affair and meetings in Canada and Germany; hundreds of interviews with politicians, bureaucrats, air industry executives, "spin doctors," and other insiders, accompanied by verbatim transcripts; a meticulous record of dozens of interviews with Karlheinz Schreiber conducted over 12 years; documents from a lawsuit brought by Schreiber against Cashore and the CBC in 1996 and 1999 (Schreiber would later pay CBC's legal costs); records pertaining to former Prime Minister Brian Mulroney's 1996 lawsuit against the Canadian government; and testimony from the 2007 House of Commons Standing Committee on Access to Information, Privacy and Ethics and the 2009 Oliphant Commission. The files in this series include correspondence, memoranda, research notes and chronologies, interview notes and transcripts, government documents obtained through access to information requests, court documents and transcripts, newspaper and magazine articles, photographs, and audio cassettes. Also included in the series are manuscripts for "The Truth shows up."

Series consists of records pertaining to Jarrell's work as a professor and administrator at York University. Records include course syllabi and handouts, examinations and assignments, lecture notes, course evaluations, presentation slides, handbooks, a student cookbook, correspondence, reports, photographs, applications, and forms.

Series consists of research notes, correspondence, reports, meeting notes, speaking notes for presentations, and grant applications pertaining to Armstrong’s role as either Principal Investigator or Co-Principal Investigator of the following grant-funded, large-scale research projects: “Voices from the Ward” (1992), “Managed Care vs. Managing Care” (1998-2001), “Long-term Care Workers and Workplaces: Comparing Canada and Nordic Europe” (2005-2006), “What Does Quality Health Care Mean to Women? A National Study” (2010-2012), "Nurses at Risk: Exploring gender and race in workplace illness, injury and violence” (2008-2011), “Re-imagining Long-Term Residential Care: An International Study of Promising Practices” (2010-2017), “Healthy Aging in Residential Places” (2012-2015), "Changing Places: Paid and Unpaid Work in Public Places" (2018-2021). This series also consists of research documents pertaining to Armstrong's work on smaller research projects including books, book chapters, articles, and reports.

Series consists of personal records created and maintained by Theresa Burke from the 1970s to the 2000s. These records include personal letters, journals, day planners, resumes and covering letters, university essays and notes, poetry, and photographs.

Series consists of records created or accumulated by Sternberg in the process of her activities as an experimental filmmaker, performer, and artist. Records include project files on complete and incomplete works, including but not limited to "A Story," "Transitions," "Like a Dream That Vanishes," and "Beating," and consist of notes, scripts, shot lists, research materials, grant applications, and correspondence. This series is primarily comprised of 35mm slides and photographs of varying dimensions. The series also includes multiple moving image formats, as well as an envelope of pressed leaves and a box of cloth figures.

Series consists of records accumulated and created by David Charles in his capacity as an on-set dresser, set decorator, set designer, prop master, daily buyer, or production designer for motion picture feature films shot in Toronto, Ontario, from 1970 to 2010. The records in this series are predominantly scripts and assorted production materials. These production materials include photographs, drawings, architectural drawings, signs, shooting schedules, call sheets, crew and cast lists, set decoration reports and forms, invoices, contact lists, location filming permits, location lists, storyboards, set decoration budgets, cast schedules, research notes, production breakdowns, story chronologies, prop lists and set notes, expense reports, set decoration location sheets and inventories.

Series contains collected and accumulated academic literature, newspaper clippings, and correspondence pertaining to areas of research interest.

Series consists of applications prepared by the TDT for submission to the Canada Council for grants to support its general operations, to earn funding for its tours or to receive financial assistance for specific projects. Series also includes budgets, post-performance stage managers reports and correspondence related to the grant applications. (Copies of Canada Council applications may appear in the General Manager's and Engagement Files.)

Series consists of records generated in Principe’s capacity as editor of Forze Nuove from 1972 to 1982, and in subsequent years, including account books, advertising records, bank statements, correspondence, editorial drafts, invoices, mailing lists, publisher’s statements of mailing, and subscriber lists.

The series consists of research material, notes, drafts and manuscripts of Powe's published and unpublished works including his books "A Climate Changed" (1984), "Noise of Time" (1989), "A Tremendous Canada of Light" (1993), "Outage: A Journey Into Electric City" (1995), "The Solitary Outlaw: Trudeau, Lewis, Gould, Canetti, McLuhan", "Mystic Trudeau" (1997), "Towards a Canada of Light" (2006), "These Shadows Remain" (2011), his 2009 PhD thesis, "Apocalypse and alchemy: visions of Marshall McLuhan and Northrop Frye", the reworked and published version of his PhD thesis, "Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy" (2014), "Where Seas and Fables Meet" (2015), and "Decoding Dust" (2016). It also includes drafts and/or printed copies of numerous reviews, essays and articles written by or about him, and drafts pertaining to the "Opening Time: On the Energy Threshold" collaborative project. Series also includes correspondence with publishers and fellow writers such as Irving Layton, Hugh Kenner and J.G. Ballard in reference to his work, publicity material for several of his books, and copies of journals and magazines in which Powe's work appeared.

Series consists of labour contract booklets gathered at various meetings of U.S. sugar workers. The booklets give a good idea of the wages, benefits and contract language of the period.

Series consists of materials created and accumulated by Hutchman pertaining to a variety of subjects, particularly his involvement with literary events, talks given at high schools, conferences and professional organizations, including the League of Canadian Poets, the Writers’ Union of Canada, the Writers’ Federation of New Brunswick, and the New Brunswick Arts Council.

Series consists of contracts, correspondence, budgets, performance reports, pre-tour information and other material relating to performances and/or appearances by the TDT in Toronto and elsewhere including specific TDT engagements in Asia, Colorado and Jacobs Pillow, Massachusetts. Prior to 1982, the engagement files were the responsibility of the TDT Production department; following 1982, this responsibility was shared by the Company Manager or the Tour Coordinator.

Series consists of records created and maintained by Pat Fleisher between 1971 and 2008. The records in this series pertain to Fleisher's work as a freelance art consultant and a leader of Toronto Board of Education art tours, her research for and work as an art magazine publisher, and other assorted projects. These records include notebooks and day planners, photographs, video cassettes, computer disks, an audio cassette, notes, articles, business and financial records, contracts, contact lists, and research and promotional materials.

Series consists of notes, board minutes, reports and a set of oversize photographs of participants and their activities.

Series consists of correspondence received by John Smith during the course of his career as a director and producer and business records of Smith's company, Dunany Productions Inc., including copies of year end files.

Series consists of information related to ICCSASW’s work on various programs and projects for the benefit of the sugar workers. These included hosting visiting union staff at the Toronto secretariat, a documentation centre, exchanges among specific countries, building regional networks, etc. Files contain notes and correspondence, copies of labour agreements, minutes, reports, registration forms, newsletters and other program-related materials.

Series consists of lecture notes, correspondence, reports, meeting minutes, and award nominations pertaining to Armstrong's academic career, holding positions at York University, Sir Sandford Fleming College and Vanier College, as well as a Student Information Officer at the University of Toronto Students' Administrative Council.

Series consists of correspondence, notes and other material related to Paikin's enrolment to the University of Toronto as well as files related to many courses taken by Paikin including English, Canadian Studies, French, History, Latin and Philosophy. These files contain lecture notes, essays, course outlines and other material related to his studies. The series contains records of his early radio work at the University of Toronto where he was the play-by-play announcer for university hockey and football games and includes Paikin's notes and background material related to the University of Toronto Varsity Blues teams as well as an audio recording of a hockey game for which Paikin was an announcer. It also contains material related to his application to the broadcast journalism programme at Boston University and includes his MA Thesis proposal, correspondence with his advisors and drafts of his thesis on the Jane-Finch area of Toronto.

Series consists of documents created or accumulated by Knowlton Nash in the course of his work with the Canadian Broadcasting Corporation. The records are generally arranged in chronological order (files with the title, "CBC," in the file list), but many documents were pulled together into subject files on a particular topic. The series includes letters and memoranda involving programming and journalism issues, including the evolving nature of television news coverage, the impact of ratings, and journalistic appointments, as well as mementos from political conventions covered by Nash. These records cover a wide range of topics, including: contract negotiations between Nash and the CBC; Nash's proposals for changes to news reporting; the CBC Correspondents Association; the federal government's control over news coverage during the October Crisis, 1970; protection of sources, including legal action against Nash; the impact of controversial programs, such as the hearings over "Air of death" that dealt with air pollution in 1967 to 1968, and libel actions involving various CBC correspondents; the departure of Lloyd Robertson for CTV News in 1976; the policy governing access by prime ministers to the CBC for broadcasts; Nash's statement to the Canadian Radio and Television Commission regarding the CBC's application to renew its license in 1978; the action by the Canadian Union of Public Employees against the CBC and Knowlton Nash in an attempt to stop journalists from reading the news on television, 1978 to 1980; development of The National and The Journal and the move of nightly news to 10:00 p.m.; Nash's decision to step down as Chief Correspondent in 1988 and his retirement in 1992; news specials on the 50th anniversary of D-Day in 1994; presentations to the CBC Board of Directors on the future on television news reporting during retreats from 1996 to 2001; and an unpublished manuscript on the news show, The Fifth estate. The series also includes several published reports on the CBC, its history, mandate, policies, and future.

Series consists of a Barbadian- and Guyanese-Canadian family's home movies documenting winter and summer in Sydney, Nova Scotia. Footage captured by Thelma Nobrega.

Series consists of dance, theatre, music and other performing arts programs, brochures, flyers, magazines, and newsletters collected by Selma Odom from 1972 to 2008. Materials represent dance performances, events, and venues primarily in North America and Europe, with strong representation of the Toronto dance scene.

Series consists of typescripts and handwritten notes of speeches given by Campbell at various events, such as commencement ceremonies, graduation ceremonies, anniversaries, panel discussions and family gatherings. The majority of speaking engagements appear to have been organized privately, but some were organized by the CBC, such as those for chapters of the Canadian Club. Series also contains other materials for or from a speaking engagement, such as correspondence, conference materials, programs, and travel itineraries, and photographs of Campbell with guests at various speaking engagements.

Series consists of letters of recommendation written by Herzberg.

Series consists of documents created or accumulated by Knowlton Nash as a result of his involvement with various organizations, or his work as a journalist before and after his career with the CBC. Files pertain to: Washington through Canadian eyes, a newsletter written and published by Nash from 1958 to 1959; the United States election of 1966 and the last electoral campaign of Robert Kennedy in June 1968; job offers during the 1960s; the Canadian Business Hall of Fame; relations between Canada and the United States during the 1990s; Quebec sovereignty between 1991 and 1995; the Canadian Institute of International Affairs; Nash's work as Chair of the Advisory Council for the Canadian Organization for Development Through Education (CODE); correspondence regarding Christmas functions held by Knowlton and Lorraine Thomson Nash; his work as spokesperson for the Cystic Fibrosis Foundation and the Developing Countries Farm Radio Network; Nash's work as a Director of the Gordon Sinclair Foundation; creation of the Knowlton Nash Prize in Journalism, 2000; his involvement with the National Speakers Bureau from 1987 to 2006; the Toronto Arts Award and Word on the Street; columns for the Osprey Media Group and The Globe and Mail; Nash's relationship with the University of Regina, School of Journalism and Communications from 1981 to 2005 (including his teaching notes for 1992-1993); awards presented to Knowlton Nash, including his honorary doctorate from York University in 2005; and general research notes on media.

Series consists of files pertaining to incomplete, pending or cancelled projects. Includes research materials, notes, correspondence, proposals, agreements, synopses, scripts, financial records, insurance records, mutual releases, location material, audio and video recordings.

Series consists of personal and professional correspondence including manuscript and typescript letters as well as e-mail received by Sheard and, in many cases, copies of letters written by Sheard herself. Among the correspondents are Michael Ondaatje, Margaret Dragu, Griffin Ondaatje, Margaret Atwood, Alberto Manguel, Susan Swan, Ann Ireland, Daphne Marlatt, Phyllis Webb, Jan Kudelka, Audrey Thomas, Brian Fawcett, David Young, Marian Engel, Seiji Ozawa, John Metcalf, Robert Kroetsch, Libby Sheier, Timothy Findley and Roy Kiyooka. The subject files consist of correspondence, notes and other collected material that document Sheard's writing career including grant applications and contact letters. Also included are materials that document her association with the National Book Festival and the Zen Buddhist Temple in Toronto, as well as her training and work as a psychotherapist.

Series consists of proprosals and appraisal reports for the graduate program offered by York University, Department of Dance.

Series consists of the text of speeches delivered by Knowlton Nash to a wide variety of audiences across Canada. The speeches focus on broadcast journalism and television news services, either in the general context of CBC programming, or tailored to reflect the content of a book written by Nash. Themes include the importance, standards, and ethics of journalism, its relationship with politics, and the role of television news reporting in developing a democratic society, a national identity, and national unity. Many of the speeches were arranged by CBC officials, in order to raise the profile of its news and information services and to develop connections between operations based in Toronto and Canadians at a local or regional level.

Series consists of photographs of, by or collected by George Papadatos and pertain to events held by the Toronto Greek-Canadian community during the 1970s TO 1990s, such as musical performances, dances, the Toronto coffee house scene, political meetings and rallies, parades. Some photographs relating to the Trojan Horse coffee house can also be found in the scrapbook in 2014-044/001(10). 

Series consists of completed grant applications prepared by the TDT for submission to the Toronto Arts Council, Metro Toronto Cultural Affairs and to various Provincial and Federal Ministries for general operations grants, tour funding and targeted grants as well as post-performance stage managers reports and related correspondence.

Series consists of sound recordings pertaining to Air Farce radio shows. Series also includes master recordings, and recordings pertaining to audio merchandise.

The series consists press photos of actors, artists, theatre companies and festivals received by Friedlander during the course of her work as a theatre critic and writer.

Series consists of photographs and personal memorabilia accumulated by and pertaining to Marilou McPhedran. The photographs in this series are predominantly commissioned portraits of McPhedran used for publication and biographical materials, but also include photographs taken at special events. Memorabilia in this series consists of autographed copies of books written by McPhedran's friends and colleagues.

Series consists of black and white head shots of Toronto Dance Theatre dancers and black and white and colour photographs of performances. In both cases, the photos were most likely used for front of house shots. The dancers and the show for which the photos were taken are identified on the backs of the photographs along with the photographers name if known.

Series consists of files maintained by Nancy Pocock and pertaining to her work as a refugee case worker. Files contain applications and testimonies of individuals and families applying for refugee status in Canada, correspondence with government bodies and other individuals and organizations concerned with the status of refugees as well as background information on respective applicants and/or their country of origin. The files have been arranged alphabetically by name of applicant or country of origin.

Series consists of records pertaining to the CIBPA Toronto's election dinner meetings held in May or June, often in conjunction with the association's annual general meeting, to elect members to the association's board of directors. These records document organization and planning for these events, membership attendance and instructions for voting. Files in this series consist of notices, ballots, newsletters, correspondence, nominations forms, financial statements, guest lists, sign-in sheets, scripts, candidate biographies and survey forms.

Series consists of artwork, posters, press clippings, publicity photographs, video elements for the CBC Life and Times episode about Air Farce, backstage photos, radio road trip photos, honors and awards such as the Walk of Fame, wrap parties, etc.

Series consists of records created by Janice Newton while completing her PhD research at York University and, later, adapting her dissertation into the 1995 monograph The Feminist Challenge to the Canadian Left, 1900-1918 (McGill-Queen's University Press). The records include research notes, correspondence, photocopies of primary source materials, lecture notes, scrapbooks, photographic prints and negatives, and an audio interview with Mary Ford, niece of Mary Cotton Wisdom.

Series consists of audio recordings of the CCMC's bi weekly performances and includes recordings by such musicians as Peter Anson, Paul Dutton, John Kamevaar, Nobuo Kubotu, Allen Mattes, John Oswald, Michael Snow, Casey Sokol and Jack Vorvis, among others.

Series includes general correspondence on matters aside from ICCSASW’s main work program, such as enquiries, letters of support, exchanges of information, etc.

Series includes miscellaneous records on topics related to overseas development, economic justice, trade union matters, government policies and other issues that could affect the work of trade union solidarity. Files include correspondence, mailing lists, miscellaneous photographs and reference material, as well as records relating to office administration, staffing etc.

Series consists of copyright files kept by Paul and Brenda Hoffert related to their own work as well as to the work of artists that they produced. The files contain certificates of registration for the Canadian Copyright Office, Publishers Registrations forms and other legal documents related to the copyright of songs.

Series consists of radio scripts including working versions from Roger Abbott (RA), Don Ferguson (DF), and "as taped" and "as broadcast" copies, outlines, sketch ideas, radio log, and production files pertaining to the Royal Canadian Air Farce radio shows.

Series consists of records created and used by Marilou McPhedran in the preparation of her 2004 book, "Preventing sexual abuse of patients : a legal guide for health professionals," co-authored with Wendy Sutton. These records document the research and writing undertaken for the completion of the book, as well as details of their publishing agreement with Butterworths, the book's publication and speaking events at which McPhedran and Sutton spoke on topics pertaining to the book. Files in this series include drafts, manuscripts, correspondence, journal articles, newspaper clippings, computer disks, video cassettes, and photographs.

Series consists of records pertaining to Mandel’s activities during his tenure as a professor at York University’s Osgoode Hall Law School from 1974 to 2013.

Series consists of publications by ICCSASW. ICCSASW published regular newsletters in English (“Sugar World”) and Spanish (“Mundo Azucarero”) throughout the years of its existence. For three or for years it also published newsletters in French (“Le Monde du Sucre”) and in Portuguese (“Mundo Açucareiro”). These publications carried news of unions, solidarity campaigns, changes in the industry, etc. There were also occasional research papers in English and Spanish, dealing in depth with different issues such as high fructose corn syrup (HFCS), violence, wage comparisons, diversification, women in the industry, Tate & Lyle, etc. Some files include correspondence related to ICCSASW's publications, as well as mailing lists and subscriber information.

The series consists of correspondence, certificates, articles, contracts and other financial documents, clippings, newsletters, diaries, note books and photographs created and/or accumulated by John Smith and relating to his personal life and interests.

Series consists of day planners maintained by Marilou McPhedran, spanning a 30-year period from 1973 to 2003. These records document McPhedran's scholastic, professional and personal activities, as they record course schedules, examinations, appointments and telephone numbers. Some day planners include photographs of McPhedran and her children taped in the covers, notes, and other loose items. Day planners for the years 1974, 1981, 1982 and 1984 are missing from this series. A note by McPhedran at the end of the 2003 day planner states that it will be her last because of a switch to an electronic Blackberry organizer.

Series consists of five video reels featuring Forer’s lectures on various aspects of cell division, produced by Glen-Warren Productions Limited and aired as five episodes of CTV’s University of the Air television program in 1978.

Consists of ratings information and audience research tracking the popularity of Air Farce radio and television programs.

Series consists of records created and accumulated by Marilou McPhedran relating to METRAC, its mandate and its activities. Records in this series document a number of METRAC's projects in the 1990s, including its involvement with the May-Iles inquest and other legal cases, public safety audits for the Royal Bank and the Toronto Transit Commission, an Ontario Women's Justice Network project, and the production of METRAC publications on stalking and domestic violence. Also included in this series are McPhedran's subject files regarding violence against women and children, METRAC administrative files, and files pertaining to meetings of METRAC's board of directors, on which McPhedran served as a member and/or chair during this period. Files in this series consist of correspondence, minutes, budgets, reports, agendas, financial statements, legal documents, memoranda, newspaper and magazine articles, journal articles, handbooks and pamphlets, notes, mission statements, and work plans.

Series consists of annual reports of Herzberg's professional activities; correspondence with the departmental chair, dean, and other faculty members; the faculty strike of 1996/1997; efforts over 20 years to restrict smoking at York; and other topics.

Series consists of a variety of records created and accumulated by Marilou McPhedran. These records reflect the scope of McPhedran's political, professional and research interests and activities. Subjects covered in this series include constitutional reform, women's health (national and international), feminism, family violence, sexual abuse, and workplace discrimination/harassment. Also documented in this series is McPhedran's participation in conferences, political campaigns and committee work. Records pertaining to some of McPhedran's contractual employment, articles written and her biographical information are also part of this series. Files in this series include notes, conference materials, brochures and pamphlets, journal articles, correspondence, newspaper clippings, memoranda, reports, CVs, electronic documents, and photographs.

Series consists of files pertaining to courses taught by Forer at York University’s Department of Biology. These files include course materials such as syllabi, outlines, reading lists, handouts, examinations and tests, as well as correspondence and Forer’s lecture notes.

Series consists of minutes of committee meetings, agendas, memos, contracts, correspondence with other organizations, reports and other material maintained by the TDT's general manager. Included are files which document the TDT purchase of its office at 80 Winchester, the Dance in Canada Conference at Expo 86, the 1994 Asian Tour and the Canadian Conference of Arts.

Series consists of files related to productions of "Anne of Green Gables : the musical," and any changes or modifications to the script. This includes correspondence, requests to perform the musical, photographs and ephemera pertaining to amateur productions, screenplays of the musical, reviews and newspaper clippings. Series also contains copies of the original script and proposed changes. Series further contains correspondence, resumes and photographs received during a casting call for a production of the musical.

Series consists of records pertaining to Maguire’s activities as a dancer, choreographer, teacher and arts organizer. These records, which include grant applications, photographs, letters of agreement, correspondence, proposals and notes, document Maguire’s work as an instructor in dance in the Faculty of Fine Arts at the York University, her independent choreography and dance projects, and her involvement with community arts education and dance instruction.

Series consists of records created and accumulated by Pat Fleisher between 1977 and 2008. The records in this series pertain to Pat Fleisher's involvement with the administration, curation and promotion of a number of ongoing group art shows, as well as art shows featuring her own photography. Documented in this series is Fleisher's work for annual group shows including the Art Expo Toronto, the Toronto Indoor Art Show, and the Artfocus Fall Annual Artists' Show, as well as solo shows she curated for herself and for other artists at Sassafraz Restaurant, Cantine, Starbucks, and Holy Blossom Temple in Toronto. Files in this series consist of correspondence, notices, flyers, pamphlets, photographs, computer disks, press releases, and posters.

Records in this series document Grossman’s political career as a member of provincial parliament for the riding of St. Andrew-St. Patrick and Cabinet minister in the governments of Premier Bill Davis. Includes: correspondence, subject files, meeting minutes, research notes, briefing notes, reports, clippings.

Series consists of records pertaining to gigs outside the regular broadcast season. For example, Live at the Bayview; stage show scripts; "symphony show" files including orchestral scores; tribute events; Farce Stage tour, etc.

Series consists of records created and accumulated by Peter Flemington as co-founder and Head of Programming and Development of VisionTV. Vision TV was the world’s first multifaith and multicultural national television channel which went on air in September 1988. Records in this series document the transition from the Canadian Interfaith Network, preparation for the successful application to the CRTC for a television license in 1987, planning for the channel’s launch in the fall of 1988 and subsequent day-to-day operations of the channel.

Includes: minutes, briefs, memos, policy documents, correspondence; programming files; CRTC applications and submissions; promotional materials including posters, press kits, viewer guides, press releases, and clippings; and files related to external partnerships and collaborations including the development of a new channel named Wisdom (“Canada’s Body, Mind, and Spirit”), later renamed ONE.

Series consists of papers, notebooks, notes, photographs, photographic slides, maps, and research materials created and/or used by Rahder while a graduate student at the University of Toronto’s Department of Urban and Regional Planning, where she completed her MSc (1977) and PhD (1985) degrees.

Series consists primarily of textual records documenting Sternberg's professorial and professional careers. These records include curation and course proposals, notes, and ephemera; resumes; conference materials; interviews; research; copies, typescripts, and drafts of published and unpublished works; screening, talks, and tour records; writings related to screening introductions; exhibition records; film festival programs and publications; posters; and film periodicals and newsletters. Also included are materials pertaining to Sternberg's work with the Community Arts Centre, a selection of published works by or belonging to Sternberg, and a copy of George Clark's essay "To the Distant Observer: On the Films of Barbara Sternberg." In addition to textual records, this series includes posters, DVDs, photographs, and 35mm slides.

Series consists of material relating to ICCSASW’s various committees. The ten-member Steering Committee was to meet annually and the Executive Committee was to meet on an ad-hoc basis. The Advisory Management Committee assisted on budgeting matters. Files contain committee meeting reports, resolutions, budgets, photographs, notes and some correspondence.

The series consists of research material, notes, manuscript and typescript drafts and proofs related to stories, essays, articles and book reviews written by Sheard, to her novels "Almost Japanese", "The Swing Era", "The Hypnotist", "Krank: love in the new dark times", and to her play "The House Guest". It also includes correspondence with publishers and publicity material for several of her works.

Series predominantly consists of general correspondence with and information about other dance companies. Records include fundraising documents, such as records of donations, corporate and foundation sponsorship and appeals, material from the Board of Director's Fundraising committee, samples of appeal letters, and related material.

Series consists of a Black-Canadian family’s home movies featuring everyday life including Carifesta, picnics in the park, Halloween, Christmas, birthdays, and vacations to the Commonwealth of Dominica. Footage captured by Althea Joseph Charles Seaman and Richard C. Seaman (the donor's parents).

Series consists of records accumulated and created by Pat Fleisher between 1975 and 2008. The records in this series pertain to Fleisher's work as an art magazine publisher and her acquisition of content for those publications, specifically relating to artist profiles and the promotion of art shows. These records include unsolicited artist portfolios, materials submitted to Fleisher for use in her Artfocus "cybergallery", and photographs of artwork and artist biographical materials accumulated by Fleisher for use in her magazines and/or for the production of Fleisher's freelance art-related writing. Files in this series consist of artist bios and CVs, art cards, newspaper and magazine articles, photographs, computer disks, and art show promotional materials.

Series consists of roughly chronological files containing financial statements, season reports, contract with performers, sales reports, grant applications, correspondence with outside organizations, programming proposals, publicity material including press releases, programs, media contact lists, clippings, photographs, and other material related to the activities and the performances of the Music Gallery.

Series consists of miscellaneous scripts, project ideas, etc.

Series consists of files pertaining to Dave Broadfoot productions managed and produced by Abbott-Ferguson Productions.

Series consists of home videos documenting an Argentine-Chilean family and friends in everyday life and at events such as picnics, parties, Christmas, and visiting the CN Tower and Niagara Falls.

Records in this series document Larry Grossman’s work with the Ontario Progressive Conservative Party as a member of provincial parliament and party leader. Includes: campaign materials; opposition research; polling data; policy papers; debate briefing books and research; press releases; campaign schedules/itineraries; clippings; and party convention delegate reports.

The events covered include the 1977, 1981, 1985 and 1987 Ontario general elections; Grossman’s unsuccessful campaign for leader of the party in January 1985 and his successful campaign in November 1985.

Series contains textual records and photographs pertaining to Sternberg's personal life, including medical information and personal correspondence. Included in the series is a file of Sternberg's correspondence with Canadian experimental artist and art educator Michael Fernandes.

Series consists of notes pertaining to enrolment processes and statistics, advisory information, etc.

Series consists of records documenting Herzberg's development of the block scheduling system.

Series consists of media coverage of Jean Augustine's professional activities as a member of Parliament, cabinet minister and community advocate, including video recordings of her public appearances, as well as recordings of her appearance on radio and television. Also includes music recordings and documentaries submitted to Augustine by members of the community and some lobby groups.

Series consists of records that pertain to the production of "For the record" television drama series. Records include correspondence, memoranda with CBC officials and colleagues, reports regarding the series' objectives and mandate, analysis of audiences and feedback ratings broken down by age and gender, meeting notes, handwritten script ideas and notes, copies of scripts, story proposals, press releases, promotional material and newspaper clippings. The series also includes files for several episodes that contain background research into production subjects, correspondence from viewers about episodes, budget estimates and resource requisition forms, various production-related schedules, and call sheets. Series also contains one file with photographs and six videocassettes of fourteen episodes.

The series consists of research files, time lines, successive drafts of scripts with revisions, casting lists, publicity films and other material relating to films produced and/or directed by John Smith including "The Boys of St. Vincent", "Dieppe", "Dangerous Minds", "A Cool Dry Place", "Random Passage" and "Prairie Giant : The Tommy Douglas Story" among others as well as numerous minor productions such as the award winning films as "Bargain Basement" (1976), "Revolution's Orphans" (1979) and "First Winter" (1980).

Series consists of lists of all the TAs, and Herzberg's notes from the TA meetings

and from the end-of-term TA reports. For the course-development years, the files are

grouped in this series; for the mature years, the files are located with other files for the selected years. There are also files related to a TA reunion held in 1999.

Series consists of video and audio recordings, correspondence, research material, notes and funding applications related to Rachel Zolf's work in film and video production. Series documents Zolf's work as a documentary and experimental filmmaker. Series also provides information about Larry Zolf, Rachel Zolf's father, whom Rachel Zolf researched for an experimental documentary, One line gag artist. Series includes correspondence with Margaret Atwood on the subject of the right to use Atwood's poem, "This is a photograph of me," in a video Zolf co-produced and directed.

Series pertains to Rahder’s work teaching urban planning and environmental studies courses at the University of Toronto, Ryerson Polytechnical Institute, Queen’s University and York University. Records in this series include course syllabi, reading lists, bibliographies, lecture notes, course handouts, teaching evaluations, student reports, memoranda, and a SSHRC grant application file.

Series consists of audio recordings of performances by a wide variety of local and international performers and/or composers, including all varieties of new music, electroacoustic, world music, and jazz. It includes recordings by James Tenney, Lubomyr Melnyk, Nihilist Spasm Band, Morton Feldman, bp nichol and Casey Sokol, Roy Kiyooka, Gil Evans, Rob Frayne, Nexus, CEE, Ken Vandermark, Michael Brook, Derek Bailey and Ron Sexsmith, among others. Supporting material includes program information, posters, reviews, and pictures.

Series consists of listener and viewer mail, both positive and negative, and responses from Abbott-Ferguson Productions and/or the CBC.

Series consists of records created and maintained by Pat Fleisher in her capacity as a founding member and treasurer of the Canadian branch of the International Association of Art Critics (AICA). These records are primarily notices and correspondence sent to members, but some files pertain to Fleisher's role in collecting membership dues for Canadian members and her travel to London to attend the 2000 AICA Congress. Files in this series also include a copy of a letters patent, grant application materials, a constitution and by-laws, and photographs.

Series consists of research and course notes, course outlines, lecture notes, quizzes, manuscript drafts, evaluations, newsletters, etc.

Series consists of files pertaining to Mandel’s work as a political activist. These records document the nature and breadth of Mandel’s involvement with issues including prison reform, abortion rights, the US invasion of Nicaragua, Israel and Palestine, the NATO bombing of Yugoslavia, and the wars in Afghanistan and Iraq. Mandel’s advocacy work as a lawyer and his involvement with legal cases and submissions to boards of inquiry and/or commissions are also documented in this series. Records in this series include correspondence, research materials, legal documents, newspaper clippings, press releases, speaking notes and petitions.

Series consists of master recordings for the Music Gallery's record label.

Series consists of audio cassettes and videocassettes, primarily of Larry Grossman’s media appearances and interviews on television and the radio. Also included are 3 videocassettes of Grossman family home movies and 3 audio cassettes related to the book by Peter Oliver "Unlikely Tory : the life and politics of Allan Grossman" (Toronto : Lester & Orpen Dennys, 1985).

Series contains orchestra parts for film, television, theatre and other productions, including 'Twelfth night,' (1986), 'Glory enough for all,' (1988), 'The Masseys,' (1977-1978), 'Love of gardens' and several other titles.

Series consists of records documenting Simpson's involvement in two major issues: the Vietnamese Boat People and refugee crisis of the late 1970s-early 1980s, and the fight against modern-day slavery in the 2000s. In the late 1970s, Simpson chaired the Mission and Services committee of the Metropolitan United Church in London, Ontario. He led the congregation's efforts to support the many refugee families who settled in London and to raise funds to sponsor additional families. Records relating to this work include the text of speeches Simpson made to the congregation, reports, correspondence, news clippings, research, newsletters of the United Nations Refugee Agency, and memoranda. More recent records pertain to Simpson's mentoring support role with the Harriet Tubman Institute for Research on the Global Migrations of African Peoples at York University. The Tubman Institute worked with the Schulich Business School of York University and other international partners to form a coalition to deal with social injustices, such as forced labour, in the global supply chain. Simpson provided guidance during the planning of an international forum "Bearing Witness, Ending Slavery" which was to be held (but did not end up taking place) in Newport, Rhode Island, in April 2009. For the Tubman Institute, the project was related to its research grant from the Social Sciences and Humanities Research Council (a Major Collaborative Research Initiative, or MCRI). These records consist of correspondence, the MCRI proposal, an MCRI milestone report, a "Process planning memo," and other planning documents for the Newport event. Series also includes a "Critical issues document" on the proposed Cross Cultural Learner Centre on the African diaspora.

Series consists of manuscripts, typesets, cover art, research materials, photographic prints and negatives, correspondence and notebooks. Series documents how Rachel Zolf researched, wrote and edited her poetry. Series also contains information about Zolf's efforts to have her work funded and published. In addition, series includes reviews of Zolf's published works. Correspondence includes letters written by or to Rachel Zolf on the subject of her poetry. Correspondents include Di Brandt, Betsy Warland, Beverley Daurio, Nathalie Stephens, Margaret Christakos, M.NourbeSe Philip, Erin Moure and Charles Berstein.

Series consists of records documenting the activities of each volume's editorial boards as well as the activities of the executive editor working with the boards. Includes correspondence, appointments to the boards, and subject files.